Best 2381 quotes in «childhood quotes» category

Our voice of conscience is the result of our social conditioning, which becomes a ‘learned instinct’. If you feel bad when you lie, it may not be because of the voice of your soul but because you have been taught since your childhood to tell the truth and not to lie. Over the course of time, the need to speak truth sinks into your subconscious mind and become your consciousness and your learned instinct.

Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?

Over the years our mother has beaten us with belts, shoes, rulers, extension cords, hair brushes, a wooden spoon, a fly swatter, a toilet brush, wire coat hangers, wooden coat hangers and sometimes one of our own toys. When you get whacked by your own paddleball paddle or you have to watch your sister getting spanked with a badminton racquet that she asked Santa Claus (AKA Grandma) to bring, you don't feel much like playing with those things ever again.

p2 I'd seen a photo of the actual red and white checked notebook that was Anne [Frank]'s first diary. I longed to own a similar notebook. Stationery was pretty dire back in the late fifties and early sixties. There was no such thing as Paperchase. I walked round and round the stationery counter in Woolworths and spent most of my pocket money on notebooks, but they weren't strong on variety. You could have shiny red sixpenny notebooks, lined inside, with strange maths details about rods and poles and perches on the back. (I never found out what they were!) Then you could have shiny blue sixpenny notebooks. That was your lot. I was enchanted to read in Dodie Smith's novel I Capture The Castle that the heroine, Cassandra, was writing her diary in a similar sixpenny notebook. She eventually progressed to a shilling notebook. My Woolworths rarely stocked such expensive luxuries. Then, two thirds of the way through the book, Cassandra is given a two-guinea red leather manuscript book. I lusted after that fictional notebook for years. I told my mother, Biddy. She rolled her eyes. It could have cost two hundred guineas - both were way out of our league... My dad, Harry, was a civil servant. One of the few perks of his job was that he had an unlimited illegal supply of notepads watermarked SO - Stationery Office. I'd drawn on these pads for years, I'd scribbled stories, I'd written letters. They were serviceable but unexciting: thin cream paper unreliably bound with glue at the top. You couldn't write a journal with these notepads; it would fall apart in days... My spelling wasn't too hot. It still isn't. Thank goodness for the spellcheck on my computer!

Parent should never forget the great excitement they felt for the birth of a new born into the world.

Parents who do not give their children clear messages that they are loved, whether by words or appropriate displays of affection, such as being held, cuddled, hugged, kissed, having hands shaken, and being patted on the back, are not meeting their sons' and daughters' emotional needs.

Parenthood is some people’s subconscious revenge for having been brought into existence without their consent.

Parents expect only two things from their children, obedience in their childhood and respect in their adulthood.

Parents who daily read Robert Lewis Stevenson to their children and surrounds them with blocks, plastic animals, and some cardboard boxes or kitchen pots and pans are going to produce a qualitatively different child from those who spend that time on TV or videos, even if their choices ARE only Winnie the Pooh and Mr. Rogers.

Parla abbastanza a lungo con qualcuno e tirerà fuori la storia del tempo. Ma il tempo non guarisce veramente le ferite, non allontana affatto il dolore - fa il contrario. Il tempo dà altro tempo alla ferita d'infettarsi e dà a noi il tempo di tornare sui luoghi di quel dolore. È come l'infanzia, in fondo. Si dice che si cresce, ci si lasciano alle spalle certe cose, ma non è così: l'infanzia cresce insieme a noi, ce la portiamo avanti. Viviamo e non facciamo altro che rivivere quelle paure e quei piaceri, quelle scoperte e quegli abbandoni. Specialmente quegli abbandoni. Veniamo abbandonati, delusi, traditi dalle stesse persone per anni - per sempre. Allora a che serve dire che è passato del tempo? In che modo dovrebbe aiutarci?

Part of the job of adults was to set limits. But the last rule, the unspoken rule of any story or journey, is that all limits are suspect. All warnings show only the point where the last story stopped, the boundary past which the map is unmapped. The Kingdom of Here There Be Dragons is the province of explorers, magicians, and kids.

Pedophiles the world over. If you want to do that insufferable thing you do without care, concern, and/or worry; become a Catholic priest. Birds of a feather.

