Best 1227 quotes in «singing quotes» category

You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.

You must learn to hush the demons that whisper, 'No one wants to read this. This has already been said. Your voice doesn't matter.' In the rare moments when the voices finally hush, you might hear the angels singing.

You know, your speaking voice comes back, but your singing voice you use in a different way.

Young kids are always singing and painting. When you get to that second and third grade level, you're supposed to put all that aside.

You might be a redneck if you're moved to tears every time you hear Dolly Parton singing I Will Always Love You.

You're not going to hear me singing songs about Wall Street because I don't know anything about that.

You sang in church, you know, and you didn't act at all. You tried not to act, you tried to tell the truth. The idea of being a troubadour on the road singing for your supper was very disturbing to him.

You should never be embarrassed by your trouble with living, because it's the ones with the sorest throats who have done the most singing.

You're gonna have to learn to get out there in front of those cameras and hold your head up. Take charge when you're singing.

Ah! keep my songs within your heart (The heart that holds the singer too), And never to the world impart The music only meant for you. Nor breathe one word, one tender word aloud, Lest it be heard by the cold-hearted crowd. To sing what only you can hear Will keep my heart in perfect tune; As sings the nightingale, when clear Above her shines the summer moon, And every tone of truthful love that flows Is heard alone by the enraptured rose.

You sounded like someone who should be singing on a cruise ship. Halfway through your song, I wished the ship was sinking.

A faint singing seemed to issue from the walls... yes, it was as though the walls themselves were singing!... The song became plainer... the words were now distinguishable... he heard a voice, a very beautiful, very soft, very captivating voice... but, for all its softness, it remained a male voice... The voice came nearer and nearer... it came through the wall... it approached... and now the voice was in the room, in front of Christine. Christine rose and addressed the voice, as though speaking to some one: "Here I am, Erik," she said. "I am ready. But you are late." Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery. The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daaé was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master. The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros church-yard, to the invisible violin playing The Resurrection of Lazarus and nothing could describe the passion with which the voice sang: "Fate links thee to me for ever and a day!" The strains went through Raoul's heart.

Alice's voice rang out confidently from the back of the room. "Silent night, holy night. All is calm, all is bright..." Her rendition was flawless: clear, true notes strung together in a necklace of sound, a gift for everyone in the room to wear.

All my friends are bums. We all gather round our camp-fire (in a can) and sing songs of togetherness as we cuddle, to preserve our warmth...

Alone onstage, I lifted my head up to the light and released my voice, not knowing what would come out. And what flowed out was a voice I'd never heard before: not the tilted croak of nervousness, nor the menagerie of beauty formed in Mr. Matthewman's music room. This was something altogether different: passionately raw, wrenchingly incandescent. As I sang, I traveled to places I never wanted to go. Where a heart broke with the grief of unrequited love. Where hollowed-out eyes turned upwards to empty skies above. To the widest, most open expanse of a land of utter emptiness and loneliness. My voice rose up to the upper banners and spread from row to row, passing from person to person like a pale chiffon ribbon billowing across every cheek. A subtle caress.

Am I making something worth while? I’m not sure. I write and I sing and I hear words from time to time about my life and choices making ways, into other lives, other hearts, but am I making something worth while? I’m not sure. There was a boy last night who I never spoke to because I was too drunk and still shy, but mostly lonely, and I couldn’t find anything lightly to say, so I simply walked away but still wondered what he did with his life because he didn’t even speak to me or look at me but still made me wonder who he was and I walked away asking Am I making something worth while? I am not sure. I am a complicated person with a simple life and I am the reason for everything that ever happened to me.

and so I sing, as the Boy does by the Burying Ground – because I am afraid –

And she sang. Perhaps she'd never stop, for it was rather freeing, this blissful, empowered place where she was nothing but rhythm and resonance.

You put a song on the record or on tape and you stop singing it. You just don't sit around and sing it anymore unless you're performing. That's kind of sad.

