Best 2381 quotes in «childhood quotes» category

Sinto que há uma estranha eternidade naquilo que amámos e foi destruído. (I feel that there lies a strange eternity in that which we loved but has been destroyed.)

Sitting in his old schoolroom on the sofa with little cushions on the arms and looking into Natasha's wildly eager eyes, Rostov was carried back into that world of home and childhood which had no meaning for anyone else, but gave him some of the greatest pleasure in his life.

Small, inquisitive and solitary, the only child of an only son, growing up in rented lodgings or hotel rooms, constantly on the move as a boy, Anthony Powell needed an energetic imagination to people a sadly under-populated world from a child's point of view. His mother and his nurse were for long periods the only people he saw, in general the one unchanging element in a peripatetic existence.

Small boys often produce their own plays; but usually the parts are not written out. They hardly need to be, for the main line of each character is always "Stick 'em up!" In these plays the curtain is always rung down on a set of corpses, for small boys are by nature through and uncompromising.

So basically, you get to play Super Mario all you want, any time you want, for FREE!" "That is the single most amazing thing I've ever heard.

So I had nothing to distract me from my books and their other worlds that swallowed me whole, from Narnia to the Wisconsin woods, from a small town in Sweden to the red earth of Prince Edward Island. Nothing and no one interested me as much as my books.

Solange wir Kinder sind, denken wir nur selten an die Zukunft. Diese Unschuld ermöglicht es uns, uns zu vergnügen, wie nur wenige Erwachsene das können. Der Tag, an dem wir beginnen, uns Gedanken über die Zukunft zu machen, ist der Tag, an dem wir unsere Kindheit hinter uns lassen.

Soldats de plomb… Soldats de plomb, ô, toute mon enfance, quand Hetmans aux cheveux blonds, nous déployions une cohue De héros immortels, oubliés dans quelque bahut, De preux sans crainte en immobiles rangs. Et, nous les enfants, avec nos sabres en bois, partions nous quereller En portant comme étendard des serviettes au soleil flottant. Quel corps à corps, quelle raclée sous les mûriers du verger ! Et après la bataille, combien de morts fuyaient en riant… Ô ! où donc es-tu, guerre, époque innocente ! Maintenant la lutte hurle et la blessure déchirée se lamente, Et les morts meurent vraiment de leur amour de la patrie. Quel dieu-enfant se penche sur les hommes-jouets, Et le soir, les renversant dans les noirs coffrets, Dans les tranchées les poupées de cire ensevelit ?

Some details in life may look insignificant but appear to be vital leitmotifs in a person's life. They may have the value of "Rosebuds" of Citizen Kane or "Madeleine cookies" of Marcel Proust or "Strawberry fields" of the Beatles. People regularly walk down the memory lane of their early youth. The paper boats of their childhood are recurrently floating on the waves of their mind and bring back the mood and the spirit of the early days. They enable us to retreat from the trivial, daily worries and can generate delightful bliss and true joy in a sometimes frantic and chaotic life. ("Paper boats forever" )

Some may argue that we shouldn't shelter our children. We should let them see and experience the sins that are all around us. By keeping the children unaware, they say, we are preventing the development of their defenses. I disagreed. We have our whole lives to experience the ugliness, our whole lives to grapple with society's misplaced priorities. Trying to give a child a childhood was nothing to be ashamed of.

Somehow, the days of summer with their glimmering enchantment of dancing ladybugs and sailing clouds had faded into grey. Maddie’s heart had somehow faded with it.

Some stories are rooted in adventure, some in strife. Others are born of the heart, and the horrors and the joys locked therein are often immeasurable, and make us truly wonder what became of those children we once were.

Something can only become an illusion after disillusionment. Before that, it is something real.

Sometimes, as a great treat, I was allowed to remove Nursie's snowy ruffled cap. Without it, she somehow retreated into private life and lost her official status. Then, with elaborate care, I would tie a large blue satin ribbon round her head - with enormous difficulty and holding my breath, because tying a bow is no easy matter for a four-year-old. After which I would step back and exclaim in ecstasy: "Oh Nursie, you ARE beautiful!" At which she would smile and say in her gentle voice: "Am I, love?

Sometimes a thing happens that's so bad that it feels like things should be made to look on the outside, the way they feel on the inside.

