Best 1492 quotes in «memory quotes» category

Shame was a peculiar beast, Naomi knew. She suspected everyone had it: the dragon they wanted to slay. But for her it was different. Naomi wanted to bathe in it, to stand under its waterfall and come out blessed.

Shamans enter the dream world of sub-consciousness to wrestle with demons and rally angels. They return with tales of their encounters which become the myths and legends of their communities.

She allowed history to leave her without trying to hold it back, the way children allow a grand parade to pass, holding it in their memory, making it an unforgettable thing, making it their own

She cannot be lost because no one is looking for her.

She couldn't put into words how desparately she wanted to know what had happened to Sarah. But she'd suddenly realized that Sarah was not the only one who had lost her memory of what happened when she was a little girl. Hundreds of thousands of people had lost their memories of what had happened to them ...

She could sense it very clearly: for me, no less than for her, the past counted far more than the present, remembering something far more than possessing it. Compared to memory, every possession can only ever seem disappointing, banal, inadequate ... She understood me so well! My anxiety that the present 'immediately' turned into the past so that I could love it and dream about it at leisure was just like hers, was identical. It was 'our' vice, this: to go forwards with our heads forever turned back.

She dug into one of the boxes, finding clay angels she’d made in art class when she was seven years old. She found plastic swans on strings and red crystal cardinals. She found a blue-and-white rocking horse covered in glitter. She found a porcelain Santa Claus. She found that she couldn’t figure out where the hell time had gone.

She felt a pang of déjà vu so strong it exerted a physical pressure around her chest. She knew this place. The memory was as vivid as if she'd been there, and yet somehow Elodie knew that it was a location she'd visited only in her mind. -- Part I: The Satchel > Chapter I

She had never met Caroline's mother, but she knew a thing or two about what happened when someone went far away, how after a time you couldn't see their faces anymore when you closed your eyes or hear exactly how they laughed at a joke, how they seemed less like a real person whom you loved and more like a character in a story. And once that happened, it was easy, too easy, to let them float away like milkweed.

She has passed information to you. Figures names and facts. You have learnt nothing very much. But you have a splendid memory. It will help you when you start to learn.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

She has only a ghostplay on some frayed screen of memory, which she takes to be the present.

She knew a thing she should have known all along: that dead people are like wax memory-you take them in your mind, you shape and squeeze them, push a bump here, stretch one out there, pull the body tall, shape and reshape, handle, sculp and finish a man-memory until he's all out of kilter.

She kept forcing herself to remember the entire conversation, playing it back and playing it back, all the way through, forcing a finger down her memory's throat.

She knew that she had a tendency to allow her mind to wander, but surely that's what made the world interesting. One thought led to another, one memory triggered another. How dull it would be, she thought, not to be reminded of the interconnectedness of everything, how dull for the present not to evoke the past, for here not to imply there.

Shelter can be hard to find. A place can become our home for reasons we do not understand. We build the memories that turn into what we are, then what we were, as we look back.

She remembered being in a meadow at the edge of the forest in the fall, feeling chilly but unable to stop watching the birds play in the growing ferocity of the air. The strong fliers, the jays and the woodpeckers and the crows, cavorted like eagles.

She saw how the mind makes forever, in order to store the things it had already lost.

She should hold on to the memories she didn’t want to remember. And then, maybe, she could finally let them go.

She smiles, and her eyes look as if they can see back into her memory, into all the things that have gone into making a person what they are.

She used to wander through the past as often as it beckoned her, bemoaning the loss of nostalgia. Then, for a while, she turned from it, blissfully free of its noxious clutch, and now it's back, taunting her with what she left behind, knowing she can never recapture what's gone.

She wants to have her notebooks so that the flimsy framework of events, as she has constructed them in her school notebook, will be provided with walls and become a house she can live in. Because if the tottering structure of her memories collapses like a clumsily pitched tent, all that Tamina will be left with is the present, that invisible point, that nothingness moving slowly toward death.

She was home, the passage walls, memorabilia of Ben's life, past and present, welcomed her like a doting grandmother.

She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented. Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.

