Best 27 quotes of Galway Kinnell on MyQuotes

Goodbye, you who are, for me, the postmarks again of shattered towns--Xenia, Burnt Cabins, Hornell-- their loneliness given away in poems, only their solitude kept.

I have always intended to live forever; but not until now, to live now.

I love to go out in late September among the fat, overripe, icy, black blackberries to eat blackberries for breakfast, the stalks very prickly, a penalty they earn for knowing the black art of blackberry-making; and as I stand among them lifting the stalks to my mouth, the ripest berries fall almost unbidden to my tongue, as words sometimes do, certain peculiar words like strengths or squinched, many-lettered, one-syllabled lumps, which I squeeze, squinch open, and splurge well in the silent, startled, icy, black language of blackberry - eating in late September.

I start off but I don't know where I'm going; I try this avenue and that avenue, that turns out to be a dead end, this is a dead end, and so on. The search takes a long time and I have to back-track often.

Is there a mechanism of death, that so mutilates existence no one, gets over it not even the dead?

It is necessary to reteach a thing its loveliness, to put a hand on its brow of the flower and retell it in words and in touch it is lovely until it flowers again from within, of self-blessing.

I will find that special person who is wrong for me in just the right way.

Kiss the mouth which tells you, here, here is the world. This mouth. This laughter. These temple bones.

Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among, the ten thousand things, each scratched too late with such knowledge, the wages of dying is love.

Prose is walking; poetry is flying

Second-hand gloves will become lovely again, their memories are what give them the need for other hands. And the desolation of lovers is the same: that enormous emptiness carved out of such tiny beings as we are asks to be filled; the need for the new love is faithfulness to the old.

Sometimes it is necessary To reteach a thing its loveliness

The bud stands for all things, even for those things that don't flower

The first step in the journey is to lose your way.

The first step... shall be to lose the way.

The only sense we still respect is eyesight, probably because it is so closely attached to the brain. Go into any American house at random, you will find something - a plastic flower, false tiles, some imitation something - something which can be appreciated as material only if apprehended by eyesight alone. Don't we go sightseeing in cars, thinking we can experience a landscape by looking at it through glass?

There are two versions to every poem – the crying version and the straight version

the rest of my days I spend wandering: wondering what, anyway, was that sticky infusion, that rank flavor of blood, that poetry, by which I lived?

this one whom habit of memory propels to the ground of his making, sleeper only the mortal sounds can sing awake, this blessing love gives again into our arms.

To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment

Turn on the dream you lived through the unwavering gaze. It is as you thought: the living burn. In the floating days may you discover grace.

When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you.

Rapture I can feel she has got out of bed. That means it is seven a.m. I have been lying with eyes shut, thinking, or possibly dreaming, of how she might look if, at breakfast, I spoke about the hidden place in her which, to me, is like a soprano’s tremolo, and right then, over toast and bramble jelly, if such things are possible, she came. I imagine she would show it while trying to conceal it. I imagine her hair would fall about her face and she would become apparently downcast, as she does at a concert when she is moved. The hypnopompic play passes, and I open my eyes and there she is, next to the bed, bending to a low drawer, picking over various small smooth black, white, and pink items of underwear. She bends so low her back runs parallel to the earth, but there is no sway in it, there is little burden, the day has hardly begun. The two mounds of muscles for walking, leaping, lovemaking, lift toward the east—what can I say? Simile is useless; there is nothing like them on earth. Her breasts fall full; the nipples are deep pink in the glare shining up through the iron bars of the gate under the earth where those who could not love press, wanting to be born again. I reach out and take her wrist and she falls back into bed and at once starts unbuttoning my pajamas. Later, when I open my eyes, there she is again, rummaging in the same low drawer. The clock shows eight. Hmmm. With huge, silent effort of great, mounded muscles the earth has been turning. She takes a piece of silken cloth from the drawer and stands up. Under the falls of hair her face has become quiet and downcast, as if she will be, all day among strangers, looking down inside herself at our rapture.

I did care... I did say everything I thought In the mildest words I knew. And now,... I have to say I'm relieved it is over: At the end I could feel only pity For that urge toward more life. ...Goodbye

The bud stands for all things, even for those things that don’t flower, for everything flowers, from within, of self-blessing; though sometimes it is necessary to reteach a thing its loveliness, to put a hand on its brow of the flower and retell it in words and in touch it is lovely until it flowers again from within, of self-blessing

Wait, for now. Distrust everything if you have to. But trust the hours. Haven’t they carried you everywhere, up to now? Personal events will become interesting again. Hair will become interesting. Pain will become interesting. Buds that open out of season will become interesting. Second-hand gloves will become lovely again; their memories are what give them the need for other hands. The desolation of lovers is the same: that enormous emptiness carved out of such tiny beings as we are asks to be filled; the need for the new love is faithfulness to the old. Wait. Don’t go too early. You’re tired. But everyone’s tired. But no one is tired enough. Only wait a little and listen: music of hair, music of pain, music of looms weaving our loves again. Be there to hear it, it will be the only time, most of all to hear your whole existence, rehearsed by the sorrows, play itself into total exhaustion.

When a group of people get up from a table, the table doesn’t know which way any of them will go.