Best 684 quotes in «london quotes» category

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    I have admired the romantic elegance of the Place de la Concorde in Paris, have felt the mystic message from a thousand glittering windows at sunset in New York, but to me the view of the London Thames from our hotel window transcends them all for utilitarian grandeur - something deeply human.

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    I hope whomever Miss Trent is sending arrives soon.” Mr Maxwell shivered and wrapped his arms about himself. “Who does she usually send to these initial client meetings?” “I really couldn’t say,” [Miss Dexter] replied, honestly. “Miss Trent sends whomever she feels would be most appropriate.

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    I have had so many Dwellings, Nat, that I know these Streets as well as a strowling Beggar: I was born in this Nest of Death and Contagion and now, as they say, I have learned to feather it. When first I was with Sir Chris. I found lodgings in Phenix Street off Hogg Lane, close by St Giles and Tottenham Fields, and then in later times I was lodged at the corner of Queen Street and Thames Street, next to the Blew Posts in Cheapside. (It is still there, said Nat stirring up from his Seat, I have passed it!) In the time before the Fire, Nat, most of the buildings in London were made of timber and plaister, and stones were so cheap that a man might have a cart-load of them for six-pence or seven-pence; but now, like the Aegyptians, we are all for Stone. (And Nat broke in, I am for Stone!) The common sort of People gawp at the prodigious Rate of Building and exclaim to each other London is now another City or that House was not there Yesterday or the Situacion of the Streets is quite Changd (I contemn them when they say such things! Nat adds). But this Capital City of the World of Affliction is still the Capitol of Darknesse, or the Dungeon of Man's Desires: still in the Centre are no proper Streets nor Houses but a Wilderness of dirty rotten Sheds, allways tumbling or takeing Fire, with winding crooked passages, lakes of Mire and rills of stinking Mud, as befits the smokey grove of Moloch. (I have heard of that Gentleman, says Nat all a quiver). It is true that in what we call the Out-parts there are numberless ranges of new Buildings: in my old Black-Eagle Street, Nat, tenements have been rais'd and where my Mother and Father stared without understanding at their Destroyer (Death! he cryed) new-built Chambers swarm with life. But what a Chaos and Confusion is there: meer fields of Grass give way to crooked Passages and quiet Lanes to smoking Factors, and these new Houses, commonly built by the London workmen, are often burning and frequently tumbling down (I saw one, says he, I saw one tumbling!). Thus London grows more Monstrous, Straggling and out of all Shape: in this Hive of Noise and Ignorance, Nat, we are tyed to the World as to a sensible Carcasse and as we cross the stinking Body we call out What News? or What's a clock? And thus do I pass my Days a stranger to mankind. I'll not be a Stander-by, but you will not see me pass among them in the World. (You will disquiet your self, Master, says Nat coming towards me). And what a World is it, of Tricking and Bartering, Buying and Selling, Borrowing and Lending, Paying and Receiving; when I walk among the Piss and Sir-reverence of the Streets I hear, Money makes the old Wife trot, Money makes the Mare to go (and Nat adds, What Words won't do, Gold will). What is their God but shineing Dirt and to sing its Devotions come the Westminster-Hall-whores, the Charing-cross whores, the Whitehall whores, the Channel-row whores, the Strand whores, the Fleet Street whores, the Temple-bar whores; and they are followed in the same Catch by the Riband weavers, the Silver-lace makers, the Upholsterers, the Cabinet-makers, Watermen, Carmen, Porters, Plaisterers, Lightemen, Footmen, Shopkeepers, Journey-men... and my Voice grew faint through the Curtain of my Pain.

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    I just like to say I'm from London, I don't have any specific area I represent. I'm not representing for a small group of people. I'd like everybody to be able to relate to a nerd, because everybody's a bit nerdy. I'm more interested in that than in where they're from. I'm more interested in what people do.

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    I landed in London on a wintry autumn evening. It was dark and raining, and I saw more fog and mud in a minute than I had seen in a year. I walked from the Custom House to the Monument before I found a coach; and although the very house-fronts, looking on the swollen gutters, were like old friends to me, I could not but admit that they were very dingy friends.

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    I lay for hour thinking about London, my old bedroom and the Dad-shaped hole in my life.

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    I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit.

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    In no other city can one so cheerfully enjoy the accidents of bad art.

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    In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?

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    In this pittifull (or rather pittilesse) perplexitie stood London, forsaken like a Lover, forlorne like a widow, and disarmde of all comfort.

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    I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to. Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.

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    Isn't anyone going to take these damnable arrows out of me?