[Peggotty] gave me one piece of intelligence which affected me very much, namely, that there had been a sale of the furniture at our old home, and that Mr. and Miss Murdstone were gone away, and the house was shut up, to be let or sold. I had no part in it while they remained there, but it pained me to think of the dear old place as altogether abandoned; of the weeds growing tall in the garden, and the fallen leaves lying thick and wet upon the paths. I imagined how the winds of winter would howl round it, how the cold rain would beat upon the window-glass, how the moon would make ghosts on the walls of the empty rooms, watching their solitude all night. I thought afresh of the grave in the churchyard, underneath the tree: and it seemed as if the house were dead, too [...].

Peki, niçin bize en gizli sırrını açmıştı? Nedenini sordum. -Çünkü siz çocuksunuz. Anlarsınız.

People ask me where I got my x-ray powers. I inherited them from my parents in parental supervision. Erase the dots and your doubts if you think that I was 'raysed' alone.

People never grow up, they just learn how to act in public.

People say they miss the deceased. I missed my father and my mother when they were still fully alive. They travelled through my childhood in the same way they moved around the hotel: my mother industrious, hurried, hidden; my father drunk, flamboyant, alone.

...people who don't live at least a little bit in fear, have nothing left to live for.

People who grew up in major cities may wonder why the hell I would act like it's a big deal to be unaccompanied in New York City at that age. It's populated with both adults and children, it's a functioning metropolis, Kevin McCallister was only ten in Home Alone 2: Lost in New York, and that kid saved Christmas. Conversely, people from suburban areas act like my parents sent me wandering around the site of the Baby Jessica well, blindfolded and holding a flaming baton. So pick a side and prepare to judge me either way!

People who grew up in major cities may wonder why the hell I would act like it's a big deal to be unaccompanied in New York City at that age. It's populated with both adults and children, it's a functioning metropolis, Kevin McCallister was only ten in Home Alone 2: Lost in New York, and that kid saved Christmas. Conversely, people from suburban areas act like my parents sent me wandering around the site of the Baby Jessica well, blindfolded and holding a flaming baton. So pick a side and prepare to judge me wither way!

People will drive by their high school ten years down the road, just so they can pretend that thinking "not much has changed" is actually true. When really, everything has changed. The air smells the same, but the roads have cracked more. The roads have cracked so much they now look like the skin on a crocodile's back. And all the fields, green in the summers, golden in the autumns, have all been paved over with new reasons to never come back.

Peter Pan has to be the book of my childhood. Come to think of it, it's the book of my adulthood too. It's a book which, in the reading of it, takes me back to editions that I've had and lost, with various illustrators' work in them. It brings back moments sitting reading it with my mother. It brings back my first contact with the Disney cartoon. It brings back standing in the play-yard when I was a kid, when the wind was really blowing, and closing my eyes, spreading my arms and pretending I could fly. It brings back childhood dreams of flying. It brings back the first encounter I ever had with an invented world... Never Never Land was really the first journey I took to an invented world which I believed in wholly and completely. I remember the immense solidarity that I felt with the Lost Boys, with Peter, with the Indians - how much I wanted to be a Red Indian - how much the saving of Tiger Lily meant to me as a kid, how much I wanted to one day wake up and save an Indian squaw from drowning.

Place Saint-Sulpice, la main dans la main de ma tante Marguerite qui ne savait pas très bien me parler, je me suis demandé soudain: "Comment me voit-elle?" et j'éprouvai un sentiment aigu de supériorité : car je connaissais mon for intérieur, et elle l'ignorait; trompée par les apparences, elle ne doutait pas, voyant mon corps inachevé, qu'au-dedans de moi rien ne manquait; je me promis, lorsque je serais grande, de ne pas oublier qu'on est à cinq ans un individu complet.

Phoebe realized how very wrong she’d been about this house, this family. It was far darker, more dangerous than the places she’d grown up in. In the dingy little apartments her mother rented, everything was out in the open. Their lives were dirty and squalid, but they didn’t pretend to be anything else. Here, things seemed so normal, so perfect, but it was all a deception.

[photography]... wanted to understand, to master for myself, all the processes involved, and to manipulate them in my own way.

