Best 242 quotes of Cheryl Strayed on MyQuotes

I hope when people ask what you're going to do with your English degree and/or creative writing degree you'll say: Continue my bookish examination of the contradictions and complexities of human motivation and desire; or maybe just: Carry it with me, as I do everything that matters. And then smile very serenely until they say, Oh.

I knew that if I allowed fear to overtake me, my journey was doomed. Fear, to a great extent, is born of a story we tell ourselves, and so I chose to tell myself a different story from the one women are told. I decided I was safe. I was strong. I was brave. Nothing could vanquish me.

I'll never know, and neither will you of the life you don't choose. We'll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn't carry us. There's nothing to do but salute it from the shore.

I love music and listen to music all the time, but I didn't realize how much my body needed music. I needed it more than sex.

I made it the mantra of those days; when I paused before yet another series of switchbacks or skidded down knee-jarring slopes, when patches of flesh peeled off my feet along with my socks, when I lay alone and lonely in my tent at night I asked, often out loud: Who is tougher than me? The answer was always the same, and even when I knew absolutely there was no way on this earth that it was true, I said it anyway: No one.

I’m a free spirit who never had the balls to be free.

I'm reading George Saunders's story collection, "Tenth of December." He was my mentor at the University of Syracuse. The stories are mind-blowing like everyone says.

I never got to be in the driver's seat of my own life," she'd wept to me once, in the days after she learned she was going to die. "I always did what someone else wanted me to do. I've always been someone's daughter or mother or wife. I've never just been me." "Oh, Mom," was all I could say as I stroked her hand. I was too young to say anything else.

In my perception, the world wasn't a graph or formula or an equation. It was a story.

In your twenties you're becoming who you're going to be and so you might as well not be an asshole.

I receive a lot of letters like yours. Most go on in length, describing all sorts of maddening situations and communications in bewildered detail, but in each there is the same question at its core: Can I convince the person about whom I am crazy to be crazy about me? The short answer is no. The long answer is no.

I remember being absolutely rocked to my core by how profoundly I could love another human being.

I set my toothbrush down, then leaned into the mirror and stared into my own eyes. I could feel myself disintegrating inside myself like a past-bloom flower in the wind. Every time I moved a muscle, another petal of me blew away. Please, I thought. Please.

I taught workshops at universities. I wrote for magazines. This took time and insane amounts of juggling, but it's how I earned a living.

I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.

I think being a woman alone enhanced the impulse in others to be generous. What we're told is that to be a woman alone is to be in a dangerous situation. The message is that people are gong to prey on you and do bad things to you. That may be true in some cases, but what I experienced was the other case.

I think the first thing - if you want to be a writer - the first thing you need to do is write. Which sounds like an obvious piece of advice. But so many people have this feeling they want to be a writer and they love to read but they don't actually write very much. The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing. That's how I write. That's how writing gets done.

It isn't enough to have had an interesting or hilarious or tragic life. Art isn't anecdote. It's the consciousness we bring to bear on our lives. For what happened in the story to transcend the limits of the personal, it must be driven by the engine of what the story means.

It's a long life, sweetheart, and time heals all wounds.

It seemed to me the way it must feel to people who cut themselves on purpose. Not pretty, but clean. Not good, but void of regret. I was trying to heal. Trying to get the bad out of my system so I could be good again. To cure me of myself.

It's funny, it never occurred to me that a movie star would play me. But now that she [Reese Witherspoon] is playing me, it's like, of course, it couldn't be anyone else! I don't know if you've seen pictures of Reese and me and Reese and my daughter Bobbi, who's named after my mother, and also plays me. There's a kind of resemblance.

It's hard to go. It's scary and lonely...and half the time you'll be wondering why the hell you're in Cincinnati or Austin or North Dakota or Mongolia or wherever your melodious little finger-plucking heinie takes you. There will be boondoggles and discombobulated days, freaked-out nights and metaphorical flat tires. But it will be soul-smashingly beautiful... It will open up your life.

It's still true that literary works by women, gays, and writers of color are often framed as specific, rather than universal, small rather than big, personal or particular rather than socially significant.

It was my life — like all lives, mysterious and irrevocable and sacred. So very close, so very present, so very belonging to me. How wild it was, to let it be.

I walked all those miles, I learned all those lessons. It's as if my new life was the gift I got at the end of a long struggle.

I was a pebble. I was a leaf. I was the jagged branch of a tree. I was nothing to them and they were everything to me.

