Best 25 quotes of Andrew Holleran on MyQuotes

Andrew Holleran

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    Andrew Holleran

    They seldom looked happy. They passed one another without a word in the elevator, like silent shades in hell, hell-bent on their next look from a handsome stranger. Their next rush from a popper. The next song that turned their bones to jelly and left them all on the dance floor with heads back, eyes nearly closed, in the ecstasy of saints receiving the stigmata.

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    Andrew Holleran

    Because,’ he said—thinking, Because sex is wonderful, and who wouldn’t want to do it as much as possible? Because sex is ecstasy, and there’s no ecstasy left in this civilization anymore. Because we thought penicillin could cure everything. Because people are looking for Love. Because in this society we can’t find support for stable partnerships. Because we’re ashamed, and seek out sex with a stranger we don’t have to say hello to in the street the next day, much less mention at our funerals. Because, because, because, he thought, and then he turned to her and said. ‘Why do you smoke?’ (196).

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    Andrew Holleran

    But Malone was thinking now and as he watched the men lighting cigarettes for each other in the dark, having sex beneath the trees, he turned to his friend and said in a wondering voice: “Isn’t it strange that when we fall in love, this great dream we have, this extraordinary disease, the only thing in which either one of us is interested, it’s inevitably with some perfectly ordinary drip who for some reason we cannot define is the magic bearer, the magician, the one who brings all this to us. Why?

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    Andrew Holleran

    During those snowy New England winters, besides learning to rise at five to study calculus and trudge two miles through the drifts for breakfast down the road, he had suppressed some tremendous element in himself that took form in a prudish virginity. While his life was impeccable on the surface, he felt he was behind glass: moving through the world in a separate compartment, touching no one else.

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    Andrew Holleran

    For that is the curious quality of the discotheque after you have gone there a long time: in the midst of all the lights, and music, the bodies, the dancing, the drugs, you are stiller than still within, and though you go through the motions of dancing you are thinking a thousand disparate things. You find yourself listening to the lyrics, and you wonder what these people around you are doing. They seemed crazed to you. You stand there on a floor moving your hips, wondering if there is such a thing as love, and conscious for the very first time that it is three-twenty-five and the night only half-over. You put the popper to your nostril, you put a hand out to lightly touch the sweaty, rigid stomach of the man dancing next to you, your own chest is streaming with sweat in that hot room, and you are thinking, as grave as a judge: What will I do with my life? What can any man do with his life? And you finally don’t know where to rest your eyes. You don’t know where to look, as you dance. You have been expelled from the communion of the saints.

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    Andrew Holleran

    For the fact was drugs were not necessary to most of us, because the music, youth, sweaty bodies were enough. And if it was too hot, too humid to sleep the next day, and we awoke bathed in sweat, it did not matter: We remained in a state of animated suspension the whole hot day. We lived for music, we lived for Beauty, and we were poor. But we didn’t care where we were living, or what we had to do during the day to make it possible; eventually, if you waited long enough, you were finally standing before the mirror in that cheap room, looking at your face one last time, like an actor going onstage, before rushing out to walk in the door of that discotheque and see someone like Malone.

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    Andrew Holleran

    For you cannot live in New York City very long and not be conscious of the niceties of being rich—the city is, after all, an ecstatic exercise in merchandising—and one evening of his visit to Venezuela Sutherland sat straight up when he read a line of Santayana’s: “Money is the petrol of life.

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    Andrew Holleran

    Have you ever noticed,” he said, stirred now by this vision of domestic bliss that was beyond his reach, and shocked earlier that evening to find himself crying in the subway on his way home from a client, “that gay people secrete everything in each other’s presence but tears?

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    Andrew Holleran

    Imagine a pleasure in which the moment of satisfaction is simultaneous with the moment of destruction: to kiss is to poison; lifting to your lips this face after which you have ached, dreamed, longed for, the face shatters, every time.

