Best 376 quotes in «dialogue quotes» category

  • By Anonym

    That's how vile I am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish! I think I hate Ireland more than I hate the theatre, and that's saying something!

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    The 'Dance of Love' is much more of a dialogue, one takes the lead and the other follows. One dictates a step and the other carries it out. One determines the direction, the other determines the distance travelled in a given figure. One sets the pace, the other reveals the grace. One understands the language of the other and knows what is coming next. The one leading leads with love and respect; never seeing the follower as being weak or inferior. And in the same manner, the one following follows with Trust and Submission; never feeling too big to be led or scared to jump. There is a blind assurance that someone is there to catch.

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    The photo had been taken at the opening of JB's fifth, long-delayed show, 'Frog and Toad,' which had been exclusively images of the two of them, but very blurred, and more abstract than JB's previous work. (They hadn't quite known what to think of the series title, though JB had claimed it was affectionate. 'Arnold Lobel?' he had screeched at them when they asked him about it. 'Hello?!' But neither he nor Willem had read Lobel's books as children, and they'd had to go out and buy them to make sense of the reference.)

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    The fabric of human life is woven with relationships. Once we thematize the importance of dialogue, the multiplicity of ongoing and created situations in which dialogical skills can be nurtured abound. As we have seen, this requires us to slow down and turn toward each other, having a clear sense of the relationship between our current footing in dialogue with one another and the future we are trying to create. The nurture of dialogical capacities is essential to human liberation.

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    The real purpose of the opposition is to minimize the amount of money the ruling party will have stolen from the people at the end of its term.

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    There are alternatives to medication, though they tend to have more disruptive side effects." "Like what?" "Have you ever been in love?" "In what sense?" "We'll cross that road when we come to it.

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    The question is which one of us is the frog and which is the toad,' Willem had said after they'd first seen the show, in JB's studio, and read the kindhearted books to each other late that night, laughing helplessly as they did. He'd smiled; they had been lying in bed. 'Obviously, I'm the toad,' he said. 'No,' Willem said, 'I think you're the frog; your eyes are the same color as his skin.' Willem sounded so serious that he grinned. 'That's your evidence?' he asked. 'And so what do you have in common with the toad?' 'I think I actually have a jacket like the one he has,' Willem said, and they began laughing again.

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    There are some nasty bitches out there. If they don't dab the front end, they probably don't wipe the back end. That's women of all colors and races. Guess what? I'm not one. I smell nice at all times.

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    The sea, the sea, yes,' James went on. 'Did you know that Plato was descended from Poseidon on his father's side? Do you have porpoises, seals?' 'There are seals, I'm told. I haven't seen any.

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    They say nothing!" the little captain raged. "They only putrid gunner, ship engineer. I, Ba-Karkar, must speak for all!" Ogu kicked him again. "Then ask what kind help Asahel wants, untranslatable epithet male. Or no more untranslatable for you! Never again in putrid boomer prison." Her husband gave a choked gasp. "Cruel female!" "No more sex, either," she added.

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    The symbol of the Lotus flower gives a precious teaching that can inspire us to deal with life in the best possible way. Its roots take nourishment from muddy waters and yet bloom in full delicacy and beauty on the surface. Similarly, to have a positive mindset is a beautiful quality; nonetheless to be transformational it needs to be rooted firmly in reality to then blossom with the value which can be created from the muddy problem(s)

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    The trouble with you, Charles, is that basically you despise women, whereas I, in spite of some appearances to the contrary, do not." "I don't despise women. I was in love with all Shakespeare's heroines before I was twelve." "But they don't exist, dear man, that's the point. They live in the never-never land of art, all tricked out in Shakespeare's wit and wisdom, and mock us from there, filling us with false hopes and empty dreams. The real thing is spite and lies and arguments about money.

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    This is about how you relate to the world,' C said. 'Maybe it's about how the world relates to me,' I said back.

    • dialogue quotes
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    Traders are left alone because they keep Verbena afloat, but those without an emblem? They’re either dangerous or risking danger. Since we’re going the same way, would it be a bother if I accompany you?’ An odd sentiment coming from one who appears to be a lone traveler on foot. But odd does not equate to false. ‘You don’t have an emblem. Does that mean you’re dangerous?’ His lips curl slightly, as if he’s amused.

  • By Anonym

    This movie inspires me to try new things," he said. "Like what?" I asked, amused by the thought that he might have the courage to do more in bed than reposition himself to get "better leverage.

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    To engage in dialogue is to serve others via whatever is real inside you; to engage in debate is to ultimately serve the illusions of your ego.

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    This is like teaching queer remedial at the continuation high school. You were fishing, and you caught me. Don't you get that?" "Oh, hell no." Tristan just stared.

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    Trojan is a no-blow-job- condom. The flavor is horrible. Someone should come up with a barbecue-flavored condom for the hood. But greedy bitches would probably start chewing dicks.

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    We all have our own ways to cope with stress," she said, and rambled on about the benefits of habitual behaviors. "Self-soothing," is how she described it. "Like meditation." I yawned, hating her.

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    Was it unpleasant?" "I don't know," I said. "Everything is so unpleasant nowadays it's hard to tell.

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    Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries -old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.

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    We all love a glimpse of Lucas, it's a religious experience.

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    We had an unspoken love for one another. Probably because she’d never talk to me or return my phone calls or texts.

