Best 311 quotes in «city quotes» category

A city is a right place to build a business but not a right place to build a home.

6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. Blurred out lines from hangovers to coffee Another vagabond lost to love. 4am alone and on my way. These are my finest moments. I scrub my skin to rid me from you and I still don’t know why I cried. It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest. But then you must have changed your mind or made a wrong because why did you leave? 6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. I replace cafés with crowded bars and empty roads with broken bottles and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this. There is no right way to do this. There is no right way to do this.

6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. Blurred out lines from hangovers to coffee another vagabond lost to love.

A bus drives past and I’m nauseated by a whiff of exhaust. Then rotting fish. The rancid stench of sewage. Is it garbage day? I’m trapped in the pungent fog, in the dreary suburban-style shops, the rat race of city life. The city, even on the west coast, has the power to beat us down, to suck us of passion, to crush our dreams.

A city is more than a place in space, it is a drama in time

a city is all about how you look at it

2018 Whether fan or whether foe, Loyalty to city was the only way to go, They now have a Lombardi Trophy to show, Philadelphia Eagles stole the show

A city has no sense, no sentiment, no soul.

A city is not adorned by external things, but by the virtue of those who dwell in it.

A girl without braids is like a city without bridges.

A little tranquil lake is more significant to my life than any big city in the world

And beneath her bare feet lay the biggest structure on earth, a whole world unto itself. How strange that there were millions of people below her at this very moment, eating, sleeping, dreaming, touching. Avery blinked, feeling suddenly and acutely alone. They were strangers, all of them, even the ones she knew. What did she care about them, or about herself, or about anything, really?

An age-old city is like a pond. With its colours and reflections. Its chills and murk. Its ferment, its sorcery, its hidden life. A city is like a woman, with a woman’s desires and dislikes. Her abandon and restraint. Her reserve - above all, her reserve. To get to the heart of a city, to learn its most subtle secrets, takes infinite tenderness, and patience sometimes to the point of despair. It calls for an artlessly delicate touch, a more or less unconditional love. Over centuries. Time works for those who place themselves beyond time. You’re no true Parisian, you do not know your city, if you haven’t experienced its ghosts. To become imbued with shades of grey, to blend into the drab obscurity of blind spots, to join the clammy crowd that emerges, or seeps, at certain times of day from the metros, railway stations, cinemas or churches, to feel a silent and distant brotherhood with the lonely wanderer, the dreamer in his shy solitude, the crank, the beggar, even the drunk - all this entails a long and difficult apprenticeship, a knowledge of people and places that only years of patient observation can confer.

And I think the city fell madly in love with her just then.

At least until there are new lakes in the clouds that open upon living cities as yet unknown, and perhaps forever, that is a question which you must answer within your own heart.

Berlin's getting dark before it's getting late.

Besides, Vegas was tits straining out of a low-cut top and mascara thick enough to smear.

Building with Its Face Blown Off How suddenly the private is revealed in a bombed-out city, how the blue and white striped wallpaper of a second story bedroom is now exposed to the lightly falling snow as if the room had answered the explosion wearing only its striped pajamas. Some neighbors and soldiers poke around in the rubble below and stare up at the hanging staircase, the portrait of a grandfather, a door dangling from a single hinge. And the bathroom looks almost embarrassed by its uncovered ochre walls, the twisted mess of its plumbing, the sink sinking to its knees, the ripped shower curtain, the torn goldfish trailing bubbles. It's like a dollhouse view as if a child on its knees could reach in and pick up the bureau, straighten a picture. Or it might be a room on a stage in a play with no characters, no dialogue or audience, no beginning, middle, and end– just the broken furniture in the street, a shoe among the cinder blocks, a light snow still falling on a distant steeple, and people crossing a bridge that still stands. And beyong that–crows in a tree, the statue of a leader on a horse, and clouds that look like smoke, and even farther on, in another country on a blanket under a shade tree, a man pouring wine into two glasses and a woman sliding out the wooden pegs of a wicker hamper filled with bread, cheese, and several kinds of olives.

But this city is a world of its own, a country within a country. People are used to taking the old and making it news; and used, too, to taking the new and making it old. Every glass of water from its taps, it is said, has passed six times through the kidneys of another, and every scrap of its land has been trodden on, fought over, dug up and broken down for centuries.

But you’re out of another world old kid … You ought to live on top of the Woolworth Building in an apartment made of cutglass and cherry blossoms.

Cairo is in a state of becoming… We just don't know what it's becoming yet.

City of Wizards is normally quite a GOOD thing, since only Good WIZARDS seem able to live together. . . .There have been cities of EVIL Wizards in the past. You will occasionally come across the sites of these, reduced to a glassy slag during the ultimate disagreement.

Couples will no longer spend their nights in their houses dedicated to habitation and reception, the customary social reason for banalization. The chamber of love will be more remote from the center of the city: it will completely naturally re-create for the partners the notion of ex-centricity, in a place less open to the light, more hidden, in order to return to the atmosphere of the secret. The contrary move, the search for a center of thought, will proceed by the same technique.

Divine angel, who betrothed us Secretly on winter morn, From our sadness-free existence Does not take his darkened eyes. For this reason we love sky, And fresh wind, and air so thin, And the dark tree branches Behind fence of iron. For this reason we love the strict, Many-watered, and dark city, And we love the parting, And brief meetings' hour.

