Best 147 quotes in «literary quotes» category

Miss Foxe's other passion was fairy tales. She loved the transformations in them. Everybody was in disguise, or on their way to becoming something else. And all was overcome by order in the end. Love could not prevail if the order of the tale didn't wish it, and neither could hatred, nor grief, nor cunning. If you were the first of three siblings, then you were going to make a big mistake, and that was that. If you were the third sibling, you couldn't fail.

Most critics, fond of subservient art still make the whole depend upon a part. They talk of principles, but notions prize And all to one loved folly sacrifice.

Most people surrendered fairy tale hopes in exchange for cookie cutter lives

Now when the men talk, their voices burn in the air, making smoke all over the place. We hear about change, about new country, about democracy, about elections and what-what. They talk and talk, the men, lick their lips and look at the dead watches on their wrists and shake their hands and slap each other and laugh like they have swallowed thunder.

Nobody ever wanted to go to war, but if a war came your way, it might as well be the right war, about the most important things in the world, and you might as well, if you were going to fight it, be called "Rushdie," and stand where your father had placed you, in the tradition of the grand Aristotelian, Averroës, Abul Walid Muhammad ibn Ahmad ibn Rushd.

No one is sent by accident to anyone.

Nothing felt better to him than the act of waiting for her. As long as he believed it wasn’t in vain, he was able to justify his presence.

Now he began to intuitively sense a world organized according to lawfully segregated zones of those allowed to exist fully and those corralled into a state of half-being, tamped beneath normal levels of cognition into a grim unceasing purgatory. Personhood and Objecthood entwined, and distinguishing the difference turned into an exercise of pure ambivalence.

One bright sunny day at a successful Literary Agency… Literary Agent: “So, Tina – we asked you to try and write a children’s story…” Tina: “Uh-huh.

Once you break someone’s heart, you are forever its master.

One recalls the literary writer who, after grasping a story of a Mars voyage as a metaphor for isolation and the precariousness of relationships, realized that at a deeper, more subtle level it might even be a story about an actual trip to Mars!

One realizes the immortality of true love only after the lover dies

On occasion he would think back to the fiercest passion it had been his pleasure to experience and reflect on what might have been. He would look upon the woman who occupied the opposite half of his bed and feel his life had not quite lived up to the promise of another day. These moments would be mercifully brief, or so he hoped.

Ô, wine!, the truth-serum so potent that all those who wish to live happy lives should abstain from drinking it entirely!... except of course when they are alone.

Perhaps that cruel girl was right? I should be a good girl, and my friend will be fine. I am too dramatic, always seeing the end in a flower blossom, the destruction in a raindrop. I must accept the things I cannot change.

Perhaps all love stories no matter how varied are essentially the same.

She fed him scraps from her ragbag because words were all that were left now. Perhaps he could use them to pay the ferryman. Much have I travell'd in the realms of gold. The world is charged with the grandeur of God. Full fathom five thy father lies. Little lamb, who made thee? Though worlds of wanwood leafmeal lie. On that best portion of a good man's life, his little nameless unremembered acts of kindness and of love. Farther and farther, all the birds of Oxfordshire and Gloucestershire. The air rippled and shimmered. Time narrowed to a pinpoint. It was about to happen. Because the Holy Ghost over the bent world broods with warm breast and with ah! bright wings.

Reality is shaped by the forces that destroy it.

Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.

Science fiction writers and thriller writers and traditional so-called ‘literary’ novelists are all novelists, and they finally have to be judged on how good they are, not on which category they belong in.

She had once been the belle of her circle of small tradesmen and salesmen, but now her little pig eyes with their swollen lids could scarcely open.

...she was so afraid of everything that she made it impossible to really enjoy anything at all.

Shit, man, if you see a dog scratching at the dirt trying to dig something up, walk away real fast,” he said, then pulled a little square of paper from his pocket and swallowed whatever was folded inside.

Short story collections are the literary equivalent of canapés, tapas and mezze in the world of gastronomy: Delightful assortments of tasty morsels to whet the reader's appetite.

The biggest mistake you can make is thinking you know who you are.

Someone who dreams cannot be forced to stop—there are no limitations to dreams, because we do not own dreams, dreams are from God.

Some stories need to be told time and again. Every generation forgets. Every child learns anew.

Sometimes I still feel that there are two of me: one clean, flawless picture, the other imperfect and cracked; one boy, one girl; one voice that speaks aloud and one that whispers in my ear; one publicly known to have been troubled but be on the mend, the other who has privately lost something to do with innocence and gained something to do with knowledge and adulthood that can never be undone. I feel sometimes there are things that tear me in two directions, that there are two sets of thoughts that grow side by side. But then I realize that I am whole, whatever that means and does not mean; I am complete without the need for additions or alteration.

Sometimes sanity just means the ability to recognize the end of the road when you reach it.

String of fate brings two people together and it is love's job to keep them there.

That Yank glean is long gone anyway; money, sex, power, it’s gone global – no one has a monopoly on it anymore. The towering skyscrapers of New York had fallen long before the second plane; we all knew it. The twang of the Yank accent doesn’t give girls that twinge these days, even the dollar sign is looking dated, its day long past. No, America doesn’t have it anymore. But then nowhere does. We don’t chop the world up by borders anymore, don’t slice peoples and dice continents. It’s all a sweltering mess, a fucking free-for-all. We went global centuries ago, today we’ve gone digital, and digital doesn’t have borders.

