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By AnonymJose Alaniz
Disability fluctuates, growing visible, then invisible, then visible again, becoming both ever-present and haunting. Such a problematizing of physical life added a new wrinkle to the genre's double/secret identity trope: the characters now interact with their shifting bodies as bodies with all the complications involved.
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By AnonymJose Alaniz
Sympathy once more reveals its limits when faced with madness.
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By AnonymJose Alaniz
The multiverse model offers an elegantly postmodern solution to character stasis in a market-driven serial publishing system which privileges constancy over major change.
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By AnonymJose Alaniz
The stereotype of the supercrip, in the eyes of its critics, represents a sort of overachieving, overdetermined self-enfreakment that distracts from the lived daily reality of most disabled people.
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By AnonymJose Alaniz
We should bear in mind the supercrip stereotype as a figure obsessively, indeed maniacally, over-compensating for a perceived physical difference or lack, since, as we shall see, this aspect ties in quite neatly with the genre specificities and narratival concerns of so much Silver Age superhero literature.
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By AnonymJose Alaniz
With emancipation comes the opening up of new possibilities for challenging assumptions over women's appearance and, more radically, the gender order itself. Ventura (She-Thing) comes not only to accept her new "intragender" status but to see it as advantageous -- for dealing with her misandry, for personal growth, and even for becoming a person capable of giving and accepting love.
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