Don’t you think most of those kids think too much about who got an A or a B when they were in law school and what that means to an inflated G.P.A. and not enough about the world?” asked Connor irrelevantly.

Down below people were clipping by going nowhere fast. You could feel the long despairing history of the place. You could actually hear it, a low hum like the buzz of a sick bee that resonated with the fragments of a million broken dreams.

Do you know what you get when you try to escape? When you drive for miles in a deserted city or swim for hours in a shoreless sea? You get yourself.

Do you know where 'policeman' comes from, sir? ... 'Polis' used to mean 'city', said Carrot. That's what policeman means: 'a man for the city'. Not many people knew that. The word 'polite' comes from 'polis', too. It used to mean the proper behaviour from someone living in a city.

Every city, every town, hides beneath a certain amount of glamour that- either intentionally or not- can misdirect the eye or hide something worth finding. Learning to see through those glamours is part of the process of calling any place home.

Everyone pushes and is angry at the people who push them.

Everything has been planned. The ascent will be completed in two days’ time. He will climb another one hundred floors today. Another hundred the next day. He does not want to take the lift. The rush of life causes people to drown in the temporary. He wishes to dip into eternity before he leaves.

Fear is the short road to death and this world, Changed by the flux of decay: Survival is the exception for weary men. From the new book The Waning

Finally, the functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility--space itself--to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and appropriations, the object of various kinds of interference but also a subject that is constantly enriched by new attributes, it is simultaneously the machinery and the hero of modernity.

For him, the kampung was a place to live and work that was based on a steadfast and intimate relationship between man and nature. The village was a true reflection of life in the tropics.

He liked city walking. He didn't want to have to go to that place called countryside to take a walk. He wanted to stuff his hands in his pockets, set his internal compass vaguely east or south and wander till he was tired enough to get the bus home.

Henceforth the crisis of urbanism is all the more concretely a social and political one, even though today no force born of traditional politics is any longer capable of dealing with it. Medico-sociological banalities on the 'pathology of housing projects,' the emotional isolation of people who must live in them, or the development of certain extreme reactions of rejection, chiefly among youth, simply betray the fact that modern capitalism, the bureaucratic society of consumption, is here and there beginning to shape its own setting. This society, with its new towns, is building the terrain that accurately represents it, combining the conditions most suitable for its proper functioning, while at the same time translating in space, in the clear language of organization of everyday life, its fundamental principle of alienation and constraint. It is likewise here that the new aspects of its crisis will be manifested with the greatest clarity.

Here too, as in the Commune almost a century earlier, the struggle was articulated around the hope that 'the antithesis between the everyday and the Festival--whether of labour or of leisure--will no longer be a basis for society.

He was dropped under a streetlamp, the only person left on the bus. A patch of mauled light. Gritty pavement, scarred with a million cigarette burns. Weeds and spit and oil. Place like this, the only glitter was the knife just before it sank in. Place like this, there wasn't any gold.

He wondered how many had been created by the virus, since day one. A whole weekend had passed in a city of millions. It was very possible there could be hundreds or thousands, by now. It was a terrifying thought.

How spacious are these squares, How resonant bridges and stark! Heavy, peaceful, and starless Is the covering of the dark. And we walk on the fresh snow As if we were mortal people. That we are together this hour Unseparable -- is it not a miracle? The knees go unwittingly weaker It seems there's no air -- so long! You are my life's only blessing, You are the sun of my song. Now the dark buildings are stirring And I'll fall on earth as they shake -- Inside of my village garden I do not fear to awake. Escape "My dear, if we could only Reach all the way to the seas" "Be quiet" and descended the stairs Losing breath and looking for keys. Past the buildings, where sometime We danced and had fun and drank wine Past the white columns of Senate Where it's dark, dark again. "What are you doing, you madman!" "No, I am only in love with thee! This evening is wide and noisy, Ship will have lots of fun at the sea!" Horror tightly clutches the throat, Shuttle took us at dusk on our turn. The tough smell of ocean tightrope Inside trembling nostrils did burn. "Say, you most probably know: I don't sleep? Thus in sleep it can be" Only oars splashed in measured manner Over Nieva's waves heavy. And the black sky began to get lighter, Someone called from the bridge to us, As with both hands I was clutching On my chest the rim of the cross. On your arms, as I lost all my power, Like a little girl you carried me, That on deck of a yacht alabaster Incorruptible day's light we'd meet.

Humans make a city, but a city makes humans tolerate the intolerable.

I am a stranger in this city, but this city gave me a new life!

I am convinced that something out of the ordinary, if not truly unique, is occurring in Toronto. It feels like the city is emerging from a chrysalis.

I am happy I live in the city of light.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

I belong here, I tell Toy. I'm hungry for every city block. Every brick building. Every crowded intersection. Electric. I feel brand new.

I built my home in the feeling of waking up at dawn in a new city, where every road is the right road because there is no ordinary. Everything is as profound as you make it.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

I came to this city to escape.

I can’t believe this is happening. My best friend is dead. Zombies are real??? The whole city is going to burn and we’re going to die!