Pete thinks we all have a blacking factory: some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth.

Play is the highest form of research.

Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.

Play is fun, but is also meaningful and complex. The more intelligent the animal, the more it plays.

Play is also a way to be close and, even more important, a way to reconnect after the closeness has been severed. Chimpanzees like to tickle one another's palms, especially after they have had a fight. Thus, the second purpose of play serves our incredible - almost bottomless - need for attachment and affection and closeness.

Play with your dolls for not more than half an hour, no more than fifteen minutes, no more than a second, a millisecond. If you learned math as fast as you ran outside to play, then you might be a genius. But you do not and you are not. You're a hole where knowledge goes to sleep.

Podré olvidar muchas experiencias de la vida, pero no las de la infancia. Siempre recuerdo aquel verso que dice: ¡Oh, infancia! ¡Oh, mi amiga! Y lo que importa en él es lo que no se dice. Nuestra infancia es ciertamente nuestra amiga, pero nosotros no fuimos amigos de nuestra infancia porque entonces no existíamos como somos ahora. Aquel ser desvalido que fuimos a veces nos conmueve porque nadie pudo comprenderlo del todo, salvo nosotros... que todavía no estábamos a su lado.

Pronto comenzamos a dudar de la cigüeña de París, de dónde somos y cómo hemos llegado hasta aquí. Nos perdemos en el terreno de responsabilidades, el Coco no está, nos dormimos tranquilos, terminan los infantilismos, y con ellos, los gusanos de seda. Nos parten la corona de papel albal, aprendemos a despedirnos y dejamos de tirarnos por el tobogán.

Polly had arrived in the world outraged to discover that her sisters had gotten there before her.

Recalling his first dreams of flight when he was a small child, Max acknowledged that his entire existence had been building up to this tipping point where he could finally choose to release his self-imposed limitations.

Remember when we were children and life was simple; how I yearn to return to those days.

Redwing had read somewhere that one of his favourite writers, Ernest Hemingway, had been asked what was the best training for a novelist. He had said “an unhappy childhood.” Redwing had enjoyed a fine time growing up, but he wondered if this whole expedition was unfolding more like a novel, and would be blamed on one person, one character, the guy in charge: him. Maybe you got a happy childhood and then an unhappy adulthood, and that’s how novels worked.

Resiliency is not gender-, age-, or intellectually specific...

Resiliency is the essence of a global positive framework...

Revolted and offended, this child was fighting her mother in her head and did not even blink.

School came to bore me. It took up far too much time which I would rather have spent drawing battles and playing with fire.

Running in the wind, in the pollen and dust, a flower in flight

Sadness had reigned in undisputed sovereignty over his shadowed childhood.

Say what you will, dear sister, we do what we do for the promise of our youth. Yet it is always they who scar beneath the points of daggers.

Seeing the person yeu love come home Happiness is so simple to a child

She bent and placed a single daisy upon the grave. A simple white daisy. The plainest of flowers, perhaps the purest, Elspeth thought. It had cost next to nothing at all, and perhaps that was the point. She wasn’t being cheap. She was being symbolic. In her mind, Andrea deserved only the unstained purity of the simplest of daisies, a daisy that was unsoiled by a wealth that couldn’t find the money to have claimed her soul.

See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God's sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they'd allowed to wither in themselves.

She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.

She could taste her children on her tongue, the colors they wore. Jacqueline was yellow. Gunnar was blue. Gabriela had always been red. All their weight. Their history inside of her. And she remembered her mother's synesthesia and was startled as guilt crept up her throat.

She'd grown up with few friends. She'd played with the neighborhood boys, chasing pigeons and catching fireflies with them until it was no longer considered proper. By then, the girls in the village scorned her. In front of her mother and father, they pretended to be polite, but Mulan knew what they said about her behind her back. Ill-bred and ill-mannered. She has the temper of a firecracker and the grace of a bull. It's a miracle she even looks like a girl- look at the hay in her hair, and the dirt on her face. What a discredit to her mother! The insults had never bothered Mulan too much. Back then, her mother comforted her by telling her to ignore what people said, and talking to her father would always make her feel better. And she'd had Khan for company... then, later, Mushu and Cri-Kee.