Sometimes I fantasize about getting my hands on my library records. . . my recurring bookworm dream is to peruse my personal library history like it's a historical document. My bookshelves show me the books I've bought or been given. . . But my library books come into my house and go out again, leaving behind only memories and a jotted line in a journal (if I'm lucky). I long for a list that captures these ephemeral reads - all the books I've borrowed in a lifetime of reading, from last week's armful spanning back to when I was a seven-year-old kid with my first library card. I don't need many details - just the titles and dates would be fine - but oh, how I'd love to see them. Those records preserve what my memory has not. I remember the highlights of my grade-school checkouts, but much is lost to time. How I'd love to see the complete list of what I chose to read in second grade, or sixth, or tenth.

Sometimes I have trouble falling asleep but it's not so bad I don't worry and I don't weep. In fact I'm glad. Because I get up off my pillow and I flip on the light. I get down and get hip in the still of the night I stretch and I yawn and then I breathe real deep And dance myself to sleep. I hoof around my beddie just a-tappin' my toes Before I know what's happened I'm a-ready to doze Got some partners I can count the boogie-woogie sheep I dance myself to sleep.

Sometimes, It's awesome to be childish with your partner .Otherwise you are missing out.

Sometimes It's awesome to be childish with your friend or partner.

Sometimes Midas suspected that life was a film with subliminal messages. Things would move along with an acceptable degree of predictability, then be punctuated by some horrible childhood memory.

Sometimes we don't want to be tethered to yesterday. It's nicer to forget. Maybe the gaps in our memory are there for a reason, evolutionary perhaps, to give us the space to grow, to get away from childishness or childish things. Or maybe it's so we have the chance to invent, or at least include, some magic in our yesterdays, surely the consolation of getting older, of moving away from youth, is that we can shape our past to our fantasies. So, even if the present isn't going the way we want it, we can stand and remember our earlier selves as exciting and funny and daring

Sometimes when I recall the abominations of that barbarous Russian life I question whether they are worth dwelling on. But on further consideration I am convinced that they demand being exposed, for they are the vicious tenacious truth, which has not been exterminated to this very day. They represent a truth which must be exposed to its roots and torn out of our grim and shameful life - torn out of the very soul and memory of man. But there is another, more positive reason impelling me to describe such horrors. In spite of their repulsiveness and they way in which they mutilated what would otherwise be fine natures, the Russian is sufficiently young and wholesome in spirit to abolish such things and he will surely do so. Our life is amazing not only for the vigorous scum of bestiality with which it is overgrown, but also for the bright and wholesome creative forces gleaming beneath. And the influence of good is growing, giving promise that our people will at last awaken to a life full of beauty and bright humanity.

Sometimes the people with the worst childhoods make the best parents. They're more emphatic because of what they have endured.

So they all went home afterwards. My sisters and I sat on the veranda and cried until a storm drove us inside. We agreed to meet in the barn loft for crying once a week but after a while we forgot. Once we did but nobody could work up a cry and we started playing wolves and chickens and Little Mary had to be the chicken and Savannah shoved her out of the loft and broke her collarbone. The hearts of children are hard naturally because of their short memories. Everything they play with becomes true and unquestionable such as an acorn cap for a Holy Grail, such is the power of the untrained mind, and all our training of it is both of advantage and not.

Sometimes your kids will say the nastiest things, won't they, Rose? You want to ask,'Whose child is this?'" Rose chuckled. "But usually, they're just in some kind of pain. They need to work it out.

Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.

So, Strand looked at me, and he said, 'You should write about all this someday.' And I said, 'You mean about all the terrible privations and wrenching traumas from my childhood?' And he said, 'Yes, it would be hilarious!' And I said, 'You mean...nonfiction?

So what was Jonah like before high school? As a kid?” “As a kid?” Hallelujah brings up the picture in her mind. “He was . . . sweet, I guess. Dorky. He’d wear these outfits his mom picked out—pleated khaki pants and polo shirts, with his hair slicked down with gel. And he would get really enthusiastic about things. Too enthusiastic. He went through this cowboy phase where he wore a cowboy hat and boots to school every day. Didn’t care what anyone thought.” The mental image makes her smile. “And he and Luke were best friends?” “Starting in middle school, yeah. They played soccer together.” “Huh.” Rachel pauses. “So when did Jonah get cute?” “He was still pretty short in middle school. And skinny. But he did start dressing better.” “No more pleated khakis?” “No more pleated khakis. And then the summer before ninth grade, he had this growth spurt. And he started to, uh, fill out. So I guess ninth grade is when I noticed . . .” Hallelujah fades off. “This is embarrassing.” “No, it’s not. This is what girls talk about.” Rachel grins. “Besides. I wanted to see if you were paying as close attention to him as he was to you.” “I didn’t realize I was. We were just friends.” “You can be friends and still objectively notice someone’s cuteness.

