Best 6 quotes of Peter Watson on MyQuotes

...a useful coorective to the triumphalism of some scientists. For example, Maddox went out of his way to emphasise the provisional nature of much physics - he referred to black holes as 'putative' only, to the search for theories of everything as 'the embodiment of a belief, even a hope' and stated that the reason why the quantum gravity project is 'becalmed' right now is because 'the problem to be solved is not yet fully understood' and that the idea that the universe began with a Big Bang 'will be found to be false'.

...for example, if Freud is wrong, as i and many others believe, where does that leave any number of novels and virtually the entire corpus of surrealism, Dada, and certain major forms of expressionism and abstraction, not to mention Richard Strauss' 'Freudian' operas such as Salome and Elektra, and the iconic novels of numerous writers such as D.H. Lawrence, Franz Kafka, Thomas Mann and Virginia Woolf? It doesn't render these works less beautiful or pleasurable, necessarily, but it surely dilutes their meaning. They don't owe their entire existence to psychoanalysis. But if they are robbed of a large part of their meaning, can they retain their intellectual importance and validity? Or do they become period pieces? I stress the point because the novels, paintings and operas referred to above have helped to popularise and legitimise a certain view of human nature, one that is, all evidence to the contrary lacking, wrong.

For many scientists, as Lyotard concedes, scientific knowledge is the only form of knowledge there is, but if so, how then do we understand fairy stories and law?

Live with the consequences of your deeds and enjoy the warmth they create. The only warmth in the cold, indifferent universe is that which we create ourselves. And that is what a work of art is, it is what a constructed life is, a fulfilled life, the warmth of acts.

One of the many innovations of modernism was the new demands it placed on the audience. Music, painting, literature, even architecture, would never again be quite so 'easy' as they had been.

The curious fact is that biology tells us nothing about desire. And, when you think about it, culture -- novels, movies, opera, and quite a lot of painting -- is about desire, how we manage desire, how we suffer from it, and how it brings us joy when we get things right. A story without desire -- and that means without the insistence of desire -- will be empty, dry, and more or less aimless. That is one reason we read novels, to see how people fall into awkward moral situations and then try to extricate themselves. This is why there is so much anguish in the world: frustrated desire is every bit as miserable as poverty, because desire is no respecter of one’s position in life: everyone goes through it.