Best 3497 quotes in «black quotes» category

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    When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.

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    When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.

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    When they kept you out it was because you were black; when they let you in, it is because you are black. That's progress?

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    When virtue is pictured as innocence and innocence equated with childlikeness, the implication is obviously that knowledge and experience are no longer media of goodness, but have become in themselves contaminating. This is a very despairing outlook, in its way as black as Augustine's original sin, for it supposes that original goodness will in all likelihood be defiled...It surrenders the attempt to represent virtue in a mature phase.

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    When we opened the doors, we saw that the entire room was scorched black and you were on the floor possibly dead, surrounded by broken glass. Window glass is expensive, you realize that?" "Yes, Your Majesty," he said meekly.

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    When we work all over the planet, it's mostly poor and black and brown and young people, because that's mostly what the world [environmentalism] is.

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    When white people eat potato chips, they're called white people. When black people eat potato chips, they're called niggas.

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    When you are losing it can seem like there is a black cloud following you around, but like they say there is a silver lining in every cloud.

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    When you are on stage, you don't see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.

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    When you are trying to get a shot, you can't be pleasing everybody. And I tend to be sort of collaborative and a bit of a pleaser. And when I'm directing, people just sort of call me Black Hat Gabriela. Because suddenly they're like, "What happened to you?" Because I stop listening. And I feel strident. I feel rude. And I feel un-collaborative.

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    When you call me European, I say yes. When you call me Arab, I say yes. When you call me black, I say yes. When you call me white, I say yes. Because I am in you and you are in me. We have to inter-be with everything in the cosmos.

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    When you fall into a black hole you will be literally spaghettified.

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    When you get a black belt, it’s not the number of techniques you know, but how well you know them.

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    When you first start to do jiu-jitsu everyone has the goal of being a black belt. You want to be great at everything you do.

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    When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

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    When you have a small town where all of a sudden there's 3,000 black people living in a neighborhood where there were never black people before, that's a dramatic change. I'm not sure how much the people in the north are acknowledging that this is a permanent phenomenon, that it is going to change the social fabric.

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    When you go to a club it's not about being black or white or heavy or thick. I'm shaking my ass because I want to shake my ass, not 'cause "I'm dancing like a black girl!

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    When you have something in black and white, you can deal with it quicker.

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    When you hear my records today hear a vanilla sounding artist with no black inflection, although I was trying to imitate what I heard.

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    When you look at the Lady Gagas of the world, or the Jay-Zs, or the Black Eyed Peas, these are people who have one album release and it's a worldwide one.

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    When you know your name, you should hang on to it, for unless it is noted down and remembered, it will die when you do.

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    When you look at me you don't immediately imagine a very very glamorous icon, so it's only in the theater that I get to do these experiments. I've been an actor about 51 years now. I've played everything from an 8-year-old black boy to a 72-year-old French matriarch, and they hardly hire you to do that on TV.

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    When you're a black woman, you seldom get to do what you just want to do; you always do what you have to do.

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    When you're a black superhero you can't erase the notion that you're black.

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    When you're first starting out, you want to keep making good movies. When you're young and you're black, you do a bad movie and you're through.

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    When you're white, the sky's the limit. When you're black, the limit's the sky.

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    When you’re young, your world is pretty limited. My parents, my family, my church dominated my world. And because Birmingham was so segregated, I didn’t really have to encounter the slings and arrows of racism on a daily basis. Obviously, from time to time I did, like when my parents took me to see Santa Claus and he wasn’t letting black children sit on his knee. But my parents tried to insulate me as much as they could.

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    When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'

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    When you say black lives matter, that's inherently racist.

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    When you say 'Black is beautiful' you are saying, 'Man you are okay as you are, begin to look upon yourself as a human being'.

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    ... when your name is really and truly Percy Blakeney, pronounced 'Black-knee', and you still have bad acne in your twenties, you accept Pimple as a nickname and are grateful that it wasn't anything worse.

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    When you talk about "white privilege", you're talking about something systemic. When you're talking about "black privilege" it's something spiritual because we as black people tap into a divine system that a lot of other cultures and races can't tap into and that system allows us to prosper in spite of everything that's been thrown our way from slavery to segregation to mass incarceration. We have a privilege pre-ordained by God that nothing and no one can stop.

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    When you see a culture where the intellectual architects of the invasion are not shamed for their behavior but rewarded within the mainstream media culture, black comedy, satire, absurdism is the only response.

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    Where as you go into playing something like Ulysses [on Black Panther], you go - I'm going to have this haircut and this cloth, you draw from different stimulus.

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    When you write for a living and you can't do anything else, you know that sooner or later that the deadline is going to come screaming down on you like a goddamn banshee. There's no avoiding it...So one day you just don't appear at the El Adobe bar anymore; you shut the door, paint the windows black, rent an electric typewriter and become the monster you always were - the writer.

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    Where does a black soul go to rest?

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    Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture with ballpoint pen ink. I'm looking for that in-between state in an individual where the overarching definition is lost. Skin as geography is the terrain I expand by emphasizing the specificity of blackness, where an individual’s subjectivity, various realities and experiences can be drawn onto the diverse topography of the epidermis. From there, the possibilities of portraying a fully-fledged person are endless.

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    When you want a nation, that's called nationalism... Black nationalism. A revolutionary is a Black nationalist. He wants a nation.

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    Where are the Black businesses? They're not here. The Koreans are here, the Chinese are here, the Arabs are here, the Indians are here. Everybody that wants to make a dollar is making a dollar on our lack of thought to do something for ourselves that was not present in that older generation that came from the South.

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    Where is the raised voice of black America? Why are we mute?

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    Where I grew up, it was all people who were black and Latino, people who look like me. Now I live in a neighborhood where very, very few people look like me.

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    Wherever there's a prison, for the most part, especially where there's Black people, it's overcrowded. I don't know who really gets out.

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    Wherever you go in the history of America, there have been Black people making contributions, but their contributions have been obscured, lost, buried.

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    Where weary folk toil, black with smoke, And hear but whistles scream, I went, all fresh from dawn and dew To carry them a dream. I went to bitter lanes and dark, Who once had known the sky, To carry them a dream-and found They had more dreams than I.

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    While I'm a big fan of science fiction, especially as rendered in expensive Hollywood blockbusters, it's the real universe that calls to me. To fall into a black hole, that is more amazing than anything I've ever read in a science-fiction story.

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    Whether we want to own up to it or not, the welfare state has done what Jim Crow, gross discrimination and poverty could not have done. It has contributed to the breakdown of the black family structure and has helped establish a set of values alien to traditional values of high moral standards, hard work and achievement.

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    While rationalism at the individual level is a plea for more personal autonomy from cultural norms, at the social level it is often a claim- or arrogation- of power to stifle the autonomy of others.

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    While a few pertinent points have to be marked, the general impression I desire to convey is of a side door crashing open in life's full flight, and a rush of roaring black time drowning with its whipping wind the cry of lone disaster.

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    While he was watching the ships, Buttercup shoved him with all her strength remaining. [...] Down went the man in black. [...] "You can die too for all I care," she said, and then she turned away. Words followed her. Whispered from far, weak and warm and familiar. "As...you...wish...

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    While it has become “cool” for white folks to hang out with black people and express pleasure in black culture, most white people do not feel that this pleasure should be linked to unlearning racism.