The Bishop blessed him and helped him to his feet. "May God have mercy on you," he said. And erased him from his heart.

The oceans and the skies…and the sun coming up each new day. That’s all there is, I think. That’s all that matters to think on.

The decrees of society are temporary ones; what Tolstoy is interested in are the eternal demands of morality.

Noriega wound up like a baseball pitcher on top of the bed and hurled the small gun, but was low and outside for a ball. His tight-fitting house dress was bunched up high on his chubby thighs, exposing olive drab underwear. I see London, I see France, I see a crazy dictator’s underpants! Chase’s thoughts raced.

The gay revolution began as a literary revolution.

The monkey liked most humans. They left food cans outside their homes for his family to rummage through in the morning sun. Some yelled and threw sticks, but were slow and didn’t bite. Humans were mostly harmless.

The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.

The Special Operations Network was instigated to handle policing duties considered either too unusual or too specialized to be tackled by the regular force. There were thirty departments in all, starting at the more mundane Neighborly Disputes (SO-30) and going onto Literary Detectives (SO-27) and Art Crime (SO-24). Anything below SO-20 was restricted information, although it was common knowledge that the ChronoGuard was SO-12 and Antiterrorism SO-9. It is rumored that SO-1 was the department that polices the SpecOps themselves. Quite what the others do is anyone's guess. What is known is that the individual operatives themselves are mostly ex-military or ex-police and slightly unbalanced. 'If you want to be a SpecOp,' the saying goes, 'act kinda weird...

The splendid beauty of this living world,and its subtle moonlight glint wakes a mild youth’s mind,whose colors are of pensive green,and tranquil white to ink his visions keen.

The story we write today will support the next generation.

The wind whirls and whistles and strip pink blooms from the mimosas, scatters twigs, broken limbs, pine needles and pine cones across our yard, and robs the pecan trees of a thousand leaves. The storm eventually dies, but the bruised trees continue to weep into the night, still shimmering with dewy leaves when the sun comes up the next morning.

They never opened the door which leads to the soul.

This is not to say a writer has only one voice or is limited to the scope of her backyard. But in some sense her work must begin there, at the rootwad. And wherever she travels she must take that place with her, must feel in the dark of memory for its shape.

Though I am sometimes reluctant to admit it, there really is something 'timeless' in the Tyndale/King James synthesis. For generations, it provided a common stock of references and allusions, rivalled only by Shakespeare in this respect. It resounded in the minds and memories of literate people, as well as of those who acquired it only by listening. From the stricken beach of Dunkirk in 1940, faced with a devil’s choice between annihilation and surrender, a British officer sent a cable back home. It contained the three words 'but if not…' All of those who received it were at once aware of what it signified. In the Book of Daniel, the Babylonian tyrant Nebuchadnezzar tells the three Jewish heretics Shadrach, Meshach, and Abednego that, if they refuse to bow to his sacred idol, they will be flung into a 'burning fiery furnace.' They made him an answer: 'If it be so, our god whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of thy hand, o King. But if not, be it known unto thee, O king, that we will not serve thy gods, nor worship the golden image which thou hast set up.' A culture that does not possess this common store of image and allegory will be a perilously thin one. To seek restlessly to update it or make it 'relevant' is to miss the point, like yearning for a hip-hop Shakespeare. 'Man is born unto trouble as the sparks fly upward,' says the Book of Job. Want to try to improve that for Twitter?

To live in that Solitary world,is like the more you have lived for poetic Beauty.

True love lasts like aging rocks on sea shores, scarce its mighty fierce waves can touch its core to separate,since lightning bolts of thunder comes its way and remembers,those loved are.

Walking into a bookshop is a depressing thing. It’s not the pretentious twats, browsing books as part of their desirable lifestyle. It’s not the scrubby members of staff serving at the counter: the pseudo-hippies and fucking misfits. It’s not the stink of coffee wafting out from somewhere in the building, a concession to the cult of the coffee bean. No, it’s the books. I could ignore the other shit, decide that maybe it didn’t matter too much, that when consumerism meets culture, the result is always going to attract wankers and everything that goes with them. But the books, no, they’re what make your stomach sink and that feeling of dark syrup on the brain descend. Look around you, look at the shelves upon shelves of books – for years, the vessels of all knowledge. We’re part of the new world now, but books persist. Cheap biographies, pulp fiction; glossy covers hiding inadequate sentiments. Walk in and you’re surrounded by this shit – to every side a reminder that we don’t want stimulation anymore, we want sedation. Fight your way through the celebrity memoirs, pornographic cook books, and cheap thrills that satisfy most and you get to the second wave of vomit-inducing product: offerings for the inspired and arty. Matte poetry books, classics, the finest culture can provide packaged and wedged into trendy coverings, kidding you that you’re buying a fashion accessory, not a book. But hey, if you can stomach a trip further into the shop, you hit on the meatier stuff – history, science, economics – provided they can stick ‘pop.’ in front of it, they’ll stock it. Pop. psychology, pop. art, pop. life. It’s the new world – we don’t want serious anymore, we want nuggets of almost-useful information. Books are the past, they’re on the out. Information is digital now; bookshops, they’re somewhere between gallery and museum.

We made powwows because we needed a place to be together. Something intertribal, something old, something to make us money, something we could work toward, for our jewelry, our songs, our dances, our drum.

We're hungry but we're together and we're at home and everything is sweeter than dessert.