Best 3577 quotes in «white quotes» category

Black and white is salt and pepper of colors, for life tastes bland without them.

BLACK AND WHITE I was born into A religion of Light, But with so many other Religions and Philosophies, How do I know which ONE Is right? Is it not My birthright To seek out the light? To find Truth After surveying all the proof, Am I supposed To love Or fight? And why do all those who Try to guide me, Always start by dividing And multiplying me – From what they consider Wrong or right? I thought, There were no walls For whoever beams truth and light. And how can one speak on Light's behalf, lf all they do Is act black, But talk WHITE?

Black and white is mix of toughest simplicity and easiest complexity.

Black and white seems a journey into space which is destined back to earth.

Black and white is as if phoenix of colors has eloped into opacity.

Black and white is heaviest of vibrant and at the same time lightest of achromatic.

Black and white, severally incomplete and at the same time completely several.

Black and white is refuge of colors from their own nullity.

Black and white, oldest of the vintages, newest of the last season.

Black and white, vacuum of cosmos vis-à-vis occupancy of skies.

But I'm tired of them just assuming.

Crap. It's all crap. Living is crap. Life has no meaning. None. Nowhere to be found. Crap. Why doesn't anybody realize this?

Division and separation means no harm to the society. It makes everyone unique.

Despite all of the time he spent in Big Heart's, Wilson had never come to understand the social lives of Indians. He did not know that, in the Indian world, there is not much social difference between a rich Indian and a poor one. Generally speaking, Indian is Indian. A few who gain wealth and power as lawyers, businessmen, artists, or doctors may marry white people and keep only white friends, but generally Indians of different classes interact freely with one another. Most unemployed or working poor, some with good jobs and steady incomes, but all mixing together. Wilson also did not realize how tribal distinctions were much more important than economic ones. The rich and poor Spokanes may hang out together, but that doesn't necessarily mean the Spokanes are friendly with the Lakota or Navajo or any other tribe. The Sioux still distrust the Crow because they served as scouts for Custer. Hardly anybody likes the Pawnee. Most important, though, Wilson did not understand that the white people who pretend to be Indian are gently teased, ignored, plainly ridiculed, or beaten, depending on their degree of whiteness.

Dicen que lo parió un fatigado vientre irlandés, pero se crió entre negros. En ese caos de catinga y de motas gozó el primado que conceden las pecas y una crencha rojiza. Practicaba el orgullo de ser blanco; también era esmirriado, chúcaro, soez.

Eventually, some black thinkers believe, this "separation" may be the shortest route to an authentic communication at some future date when blacks and whites can enter into encounters in which they truly speak as equals and in which the white man will no longer load every phrase with unconscious suggestions that he has something to "concede" to black men or that he wants to help black men "overcome" their blackness.

Earlier that morning, Escoffier ad brought up a large bucket of white rose petals, white violets and vanilla orchids that he'd been thinking of creating a dish with. The pâtissier had crystalized some of the flowers, and left him a plate of meringue shells, a handful of vanilla beans and fresh cream. He wanted to create a new dish for Sarah, a sweet, something surprising, something to engage her. She'd been playing Joan of Arc, the virgin saint, a seventeen-year-old girl. It was a role she made famous, difficult at any age, but for a woman in her mid-forties, it was nearly impossible. Escoffier tossed a handful of white rose petals into Rosa's bathwater. The white skin. The white roses. 'The essence of Saint Joan is in shades of white, like shades of innocence.' 'Spun sugar,' he thought. 'Vanilla cream, of course.

Es como saber que eres el centro, lo único que él ve, que solo te ve a ti. Y eso es tan tierno y excitante... es terrorífico, increíble. Es saber que sólo existe una persona que sólo te ve a ti. Y que cuando te toca, no existe nadie más para él.

Everybody has a little bit of the sun and moon in them. Everybody has a little bit of man, woman, and animal in them. Darks and lights in them. Everyone is part of a connected cosmic system. Part earth and sea, wind and fire, with some salt and dust swimming in them. We have a universe within ourselves that mimics the universe outside. None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them. PART SUN AND MOON by Suzy Kassem

God/Dios, que desde luego no puede ser más que white/blanco, nos libre de tener jamás una aspiración diferente o una idea original que nos pueda alejar del ansiado dream/sueño del whitening/blanqueamiento total.

For lunch, we drove into the hills and parked in the dappled shade of a big sycamore, its powdery white bark like a woman's body against the uncanny blue sky.

He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

He just wanted to stand close to her, touch her hair that was white as glacier milk...