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    I ignore him and continue walking. I ignore the light drizzle that falls from the smog-filled sky and I ignore the mass of men who stand outside the public-house attempting to light their pipes with matchsticks that burn out as fast as they are struck alight. I ignore their thunderous cackles and cajoling as one of their friends gets sick on another's boots and I ignore my pseudo-name as my mentor yells it behind me.

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    I liked the idea of a person shedding their life, and someone else putting it on. -Oliver Harris on writing The Hollow Man for Crime Time online magazine

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    I like walking round London at night, I do it all the time. Not for no reason, just cos... it's home, innit? It's brilliant, you can't ever get bored of London cos even if you live here for like a hundred and fifty years you still won't ever know everything about it. There's always something new. Like, you're walking round somewhere you've known since you was born and you look up and there's an old clock on the side of a building you never seen before, or there's a little gargoyley face over a window or something. Don't you think it's cool?

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    I love London. I love everything about it. I love its palaces and its museums and its galleries, sure. But also, I love its filth, and damp, and stink. Okay, well, I don’t mean love, exactly. But I don’t mind it. Not any more. Not now I’m used to it. You don’t mind anything once you’re used to it. Not the graffiti you find on your door the week after you painted over it, or the chicken bones and cider cans you have to move before you can sit down for your damp and muddy picnic. Not the everchanging fast food joints – AbraKebabra to Pizza the Action to Really Fried Chicken – and all on a high street that despite its three new names a week never seems to look any different. Its tawdriness can be comforting, its wilfulness inspiring. It’s the London I see every day. I mean, tourists: they see the Dorchester. They see Harrods, and they see men in bearskins and Carnaby Street. They very rarely see the Happy Shopper on the Mile End Road, or a drab Peckham disco. They head for Buckingham Palace, and see waving above it the red, white and blue, while the rest of us order dansak from the Tandoori Palace, and see Simply Red, White Lightning, and Duncan from Blue. But we should be proud of that, too. Or, at least, get used to it.

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    In a policy shift which the historian Guy de la Bedoyere has compared with Western Imperialism, the Romans converted militant Britons to their way of life with consumer entincements, introducing them to the urbane pleasures of hot spas and fine dining, encouraging them to wear togas and speak Latin.

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    In England I am always madam; I arrived too late to ever be a miss. In New York I have only been madamed once, by the doorman at the Carlyle Hotel.

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    ...I never once believed what they wanted us to believe - that we as black people are inferior to whites...

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    In London, Man is the most secret animal on earth.

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    In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.

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    In the doorway of Fortnum & Mason a young couple were kissing, oblivious to the world. The neon signs mounted on the buildings cast a glossy veneer over the streetscape, glowing through the smog. Around the statue of Eros there were crowds of youngers. The girls were a mass of bobby pins and ribbons, hardly dressed for the cold weather. The boys wore suits with thin ties. They were bantering on their way from the cinemas and theatres to the bars, dance halls and music clubs further along. “I fancy you, Kitty Dawson,” a lone boy shouted.

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    Is Dust immortal then, I ask'd him, so that we may see it blowing through the Centuries? But as Walter gave no Answer I jested with him further to break his Melancholy humour: What is Dust, Master Pyne? And he reflected a little: It is particles of Matter, no doubt. Then we are all Dust indeed, are we not? And in a feigned Voice he murmered, For Dust thou art and shalt to Dust return. Then he made a Sour face, but only yo laugh the more.

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    Is it a very wicked place?" I asked, more for the sake of saying something than for information. "You may get cheated, robbed, and murdered in London. But there are plenty of people anywhere, who'll do that for you." "If there is bad blood between you and them," said I, to soften it off a little. "O! I don't know about bad blood," returned Mr. Wemmick; "there's not much bad blood about. They'll do it, if there's anything to be got by it." "That makes it worse." "You think so?" returned Mr. Wemmick. "Much about the same, I should say.

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    I stare at my hands and remember my dad's and how I trusted them when I was a kid until I learned that they could turn into fists. And words could hurt even more than the bruises.

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    I swivel my back to her, my eyes gluttonous and eager to get their fill of this intimate piece of what has come to be her puzzle.

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    It is difficult to speak adequately or justly of London. It is not a pleasant place; it is not agreeable, or cheerful, or easy, or exempt from reproach. It is only magnificent. You can draw up a tremendous list of reasons why it should be insupportable. The fogs, the smoke, the dirt, the darkness, the wet, the distances, the ugliness, the brutal size of the place, the horrible numerosity of society, the manner in which this senseless bigness is fatal to amenity, to convenience, to conversation, to good manners – all this and much more you may expatiate upon. You may call it dreary, heavy, stupid, dull, inhuman, vulgar at heart and tiresome in form. [...] But these are occasional moods; and for one who takes it as I take it, London is on the whole the most possible form of life. [...] It is the biggest aggregation of human life – the most complete compendium of the world.

