Best 288 quotes in «birds quotes» category

Happier than a bird with a french fry.

Hark, how the cheerful birds do chaunt their lays, and carol of love's praise.

Headaches were like birds. Starlings. They could be perfectly calm, then a single acorn could drop and send the entire flock to the sky.

Heat in her birds of prey fingertips, smoke of gilded flowers in her aureate gorging hair.

He’d been so sure he’d never cheat, contemptuous of friends and colleagues who risked perfectly good marriages because they couldn’t keep their pants zipped. Until that night at the new pub across from the courthouse, when Detective Jesca Ashton had grinned at him from down the bar, hair waving to her waist, China-doll teeth glinting in the dim light. When he was young he’d had a thing for long hair.

Here is the voice of my main Character in my Talon book series, I’ll let her introduce herself to you: My name is Matica and I am a special needs child with a growth disability. I am stuck in the body of a two year old, even though I am ten years old when my story begins in the first book of the Talon series, TALON, COME FLY WITH ME. Because of that disability, (I am saying ‘that’ disability, not ‘my’ disability because it’s a thing that happens to me, nothing more and because I am not accepting it as something bad. I can say that now after I learned to cope with it.) I was rejected by the local Indians as they couldn’t understand that that condition is not a sickness and so it can’t be really cured. It’s just a disorder of my body. But I never gave up on life and so I had lots of adventures roaming around the plateau where we live in Peru, South America, with my mother’s blessings. But after I made friends with my condors I named Tamo and Tima, everything changed. It changed for the good. I was finally loved. And I am the hero and I embrace my problem. In better words: I had embraced my problem before I made friends with my condors Tamo and Tima. I held onto it and I felt sorry for myself and cried a lot, wanting to run away or something worse. But did it help me? Did it become better? Did I grow taller? No, nothing of that helped me. I didn’t have those questions when I was still in my sorrow, but all these questions came to me later, after I was loved and was cherished. One day I looked up into the sky and saw the majestic condors flying in the air. Here and now, I made up my mind. I wanted to become friends with them. I believed if I could achieve that, all my sorrow and rejection would be over. And true enough, it was over. I was loved. I even became famous. And so, if you are in a situation, with whatever your problem is, find something you could rely on and stick to it, love that and do with that what you were meant to do. And I never run from conflicts.

Here is the soundless cypress on the lawn: It listens, listens. Taller trees beyond Listen. The moon at the unruffled pond Stares. And you sing, you sing. That star-enchanted song falls through the air From lawn to lawn down terraces of sound, Darts in white arrows on the shadowed ground; And all the night you sing. My dreams are flowers to which you are a bee As all night long I listen, and my brain Receives your song, then loses it again In moonlight on the lawn. Now is your voice a marble high and white, Then like a mist on fields of paradise, Now is a raging fire, then is like ice, Then breaks, and it is dawn.

He wagged his tail, and his whole body tingled. He realized the emptiness inside was not filled with happiness. Blue felt a glow within that was a result of more than just the warm sunshine on a spring day. It was more than just the gentle tumble of the waterfall, or the wind or the sound of birds. It was much, much more he knew. He looked about him and he knew he had found what he had been looking for. He had found more than his true heart's desire... He had found a forever home!

High above us, the swallows still sing around the smokestacks.

He watched their flight; bird after bird: a dark flash, a swerve, a flutter of wings. He tried to count them before all their darting quivering bodies passed: six, ten, eleven: and wondered were they odd or even in number. Twelve, thirteen: for two came wheeling down from the upper sky. They were flying high and low but ever round and round in straight and curving lines and ever flying from left to right, circling about a temple of air.

Hey, ants!" she shouted. "Please help. Anteater is very hungry, but cannot find any food.

He was thirty-six years old, and six foot three. He spoke English to people and French to cats, and Latin to the birds. He had once nearly killed himself trying to read and ride a horse at the same time.

Hoverboarding looks so fun, like being a bird. But actually doing it is hard work." Shay shrugged. "Being a bird's probably hard work too. Flapping your wings all day, you know?

I don't know if I ever told you, my therapist said. But I'm a birder. I love birds. and when they hit a window like that, or get hurt in any significant way, they have this ritual. They shake off the pain. They shake off the trauma. And they walk in circles to reconnect their brain and body and soul. When your bird was walking and shaking, it was remembering and relearning how to be a bird. Oh, wow. I couldn't say much after that intense revelation, but my therapist continued. We humans often lose touch with our bodies, she said. We forget that we can also shake away our pain and trauma. Pg 453

How can i fit in a coop, When i am a bird Willing to fly and stop by.

Humans have better wings than birds: Human mind is a perfect wing and with this wing we can fly to some farthermost places no bird can ever dream! Yes, mind is a wing; and when it comes to flying man is the most sophisticated bird on earth!

