Best 9 quotes of Dziga Vertov on MyQuotes

Everybody who cares for his art seeks the essence of his own technique.

Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.

I am an eye. I am a mechanical eye. I, a machine, I am showing you a world, the likes of which only I can see

I am the camera's eye. I am the machine that shows you the world as I alone see it. Starting from today I am forever free of human immobility. I am in perpetual movement. I approach and draw away from things-I crawl under them-I climb on them-I am on the head of a galloping horse.

I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it...I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth...This is I, the machine, manoeuvering in the chaotic movements, recording one movement after another in the most complex combinations... Thus I explain in a new way the world unknown to you.

Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the laws and conventions of film construction.

My road is towards the creation of a fresh perception of the world. Thus I decipher in a new way the world unknown to you.

Our eyes see very little and very badly – so people dreamed up the microscope to let them see invisible phenomena; they invented the telescope...now they have perfected the cinecamera to penetrate more deeply into the visible world, to explore and record visual phenomena so that what is happening now, which will have to be taken account of in the future, is not forgotten.

The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is!