After a while Luce curled up with her head leaning on a rock, wondering why she wasn't consumed with despair. Instead she felt an inexplicable sense of peace. She was cradled in music. The rocks around her chanted like slow, growling bells, and each curl of the water stroked her fins with silky notes. She'd been so afraid of leaving her tribe, but she understood that she never would have heard the music resonating out of every crook of the world if she hadn't taken so many risks. She'd opened her heart to the music of solitude, and it had come to her.

Anna's voice wasn't a beautiful voice - rough edged and sorrowful, a bit used, somehow male and female at once. Yet it had more vibrancy to it than most Danish voices, which were often thin and white and too pretty to trigger a shiver. Anna's voice had the heat of the south; it warmed Einar, as if her throat were read with coals.

Anna's voice wasn't a beautiful voice - rough edged and sorrowful, a bit used, somehow male and female at once. Yet it had more vibrancy to it than most Danish voices, which were often thin and white and too pretty to trigger a shiver. Anna's voice had the heat of the south; it warmed Einar, as if her throat were red with coals.

Any breath brought forth and spun into full-throated song had undeniable magic in the making.

Art doesn’t give rise to anything in us that isn’t already there. It simply stirs our curious consciousness and sparks a fire that illuminates who we have always wanted to be.

As our ship tumbled, free-falling through the eye of a saltwater cyclone, the nine giant maidens spiraled around us, weaving in and out of the tempest so they appeared to drown over and over again. Their faces contorted in anger and glee. Their long hair lashed us with icy spray. Each time they emerged, they wailed and shrieked, but it wasn’t just random noise. Their screams had a tonal quality, like a chorus of whale songs played through heavy feedback. I even caught snippets of lyrics: boiling mead...wave daughters...death for you! It reminded me of the first time Halfborn Gunderson played Norwegian black metal for me. After a few bars, it dawned on me...Oh, wait. That’s supposed to be music!

A sad, plangent music. In the British camp, Sharpe thought, they would be singing, but no one was singing here.

Assad whistled a few notes of one of his native country's melancholic songs. It sounded as though he was whistling backwards

Because I am loved like this, even if there is only one fan left in the end, I want to keep singing for this deep love.

Ava sang to remind them of what was important – the things that mattered in their lives. She sang about the love of hearth and home; the fire at night in the fireplace; dinner warm on the table; a caring wife and hard-working husband who relied on each other for everything; of babies still in their cradles; toddlers climbing on knees wanting to be cuddled; of teenage boys and girls helping their parents run the homestead. She sang of warm summers and cozy winters with lots of heavy blankets; of harmony and love; well-being and gratitude for the harvest - for the bounty by which they all lived. She sang of the joy of a new life; the births of their children; the enduring love in the twilight of old age between a man and his wife - the years behind them like the building blocks of an enormous castle.

But when our voices join together The music sets us free.

Blessed is the nightbird that sings for joy and not to be heard.

Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.

But singing isn’t just about belting it out, is it? It’s not just who has the most wobble or the highest note, no, it’s about phrasing, and being delicate, and getting just the right feeling from a song, the soul of it, so that something real happens inside you when a man opens his mouth to sing, and don’t you want to feel something real rather than just having your poor earholes bashed in?

By the way, this tells you why Auto-Tuned vocals on many contemporary records sound so shallow and lifeless. It’s almost as if everything we learned from African American music during the twentieth century was thrown out the window by technologies in the twenty-first century. The goal should not be to sing every note dead center in the middle of the pitch---we escaped from that musical prison a hundred years ago. Why go back? In an odd sort of way, much of contemporary pop music resembles opera, with all the subtle shadings of bent notes and microtonal alterations abandoned in the quest for mathematically pure tones.

Alexia was not a particularly musical person, and her husband, a noted opera singer in his human days, had once described her bath time warbling as those of a deranged badger.

Dive deeper, my Siren, and sing, All I crave is feeling you within.