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    It is fortunate for this community that I am not a criminal.

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    It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside.

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    The morning has broken - I had thought of the morning like an egg that had split with a crack and was spreading. Before us lay all the green of the green country of England, with its rivers and it's roads and it's hedges, it's churches, it's chimneys, it's rising threads of smoke. The chimneys grew taller, the roads and rivers wider, the threads of smoke more thick, the farther off the country spread; until at last, at the farthest point of all, they made a smudge, a stain, a darkness - a darkness, like the darkness of the coal in a fire - a darkness that was broken, here and there, where the sun caught panes of glass and the golden tips of domes and steeples, with glittering points of light. 'London,' I said 'Oh, London!

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    It is possible that the city of London was initially named for ravens or a raven-deity. According to the Oxford Companion to the English Language, the designation comes from “Londinium,” a Romanized version of an earlier Celtic name. But the word closely resembles “Lugdunum,” the Roman name for both the city of Lyon in France and Leiden in the Netherlands. That Roman name, in turn, was derived from the Celtic “Lugdon,” which meant, literally, “hill, or town, of the god Lugh” or, alternatively, “…of ravens.” The site of Lyon was initially chosen for a town when a flock of ravens, avatars of the god, settled there. Whether or not “Lugdunum” was the origin of “London,” ravens were important for inhabitants of Britain for both practical and religious reasons.

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    It is nine o'clock, and London has breakfasted. Some unconsidered tens of thousands have, it is true, already enjoyed with what appetite they might their pre-prandial meal; the upper fifty thousand, again, have not yet left their luxurious couches, and will not breakfast till ten, eleven o'clock, noon; nay, there shall be sundry listless, languid members of fast military clubs, dwellers among the tents of Jermyn Street, and the high-priced second floors of Little Ryder Street, St. James's, upon whom one, two, and three o'clock in the afternoon shall be but as dawn, and whose broiled bones and devilled kidneys shall scarcely be laid on the damask breakfast-cloth before Sol is red in the western horizon. I wish that, in this age so enamoured of statistical information, when we must needs know how many loads of manure go to every acre of turnip-field, and how many jail-birds are thrust into the black hole per mensem for fracturing their pannikins, or tearing their convict jackets, that some M'Culloch or Caird would tabulate for me the amount of provisions, solid and liquid, consumed at the breakfasts of London every morning. I want to know how many thousand eggs are daily chipped, how many of those embryo chickens are poached, and how many fried; how many tons of quartern loaves are cut up to make bread-and-butter, thick and thin; how many porkers have been sacrificed to provide the bacon rashers, fat and streaky ; what rivers have been drained, what fuel consumed, what mounds of salt employed, what volumes of smoke emitted, to catch and cure the finny haddocks and the Yarmouth bloaters, that grace our morning repast. Say, too, Crosse and Blackwell, what multitudinous demands are matutinally made on thee for pots of anchovy paste and preserved tongue, covered with that circular layer - abominable disc! - of oleaginous nastiness, apparently composed of rancid pomatum, but technically known as clarified butter, and yet not so nasty as that adipose horror that surrounds the truffle bedecked pate  de  foie gras. Say, Elizabeth Lazenby, how many hundred bottles of thy sauce (none of which are genuine unless signed by thee) are in request to give a relish to cold meat, game, and fish. Mysteries upon mysteries are there connected with nine o'clock breakfasts.

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    It is the glory of London that it is always ending and beginning anew, and that a visitor, with a good eye and indefatigable feet, will find in her travels all the Londons she has ever met in the pages of books, one atop the other, like the strata of the Earth.

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    I took her outside on to a little roof terrace that looked like it never got the sun at nay time of the day r year, but there was a picnic table and a grill out there anyway. Those little grills are everywhere in England, right? To me they've come to represent the trumph of hope over circumstance, seeing as all you can do is peer at them out the window through the pissing rain.

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    It seems that she can survive, she can prosper, if she has London around her.

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    I thought that if I owned nothing, had nothing, was nothing, I would have nothing left to lose, and I wouldn't be scared anymore. Because my whole life I’ve been so damn scared. Scared to live because I was scared to die. But at the same I was so scared of living, so I wanted to die. Or maybe so scared of dying that I refused to live. You don't have to be afraid to fall, when you're already on the ground. You don't have to be scared to lose someone, when there's no one around to lose.

