Best 18854 quotes in «way quotes» category

My motto has always been: Only first class business and that in a first class way

My mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.

My music is my way to rearrange the world according to my own hopes.

My mum told me to have patience. It's about realising that when things aren't going the way you want them to, or you don't have inspiration, it will come.

My music started as a way to break through weaknesses - like anxiety, which was completely taking over my whole life, where I could barely function.

"My obit is going to be full of Bogart, I'm sure," she says, adding, "I'll never know if that's true. If that's the way it is, that's the way it is.

My non-fiction films are pretty much fiction, or at least close... It's all "movies" for me. I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.

My music is always called "cerebral." It is a way of saying I'm Asian, and therefore everything I do is brainy.

My music is just fresh. Everybody say it's a breath of fresh air because it's not like the normal Houston sound you would hear. I am from Houston and I use that same slang and I carry myself the same way as a Houstonian and I'm a Houston dude born and raised, but the music is a lil bit different due to the things I've seen and the things I've learned and put that into my music.

My nutritionist read my pathology report and said, "There's only one way you can beat your cancer." "What's that?" "You have to find out what caused it.

My obligation is to release the music the way Frank [Zappa] released it.

My old man said, `Follow the van, Don't dilly-dally on the way!' But I dillied and dallied, dallied and dillied, Lost the van and don't know where to roam.

My music wouldn't sound the way it does if I hadn't had the experience of conducting.

My only fear is doing something contrary to human nature - the wrong thing, the wrong way, or at the wrong time.

My only problem is finding a way to play my fortieth fallen female in a different way from my thirty-ninth.

My own brain. When I get it out of the way, I'm fine.

My opinion about basketball, the way I was taught, was when you step on the court, you play to win.

My outlet is my music, and it's been this way since I was 4 years old.

My optimism rests on my belief in the infinite possibilities of the individual to develop nonviolence. . . . In a gentle way you can shake the world.

My own belief is that the way we grow the economy, create jobs, create wealth is in the private sector. The government doesn't do that.

My own life has in some ways been a decades-long tour of the sibling experience. I have full sibs, I have half-sibs, and for a time I had step-sibs.

My parents, Gary and Patricia, let me be in my world. They never told me what I couldnt do. It helped me adapt in a positive way.

My own success was attended by quite a few failures along the way. But I refused to make the biggest mistake of all: worrying too much about making mistakes.

My parents came from a poor background and worked their way up because of education. They saw it as a way to succeed. So they cared about me getting straight A grades when I was growing up.

My parents found what I was interested in and encouraged me. They didn`t put me in front of a television and buy lots of toys, the way some American parents do.

My parents grew up working class, but in that way that working class families do, they spent a fortune on education to better me.

My parents always knew I was hopeless at everything else, I was fortunate in that I was backed all the way. I came to it late and only because I thought there'd be loads of women and drinking!

My Pa always said, Live fast, die laughing, thats the way to do it.

My parents came from an environment where everyone knew that the way to be successful was to get a great education, and that was going to be your ticket in life. If you could succeed in education then you would succeed in life, so that was sort of the driving force behind my parents' upbringing, and therefore kind of how they brought me up.

My parents always knew that I wanted to act, so it didn't really come as a big surprise. The only thing they told me was that I had to wait until I was 18 so I could get my education out of the way first.

My parents let me find my way and that's how they supported me the entire way.

My parents were teetotalers and my grandparents were - it's all the way back. It's New English puritanical tradition.

My parents put skates on me at age 2, the way it should be if you're serious, and I've always liked it.

My parents were very supportive when I was growing up and have been all the way through.

My parents will be sad for a while, and they may even blame themselves, the way they do now. Eventually they'll come to peace with my decision. I hope they'll realize I'm finally at peace.

My philosophy was, if I just do good work, someone will like it enough to employ me. It never made me famous. And I'm way, way too old now, mate. That boat's sailed.

My philosophy is that to be a director you cannot be subject to anyone, even the head of the studio. I threatened to quit each time I didn't get my way, but no one ever let me walk out.

My persona is most importantly just to communicate the material in a way that is most funny and meaningful in the moment. It's more like a character that's sculpted for whatever joke needs communicating at the moment.

My plan is to make the best of whatever comes my way.

My problem is how to find the best way of being useful.

My point of view actually on artificial intelligence, which ties into the nature for humans constantly looking into the reasons for why we exist and why consciousness exists changed during the making of Chappie. And I'm not actually completely sure that humans are going to be capable of giving birth to A.I. in the way that films fictionalize it.

My poetry has become the way of my giving out what music is within me.

My process is always the same. Maybe that's why I stay so consistent, it really doesn't change. I only know one way to record and do things.

My problem was that I felt ashamed of feeling sad or angry. Now, I don't hide my vulnerability in my lyrics. There's no way I was going to get raped and not get something out of it. I learned about power and hope and forgiveness. I like who I am now and I wouldn't be who I am if that hadn't happened.

My rage and sense of alienation as to how women have been written, have allowed themselves to be written, in so many ways, has political roots.

My room was a real way of expressing myself. It was like a little nest that I could settle into.

My respect for animators and animation directors has gone way, way up and it is just not something you can phone in.

My road is towards the creation of a fresh perception of the world. Thus I decipher in a new way the world unknown to you.

My second record I used a producer, which was frustrating in a way, because I think a lot of the punky spirit and provocative nature of the lyrics didn't come across - the music was pretty.

My sense is that you can never teach anybody anything, or change anybody in ways that they don't already have in mind.