Best 3577 quotes in «white quotes» category

I tell people, 'If you want to send a message to the White House, call my house.

It does seem like between the groundbreaking writing of Edmund White's generation and the work of younger gay writers in their twenties and thirties there is a kind of gap.

It feels kind of strange knowing that I rule the whole planet of Naboo and I'm only thirteen. At first, my face—because it was really white—was a bit of a shock. But when the whole costume was put together and the headdress was put on, I really felt proud, like a Queen.

It felt almost rude to ignore toe pretty white bed, but we just weren’t going to make it that far.

It goes to extremes - from people saying I'm the best of all-time to people saying, "I hate that white boy." Who cares? At the end of the day, if people don't like you, they're not your friends anyway.

It happens a little bit more in the West, where there's more fluid - where everybody's originally from somewhere else. So they have a little bit more permission to do it. It happens the least, at the individual level at least, in the South, because the South has very strong, you know, set up black churches and white churches and a long history of that, and so it's a bigger social cost.

It has occurred to me that possibly the white corpuscles may have the office of picking up and digesting bacterial organisms when by any means they find their way into the blood. The propensity exhibited by the leukocytes for picking up inorganic granules is well known, and that they may be able not only to pick up but to assimilate, and so dispose of, the bacteria which come in their way does not seem to me very improbable in view of the fact that amoebae, which resemble them so closely, feed upon bacteria and similar organisms.

It has no color to it. If you can rap good, you can rap good. I look at Mac Miller, who’s one of my homies, and I look at Wiz Khalifa, who’s one of my homies, and I don’t look at Mac different because he’s white. He’s my homie.

I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.

I think after Sam Nunn left, I'm the last guy in the Senate who got a majority white male vote in their state.

I think anybody who is racist is an idiot whether they are black or white.

I think, as a white person, I do not want to speak for a black person.

I think as women, you know, if you are considered a pioneer in these things, you can get really distracted by these other things - you know, people's demands of you reflecting on your otherness. And for this white critic to say, "I don't understand why she doesn't do that" - and you're like, "It's because I'm running a show on a major network and I want the show to continue" - and to sort of guilt me.

I think everybody is covering their [posteriors] with the Enron scandal and it was very convenient that Sept. 11 came along to deflect the fact that they should never have been in the White House in the first place. What happened in the election was completely corrupt.

I think generally speaking, both people are trying to be free from the abuses of the white racist North American authorities. I think that's the one common denominator. The Cubans found a way to liberate themselves and we haven't found the way yet. So that's the difference.

I think Hillary Clinton understands the ins and outs of the White House better than anyone who's come before her.

I think if you are a black person or an Hispanic person, you are not as fond of Rudolph Giuliani as you are if you happen to be a white person. Because he has trampled on people's civil rights.

I think in the end we will have negotiations with the House. They don't have any incentive for a long, drawn-out trial. We'll have negotiations with the White House. Despite all their threats they are going to have a prolonged defense. The reality is they are the driving force behind getting this over quickly.

I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.

I think it's easier, I really do, because of not having that similar history, so that's why I think two-thirds of these mixed congregations are either white with Asian and Hispanic, or black with Asian and Hispanic.

I think it's extremely important to challenge white brothers and sisters and think more systematically and strategically about the whiteness that they possess.

I think it's easier for African American and white comics to be praised than it is Latinos because they think our culture or our humor is substandard. I mean, I just don't think they want to give us credit. I just don't think that they see us as important enough to be at their level. I'm the longest-produced comedy at Warner Bros. and I don't feel special. They come over and say hello. But everybody's gonna make a lot of money and I don't feel like I'm special to them.

I think it's probably, musically, probably the most sophisticated. ("The Woman in White") There's a lot more daring harmony in it than in some of my pieces... If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask, isn't it?... Sondheim is absolutely wonderful and Alan Jay Lerner was wonderful.

I think it's time we had a president who carried the same life experiences into the White House as most ordinary Americans.

I think my sense of humor is Jewish. I'm smarter than most white people, which is kind of a Jewish thing, too.

I think I've been in situations where they looked at me and just see some rich white guy - they don't see me at all.

I think I've been writing black poems all along, wearing my white mask. I'm always the victim ... but no longer!

I think it will be interesting to see what happens in that small confine at the White House, when you have all the media that`s been assigned to cover the White House, and you start getting the same kind of questions, the same kind of approach.

I think it wasn't so much that the White House altered me in any essential way as that I found the resources with which to respond to a series of challenges. You never know what you can do until you have to do it. In the beginning, it was like going to a party you're terrified of, and finding out to your amazement that you're having a good time.

I think my style is classic - I like wearing jeans and a white button-up shirt.

I think of the described dynamics as a fluid negotiation. I don't think these specific interactions can happen to the black or brown body without the white body. And there are ways in which, if you say, "Oh, this happened to me," then the white body can say, "Well, it happened to her and it has nothing to do with me." But if it says "you," that you is an apparent part of the encounter.

I think one of the nicest things that we created as a generation was just the fact that we could say, 'Hey, I don't like white people.'

I think on a national level your Department of Law there in the White House would look at some of the things that we've been charged with and automatically throw them out.

I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living.

I think overtly political novels - those that never transcend or contest their author's conscious intentions and prejudices - are problematic. This is not just true of the innumerable unread books in the socialist realist tradition, but also of novels that carry the burden of conservative ideologies, like Guerrillas, Naipaul's worst book, where the author's disgust for a certain kind of black activist and white liberal is overpowering.

I think racial justice - and addressing the sick and enduring legacy of structural racism - remains one of the greatest challenges of our time, and one that's particularly important for more and more white people to speak up about.

I think President [Barack] Obama deeply underestimated the force of white supremacy in American life.

I think that [Eddie Murphy's famous "White Like Me"] is probably the first time I thought, "Oh. Being black is different. That is a totally different experience.

I think that zinc white has a property of scaling and cracking.

I think that it is true that Eleanor Roosevelt, by being so active on that front, contributed to that impression very substantially. And it's to her credit that she was interested in this, let me say. But once again, I'm not sure the extent to which Roosevelt - I guess he did use her really, particularly on the civil rights front. No question about it, because she was well identified out there, and brought a good many blacks into the Administration, into the White House, into his presence and so on.

I think that what people have failed to talk about is white supremacy.

I think the end is endless. It's either a big black hole or a big white light or both together. But it's totally meaningless, because even if someone would explain it, I wouldn't understand it.

I think the ethical standards established in this White House have been the highest in the history of the White House.

I think that white people were, no question, the creators of what we call white America.

I think the minority students that we admit to Harvard are every bit as meritorious as the white students that we admit.

I think there's an awakening now of a realization that we too early congratulated ourselves on the end of racial prejudice and white supremacy. And that was a feeling that we had when I was president, that we had pretty much overcome that problem.

I think the president [Barack Obama] adopted some of that same language, but took it into the White House. And I think, like, there's a crucial difference between being, you know, Joe Schmo in the neighborhood and being the head, you know, of the government that, you know, in many ways is largely responsible for those conditions in the first place.

I think there's a certain stigma that comes with being a white rapper and having a show.

I think there are white alumni out there who wouldn't mind having an African American president of their school, but would be reluctant to have an African American coach, because he represents the school so. I think it's just sheer backward racism.

I think there's a sort of, you know, very thin way of reading this that says, well, Barack Obama is biracial thus that gives him some understanding of both white America and black America, but that's not really it.