Hey, mamacitas! How about you ditch those losers and come with us. We'll show you a real good time," one of them shouts through the window. "Fuck off," Doug shouts. One of the guys stumbles out of the car and advances on Doug. Sierra yells something but I'm not paying attention. Instead, I'm watching Alex tear off his jacket and block the guy's path. "Get out of my way," the guy orders. "Don't lower yourself by protecting this white dick." Alex stands toe to toe with the guy, the tire iron gripped tightly in his hand. "You fuck with the white dick, you fuck with me. It's that simple. Comprendes, amigo?" Another guy steps out of the car. We are in some serious trouble. "Girls, take the keys and get in the car," Alex orders, his tone precise. "But . . ." There's a lethal calmness in his eyes. Oh, boy. He's dead serious. Doug tosses Sierra his car keys. Now what? Are we supposed to sit in the car and watch them fight? "I'm not going anywhere," I tell him. "Me, either," Sierra says. A guy in the other car sticks his head out of the window. "Alejo, that you?" Alex's stance relaxes. "Tiny? What the hell you doin' with these pendejos?" The guy named Tiny says something in Spanish to his buddies and they jump back into the car. They almost seem relieved they won't have to fight Alex and Doug. "I'll tell you as soon as you tell me what you're doin' with a bunch of gringos," Tiny says. Alex chuckles. "Get out of here." When we're all back in the car, I hear Doug say, "Thanks for having my back." Alex mumbles, "Don't sweat it.

He was handsome. For a white guy.

I do not believe we can stop them, Samori, because they must ultimately stop themselves. And still I urge you to struggle. Struggle for the memory of your ancestors. Struggle for wisdom. Struggle for the warmth of The Mecca. Struggle for your grandmother and grandfather, for your name. But do not struggle for the Dreamers. Hope for them. Pray for them, if you are so moved. But do not pin your struggle on their conversion. The Dreamers will have to learn to struggle themselves, to understand that the field for their Dream, the stage where they have painted themselves white, is the deathbed of us all. The Dream is the same habit that endangers this planet, the same habit that sees our bodies stowed away in prisons and ghettos.

If you want a happy ending, it just depends on where you close the book!

I don't give a damn if there's any hope for them or not. But I know that I am not about to be bugged by any more white jokers who still can't figure out whether I'm human or not. If they don't know, baby, sad on them, and I hope they drop dead slowly, in great pain.

If California is the future of the United States, Los Angeles may offer a lesson. In 1960, it was 72 percent white, but in just ten years that figure dropped to 59 percent, and by 2000 the city was only 33 percent white. During the 1980s, while every other racial group was gaining in numbers, Los Angeles County lost 330,000 whites, and a startling 570,000 during the 1990s. Where did they go? Beginning in the 1980s, California saw a major shift of whites from southern, immigrant-heavy regions to the white north. Many moved to Nevada County, which Mel Mouser, the police chief of the town of Grass Valley, called 'the largest concentration of Caucasians in the state of California.' In the 15 years ending in 1995, the county's population grew by no less than 65 percent and remained 93 percent white. The newcomers were looking for the kind of homogeneity they grew up with but had lost to immigrants. As Chief Mouser explained, the newcomers 'bring with them the common strain of thought: Don't let it be like where I came from.' Although Americans have learned to give non-racial reasons like 'crime' or 'bad schools' for leaving cities, many ex-Los Angelenos were candid about what drove them away. As one 1990s transplant explained, 'People come here for a timeout, to go some place where racial problems don't exist. [...] And when they find it here, they're pathetically grateful. They want to protect it.' Another explained: 'I'd look at my daughter's classroom and see two blondes. [...] It seemed like there was more of everything else but whites.

If we can move from the mentality where ? When you are white you are right, to where you right you are right.

In the dim light of the closed bar, he thought at first it was silver, but as he reached inside and held it up, he saw that it was a gleaming white, so dazzling he knew he had never properly seen the color white before, only paler, inferior shades.

...I have a theory about why and how all this has happened to you. Instead of having to earn it, you have been handed the presidency, the same way you've come by everything else in your life. Money and name alone have opened every door for you. Without effort or hard work or intelligence, or ingenuity, you have been bequeathed a life of privilege...So it's no wonder you think you deserved to be named President. You didn't earn it or win it- therefore it must be yours!

I'm white and I don't dance, but that doesn't mean I have all the answers.

I had seen the world as either white or black. It is only when I read the pages of her diary that I understood why the sky looked so grey.

It doesn't matter who you are or where you come from or what you look like or who you love. It doesn't matter whether you're black or white or Hispanic or Asian or Native American or young or old or rich or poor, able, disabled, gay or straight, you can make it here in America if you're willing to try.

Is there anything whiter than winter snow?

I think you should know that real-life white people are not all as funny as the ones on 'Seinfeld'.

Man, sometimes you are clueless. You don’t even see what’s happening.” He perched himself on the arm of the couch so he could look down at Turk. “It’s not just about freaks. I mean, you’re the guy who thinks of ideas and all, but you’re missing it. You don’t even notice that the whole council is either black or Mexican. See, that’s what’s happening: it’s all these minorities hooked up with freaks.” The wheels in Turk’s mind began to turn slowly. But they were picking up speed. “Jamal’s with us and he’s black.” “So? We use Jamal. He gets us into Albert’s. You do what you gotta do. All I’m saying is, you and me, we’re normal people. We’re not black or queer or Mexican. And we’re the ones digging toilets. How come?” Turk knew the answer: because they had failed in their attempt to take over. But he’d never thought about this new angle. “Astrid’s a normal white person,” Turk argued halfheartedly. “So’s Sam.” “Sam’s a freak, and I think he might even be a Jew,” Lance said. His eyes were glittering. He was showing his teeth, grinning as he talked. It wasn’t a good look for him. “And Astrid? She’s not even on the council anymore.

