Best 14 quotes of Jerry Pinto on MyQuotes

A well-told lie can heal. Otherwise, what's fiction?

I didn't go to bookshops to buy. That's a little bourgeois. I went because they were civilized places. It made me happy there were people who sat down and wrote and wrote and wrote and there were other people who devoted their lives to making those words into books. It was lovely. Like standing in the middle of civilization.

You can cry in public as long as you don not sob. Tears are transparent. If you’re walking fast, if the sun’s too strong, no one notices. Sobs intrude. They push their way into people’s consciousness. They feel duty-bound to ask what has happened.

Home was where others had to gather grace. Home was what I wanted to flee.

If there was one thing I feared as I was growing up . . . No, that's stupid. I feared hundreds of things: the dark, the death of my father, the possibility that I might rejoice the death of my mother, sums involving vernier calipers, groups of schoolboys with nothing much to do, death by drowning. But of all these, I feared the most the possibility that I might go mad too.

In this city, every deserted street corner conceals a crowd. It appears in a minute when something disrupts the way in which the world is supposed to work. It can disappear almost as instantaneously.

Love is a hollow word which seems at home in song lyrics and greeting cards, until you fall in love and discover it’s disconcerting power. Depression means nothing more than the blues, commercially packaged angst, a hole in the ground; until you find it’s black weight settled inside your mother’s chest, disrupting her breathing, leaching her days, and yours, of colour and the nights of rest.

Love is never enough. Madness is enough. It is complete, sufficient unto itself. You can only stand outside it as a woman might stand outside a prison in which her lover is locked up. From time to time, a well-loved face will peer out and love floods back. A scrap of cloth flutters and it becomes a sign and a code and a message and all that you want it to be. Then it vanishes and you are outside the dark tower again.

Schoolchildren can smell a nervous teacher. They see it in her gait as she enters the room, uncertain of her ability to command and instruct. They hear it in her voice as she clears her throat before she begins to speak. They sense it when she looks at the teacher's table and chair, set on a platform to give her a view of the class, as if she has no right to be there. They watch without remorse or sympathy as she walks the gauntlet and suddenly they are in the grip of a completely new sensation. It is power that they are feeling as they anneal into a single organism: the class. At any moment now they will cry havoc and let loose the dogs of war.

She grinned, a silty grin. 'You were my two dividends, yes? Don't you forget that.' Then she sighed, took a deep breath, and said, 'But what an investment. My life.

She was in ward 33 again, lying in bed, a bed with a dark green sheet and a view of the outside. We could both see a man and woman getting out of a taxi. They were young and stood for a while, as if hesitating, in front of the hospital. Then the man took the woman’s hand and they walked into the hospital and we lost them. ‘That’s why Indian women fall ill,’ Em said. ‘So that their husbands will hold their hands.

There was something capricious about God. How could one expect perfect submission from those who are imperfect? How could one create desire and then expect everyone to pull the plug on it? And if God were capricious, then God was imperfect. If God were imperfect, God was not God.

We began our hospital visits: one day Susan, one day me, everyday The Big Hoom. On one of these visits, she told me about the tap that opened at my birth and the lack drip filling her up, and it tore a hole in my heart. If this was what she could manage with a single sentence, what did thirsty years of marriage do to The Big Hoom?

What is it about the sea? Is it because it’s there?