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    We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence and start a war. And one right word, or one kind word, can grant you the heavens and open doors.

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    We have to accept that much of reality is ineffable and so to understand it we can't rely on words alone.

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    We'll see you through, Martin," said Antonia . . . "So do not be guilty or worried, darling Martin." "I won't be guilty or worried, I'll be raving mad," I said. "I don't want you to see me through. I want to be left alone by both of you at long last.

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    Well, anyway, this'll be easier than knocking an elf out of a tree. Trust me.' 'How many elves have you knocked out of trees, Stubble?' 'Duraden's bones! Have ye never heard of a figure of speech?

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    Well, I've always wanted to call my son Barr." "Like a tavern? Like a soap?" "My father's name is Barr." "Oh. And I love it!

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    Well, you won't abandon me, will you." "Don't be silly, Ludens, you are buckled to my heart.

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    Well,' Frederick had said, 'I will see what can be arranged, Archie. But I will not have the girl frightened or compromised.' 'You sound like a grandfather who has raised fifteen daughters and is now starting on his granddaughters, Freddie,' Lord Archibald had said. 'It is most disconcerting.

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    Well, then, what's the plan now? You can't stay here forever.' My plan was indeed to stay there forever.

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    We're leaving," I told her one July afternoon. "We? You and I? Where are we going, young Master Paul? Do you have your belongings tied up in a red-spotted handkerchief on a stick?

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    We probably shouldn't be friends," I told her, stretching out on the sofa. "I've been thinking about it, and I see no reason to continue.

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    What do you want to do now?" he asked her. "We should probably just kill ourselves," she imagined saying.

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    We usually learn from debates that we seldom learn from debates.

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    What do you think of Poe?" "He's awful. He was obviously . . . what's the term . . . 'disappointed in love' at some point. He probably never smiled again. The pages are just bursting with his longing for women to suffer. If he ever met me he'd probably punch me on the nose." "I think Poe's quite good, actually. The whole casual horror thing. Like someone standing next to you and screaming their head off and you asking them what the fuck and them stopping for a moment to say 'Oh you know, I'm just afraid of Death' and then they keep on with the screaming.

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    What do you want me to say?" "I wish you would say something. Our life goes by without any comment.

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    What I was really thinking,' resumes Rachel, 'is—well, that there's fate, you see. I don't dismiss it, I don't think it's idiotic. It's quite scientific, actually. What we become. Who we—meet, end up with,' she continues, flames in her cheeks. 'You think we would have met, no matter what? Even if I were some lushy? Some loon? Street kid?' 'You're laughing at me.' 'Just asking,' he says. 'Everyone has one person, I think. For life. That's all.

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    What is God anyway?" "A dark place —

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    What is it?” “A prayer.” “For a child?” She nodded. “For me?” Another nod. “On a tree?” “Trees spend all day looking up at God.

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    What larks we had," said James. "When?" "When we were young." I could not recall any larks I had had with James. I poured out the wine and we sat in silence.

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    What's that?' Thaniel said, curious. The postmarks and stamps weren't English or Japanese. 'A painting. There's a depressed Dutchman who does countryside scenes and flowers and things. It's ugly, but I have to maintain the estates in Japan and modern art is a good investment.

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    Ye are a scoundrel, a black-hearted robber and a rogue,' Stubble said cheerily to the grumbling captain. It was his usual way of haggling, and he'd beaten down the riverman to a decent price for conveying himself and Anvar to Lankarn.

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    When he leaves home to sow his oats—" "Wild oats, Tasha. They have to be wild. Unless he ran off to be a farmer.

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    When Louise returned to the Aviary the others were playing the game of what character in fiction Peter Mir reminded them of. 'I think he's Mr Pickwick,' said Louise. 'Oh no! Never!' said Sefton. 'I think he's more like Prospero.' 'I think he's the Green Knight,' said Aleph. 'Come on, Moy, what do you think?' 'I think he's the Minotaur.' 'The Minotaur isn't a literary character, he's a mythical character,' Sefton objected. 'Oh really — !' 'What does Clement think?' said Aleph. 'I think he's Mephistopheles,' said Clement. 'Surely not, he's so nice!' said Louise.

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    Yes, my mother was on about Byron. But who wants to be like Byron? I despise him.

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    When Jonas came to the phone I asked him if he remembered that we used to kiss. "I remember," he said tersely. "Is that why you called?

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    When Reva gave advice, it sounded as though she were reading a bad made-for-TV movie script. "A walk around the block could do wonders for your mood," she said. "Aren't you hungry?" "I'm not in the mood for food," I said. "And I don't feel like going anywhere.

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    Where there is a readiness for dialogue, there is a chance for peace.

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    Why so sad?" Zach queries in fairy-tale tones. "Rachel?" "O my brother Ivanushka," she recites. "A heavy stone is round my throat, silken grass grows through my fingers, yellow sand lies on my breast." "That's perishing gloomy," Zach remarks. "It ends happily though. Gracious! Everything sounds depressing this morning," adds Rachel. "There's a teacher at my school, she's very young, but she goes, Gracious! Just like a dowager. Makes me laugh. Except this morning. I can't help it. I am too depressed. I hate those voices so much. In the Gardens." "Stop listening," Zach scolds and put his hands in her hair—silken grass grows through his fingers.