Best 15 quotes of Paul Tremblay on MyQuotes

But ghosts aren't white and bright. Ghosts are shadows of someone or something gone wrong.

Having a talk was another buzzword phrase in our house, one that meant something was wrong. More often than not their talks we're controlled arguments that generally centered on housework (laundry piles still on the dining room table!) or the handling of us girls. Revelations gleaned in a typical talk: Dad didn't like the condescending tone Mom often used with is; Mom didn't like his yelling and its wildly inconst usage; Dad thought she was too quick to punish; Mom didn't like having her discipline edicts questioned in front of us. Initially acrimonious, their talks somehow managed to end like a pregame pep talk: rote promises to be rational in the face of our irrationality, a renewed commitment to present a united front, team play, then hands in the middle: Go, parents on three, ready, break!

Her dads warned her that some people won't understand their family and might say ignorant (their word) and hurtful things to her and it might not be their fault because of what they've been taught by other ignorant people with too much hate in their hearts, and, yes, it was very sad. Wen assumed they were talking about the same bad or stranger-danger people that hide in the city and want to take her away, but the more they talked to her about what Scott had said and why others might say things like that, too, the more it seemed like they were talking about everyday kind of people. Weren't the three of them everyday kind of people? She pretended to understand for her dads' sake, but she didn't and still doesn't. Why do she and her family need to be understood or explained to anyone else?

Hope is a desperate man's currency.

I'm a name and a question.

I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?" The three of us looked at Marjorie. Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago. The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again. She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate. Dad: "Jesus!" Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up. Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food. She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed. Dad: "Marjorie..." Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.

I swoon into a standing eight count. Goddamn, I actually feel my consciousness want to detach and hide like a turtle retreating into a hopelessly soft shell that won't save anyone.

It was so dark it was like noting was there in the room but us. Only the nothing was actually something because it filled my eyes and lungs and it sat on my shoulders.

No matter how bleak or dire, end-of-the-world scenarios appeal to us because we take meaning from the end... there's also undeniable allure to witnessing the beginning of the end and perishing alone with everyone and everything else.

On the morning of the exorcism, I stayed home from school.

She juts out her lower jaw, a purposeful imitation of Daddy Eric when she asks him a question with an answer that isn't yes right away, but will be yes eventually if she waits long enough.

She kept talking and she kept talking. I thought she would never stop. Standing there, I felt the sun pour through the windows, setting and rising on my back. The sunroom had become a sundial measuring the geological age of my psychological toture.

They share another long look. This one is reserved for ill-fated observers in the moments before impending, inescapable calamity, whether it be natural disaster or violent failure of humanity; a look of resigned melancholy and awe, unblinking in the face of a revealed, horrific, sacred truth. And they realize again, in this darkest hour of the darkest day, they remain alone, fundamentally alone.

Tonight isn't about more dark, it's about more nothing.

Too many people have smiles that don’t mean what a smile is supposed to mean.