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    It's elementary, my dear Winifred.

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    It was a bad night to be about with such a feeling in one's heart. The rain was cold, pitiless and increasing. A damp, keen wind blew down the cross streets leading from the river. The fumes of the gas works seemed to fall with the rain. The roadway was muddy; the pavement greasy; the lamps burned dimly; and that dreary district of London looked its very gloomiest and worst. ("The Old House In Vauxhall Road")

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    It was a myth, a fantastical portrayal of my mentor himself, his legend forever anchoring itself to history in a way mine will never be. Spring Heeled Jack, the boogeyman with eyes like fireballs who could jump unnaturally high. Breathing blue flames he'd ravage women with his claws.

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    It was a Sunday evening in London, gloomy, close and stale. Maddening church bells of all degrees of dissonance, sharp and flat, cracked and clear, fast and slow, made the brick and mortar echoes hideous. Melancholy streets in a penitential garb of soot, steeped the souls of the people who were condemned to look at them out of windows, in a dire despondency. In every thoroughfare, up almost every alley, and down almost every turning, some doleful bell was throbbing, jerking, tolling, as if the Plague were in the city and the dead-carts were going round. Everything was bolted and barred that could by possibility furnish relief to an overworked people. No pictures, no unfamiliar animal, no rare plants or flowers, no natural or artificial wonders of the ancient world - all taboo with that enlightened strictness, that the ugly South sea gods in the British Museum might have supposed themselves at home again. Nothing to see but streets, streets, streets. Nothing to breathe but streets, streets, streets. Nothing to change the brooding mind, or raise it up. Nothing for the spent toiler to do, but to compare the monotony of his seventh day with the monotony of his six days, think what a weary life he led, and make the best of it - or the worst, according to the probabilities.

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    It was a rule of London life that anybody could be anybody

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    It was as if she was a dream, like London, which he could not entirely grasp and of which he was not worthy. He wanted to be part of it but had forgotten how. It seemed extraordinary and strange that this paragon among women had condescended to travel on his ship. In fact, she’d insisted upon it. Her presence was at once otherworldly and familiar, none of which explained why his brain ceased to function when he was in her company.

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    It's important for a man to know his limitations, and my limitations started at moving to Peckham and hanging around with yardies, postcode wannabes and those weird, skinny white kids who don't get the irony in Eminem.

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    It was immediately clear that the book had been undisturbed for a very long time, perhaps even since it had been laid to rest. The librarian fetched a checked duster, and wiped away the dust, a black, thick, tenacious Victorian dust, a dust composed of smoke and fog particles accumulated before the Clean Air acts.

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    I've started to hate this city, this country, all these STUPID FUCKING PEOPLE.

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    I want my life to be the greatest story. My very existence will be the greatest poem. Watch me burn. Love always, Charlotte

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    I was taken to a villa to meet Sabri al-Banna, known as 'Abu Nidal' ('father of struggle'), who was at the time emerging as one of Yasser Arafat's main enemies. The meeting began inauspiciously when Abu Nidal asked me if I would like to be trained in one of his camps. No thanks, I explained. From this awkward beginning there was a further decline. I was then asked if I knew Said Hammami, the envoy of the PLO in London. I did in fact know him. He was a brave and decent man, who in a series of articles in the London Times had floated the first-ever trial balloon for a two-state solution in Israel/Palestine. 'Well tell him he is a traitor,' barked my host. 'And tell him we have only one way with those who betray us.' The rest of the interview passed as so many Middle Eastern interviews do: too many small cups of coffee served with too much fuss; too many unemployed heavies standing about with nothing to do and nobody to do it with; too much ugly furniture, too many too-bright electric lights; and much too much faux bonhomie. The only political fact I could winnow, from Abu Nidal's vainglorious claims to control X number of 'fighters' in Y number of countries, was that he admired the People's Republic of China for not recognizing the State of Israel. I forget how I got out of his office.

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    I've been sitting on the edge of the bed for an hour in a complete daze. I told him if I die tonight I'll die happy, it's all here, everything's here.

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    I woke up feeling alone, so lonely. The night before, I had cried myself to sleep. I lay there on the floor, listening to the tube trains passing beneath me. I thought, All those hundreds and thousands and millions of people. London, London - I hate you. I picked myself up and got ready.

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    Live your life in any way, London says. It encourages defiance. I loved what it gave me, who it allowed me to be. On the nights I could afford a minicab home, I rolled down the window while crossing the river and watched the lights on the water, knowing most late-night minicabbers were reaffirming their love of London with the same view. I loved its messiness, its attempts at order. I loved the anonymity it afforded;

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