Best 13 quotes of Gil Kane on MyQuotes

All of the penciling was consistently done by one person and the inking was whoever could finish on time.

But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

By the end of the 50s, everything began to collapse and, little by little, I lost all of my work. I lost Rex, the Wonder Dog and all the westerns.

Coming into the business, you'd pass through these little agencies until you got to understand what was happening in the business, unless you were really able to have a style strong enough to go directly to the publishers.

DC used to print up all of their pages, they were the only company that did it.

Everything was sensory and I never saw the structure in anything.

If I had one quality that really ruined me and at the same time helped me, it was the fact that I never stopped looking, and by that time I was really working at it.

I just saw the emotion in everything, so I got to feel everything that was going on and that I was viewing, but I couldn't think in terms of structure, which is the whole point of deep focus.

In other words, DC was never harmed by the paper shortages.

I think the lack of precision and deep focus is why it took me years to build up my work.

It was exactly an assembly line. You could look into infinity down these rows of drawing tables.

I was hired to do as many Boy Commando, Newsboy Legion, and Sandman stories as I could.

Precision is not one of the qualities that comes out in my work.