Danijar riprese il canto. L’inizio era sempre così timido, malsicuro, ma a poco a poco la voce prese forza, riempì la valle, andò a risvegliare l’eco nelle rocce lontane. Ciò che mi sorprendeva di più era la passione, l’ardore che permeava la melodia stessa. Non sapevo come chiamare tutto questo, e non lo so tuttora, o più esattamente non posso dire se quella fosse soltanto la voce o qualche cosa di ben più importante che usciva dal cuore stesso dell’uomo, qualche cosa capace di suscitare negli altri una simile emozione, capace di animare i più segreti pensieri. Se mi fosse possibile, in qualche modo, riprodurre la canzone di Danijar! In essa non c’erano quasi parole, essa apriva senza parole l’anima profonda dell’uomo. Né prima, né dopo, mai ho udito una canzone simile: non somigliava né alle canzoni kazake, né alle canzoni kirghise, ma c’era in essa qualcosa delle due e delle altre. La musica di Danijar portava in sé tutte le più belle melodie dei due popoli fratelli e le fondeva in una sola canzone impossibile a ripetersi. Era una canzone dei monti e delle steppe, che ora s’alzava sonora come i monti kirghisi e ora si stendeva senza barriere come la steppa kazaka.

Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody.

Dying every day to live forever. Singing at midnight for the moon and the stars; as in the morning, to the sun rising, while it illuminates our party.

Every voice has its own beauty.

Falling from the sky like the rain, And I fly and sing like the little birds..., Movements that are not in vain, Everything has a life made of words.

Each person whoever was or is or will be has a song. It isn’t a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their own song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their songs instead. Take Daisy, for example. Her song, which had been somewhere in the back of her head for most of her life, had a reassuring, marching sort of beat, and words that were about protecting the weak, and it had a chorus that began “Evildoers beware!” and was thus much too silly ever to be sung out loud. She would hum it to herself sometimes though, in the shower, during the soapy bits. And that is, more or less, everything you need to know about Daisy. The rest is details.

Did morning come? Were there birds singing? That's the only news I care to know.

For weeks Charlie had been singing the same song over and over again. “Dinah won’t you blow…” He sang it twenty-four hours a day, with the same vacant, cheerful tone. ”Dinah won’t you blow your hor-or-orn?” He kept the beat with his head, endlessly banging it against the hallways bulkhead. “Dinah won’t you blow…” Johnnie-O, who had very little patience to begin with, would have pulled out his hair, were it possible for an Afterlight’s hair to come out. “Dinah won’t you blow…” Johnnie squeezed his oversized hands into fists, wishing there was something he could bust, but having spent many years trying to break things, he knew more than anyone that Everlost stuff didn’t break, unless breakage was its purpose. “Dinah won’t you blow your horn!” “Dammit, will you shut your hole or I swear I’m gonna pound you into next Tuesday and then throw you out of the stinkin’ window where you and your song can drown and sink down to the center of earth for all I care, so you better shut your hole right now!” Charlie looked at him for a moment, eyes wide, considering it. Then he said, ”Someone’s in the kitchen with Dinah!” Johnnie groaned.

Gospel music is nothing but singing of good tidings -- spreading the good news. It will last as long as any music because it is sung straight from the human heart.

Great emotional singing isn't a destination, it's a journey, one to be taken time and again to different places with different moods and different audiences.

Great people will always be mocked by those who feel smaller than them. A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey. A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker. Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud, it does not allow the dirt that surrounds it to affect its growth or beauty.

Had she been an old woman who long ago in her youth sang beautifully, one might have said that she had learned to use the diminished nature of her voice to maximum effect, that it was a lesson in how to live with damage, how to make peace with it and use it for what it can do. But she was not an old woman.

...[H]e had just acquired... a valued novelty in whistling... [H]e strode down the street with his mouth full of harmony and his soul full of gratitude. He felt much as an astronomer feels who has discovered a new planet - no doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer.

Her silent singing wrapped around the story she was telling herself, which she extended further every night on the deck. (Averill often told herself stories-- the activity seemed to her as unavoidable as dreaming.) Her singing was a barrier set between the world in her head and the world outside, between her body and the onslaught of the stars.