Best 19 quotes of Allison Joseph on MyQuotes

Each poem seems to demand its own formal approach. In both drafting and revision, I'll play around with line lengths and stanza formations, eventually letting the poem settle into what I think is its own best form.

Editing is work, and it's hard to do while working on one's own writing.

I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.

I find it hard to write poems in reaction to world/national events unless there's a way in that's so evident to me that I can't deny the urge to write about such events. It takes me a while to gather the evidence, you know?

I like when a poem ends on its "receipts," meaning it gives me something tactile or tangible to dwell on as I exit the reading experience. So I strive to end my own poems that way as well.

I lived a life I knew I had to hide My father's edicts resolutely grim.

I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.

I need sometimes to hang back in the shadows with my pen and paper, and then other times, I need to take center stage in my own creations. The trick is to know when to hang back, and when to step forward. It's a perpetual ongoing balance.

In terms of what I write about, I consider no subject too small. Often it's the small moments, that through the amplification of poetry, reveal the larger, more profound truths that we all come to recognize and treasure.

I switch between fixed forms and free verse often, and enjoy being a poet who can "swing both ways," so to speak.

I think that the people who really accomplish things in this world have to have a little bit of crazy in them.

It's fun to see someone grow as a writer, moving from their first workshopped poems to publishing their earliest poems to having a book accepted for publication. It's great to see poets with persistence succeed.

I write to be recorder, observer, participant, and sometimes, even judge. I want to engage the world as I see it with my whole self - all of those different aspects of it.

I write when I can. I have no set writing practices, or times, or methods. I write when I'm not doing other things - in the odd times when I'm traveling, or in hotels, or when I get time to be alone with my thoughts.

Part of elegy is confrontation - not just with the idea of death, but with the person who has died.

Poetry is such an ancient art, and I consider myself young within that art.

Social media is alluring, tempting, frustrating, etc. We mistake our interactions in social media as community, but is community possible when you don't even know what someone looks like or what his or her voice sounds like? I've enjoyed connecting with a lot of poets through social media, but do I truly know them if I haven't even met them yet?

When poets die, other poets take it personally, almost as an affront. A lot of us "left behind" are thinking that poetry is the one thing keeping us alive and present, so what does it mean when one of our ranks chooses to end his or her life? There's an anger beneath the grief, you know? That anger and grief, in turn, breeds other poems from those of us left behind.

Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.