Best 16 quotes of Bruno Heller on MyQuotes

he beauty of this world [of comics] is there are so many stories to tell, and there's so many wonderful characters. Wonderful characters we haven't even begun to introduce - it's a world that is infinitely expandable.

Italy is still very much the same place it was 2,000 years ago. Italians are still the same .. there's a sense of beauty and a sense of dignity and a sense of living life to the full that infects everyone.

It gives me vertigo to watch TV dramas.

I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.

It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.

It's like an angel crying on your tongue.

One of the advantages of series TV is that you can change your mind and plan things as you go.

One of the challenges with series TV is not to give everyone all the punchlines, all the gags and all the fun stuff at the top. Everyone is so anxious, for very good reasons, to hit the ground running, but I've been on the other end of that.

One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.

One of the tricks that you have to learn, with episodic TV, is you don't know how many years you're going to be blessed with.

The evil of storytelling is you're trying to make the audience complicit in murder - 'Kill the guy! Jump him!' And then once you've done it, it's like, 'I've killed this guy, now what?

The great thing about Gotham is it encompasses so many different worlds.

There is a place for visionaries and the avant-garde in this world, but not at 9 o'clock on a network.

To me, the difference between mythology and real history is that the real history has to tell a kind of believable story of how things happened. The physics has to work.

When you get to the fourth, fifth and sixth years of a show, it's really good to have held back, so that you have somewhere to go. That also applies to levels of violence, levels of humor, levels of production value.

You always think, no matter how many times you fail, that the next time you will succeed. Otherwise you wouldn't keep trying.