So young a child," said the gentleman sitting opposite to her, (he was dressed in white paper,) "ought to know which way she's going, even if she doesn't know her own name!

Sometimes when the three of us were together on our own, we would have a good time. I was pretty young, but sometimes we would go off in the woods and build forts and fight Indians and I think things were about as close to fine as they ever got right then during those times. In the woods. No parents. No yelling.

Sometimes, when you were thinking about something, trying to understand it, it opened up in your head without you expecting it to, like it was a soft spongy light unfolding, and you understood, it made sense forever…

Sometimes, without effort, you live in the moment. You don't regret the past or worry about the future, and in that moment everything flashes before your eyes , a clear snapshot of what has to be done, and everything pauses.

So to all who are situated as I am, I would say--Grow up as fast as you can.

so we were playing all this game then and thinking that to be a soldier was to be the best thing in the world because gun is looking so powerful and the men in movie are looking so powerful and strong when they are killing people,but I am knowing now that to be a soldier is only to be weak and not strong, and to have no food to eat and not to eat whatever you want, and also to have people making you do thing that you are not wanting to do and not to be doing whatever you are wanting which is what they are doing in movie. But I am only knowing this now because I am soldier now.

Stand to attention, soldier" My grandfather's gentle voice spoke. I saluted him as I had been shown. "At ease," he spoke again. Then he pinned his medals to my shirt One by one, those shining disks Almost holy to me The proof of what I knew He was my hero

Stanley forced a smile to his lips at the memory of the onesided romance; it was silly, after all, a stupid childhood crush. Who’d fall in love with a fictional character? That was the kind of thing you laughed about as an adult. Or at least Harriet had thought so. He couldn’t quite do it, though. Couldn’t quite see it as a joke. It had felt too real, too raw and wild and fierce, for him to dismiss it even now. It was love, of a sort, stunted and unformed as it was. For a time, it had kept him sane.

Still, children seem like empty vessels who pick up on everything and are so affected by their surroundings. I mean, that's what they tell me in therapy and it seems to be true. Stuff I don't consciously remember affects my behavior every day. I see that now

Suddenly I was struck motionless: I was living through the first chapter of a novel in which I was the heroine; she was still almost a child, but we, too, were growing up.

Su estado de ánimo ante la Mica era un caso especial, diferente del estado de ánimo de sus amigos. Y si no, ¿por qué Roque, el Moñigo, o Germán, el Tiñoso, no adelgazaban tres kilos si la Mica marchaba a América, o un par de ellos si solo se desplazaba a la ciudad, o engordaban lo perdido y un kilo más cuando la Mica retornaba al valle por una larga temporada?

Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish. A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.

Summer on the farm was glorious. Peter spent as much time out of doors as possible, and he had many playmates, since all the children were free from their spring and autumn duties of tending crops or going to school. Peter had become the leader of a merry band of youngsters, aged six to fourteen, who followed the Wild Boy wherever he went and seemed to understand his unintelligible noises. If they did not understand, then they pretended to. The life of a princess has many advantages, but I envied those children for their time with Peter and for what seemed to me to be a simple, carefree existence.

Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.

Tâm hồn trẻ thơ trong con người như cái mầm trong hạt, không có mầm thì hạt không bao giờ mọc lên được. Và bất kể những gì đang chờ đợi chúng ta ở trên đời, sự thật vẫn đời đời bất diệt, chừng nào con người ta còn sinh ra và mất đi... (Con tàu trắng)

Svi su (u to jednim dijelom i danas vjerujem) zvali svoje prijatelje iz mraka i s njima potajno razgovarali.

Teach the children compassion and empathy, for all creatures are born selfish.

Teaching a boy to be a man is the primary job of a father.

Thank you! ....for sharing your childhood with me so I could experience the all joys that were missing in mine

That first day at school, maybe an agonising parting from your parents. The face of a loved one lost. A pullover knitted by your granny. A favourite toy. A doll, perhaps. A book of rhymes, tattered and torn. Someone who gave you a flower, a kiss on the forehead. To the end of your days you will carry that kiss with you. And may it protect you from all harm.

That is why the childhood is the best what we have! ... I Love you, Man ..... Hesham Nebr ---------------------------------------------- لهذا الطفولة هي افضل ما نمتلك .......... احبك ايها الرجل !!

That is the problem with being twelve. All the grown-ups think they have a right to know your business.