Best 818 quotes in «animals quotes» category

Behind us are two or three dozen country people from the outlying towns. With them are cages of chicken and goats, sheep, even cattle. That’s where we fit on market day. Between the executions and the livestock sales.

Be kind to all pets and animals because they will be kind back to you.

Be prepared. A dog is adorable and noble. A dog is a true and loving friend. A dog is also a hedonist.

Be the best you can be for yourself!

Better to honor the pinch of fear than regret the punch of fang.

Big cities comforted me: the cover, the chaos, the hollow sympathy of the architecture, the Tube lines snaking underground. London could swallow you up, in a good way. There were times when I'd been broken and being subsumed into a city had made me feel part of a whole again.

Big Brown Moose I'm a big brown moose, I'm a rascally moose, I'm a moose with a tough, shaggy hide; and I kick and I prance in a long-legged dance with my moose-mama close by my side. I shrug off the cold and I sneeze at the wind and I swivel my ears in the snow; and I tramp and I tromp over forest and swamp, 'cause there's nowhere a moose cannot go. I'm a big brown moose, I'm a ravenous moose as I hunt for the willow and yew; with a snort and a crunch, I rip off each bunch, and I chew and I chew and I chew. When together we slump in a comfortable clump -- my mountainous mama and I -- I give her a nuzzle of velvety muzzle. Our frosty breath drifts to the sky. I'm a big brown moose, I'm a slumberous moose, I'm a moose with a warm, snuggly hide; and I bask in the moon as the coyotes croon, with my moose-mama close by my side.

bonobos, related to chimpanzees and native to the Congo, have been found to engage in French kissing.

Both women and nonhuman animals have traditionally been viewed as property—"things” to be owned and controlled by those in power. While the plight of women is linked with that of nonhuman animals through a single system of oppression, through their comparative powerlessness and invisibility, and through sexual exploitation, it is important to elucidate these similarities through concrete examples. Links between women and nonhuman animals are nowhere more apparent than through the vulnerabilities of mothers and their young, and the control of pregnancies and offspring; this particular form of oppression is nowhere more blatant than on factory farms.

But I'm not ready to let Winn-Dixie go.

But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.

But it was not the poor who ate the zoo animals in Paris.

But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!

By immersing yourself in nature, you can experience a form of enlightenment. This is when the soul is free of fear and absorbs, almost by osmosis, the energy of life.

Can you really ask what reason Pythagoras had for abstaining from flesh? For my part I rather wonder both by what accident and in what state of soul or mind the first man did so, touched his mouth to gore and brought his lips to the flesh of a dead creature, he who set forth tables of dead, stale bodies and ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds? … It is certainly not lions and wolves that we eat out of self-defense; on the contrary, we ignore these and slaughter harmless, tame creatures without stings or teeth to harm us, creatures that, I swear, Nature appears to have produced for the sake of their beauty and grace. But nothing abashed us, not the flower-like tinting of the flesh, not the persuasiveness of the harmonious voice, not the cleanliness of their habits or the unusual intelligence that may be found in the poor wretches. No, for the sake of a little flesh we deprive them of sun, of light, of the duration of life to which they are entitled by birth and being.

But after dealing with Roy for a while I just wanted to get through the time I’d signed on for, to prove to myself that I couldn’t be beaten by a girly-faced, chicken-boned, racist cat.

But I want to extol not the sweetness nor the placidity of the dog, but the wilderness out of which he cannot step entirely, and from which we benefit. For wilderness is our first home too, and in our wild ride into modernity with all its concerns and problems we need also all the good attachments to that origin that we can keep or restore. Dog is one of the messengers of that rich and still magical first world. The dog would remind us of the pleasures of the body with its graceful physicality, and the acuity and rapture of the senses, and the beauty of forest and ocean and rain and our own breath. There is not a dog that romps and runs but we learn from him. The other dog—the one that all its life walks leashed and obedient down the sidewalk—is what a chair is to a tree. It is a possession only, the ornament of a human life. Such dogs can remind us of nothing large or noble or mysterious or lost. They cannot make us sweeter or more kind. Only unleashed dogs can do that. They are a kind of poetry themselves when they are devoted not only to us but to the wet night, to the moon and the rabbit-smell in the grass and their own bodies leaping forward.

