Best 2381 quotes in «childhood quotes» category

There is no land like the land of your childhood.

There is such a place as fairyland—but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way to fairyland.

There is truth in stories. There is truth in one of your paintings, or in a sunset or a couplet from Homer. Fiction is truth, even if it is not a fact. If you believe only in facts and forget stories, your brain will live, but your heart will die. hehe skl kanami dan

There's an inexplicable joy that exists on a brown child's face and in the way they navigate their world long before they discover they're hated.

There's a weight in the room now, a remembrance of childhood. It sinks like a stone, or a heart, or my weight on a good day.

There’s a wound most troubled boys share, which, at its core, comes from the feeling that they don’t have their father’s unconditional love.

There's one best thing about childhood our genuine smile...

There's something about the smells of your childhood, isn't there? ... You still remember those small sublime joys with an ache of longing because there's no getting it back, is there? You cannot return to a state of innocence.

There's the parent you want and the parent you have.

There was a time when that kind of thing looked like the kingdom of heaven, but somewhere along the line it had lost its glow. Maybe that was just the cost of growing up. And maybe the cost of growing up was too high.

There was plenty going on in and around the town. With the War Effort there used to be parties and dances, travelling circuses, fairs, cinemas and the like to cheer people up. There weren’t many men about. “Our boys are away fighting” the women used to say. Things went onto rationing and everyone was given a gas mask. Mine was a pink one called a Mickey Mouse mask.

These were the moments that would stick in her memory for years to come, those instants of perfect bliss that nothing else would ever match again.

the sage Lenny Millstein, who not only was an excellent basketball man but an excellent person as well, who knew how to handle fourteen-year-old boys because he understood that fourteen was the worst possible age on the calendar of human life, and therefore all fourteen-year-olds were confused and fractured beings, not one of them a child anymore and not one of them an adult, none quite right in the head or at home in his unfinished body, and in the furnace of that claustrophobic arena of

The sepia tone of November has become blood-soaked with paper poppies festooning the lapels of our politicians, newsreaders and business leaders … I will no longer allow my obligation as a veteran to remember those who died in the great wars to be co-opted by current or former politicians to justify our folly in Iraq, our morally dubious war on terror and our elimination of one’s right to privacy.

The secret of childhood happiness is to succeed to be happy with the simplest things ever possible!

These three children own the summer. They know the wood as surely as they know the micro landscapes of their own grazed knees; put them down blindfolded in any dell or clearing and they could find their way out without putting a foot wrong. This is their territory, and they rule it wild and lordly as young animals; they scramble through its trees and hide-and-seek in its hollows all the endless day long, and all night in their dreams.

The sword was called Kaledvoulc'h, which means hard lightning, though Igraine prefers to call it Excaliber, and I shall call it so as well because Arthur never cared what name his longsword carried. Nor, did he care about his childhood, for certainly I never heard him speak of it. I once questioned him about his early days and he would not answer. “What is the egg to the eagle?” he asked me, then said that he had been born, he had lived, and he had become a soldier, and that was all I needed to know.

The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines.

The stove, she knew, wished it were a volcano, the humble teaspoons wished they were steamshovels, and the sink wished it were a well so all the others could have their wishes. Yet they all stayed exactly the same no matter what they wished, no matter what they saw and heard.

The uncertainty of the future made them turn their hearts toward the past. They saw themselves in the lost paradise of the deluge, splashing in the puddles in the courtyard, killing lizards to hang on Úrsula, pretending that they were going to bury her alive, and those memories revealed to them the truth that they had been happy together ever since they had had memory.

The thing about fear that no one tells you is that it's like the cup in the myth of Thor: you can drink and drink and you will never be done. Fastidiously, steadily, without consciousness, you can devote everything you have to being afraid. Through dedication-- or mere habit, really-- fear becomes as hardwired within you as the length of your scrawny limbs or the color of your turd-brown eyes. Fear doesn't define you, fear /is/ you: your breath, your eyes, your ears, your mouth. /You/ are the house ablaze. You are the earth being torn apart. You are the masked men, their hunger, their rage. You are the vacant eyes of what really happened in Vietnam. Until something real happens. When something real happens, you're not even afraid anymore. Brittle, maybe, or a little coarse. Fear leaves and a kind of anger settles in its place. And you know what? There was never any point! The sleepless nights, the churning in your gut, the gnawed-down fingernails-- what a waste! Because the most frightening thing possible will never even occur to you. If anything, /that's/ what's you should fear. That you will never, ever anticipate the thing you should have feared the most.