I've learned that the hands that made the light created the darkness, and that no one is good without a good measure of bad.

I was in my early twenties and I was, to be quite honest, a bit of a punk. A swaggering entitled straight white guy who hadn't but a lot of thought into what it might be like to be anything other than a straight white guy. Because when you're a straight white guy, you don't *have* to think about that....

Lucien saw all heads turn curiously toward the entrance; then his jaw dropped as a graceful beauty in white walked in, her chin high, a strand of pearls draped artfully over her strawberry-blond hair. 'Alice!' He stared, flabbergasted, transfixed. 'What the hell is she doing here?' He couldn't believe his eyes. Joy and panic crashed in on him from opposite directions. Oh, God, how he had missed her. 'What the hell is she doing in London?' Caro sidled into the ballroom beside her. The baroness was dressed in a tight black velvet dress, but Alice commanded the room, poised, slender, and cool. With her airy evening gown of white silk wafting sensually against her skin, she was an aloof marble goddess who had just stepped down to life from atop her pedestal. She seemed an entirely different creature than the serious, shy young thing who had ventured into his library last week and had been so easily charmed by a bit of Donne poetry. Now she was a force to be reckoned with.

Margherita stared at the mask. It was painted bright yellow and marked with little copper-colored circles to suggest florets. White petals streaked with gold radiated out in all directions. Long golden eyelashes fringed the eye slits, and the mouth was painted as a big happy smile. 'La sua bella,' she whispered, her lisp more pronounced than ever.

It's too cold outside For angels to fly An angel will die Covered in white Closed eye And hoping for a better life This time, we'll fade out tonight Straight down the line

Outside the window, there slides past that unimaginable and deserted vastness where night is coming on, the sun declining in ghastly blood-streaked splendour like a public execution across, it would seem, half a continent, where live only bears and shooting stars and the wolves who lap congealing ice from water that holds within it the entire sky. All white with snow as if under dustsheets, as if laid away eternally as soon as brought back from the shop, never to be used or touched. Horrors! And, as on a cyclorama, this unnatural spectacle rolls past at twenty-odd miles an hour in a tidy frame of lace curtains only a little the worse for soot and drapes of a heavy velvet of dark, dusty blue.

Not at all," persisted Chalmers, unaware that Shea was trying to shush him. "The people of the country have agreed to call magic 'white' when practised for lawful ends by duly authorized agents of the governing authority, and 'black' when practised by unauthorized persons for criminal ends. That is not to say that the principles of the science — or art — are not the same in either event. You should confine such terms as 'black' and 'white' to the objects for which the magic is performed, and not apply it to the science itself, which like all branches of knowledge is morally neutral —" "But," protested Belphebe, "is't not that the spell used to, let us say, kidnap a worthy citizen be different from that used to trap a malefactor?" "Verbally but not structurally," Chalmers went on. After some minutes of wrangling, Chalmers held up the bone of his drumstick. "I think I can, for instance, conjure the parrot back on this bone — or at least fetch another parrot in place of the one we ate. Will you concede, young lady, that that is a harmless manifestation of the art?" "Aye, for the now," said the girl. "Though I know you schoolmen; say 'I admit this; I concede that,' are ere long one finds oneself conceded into a noose." "Therefore it would be 'white' magic. But suppose I desired the parrot for some — uh — illegal purpose —" "What manner of crime for ensample, good sir?" asked Belphebe. "I — uh — can't think just now. Assume that I did. The spell would be the same in either case —" "Ah, but would it?" cried Belphebe. "Let me see you conjure a brace of parrots, one fair, one foul; then truly I'll concede." Chalmers frowned. "Harold, what would be a legal purpose for which to conjure a parrot?" Shea shrugged. "If you really want an answer, no purpose would be as legal as any, unless there's something in gamelaws. Personally I think it's the silliest damned argument —

Nothing is ever black and white, Nila. You should know that bu now. Its all how you survive the grey." -Kes

One day blacks and whites will come together like the keys of a piano, and be as beautiful as the it makes

Over the years, we had been as cautious as blindfolded men feeling their way around a mysterious beast, trying to extrapolate what was between us without communicating the knowledge that would have illuminated everything. Until that morning, when we took the blindfolds off, and discovered we were face to face with each other.

Pantheon above save him, he might care for the woman more than he'd ever bargained for. The brash and unfashionable Wraith had lived up to her word from New Dortam. She had stolen his heart after all.

None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.