She was also a memory, the worst kind of memory--the kind that pulled you to your knees at just the sound of her name.

She wears it so beautifully doesn’t she, her pain… Always smiling, always positive…. always happy to help… It’s like a garment perfectly tailored to fit the way she carries it… with a touch of grace… and the quietness of that sad smile…. All so you’d never know how heavy it really was.

She would die, and maybe everyone would forget that she had ever lived.

Shindana na wenzako kuwa juu zaidi katika tasnia uliyojichagulia.

She wondered if old dreams could haunt rooms - if, when one left forever the room where she had joyed and suffered and laughed and wept, something of her, intangible and invisible, yet nonetheless real, did not remain behind like a voiceful memory.

She was our mother and belonged to us. She was never mentioned to anyone because we simply didn't have enough of her to share.

Siempre supe que la madurez es una manera de recordar claramente todo lo olvidado (todo lo perdido); la infancia regresa cuando se envejece, en la juventud la rechazamos

Silent found the ultimate unspoken voice.

Silently we went round and round, And through each hollow mind The memory of dreadful things Rushed like a dreadful wind, And horror stalked before each man, And terror crept behind.

Sikujui.

Sincerity and gravity, in Magnus's opinion, were highly overrated, as was being forced to relive unpleasant memories. He would much rather be amused and amusing.

Since we live in the heads of those who remember us, we lose control of our lives and become who they want us to be.

Sinto que há uma estranha eternidade naquilo que amámos e foi destruído. (I feel that there lies a strange eternity in that which we loved but has been destroyed.)

Sins that have been completely absolved on one occasion sometimes on other occasions cannot be completely forgotten or set aside. They may continue to have a ripple effect. But it is comforting to realize that they are no longer remembered by God, even if traces remain in human memory.

Sitting in his old schoolroom on the sofa with little cushions on the arms and looking into Natasha's wildly eager eyes, Rostov was carried back into that world of home and childhood which had no meaning for anyone else, but gave him some of the greatest pleasure in his life.

Smells, I think, may be the last thing on earth to die.

So (and this would have happened earlier, but I am only remembering it now): I am visiting her one afternoon.

So it enables the voice of Robert Stack or someone else like him to do for us what it needs to, which is remind us that every moment of our lives is plugged in. Every moment is crucial. And if we recognize this and embrace it, we will one day be able to look back and understand and feel and regret and reminisce and, if we are lucky, cherish.

Some alters are what Dr Ross describes in Multiple Personality Disorder as 'fragments'. which are 'relatively limited psychic states that express only one feeling, hold one memory, or carry out a limited task in the person's life. A fragment might be a frightened child who holds the memory of one particular abuse incident.' In complex multiples, Dr Ross continues, the 'personalities are relatively full-bodied, complete states capable of a range of emotions and behaviours.' The alters will have 'executive control some substantial amount of time over the person's life'. He stresses, and I repeat his emphasis, 'Complex MPD with over 15 alter personalities and complicated amnesia barriers are associated with 100 percent frequency of childhood physical, sexual and emotional abuse.' Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.

So meanwhile, friends, enjoy your blessing: This fragile life that hurries so! Its worthlessness needs no professing, And I'm not loathe to let it go; I've closed my eyes to phantoms gleaming, Yet distant hopes within me dreaming Still stir my heart at times to flight: I'd grieve to quit this world's dim light And leave no trace, however slender. I live, I write - not seeking fame; And yet, I think, I'd wish to claim For my sad lot its share of splendour— At least one note to linger long, Recalling, like some friend, my song.

Some ephemeral moments must be given a memory, because the temporality of an instant may radiate a twinkle of eternity.( "Crystallization under an umbrella" )

someday our memory cards will become a memories cards .

Some memories made in time will last ages tossed aside.

Some memories never heal. Rather than fading with the passage of time, those memories become the only things that are left behind when all else is abraded. The world darkens, like electric bulbs going out one by one. I am aware that I am not a safe person.

Somehow your heart still knows me.

Someone says that I haven’t taught him anything that he can remember. He can’t understand yet that that’s precisely what I am aiming at…