How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds!

I adore the sky wearing rainbow shawl of love for the birds so that they could fly free in warmth after the storm

I came to that wooden marching band. I stopped and looked. There was a trumpet, trombone, clarinet, and drum. Birds don't live alone, I told myself. They live in flocks. Like people. People are always in a group. Like that little wooden band.

I don't feed the birds because they need me; I feed the birds because I need them.

If about a dozen genera of birds had become extinct or were unknown, who would have ventured to have surmised that birds might have existed which used their wings solely as flappers, like the logger-headed duck (Micropterus of Eyton); as fins in the water and front legs on the land, like the penguin; as sails, like the ostrich; and functionally for no purpose, like the Apteryx. Yet the structure of each of these birds is good for it, under the conditions of life to which it is exposed, for each has to live by a struggle; but it is not necessarily the best possible under all possible conditions. It must not be inferred from these remarks that any of the grades of wing-structure here alluded to, which perhaps may all have resulted from disuse, indicate the natural steps by which birds have acquired their perfect power of flight; but they serve, at least, to show what diversified means of transition are possible.

If I were a flower, humming bird would be my favourite bee And If I were blind, the light of darkness I'd love to see

If you look at the picture of a beautiful bird eating a little fish, you will see two victims there: Fish is already a victim; but the bird is also a victim because to survive, it has to be a killer; it is forced to be a murderer!

If the wind is going the right way, some birds like to spread their wings and hang in the air, appearing not to move a bit. It is a subtle skill, to remain appreciably steady amid the forces of drift and gravity, to be neither rising nor falling.

If you listen to birds, every day will have a song in it.

If one of the species you’re using in your experiment fails every test you give it, the problem may be you, the researcher, not the animal. You may have failed to understand what is relevant to the way a bird sees the world.

If Snow kept weaving around the corners, she would reach the center of the maze and her mother's beloved aviary. The two-story wrought iron dome looked like a giant birdcage. It was her mother's pride and joy and the first thing she had commissioned when she became queen. She'd always had a love of birds. Snow's mother kept several species inside the netted walls, and she patiently explained each bird's nature to Snow in detail. The two had spent countless hours watching the aviary, with Snow naming all of the creatures inside it. Her favorite was Snowball, a small white canary.

Ignoring me, she looked up at the pigeons sitting on the windowsills, which this year were so caked with droppings that they looked quite disgusting. The pigeons were a big problem at Wolfsegg; year in, year out, they sat on the buildings in their hundreds and ruined them with their droppings. I have always detested pigeons. Looking up at the pigeons on the windowsills, I told Caecilia that I had a good mind to poison them, as these filthy creatures were ruining the buildings, and moreover there was hardly anything I found as unpleasant as their cooing. Even as a child I had hated the cooing of pigeons. The pigeon problem had been with us for centuries and never been solved; it had been discussed at length and the pigeons had constantly been cursed, but no solution had been found. [i]I've always hated pigeons[/i], I told Caecilia, and started to count them. On one windowsill there were thirteen sitting close together in their own filth. The maids ought at least to clean the droppings off the windowsills, I told Caecilia, amazed that they had not been removed before the wedding. Everything else had been cleaned, but not the windowsills. This had not struck me a week earlier. Caecilia did not respond to my remarks about the pigeons. The gardeners had let some tramps spend the night in the Children's Villa, she said after a long pause, during which I began to wonder whether I had given Gambetti the right books, whether it would not have been a good idea to give him Fontane's [i]Effi Briest[/i] as well.

I knew the legends of the birds. Seagulls were the souls of dead soldiers. Owls were the souls of women. Doves were the recently departed souls of unmarried girls. Was there a bird for the souls of people like me?

I know my breasts, small as plums, would win no blue ribbons. But in your hands they tremble and fill with song like plump, white birds.

I love the freedom of my wings. I love the empty space above the ground. I rejoice in my freedom. Freedom is my religion. Peace is my God. Love is my worship.

I know there is a moment when sound slips down the torn lining of itself into silence, is carried unheard and secret in its own pocket. But the crimson birds could find no such escape, no means of slipping beyond themselves between the cracks of color and song to a white undiscovered silence.

I like the idea of songs sung by those without big voices. You know, small birdsongs that rise above the noise of the city.

I love this idea, that nature dreamed up the same kind of sleep in both humans and birds, fostering the growth of big brains in creatures so far apart on life’s tree.

In a street without any trees, birds represent the trees in the name of nature!