Ce n'était qu'un renard semblable à cent mille autres. Mais j'en ai fait mon ami, et il est maintenant unique au monde.

Certain animal species who burrow into the Earth for places of solace or safety, or who inhabit the sheltering arches of caves alongside the spirits of the rocks, are the bridgers between these inner and outer levels of reality. Rabbits, gophers, moles, prairie dogs, wolves, and bears in hibernation all remember and recreate their rootedness in Mother Earth.

Charlie Wind once told me we must keep the animals on Earth, for they know everything: how to keep warm, predict the storms, live in darkness or blazing sun, how to navigate the skies, to organize societies, how to make chemicals and fireproof skins. The animals know the Earth as we do not.

Chronicling the passage of whales has led me to an understanding that we, as a species, now sand at a crossroads. We can face the possibility of our own extinction and work to avert it, or we can flow the more traditional path of earths organisms and fall blindly over the edge. If there's one trait that characterised human beings, it's the will to survive. This, I believe, will motivate us to work with the natural world rather than opposite it, which is all we need to do to give the children of earth - of all species - the opportunity to thrive.

Clearly, animals know more than we think, and think a great deal more than we know.

Clearly the current system has failed. Why not give peace and compassion a chance? There is a terribly tragic folly behind desires for world peace, while still demanding the mass murder of animals for food.

Come morning, his memory would be of a night spent watching over them all. And each of them - dog and boy, mother and old man - would feel the same.

Compassion for humanity begins with compassion and respect for all beings.

Confronted with the problems that characterize our herding culture, we are perhaps like the metaphorical man wounded by an arrow that the Buddha discussed with his students. He said that the man would be foolish if he tried to discover who shot the arrow, why he shot it, where he was when he shot it, and so forth, before having the arrow removed and the wound treated, lest he bleed to death attempting to get his questions answered. We, likewise, can all remove the arrow and treat the wound of eating animal foods right now. We don't need to know the whole history. We can easily see it is cruel and that it is unnecessary; whatever people have done in the past, we are not obligated to imitate them if it is based on delusion. Perhaps in the past people thought they needed to enslave animals and people to survive, and that the cruelty involved in it was somehow allowed them. It's obviously not necessary for us today, as we can plainly see by walking into any grocery store, and the sooner we can awaken from the thrall of the obsolete mythos that we are predatory by nature, the sooner we'll be able to evolve spiritually and discover and fulfill our purpose on this earth.

Connecting with the wilderness allows us to live in the flow of a meaningful, joyful life. Embracing this state of connectedness or oneness with other living beings including animals, as opposed to feeling an “otherness” or “separateness” brings a sense of harmony and enables us to be at peace with oneself and the world.

Contrary to our metaphors, humans are much more imitative than the other apes. For example: if chimps watch a demonstration on how to get food out of a puzzle box, they, in their turn, skip any unnecessary steps, go straight to the treat. Human children overimitate, reproducing each step regardless of its necessity. There is some reason why, now that it’s our behavior, being slavishly imitative is superior to being thoughtful and efficient, but I forget exactly what that reason is.

Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing. Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless. Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.

But why must the system go to such lengths to block our empathy? Why all the psychological acrobatics? The answer is simple: because we care about animals, and we don't want them to suffer. And because we eat them. Our values and behaviors are incongruent, and this incongruence causes us a certain degree of moral discomfort. In order to alleviate this discomfort, we have three choices: we can change our values to match our behaviors, we can change our behaviors to match our values, or we can change our perception of our behaviors so that they appear to match our values. It is around this third option that our schema of meat is shaped. As long as we neither value unnecessary animal suffering nor stop eating animals, our schema will distort our perceptions of animals and the meat we eat, so that we feel comfortable enough to consume them. And the system that constructs our schema of meat equips us with the means by which to do this.

Contrary to popular belief, some animals would not have each chosen to be a human being, if they were given the choice between being what they are and being human.