The truth of the matter was something much more subtle and tremendous than any plain physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of their own wild natures, yet in every movement confirming the law), the whole tangled horror that had tormented me finally presented itself to me in its truth and beautiful shape. And I knew that the first, blind stage of my childhood had ended.

The very matrix of our ability to love and bond in later life, maternal sensitivity – or lack thereof – also determines cultural tenor.

The warm night claimed her. In a moment it was part of her. She walked on the grass, and her shoes were instantly soaked. She flung up her arms to the sky. Power ran to her fingertips. Excitement was communicated from the waiting trees, and the orchard, and the paddock; the intensity of their secret life caught at her and made her run. It was nothing like the excitement of ordinary looking forward, of birthday presents, of Christmas stockings, but the pull of a magnet - her grandfather had shown her once how it worked, little needles springing to the jaws - and now night and the sky above were a vast magnet, and the things that waited below were needles, caught up in the great demand. ("The Pool")

They didn't really have a childhood. Just them and Mom and then her liver went and she died and it was just them. Except they never learned to be grown-ups. And they never learned to be just kids, either. Stuck in never-never land. Kinda sad.

The world is full of all sorts of brilliant stuff and I haven't found out all about it yet, so I don't want anyone messing it about or endin' it before I've had the chance to find out about it. -Adam to DEATH & the 4 horsepeople of the Apocalypse

The worst part of childhood is not knowing that bad things pass, that time passes. A terrible moment in childhood hovers with s kind of eternity, unbearable.

They climbed the wide stairways. Their footsteps echoed and echoed through the house. "What on earth will you be doing with something so large?" said Mum. "I shall live in it with my servants, of course," said Mina. "Or I shall establish a school." "A school, my lady?" "Yes. A school for the writing of nonsense and the pursuit of extraordinary activities.

The world would be a brighter, happier place, if we could only remember our childhood wonder.

They had laid the tender, down-ruffled little bird on a platter and appeared now to be pondering a way to eat out its heart without causing it distress.

They say that as one grows older one mellows, become more tolerant. Perhaps. Sometimes I think it is more a stripping off, a peeling away of irrelevancies. But somehwere in youth, as childhood is left behind, certain truths about ourselves become apparent, and once we recognise them, we must abide by them.

They say a happy childhood is a lousy preparation for life. Kids who spend their playground days fat, ginger or gay know the truth.

They sealed this promise by hooking pinkies, the way they used to, long ago, when promises didn't hurt as much.

They soon stopped being ten years old. But whatever age they were seemed to be exactly the right age for having fun.

They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they woke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish-–something they heard, something they had picked up in the garden. They had all their little treasures. . . And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and he believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries––perhaps that was it. He had always his work to fall back on.

They thought more before nine a.m. than most people thought all month. I remember once declining cherry pie at dinner, and Rand cocked his head and said, 'Ahh! Iconoclast. Disdains the easy, symbolic patriotism.' And when I tried to laugh it off and said, well, I didn't like cherry cobbler either, Marybeth touched Rand's arm: 'Because of the divorce. All those comfort foods, the desserts a family eats together, those are just bad memories for Nick.' It was silly but incredibly sweet, these people spending so much energy trying to figure me out. The answer: I don't like cherries.

The zeal of kids is to explore! Until you know how to sustain the real interest of your child, the real interest of your child shall be sustained by something else!

Think of the Christmas present of gashes you opened when, in an attempt to be Superman, you slid in stocking feet on a slippery wood floor and crashed half way through a window. Hopes of heroism dashed on the heels of no clear sighting of Santa.

This is a feeling that you had, Quentin,' she said. 'Once, a very long time ago. A rare one. This is how you felt when you were eight years old, and you opened one of the Fillory books for the first time, and you felt awe and joy and hope and longing all at once. You felt them very strongly, Quentin. You dreamed of Fillory then, with a power and an innocence that not many ever experience. That's where all this began for you. You wanted the world to be better than it was.