Im a strong girl Someday i will win the world Yes I will smile in the wrong time I wont do what has to be done Or what the world supposes me to have done Ill just do what I want Drop out from crowd Pretend to fall where i dont Smile even when not all is good Believe what should not Dream wild Look observe and not harm Coz i just live Let me live Dont put me in a category or a class I am as light as a glass This world this beautiful world Oh how complex has it been made by us Just look at the bird soaring in the blue sky Does it even care Does it even care?

In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?

In East Sussex, let us say, an old farm sleeps in sun-dapple, its oast-house with its cowls echoing the distant steeple of SS Andrew and Mary, Fletching, where de Montfort had prayed and Gibbon now sleeps out a sceptic’s eternity. The Sussex Weald is quiet now, its bows and bowmen that did affright the air at Agincourt long dust. A Chalk Hill Blue spreads peaceable wings upon the hedge. Easter is long sped, yet yellow and lavender yet ornament the land, in betony and dyer’s greenweed and mallows. An inquisitive whitethroat, rejoicing in man’s long opening of the Wealden country, trills jauntily from atop a wall.

In November, some birds move away and some birds stay. The air is full of good-byes and well-wishes. The birds who are leaving look very serious. No silly spring chirping now. They have long journeys and must watch where they are going. The staying birds are serious, too, for cold times lie ahead. Hard times. All berries will be treasures.

In time of rain I come: I can sing among the flowers: I utter my song: my heart is glad. Water of flowers foams over the earth: My heart was intoxicated.

It is raining! In other words little poems are coming down from the sky! Nature is literature! Sun is a fable; forest is a story; birds are a theatre; mountains are a myth; rain is a poem! Nature is literature!

I think of my chastened surprise when Mabel played with a paper telescope. She is real. She can resist the meanings humans give her. But the condor? The condor has no resistance to us at all. I stare at the attenuated, drifting image on the gallery screen. It is a shadow, a figure of loss and hope; it is hardly a bird at all.

Invisible magpies warbled in the plane trees. Softly, gently, never running out of melodic ideas, they perched among the leaves and spun out their endless tales.

I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.

I saw a pair of great tits some days ago. (Massingham Major, you are a dirty-minded boy, and if you snigger again, you will do five hundred lines.) The squeaking-wheel song of Parus major is always gladsome, a precursor to interesting scenes at the bird table. On this occasion, however, what hearing and seeing the two greenery-yallery Paridæ first called up in me was a memory from last year’s early Springtide: an ærial near-collision. A very young squirrel – native red, I am rejoiced to say – was leaping from one tree trunk to another, adjacent, just as a great tit was exploding outwards in flight from the second tree. You never saw a more indignant bird or a more startled squirrel in your life.

It did occur to him that perhaps he’d gone to the wrong Academy – the guys in the Space Fleet always had more interesting stories to tell at the spaceport bars. You know, tales about the dude who got vaporized in a plasma accident in the engineering section, or the fella who got turned into a blob of weird space jelly by some alien virus – or the time someone flew a starship into an astor-field at warp four by mistake (they were still trying to find the black box on that one). The Imperial Space Fleet’s recruiting office sure didn’t go around advertising ‘Join up, see the universe, meet interesting aliens and die screaming’, but it was known there were risks involved. It was part of the job after all, and yet somehow, they still got recruits signing up in droves. Yes, indeedy – the stories were far more interesting than his – took a load of ore to Gorda, took a load of mining equipment back to Tordrazil. Took a load of Florpavian Flame-birds to a zoo on Deanna, took a load of machinery to Salus. Picked up and dropped off a few passengers on the way. Still, Florpavian Flame-birds were a risky cargo… and damned tricky to transport – which is probably the only reason he’d had any entertainment at all on the last trip.

It is as simple as that. Birds fly because they have wings and so when you can’t grow the wings, you can’t be called a bird. Leaders make impacts because they create new ideas and so if you can’t think of any new innovative ideas, you can’t be a leader.

...it occurred that the birds, whose twitters and repeated songs sounded so pretty and affirming of nature and the coming day, might actually, in a code known only to other birds," be the birds each saying 'Get away' or 'This branch is mine!' or 'This tree is mine! I'll kill you! Kill, kill!' Or any manner of dark, brutal, or self-protective stuff--they might be listening to war cries. The thought came from nowhere and made his spirits dip from some reason.

It was difficult to anticipate—in these monsters with enormous, fantastic beaks which they opened wide immediately after birth, hissing greedily to show the backs of their throats, in these lizards with frail, naked bodies of hunchbacks—the future peacocks, pheasants, grouse or condors. Placed in cotton wool, in baskets, this dragon brood lifted blind, walleyed heads on thin necks, croaking voicelessly from their dumb throats.

It seemed to Whish that any potential crack was worth trying to open,” wrote the scientists. “Even a person’s face was not sacrosanct. He would fly to the face and clutch hole on the nose arch. He would then hang upside down and peer into the nostrils.