Coyotes move within a landscape of attentiveness. I have seen their eyes in the creosote bushes and among mesquite trees. They have watched me. And all the times that I saw no eyes, that I kept walking and never knew, there were still coyotes. When I have seen them trot away, when I have stepped from the floorboard of my truck, leaned on the door, and watched them as they watched me over their shoulders, I have been aware for that moment of how much more there is. Of how I have only seen only an instant of a broad and rich life.

Do not avert your eyes. It is important that you see this. It is important that you feel this.

Don't be scared, I'm a vegetarian.

Don’t forget that the land is always out there, making its way, doing everything it can so you can breathe fresh air; so you can eat fresh food; so you can move and see and feel and think, and it’s on your side. The world is out there doing what it’s been doing way before you came here, it’s firm and strong and it takes a lot to bring it down. so from time to time, just go outside and look at this spectacle. This pure painting right in front of your eyes. No one created it. No one owns it. It doesn’t want anything. It doesn’t need to prove anything to anyone. It simply is. So maybe, try a little tenderness. Just give it a chance to do what it can do. Just let it help you breathe and eat and move and see and maybe just try to live your life in a way that doesn’t kill this force of nature that is just trying to give you a world worth living in. A clean world. A fresh world. Paths, forests, oceans, animals, oxygen, water. That’s all it takes. Just try a little tenderness towards this world we’ve been lucky enough to build our homes on. If you take care of it, it will take care of you.

Don't judge a cat by its coat.

Cat rescue is like a virus," says Des placidely about the cat obsession that has taken over his life. "And once you're infected, it's incurable.

Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.

Cruelty: Not only the willful causing of unnecessary suffering, but the indifference to it.

Culture is a symbolic veil with which we hide our animal nature from ourselves … and other animals.

Daisy didn't just change our lives, she changed our destiny.

Dairy farmers routinely remove calves from their mothers at an early age so that the milk will be available for humans; anyone who has lived on a dairy farm will know that, for days after the calves have gone, their mothers keep calling for them.

Dams also tend to be built in remote areas which are the last refuge for species that have been displaced by development in other regions.

Dans le milieu les animaux ne sont pas reconnus comme étant des êtres vivants mais comme des carcasses de viande.

DEMAND FOR ANIMAL PRODUCTS WILL INCREASE 70% BY 2050 Even if the world went fossil free by 2100, the increasing consumption of animal products will continue to cause catastrophic global warming.

Despite all their flaws, zoos wake us up. They invite us to step outside our most basic assumptions. Offered for our contemplation, the animals remind us of nature’s impossibly varied schemes for survival, all the strategies that species rely upon for courtship and mating and protecting the young and establishing dominance and hunting for something to eat and avoiding being eaten. On a good day, zoos shake people into recognizing the manifold possibilities of existence, what it’s like to walk across the Earth, or swim in its oceans of fly above its forests—even though most animals on display will never have the chance to do any of those things again, at least not in the wild.

Dhambi ya Adamu ilileta mauti duniani (kwa viumbe vyote, si tu kwa binadamu). Hiyo ni kwa mujibu wa Biblia. Kisayansi si kweli; kwa sababu mauti yalikuwepo kabla Adamu na Hawa hawajaumbwa! Lakini haya ndiyo mawazo yangu: Dhambi iliathiri uumbaji wote ikiwemo mimea, wanyama, wadudu na kila kitu kilichoumbwa na Mwenyezi Mungu; ambavyo huteseka kwa sababu ya laana ya dunia. Kama wanyama na mimea visingekuwa vinakufa, binadamu wasingepata mahali pa kuishi. Hata hivyo, kifo cha Yesu msalabani kitafufua kila kitu – kitafufua uumbaji wote.

Dogs are angels full of poop.

Dogs are the best example of a being who doesn't need to lie to protect someone's pride.

Dogs, in fact, were perfect heroes: unknowable but accessible, driven but egoless, strong but tragic, limited by their muteness and animal vulnerability. Humans played heroes in films, too, but they were more complicated to admire because they were so particular—too much like us or too much unlike us or too much like someone we knew. Dogs, on the other hand, have the talent of seeming to understand and care about humans in spite of not being human and perhaps are better at it because of that difference. They are compassionate without being competitive, and there is nothing in their valor that threatens us, no demand for reciprocity. As Lee knew very well, a dog can make you feel complete without ever expecting much in return.