Best 26 quotes in «gothic literature quotes» category

Death begins before birth. I have always found this an odd notion, but were it not for the death of certain cells during our initial development, humans would be born with webbed toes. Death moulds our physical being from the very start of our existence. It sculpts us, determines how we begin, and where we end. The events in life that define us, that break us and remake us, all stem from death—the death of a place, a time, a relationship, of those we hold most dear, and finally ourselves. Death is the one inescapable aspect of life, the only immutable force, the single thing in this world that cannot and should not be changed. But death is never the end. It is the beginning.

In Gothic fiction, characters must contend with the dead, with active hauntings or with hallucinations of hauntings, as well as whatever other trying circumstances they might find themselves in: orphanhood, lunacy, imprisonment, inheritances that go astray, troubling romantic situations. The Gothic novel does not strive for subtlety, and it isn't to everyone's taste. It can seem adolescent, an immature version of the stately, measured, grown-up realist novel, except that the line between Gothic and the realist is never clear. A disdain for the Gothic is limiting, since this literature, in all its flagrancy, has something to say about emotional as well as physical death, and a tale of a haunting can have a narrative vitality that is far from conclusive. Gothic stories linger especially in the mind.

he night beyond the window was still, mordant white snow, punctuated only by the eerie dark of the trees, gumshoeing their way along the edge of the path outside. Their skeletal fingers clawed up at the stars, held down by an insidious, weightless lacing of snowflakes. I gazed idly at the moon and wondered if it truly had the power to sway the will of men.

I had the view of a castle of romance inhabited by a rosy spirit, such a place as would somehow, for diversion of the young idea, take all colour out of story-books and fairy-tales. Was n't it just a story-book over which I had fallen a-doze and a-dream?

I imagined her poised, a humerus in one hand, a toothbrush in the other, as she gently brushed away the last remnants of the person who had once used that arm to shake hands, open doors, lift a mug of tea. I wondered if it was so very different from how I myself looked when I sat on the floor of my finds room, perhaps sitting cross-legged, at the centre of a circle of newly cleaned bones, a tibia in one hand, a toothbrush in the other …

Gloomy days, whether meteorological or psychological, lend themselves more to the creation of Gothic horror. On those insular days, the mind gravitates towards the unseen and the subconscious. Days of blinding sunshine banish the desire to ruminate and it is replaced with a longing to participate in the outside world.

I found serenity in the towers, especially the highest, even in the midst of winter. The crows also enjoyed the lofts, and I habitually fed them. Often I held conference with the grotesques lining the summit. The gryphon was perhaps my favourite. I’d regularly sat beside them when feeling pensive, even before James’s death, one leg dangling precariously over the edge

In the distance, steel-blue mountains loomed heavy on the horizon, their shoulders burdened with the same accursed snow the gods were currently depositing upon the lowlands. Between us and the mountains, the vast expanse of one of the innumerable caravan sites littering the Welsh shores was dimly visible, and at the far edges of the sands, grey waves tipped a mulch of brown foam up on to the beach, a sudden deposition of wishy-washy creatures that seemed to spider-leg over each other in their haste to reach the shore and see what all the fuss was about. But even these creatures comprised of sea-foam were freaked out by the death-stare, for the little critters swiftly dissipated under the force of a skeletal glower. A skull lay in the sand, its empty sockets staring down the beach at the retreating surge. Their fear wouldn’t last long. Soon they’d realise the skeleton had not engaged in pursuit, their confidence would grow, and they’d encroach, further and further up the bank. Eventually, they’d be close enough to see it was completely inert, and would overrun our position, victoriously sweeping up their fallen foe and dragging it back out with them into the dreary waves.

Scar tissue does more than flaunt its strength by chronicling the assaults it has withstood. Scar tissue is new growth. And it is tougher than skin innocent of the blade.

It seemed for a moment as if something was there, loitering between the knurled and towering cherry trees, a flash of a presence as stark as the sight of the snow against their bare branches and cracked, piceous bark. Unblinking, I watched the edge of the lake, waiting for it to reappear, but whatever it had been was gone, vanished under cover of a willow tree, lofty and dense, rearing over the lake, its branches dripping all the way to the ground. The tree’s lament had been transformed into a thing of such beauty I was tempted to go and hide within it.