I was a terrible believer in things,but I was also a terrible nonbeliever in things. I was as searching as I was skeptical. I didn't know where to put my faith,or if there was such a place,or even what the word faith meant, in all of it's complexity. Everything seemed to be possibly potent and possibly fake.

I was trying to find a new home in the world.

I write to find what I have to say. I edit to figure out how to say it right.

Looking back at my younger self, that I'm not so different than I am now. I was always a seeker. I wanted very ambitiously to be a writer and what happened between now and then is that I continually threw myself in the way of those things that would help me become that, of doing and finding and learning from things that altered me along the way.

Love is our essential nutrient. Without it, life has little meaning. It's the best thing we have to give and the most valuable thing we receive. It's worthy of all the hullabaloo.

Men's stories are seen as universal, women's as particular. What women are up against is the battle to not be marginalized.

Most things will be okay eventually, but not everything will be. Sometimes you'll put up a good fight and lose. Sometimes you'll hold on really hard and realize there is no choice but to let go. Acceptance is a small, quiet room.

Music. I could not go without that. My mind would not let me be without music. I hiked the trail in 1995 - before there were iPods or music on our cell phones or even cell phones. So I was truly out there with just my thoughts. After a few days there was a continuous loop of songs playing silently in my mind.

My concept of an advice giver had been a therapist or a know-it-all, and then I realized nobody listens to the know-it-alls. You turn to the people you know, the friend who has been in the thick of it or messed up - and I'm that person for sure.

My family didn't go to church. Once when I slept over at the house of a friend, her parents brought me to Sunday school with her. I was given this little pamphlet of tiny poems about the natural world, about butterflies and sunsets. My 7-year-old self was so astounded by how these few words were creating pictures and feelings in me.

My mom died when I was 22. My stepfather, who I loved like a father, pretty quickly got involved with another woman. Suddenly there was another woman sleeping in my mother's bed, and it was very difficult. Their relationship brought up my profound loss, and the truth was that my family would never be the same again.

My mom said there's a sunrise and a sunset every day and you can choose to be there or not. You can put yourself in the way of beauty.

My mother saved hundreds of animals in her life. Wherever she encountered and injured or needy or abandoned animal, she brought it home.

My mother's death put me in touch with my most savage self. As I've grown up and come to terms with her death and accepted it, the pieces of her that I keep don't exist materially.

My mother's last word to me clanks inside me like an iron bell that someone beats at dinnertime: love, love, love, love, love.

My whole life sort of ended when my mom died.

Nobody's going to do your life for you. You have to do it yourself, whether you're rich or poor, out of money or raking it in, the beneficiary of ridiculous fortune or terrible injustice. And you have to do it no matter what is true. No matter what is hard. No matter what unjust, sad, sucky things befall you. Self-pity is a dead-end road. You make the choice to drive down it. It's up to you to decide to stay parked there or to turn around and drive out.

Nobody will protect you from your suffering. You can't cry it away or eat it away or starve it away or walk it away or punch it away or even therapy it away. It's just there, and you have to survive it. You have to endure it. You have to live through it and love it and move on and be better for it and run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.

No' is golden. 'No' is the kind of power the good witch wields. It's the way whole, healthy, emotionally evolved people manage to have relationships with jackasses while limiting the amount of jackass in their lives.

Not everyone wants to know everything their partner did. Maybe it's enough to say, "Things aren't going well in our marriage. I've made mistakes. I don't think you've been a good partner to me. How do we go forward together?" I think there's a different answer for every couple. But I think intimacy is asking that question.

Obviously memoir is subjective truth: It is my memory, my perspective, that's the beauty. But I still wanted to be as factual as I could.

Of all the things I’d been skeptical about, I didn’t feel skeptical about this: the wilderness had a clarity that included me.

Of course you want someone special to love you. A majority of the people who write to me inquire about how they can get the same thing... Unique as every letter is, the point each writer reaches is the same: I want love and I'm afraid I'll never get it. It's hard to answer those letters because I'm an advice columnist, not a fortune-teller. I have words instead of a crystal ball. I can't say when you'll get love or how you'll find it or even promise that you will. I can only say you are worthy of it and that it's never too much to ask for it.

Once I was in a cafe in Portland and the woman at the next table and I began chatting and in the course of our conversation she strongly recommend I visit this web site called 'The Rumpus' so I could read this advice column called 'Dear Sugar.' It was so painful not to tell her that in fact I was Sugar, but I didn't.