Best 16 quotes of Rhys Ifans on MyQuotes

But in reading Shakespeare and in reading about Edward de Vere, it's quite apparent that when you read these works that whoever penned this body of work was firstly well-travelled, secondly a multi-linguist and thirdly someone who had an innate knowledge of the inner workings and the mechanisms of a very secret and paranoid Elizabethan court. Edward de Vere ticks those three boxes and many more. William of Stratford gave his wife a bed when he died [his second best bed].

Don't be late. Learn your lines. Be good to people. Treat people nice.

Film and stage are very different; I don't necessarily prefer one over the other. Every few years, I get a big itch to go back to the theater. To learn humility, to learn bravery and to remind yourself that the pistons that drive your craft are working on full power. And to remind yourself how badly paid actors can be.

Howard Marks is very intelligent and well read, eloquent, witty, charming. I think it was those qualities that got him through. I was interested to explore that because generally, we perceive criminals as dark, twisted, angry characters. Howard isn't any of those. He was punished for his crime, released from prison, and has lived to tell the tale.

I am an artisan. I only became an artist when people watch what I do. That is when it becomes art.

In Wales, singing and storytelling are party skills, not professions.

I play really bad punk rock guitar. Age-old friends; it's just great hanging out with your mates, causing havoc.

It is joyous for any actor to enter other grounds of consciousness and thought. At the end of the day, we just all like dressing up and playing around.

I've been to unpretty places with the roles I've played, and I'm attracted to reckless abandon. I like being taken to the edge of my own abyss.

I work hard and I party hard. When I go to work, I know what I am doing and I do it to the best of my abilities. When I party, I take exactly the same rule book with me.

My work is my way of expressing myself without being arrested.

The joy of a period film is that you're taken to another world. The costumes determine the way you move, and then consequently the way you breathe. And then, the way you breathe effects the way you think.

Villains are fun. I think the important thing in playing them is that they don't see themselves as villains. It lets you be a little more expansive.

We're both Welshmen and growing up, when Howard Marks was finally caught, it was all over the news. He did an interview in the Welsh language, which I also speak, and I was sort of just amazed that this man from a small country was for many years supplying much of the world with most of the marijuana it was smoking. It was incredible.

Whenever you're doing film for television and you look at the budget that you have, which is much more constricted than a movie budget, you think, "God, are they going to be able to do what they say they are?

When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.