This is a feeling that you had, Quentin, she said. Once, a very long time ago. A rare one. This is how you felt when you were eight years old, and you opened one of the Fillory books for the first time, and you felt awe and joy and hope and longing all at once. You felt them very strongly, Quentin. You dreamed of Fillory then, with a power and an innocence that not many people ever experience. That's where all this began for you. You wanted the world to be better than it was.

This intense, black-blooded girl who lived like she was juggling chainsaws, like she was just waiting for the moon to open its mouth and swallow her whole

This is the great world, and I am only Kim. Who is Kim?' He considered his own identity, a thing he had never done before, till his head swam. He was one insignificant person in all this roaring whirl of India, going southward to he knew not what fate.

This is part of the answer to the riddle of childhood unhappiness: their minds need, and deserve, a whole world of utterly unfenceable freedom where everything has othering, everything is radiant with the possibilities of elseness.

They say adolescent 'best' friendships are like love affairs where we learn the rules of relationships: commitment, trust, loyalty, jealousy, exchange, loss. Not being acquainted with the theories of friendship, Charles and Lise chose each other out of good humoured envy. Each wanted the life of the other.

They say a happy childhood is a lousy preparation for life. Kids who spend their playground days fat, ginger or gay know the truth. The world has always been full of vicious predators. For plenty of people this carnage and savagery is business as usual.

This framing accents the importance of building a tidier system, one that incorporates the array of existing child care centers, then pushes to make their classrooms more uniform, with a socialization agenda "aligned" with the curricular content that first or second graders are expected to know. Like the common school movement, uniform indicators of quality, centralized regulation, more highly credientialed teachers are to ensure that instruction--rather than creating engaging activities for children to explore--will be delivered in more uniform ways. And the state signals to parents that this is now the appropriate way to raise one's three- or four-year-old. Modern child rearing is equated with systems building in the eyes of universal pre-kindergarten advocates--and parents hear this discourse through upbeat articles in daily newspapers, public service annoucement, and from school authorities.

This story sounds as though it were invented, but it is true from beginning to end. There are people who have to pay for the smallest things in life with their very substance and their spinal cord. That is a constantly recurring pain, and then when they are tired of suffering… Does not mother love belong to the ‘smallest’, but also indispensable, things in life, for which many people paradoxically have to pay by giving up their living selves?

This was both startling and comforting, and when the eye combined these separate things into a unity so strange, past all disjoining, one was curiously reminded of something, transposed into some mode that lay beyond convention far back in childhood, and the unsolved riddle was like a sign that had emerged from the sea of memory.

Those faces on Main Street shaded by wide straw hats are surrounded in my child-memory by hardware and ploughs, seed bags and bales of cotton, the smell of guano and mule lots, hot sun on sidewalks and lovely white ladies with sweet childlike voices and smooth childlike faces, and Old gardens of boxwood and camellias, and fields endlessly curving around my small world. I know now that the bitterness, the cruel sensual lips, the quick fears in hard eyes, the sashshaying buttocks of brown girls, the thin childish voices of white women, had a great deal to do with high interest at the bank and low wages in the mills and gullied fields and lynchings and Ku Klux Klan and segregation and sacred womanhood and revivals, and Prohibition. And that no part of this memory can be understood without recalling it all of it.

This tiny, white-washed Infants' room was a brief but cosy anarchy. In that short time allowed us we played and wept, broke things, fell asleep, cheeked the teacher, discovered things we could do to each other, and exhaled our last guiltless days. My desk companions were those two blonde girls, already puppyishly pretty, whose names and bodies were to distract and haunt me for the next fifteen years of my life. Poppy and Jo were limper chums; they sat holding hands all day; and there was a female self-possession about their pink sticky faces that made me shout angrily at them. Vera was another I studied and liked; she was lonely, fuzzy and short. I felt a curious compassion for stumpy Vera; and it was through her, and no beauty, that I got into trouble and received the first public shock of my life. How it happened was simple, and I was innocent, so it seemed. She came up to me in the playground one morning and held her face close to mine. I had a stick in my hand, so I hit her on the head with it. Her hair was springy, so I hit her again and watched her mouth open up with a yell. To my surprise a commotion broke out around me, cries of scandal from the older girls, exclamations of horror and heavy censure mixed with Vera's sobbing wails. I was intrigued, not alarmed, that by wielding a beech stick I was able to cause such a stir. So I hit her again, without spite or passion, then walked off to try something else.