Best 3 quotes of Robert Drewe on MyQuotes

Dane and Marco and the boys all fled the stage but I was still playing ‘Twinkle, Twinkle Little Star’. I tried different interesting arrangments. Mozart’s twelve variations and Elton John style. Even Billy Joel/‘Piano Man’-ish. Then I had a brainstorm and thumped it out like Jerry Lee Lewis, with my feet on the keys and everything, and that seemed to confuse the guy waving the gun. Anyway he didn’t shot me. By now I was really getting into ‘Twinkle, Twinkle Little Star’, actually getting the old flash while I played it over and over, I don’t know how many times, and I sort of hypnotised myself. I was in a trance. People had thrown every available bottle and can and busted seat at me. Now they started on the fire extinguishers, and they were frothing and spurting and rolling around on the stage. Even the over-roided security joined in, and the bouncers were throwing stuff at me, too. I didn’t care. I was in a daze. I felt bulletproof and above it all, and when I eventually finished I stood in front of the redwood crucifix with my arms out, covered in fire-extinguisher foam like a snowman, and bowed to the audience. And then for some insane reason I pushed over the crucifix, which was difficult because it was heavy and splintery, and it cut my hands so I was bleeding everywhere, and I deliberately rubbed the blood all over my face. Then I put my foot on the crucifix, like a big-game hunter with his kill, like Ernest Hemingway with a dead lion, and raised my bloody fist in victory. And there was a sort of roar then, a deep roar lie a squadron of B-47s. And I passed out on the stage. I came to with someone furiously screaming. An amazing octave range, about five – from an F1 to B flat 6. It was your mother standing over me like a tigress, waving a broken seat, and preventing the Texans from rushing the stage and stomping me to death, they were wary of this wild, high-pitched little chick and backed off. As I stumbled back to the dressing-room, Tania was yelling that she wished the oil-rig guy had shot me, and this was the end, she’d really had it. And the record-company people were just staring at me open-mouthed like I was a lunatic. And outside, our tour bus had been set on fire, and there were no extinguishers left, and the police and fire brigade got involved, on the side of the Texans, and there was suddenly a visa problem. So that was it for Spider Flower in America. And for your mother and me, as it turned out. Pg 188-9

It always gave me a peculiar feeling to catch a glimpse of my parents' lives before I was born.

Spending her eighties in constant thrall to findmypast.com, familyhistory.net.au, yesterdaygeneaology.com and ancestor.com, Aunty Eily had tracked down the 1850s address of Conor Cleary’s father Daniel and mother Maureen to 28 New Way, Templemore. The street still existed and the Avis car’s GPS took Ryan there. Pg 248