It was a fact that had become the focus of my entire life, a whisper in my heartbeat, a permanent, insidious presence that punctuated my every breath. I couldn’t escape it, that persistent voice, lingering in the blood pulsing through my veins. It said only one thing, over and over, a repetition of inescapable anguish, the knowledge of a thing that could never be undone. James is dead. James is dead. James is dead. James is dead.

I took a deep, deep breath and held it in my core; kept it close behind my protruding, fleshless ribs. I swallowed it whole. I was home.

It was a privileged existence, but also a cage, beautifully decorated, but locked tight always.

Sexual desire is only the frustrated desire to eat human flesh.

She stood in the snow, effervescent, all pale skin and blonde hair, clad in white and bathed in moonlight. She should have looked angelic, instead she looked like a corpse, freshly raised from the grave, frosted in ice and darkness, swaying precariously in a graveyard.

The castle is situated at the terminus of a long and upward-winding mountain road. It presents a somewhat forbidding aspect to the world, for there is little about it to suggest gaiety or warmth or any of those qualities that might assure a wayfarer of welcome. Rather, this vast edifice of stone exudes an austerity, cold and repellent, a hint of ancient mysteries long buried, an effluvium of medieval dankness and decay. At night, and most particularly on nights when the moon is slim or cloud-enshrouded, it is a heavy blot upon the horizon, a shadow only, without feature save for its many-turreted outline; and should the moon be temporarily released from her cloudy confinement, her fugitive rays lend scant comfort, for they but serve to throw the castle into sudden, startling chiaroscuro, its windows fleetingly assuming the appearance of sightless though all-seeing orbs, its portcullis becoming for an instant a gaping mouth, its entire form striking the physical and the mental eye as would the sight of a giant skull.

The night beyond the window was still, mordant white snow, punctuated only by the eerie dark of the trees, gumshoeing their way along the edge of the path outside. Their skeletal fingers clawed up at the stars, held down by an insidious, weightless lacing of snowflakes. I gazed idly at the moon and wondered if it truly had the power to sway the will of men.

The past had already been dealt with, to one end or another, it was certain, fixed, the horror of it was already over. For the living at least. They grieved, yes, but they were not trapped in the terror of the moment. Not so for my poor, elegant wraiths. They were like the old-fashioned zoetropes you find at the seaside: a tiny slice of a world in a box, brief yet somehow also eternal.

The pagan gods are not dead, but can return to topple science with superstition and modern man with bestial pleasures that pre-date civilisation.

The reflection was that of a putrefying corpse. By some trick of the light, her face seemed sallow and slipping, the patches of darkness giving the appearance of skin sloughing off in small pockets. I’d almost forgotten the knife in my panic; the woman was far more dangerous than the weapon. Blood drizzled down the blade, obscuring the macabre reflection of Natalya’s face and suddenly I was transfixed by a thought that should have been immediate: Whose blood is that?

The trees seemed to have eyes that were watching us and reaching out for me. They began to take on the shape of the dead.

To be everywhere at once and to know everybody was, after all, but to slip the cables of the tiny, separate self, and experience the Whole. Hence the desire to be elsewhere and otherwise. Hence, too, the innate yearning to share experiences of all kinds with others.

Touch the stone,' said Beliah, 'and you will touch "reality", or what the ignorant of all ages think "reality" is. That kind of truth will kill you, man. You won't see morning! I have kept you all your life from such things as remorse, terror, pity. Touch the stone, and those same angels will change you into an old poor pathetic deluded dying creature. Hubert, a nurse has to shave you, your hand shakes so much. You know that don't you? You dribble at every orifice, Hubert. You've begun to smell this past year or two...' He suddenly howled as if I had actually touched the stone,'YOU WILL BE RAVAGED IN FIRES OF GRACE!' I heard Nurse McGregor in the next ward. 'Good evening,' came her cheerful voice to the looney who had strangled his sweetheart and then buried her in his garden. 'Is it cocoa tonight, or tea, or milk?" Beliah was weeping. Outside the eaves dripped. The whole earth was drenched with the grief of Beliah. He wept inside me. I felt his marvellous tears on my face.

When the moon was high over the moors, Rhineholt became a dark place with long, lonely corridors whose shadows gave breath to many secrets.

You see the world in colors, I see in Black and Red.

Two souls, one body. Zwei Seelen, ein Körper.