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    Andrew Holleran

    I’m in mid-passage, darling,” he said, beginning to talk like a queen so as to demystify himself, so as to destroy the very qualities John Schaeffer had fallen in love with, “I’m menopausal, change of life, hot flashes, you know. Wondering how much longer I can go without hair transplants and whether Germaine Monteil really works on the crow’s feet. I’ve had it, I’ve been through the mill, I’m a jaded queen. But you, dear, you have that gift whose loss the rest of life is just a funeral for—why else do you suppose those gray-haired gentlemen,” he said, nodding at his friends on the floor, “make money, buy houses, take trips around the world? Why else do they dwindle into a little circle of close friends, a farm upstate, and become in the end mere businessmen, shop-owners, decorators who like their homes filled with flowers and their friends flying in on Air France and someone pretty like you at the dinner table? It is all, my dear, because they are no longer young. Because they no longer live in that magic world that is yours for ten more years. Adolescence in America ends at thirty.

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    Andrew Holleran

    Indifference is the greatest aphrodisiac.

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    Andrew Holleran

    Love is a career with its own stages, rewards, and failures . . . a vocation as concrete as a calling in the Church, worth giving a lifetime to.

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    Andrew Holleran

    Never forget that all these people are primarily a visual people. They are designers, window dressers, models, photographers, graphic artists. They design the windows at Saks. Do you understand? They are a visual people, and they value the eye, and their sins, as Saint Augustine said, are the sins of the eye. And being people who live on the surface of the eye, they cannot be expected to have minds or hearts. It sounds absurd but it’s that simple. Everything is beautiful here, and that is all it is: beautiful. Do not expect anything else, do not expect nourishment for anything but your eye—and you will handle it all beautifully. You will know exactly what you are dealing with.

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    Andrew Holleran

    Now of all the bonds between homosexual friends, none was greater than that between friends who danced together. The friend you danced with, when you had no lover, was the most important person in your life; and for people who went without lovers for years, that was all they had.

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    Andrew Holleran

    The greatest drug of all, my dear, was not one of those pills in so many colors that you took over the years, was not the opium, the hash you smoked in houses at the beach, or the speed or smack you shot up in Sutherland's apartment, no, it wasn't any of these. It was the city, darling, it was the city, the city itself. And do you see why I had to leave? As Santayana said, dear, artists are unhappy because they are not interested in happiness; they live for beauty. God, was that steaming, loathsome city beautiful!!! And why finally no human lover was possible, because I was in love with all men, with the city itself.

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    Andrew Holleran

    The more beautiful the sky, the more hopeless the neighborhood.

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    Andrew Holleran

    The point is that we are not doomed because we are homosexual, my dear, we are doomed only if we live in despair because of it, as we did on the beaches and the streets of Suck City.

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    Andrew Holleran

    There was a moment of silence and then Sutherland breathed, “But, darling! Gossip is the food of the gods.

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    Andrew Holleran

    They faced each other at opposite ends of an illusion.

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    Andrew Holleran

    They were bound together by a common love of a certain kind of music, physical beauty, and style—all the things one shouldn’t throw away an ounce of energy pursuing, and sometimes throw away a life pursuing.

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    Andrew Holleran

    They were the most romantic creatures in the city in that room. If their days were spent in banks and office buildings, no matter: Their true lives began when they walked through this door—and were baptized into a deeper faith, as if brought to life by miraculous immersion. They lived only for the night.

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    Andrew Holleran

    We lived only to dance. What was the true characteristic of a queen, I wondered later on; and you could argue that forever. “What do we all have in common in this group?” I once asked a friend seriously, when it occurred to me how slender, how immaterial, how ephemeral the bond was that joined us; and he responded, “We all have lips.” Perhaps that is what we all had in common: no one was allowed to be serious, except about the importance of music, the glory of faces seen in the crowd. We had our songs, we had our faces! We had our web belts and painter’s jeans, our dyed tank tops and haircuts, the plaid shirts, bomber jackets, jungle fatigues, the all-important shoes.

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    Andrew Holleran

    What, we may well ask, is there left to live for? Why get out of bed? For this dreary round of amusing insincerity? This filthy bourgeois society that the Aristotelians have foisted upon us? No, we may still choose to live like gods, like poets. Which brings us down to dancing. Yes,” he said, turning to Malone, “that is all that’s left when love has gone.

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    Andrew Holleran

    Witty people came out in autumn; beauties in July.

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    Andrew Holleran

    You know, when people who were once religious no longer believe in God, they never really change; they just go on, hunting for the ecstatic food, trying to satisfy that hunger.