Best 261 quotes of Donna Tartt on MyQuotes

A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.

All those layers of silence upon silence.

Always remember, the person we’re really working for is the person who’s restoring the piece a hundred years from now. He’s the one we want to impress.

And as much as I’d like to believe there’s a truth beyond illusion, I’ve come to believe that there’s no truth beyond illusion. Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic.

And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.

And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.

And the flavor of Pippa's kiss--bittersweet and strange--stayed with me all the way back uptown, swaying and sleepy as I sailed home on the bus, melting with sorrow and loveliness, a starry ache that lifted me up above the windswept city like a kite: my head in the rainclouds, my heart in the sky.

Any action, in the fullness of time, sinks to nothingness.

Anything is grand if it's done on a large enough scale.

Are you happy here?" I said at last. He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.

As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train. 'I don't want you to leave,' I said. 'I don't want to, either.' 'Then don't.' 'I have to.' We stood looking at each other. It was raining. She looked at me with her rain-colored eyes. Camilla, I love you,' I said. 'Let's get married.

As much fun as it is to read a book, writing a book is one level deeper than that.

Beauty alters the grain of reality.

Beauty is terror. Whatever we call beautiful, we quiver before it.

Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.

But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’ Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.

But it's for every writer to decide his own pace, and the pace varies with the writer and the work

But romantic vision can also lead one away from certain very hard, ugly truths about life that are important to know.

But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.

Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?

Character, to me, is the life's blood of fiction

Children have very sharp powers of observation - probably sharper than adults - yet at the same time their emotional reactions are murky and much more primitive.

Children - if you think back really what it was like to be a child and what it was like to know other children - children lie all the time

Children love secret club houses. They love secrecy even when there's no need for secrecy

Clearly something had gone wrong, badly, only I wasn't quite sure what—apart from knowing that I was responsible somehow, in the generalized miasma of shame and unworthiness and being-a-burden that never quite left me.

Criticism at the wrong time, even if it's legitimate criticism, can be seriously damaging and make the writer lose faith in what he's doing. It's the timing that's all-important.

Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.

Does such a thing as "the fatal flaw," that showy dark crack running down the middle of a life, exist outside literature?

Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.

Even if it meant that she had failed, she was glad. And if what she'd wanted had been impossible from the start, still there was a certain lonely comfort in the fact that she'd known it was impossible and had gone ahead and done it anyway.

Even if you need, and want, a second opinion, it can be dangerous to have people telling you what they think you ought to add, or cut, before you've even finished telling your story. One loses heart; one loses energy and interest. Or at least I do.

Every new event—everything I did for the rest of my life—would only separate us more and more: days she was no longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.

Everything takes me longer than I expect. It's the sad truth about life

For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.

For me - showing a half-finished manuscript is tricky. Just as a bird will get spooked and abandon her eggs if some outside party comes around and makes too much noise or pokes around the nest too intrusively - well, that's what it's like for me if I show work too early and I get a lot of editorial suggestions at the wrong time.

From the window, above the clatter of pots and the slamming of cabinets, Francis was singing, as though it was the happiest song in the world: 'We are the little black sheep who have gone astray . . . Baa baa baa . . . Gentlemen songsters off on a spree . . . Doomed from here to eternity . . .

I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.

I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for.

I'd always rather stand or fall on my own mistakes. There's nothing worse than looking back, in a published book, at a line edit or a copy edit that you felt queasy about and didn't want to take, but took anyway.

I'd been assured, at age 21 or so, by a well-known editor who saw the first part of The Secret History in what was basically its final form, that it would never be published because "no woman has ever written a successful novel from a male point of view.

I'd rather write one good book than ten mediocre ones.

If he had his wits about him Bunny would surely keep his mouth shut; but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.

If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon . . . . The very colors of the place had seeped into my blood.

If I'm not working, I'm not happy. That's it. That's the prerequisite for me for happiness.

I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.

I hate Gucci,' said Francis. 'Do you?' said Henry, glancing up from his reverie. 'Really? I think it's rather grand.' 'Come on, Henry.' 'Well, it's so expensive, but it's so ugly too, isn't it? I think they make it ugly on purpose. And yet people buy it out of sheer perversity.' 'I don't see what you think is grand about that.' 'Anything is grand if it's done on a large enough scale,' said Henry.

I hope we're all ready to leave the phenomenal world, and enter into the sublime?

I just finished writing an essay about William Maxwell, an American writer whose work I admire very much.

I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.