Best 3497 quotes in «black quotes» category

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    I've gotten nothing but warmth from the Black community and positive feedback.

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    I've had two unlucky injuries that are the equivalent of walking under 1,000 ladders and seeing 1,000 black cats.

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    Ive heard some people say that Im selling out, but Im not. If I hadnt done Black Radio, and just kept on doing just piano trio stuff, I wouldnt be honest with myself; Id be doing it to please other people. That would be selling out.

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    I've heard that I've gotten a lighter complexion, as if I've bleached my skin. I think that is so stupid and ludicrous. For those who want to bleach their skin, that's fine. I just didn't bleach mine. I'm a black woman. I don't want to be anything but a black woman.

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    I've heard Donald [Trump]s ay this at his rallies, and it's really unfortunate that he paints such a dire negative picture of black communities in our country.

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    I've heard that Black people and Black faces don't sell magazines, but one day you're going to beg me to be on there.

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    I've managed to create intimacy with people I know, and people that I don't know. The longer things stay inside of us, the more we think they are black or tainted, but they're really not.

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    I've never been an all-black girl. I like pinks and blues and greens. If you come over to my closet, you'll be able to find a rainbow of things to wear.

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    Ive never drunk coffee. Im convinced it has something to do with why my skin is good. I have either mint, green or black tea.

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    I've never bothered about my color.

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    I've never seen black men with fine white women. They be ugly. Mugly dogs.

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    I've opposed black regimes and white regimes, leftist regimes and rightist regimes. I'm close to Aristide because I have respect for him, but all that is beside the point.

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    I've spent as much as 30 grand on a watch but it's not about flaunting my wealth. I don't have many extravagances but watches are my biggest one. I must have 30 of them now. I've been collecting since the age of nine, when I won a black TAG in a karting event.

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    I've worn black today, because I've heard so often that it's supposed to be slimming. But instead I am this sphere of darkness submarining through the halls.

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    I voted for Barack because he was black. 'Cuz that's why other folks vote for other people - because they look like them... That's American politics, pure and simple.

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    I wake and feel the fell of dark, not day. What hours, O what black hours we have spent This night!

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    I voted for the black guy, and what we got was the white guy

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    I wanted to be a leading man - the black lawyer, the black doctor, the black policeman.

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    I wanted to be a tragedienne. I only wanted sad parts. When mother read the press notices when I was on the road, saying I was a 'comedienne,' the tears rolled down my cheeks. I thought comedians had to have black on their faces, or red beards.

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    I wanted to explore black culture, and I wanted that culture to be a revelation.

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    I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.

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    I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.

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    I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.

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    I wanted to write about voodoo tradition that I feel has been very important to survival of black people here: people of the African diaspora, people of this region, and throughout the south.

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    I want to be able to tell black people something they don't know, something about our own lives.

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    I want to be black, to know black, to luxuriate in whatever I might be calling blackness at any particular time, but to do so in order to come out on the other side, to experience a humanity that is neither colorless nor reducible to color.

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    I want to be the first black man on the moon

    • black quotes
  • By Anonym

    I want to deal with somebody who comes from another country to the United States and has a family that comes. I don't care if it's a black family from Jamaica or a Hispanic family from Mexico. These issues need to be dealt with, but they need to be dealt with in the entertaining way.

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    I want to emphasize the idea of black as intellectuality and conventionality.

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    I want to get into the educational DNA of American culture. I want 10 percent of the common culture, more or less, to be black.

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    I want to see somebody go to jail over the financial crisis and not just black, brown and poor whites over humbles and minor drug beefs.

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    I want to explain how exhausted I am. Even in my dreams. How I wake up tired. How I’m being drowned by some kind of black wave.

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    I want to keep changing the world. It's possible. The black gay lead is ready. It's time.

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    I want to go up to the closest white person and say: 'You can't understand this, it's a black thing' and then slap him, just for my mental health.

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    I was a black sheep, but now I'm just a goat

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    I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.

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    I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.

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    I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black.

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    I was a lost child. I wasn't accepted in the black community because I was Korean, and I wasn't accepted in the Korean community because I was black

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    I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.

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    I was at Yale and I said to the poet Elizabeth Alexander, "I'm interested in the ways in which black health seems precarious in the United States." She introduced me to the term "John Henryism." And then I went back and researched it and understood that, woah, this thing I am thinking about is actually a condition that's named.

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    I was a member of the Black Student Union, part of the central committee at San Francisco State. During the 1968 strike there, I was certainly very much involved in the activities that occurred on campus. It was part of an extraordinary period in my life

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    I was arrested and put in murder's row. They were trying to get me for some murders I didn't do. They had me in a cell next to Charles Manson; he was going to trial at the time. And it was all a row of black and brown guys and one white guy: Charles Manson.

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    I was born gay just as I was born black.

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    I was born in Detroit, in an all black neighborhood.

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    I was born in Newark, New Jersey, and grew up in Summit, an upscale town in north Jersey. There was this tiny area of Summit where most of the black families lived. My parents and I lived in a duplex house on Williams Street.

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    I was always the only black in the movie theater, the only black in class, the only black in the library, the only black in the discotheque. I always felt observed and judged.

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    I was born black and female.

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    I was born a poor black child.

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    I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, Look how far weve come, because we hadnt come very far, to say the least. Although Jacksons population was half white and half black, I didnt have a single black friend or a black neighbor or even a black person in my school.