Best 79 quotes in «nashville quotes» category

I remember in the '80s, Randy Travis was my guy. He's the reason I moved to Nashville, and I just loved him. But at some point when he was winning everything, you find yourself pulling for other people.

I think Nashville could use some better shopping!

I think in the world of rock music or whatever it's called - anything outside of Nashville - there's a lot more freedom within that industry to do whatever you want to do.

I think, to be honest, sort of emanated from the initial work of somebody else instead of SCLC. If you take Albany; I don't know whether you recall how Albany got started. There were two little guys who went up there first. One was Cordell Hull who was then in his teens - not Cordell Hull - Cordell Reagan, who came out of the Nashville movement, and Charles Sherrod, who came out of the Richmond, Virginia, movement.

I think of Nashville as a very natural place. We're easy going, we are ourselves. There isn't a lot of preening or trying to impress. So it's an easy place to just be and that is a good state from which to write.

It used to be that Nashville would work to develop promising artists.

I used to be sick of the backroads of Minnesota. I had to drive 30 miles to get home every day, take the schoolbus for two hours. But to drive through America and see the backroads, from Nashville to Memphis, Lovick to New Mexico, was incredible. It was probably the greatest trip of my life.

I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.

I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.

L.A.'s cool; I had a run with it to where it just pretty much wore me out. I love the weather and I have great friends there, great family, but I really cannot take a lot of the culture. Like Nashville, where everybody's a songwriter, everybody out there is an actor.

It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important.

My album was recorded in Nashville. It used to be all about "We're from Texas, forget Nashville," well you'll never hear me say that. Nashville isn't bad as long as you're true to yourself.

My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.

Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.

Nashville has a formula, and it works a lot of the time, but it wasn't right for me. They're afraid to step outside the box - even though, with me, my success came because I was outside of the box to begin with.

Nashville is one of the greatest places for the best songwriters in the world. It's been fantastic to live there and to raise our family there. It's a great town.

Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.

Nashville may be famed for its country music, but this may well be the capital of rock and roll music in the United States of America.

Nashville is my home, and the reason why I get to do what I love.

My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.

One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.

The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.

Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.

The best compliment I ever had is, one day I was in Nashville, some disc jockey said, Hey, that sounds like a Tom T. Hall song. Up until then there hadn't been any such thing.

The enticing allure of Nashville is that there is always something new coming down the pike. Put this record on and you’ll hear footsteps.

Over the years I've had more and more of an association with Nashville.

That's what I love about Nashville and the music community - seeing kids around acoustic music and bluegrass picking parties is the best.

The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.

There was a period of time when I first moved to Nashville, like the first couple of years, that I was just simply lost. I didn't know who I was; I didn't know really what I was doing here. I was meant to be a singer, but I just felt lost. That's when I went on the search for my birth family.

There was a time when I was - after my very first record from Nashville, I thought I might not be one of those who actually really makes it, and I may end up back in Canada, just playing clubs. And that might - this might have just been it.

The tax incentives are things the music business can emulate. If I own Yesterday by the Beatles and I go to a bank and try to borrow $10,000 and use that song as collateral, they wouldn't know what to do. They would run me out of the bank. Whereas if we get specialized people who know how to appraise the value of intellectual property like songs, catalogs and master recordings, they know how to put some type of value on it. They have this in Nashville and Los Angeles. New Orleans is just starting to get it.

There is this place in Nashville called Steak and Shake, which is pretty much the best food, ever. That is our secret, sexy place to go. When I look over at her when she's biting into a steak sandwich and there is some steak sauce dripping down her chin, there is nothing sexier.

When I was in Nashville, Tennessee in 1970 with Derek and the Dominoes, I went into this shop and they had a rack of Strats and Teles - all going for $100.00 each. I bought a handfull and made Blackie out of the body from one, the neck from another, and so on

The thing about Nashville is, it's not just country music...There's rock & roll, there's every kind of music. It's just a music town...There's so much fun stuff to get in to.

The people I used to have around me from Nashville was showing love to the Cash Money clique on the strength of Buck trying to make it; making sure Buck gets to where he gots to go.

Today the most outlaw thing you can possibly do in Nashville, Tennessee, is play country music.

When I was trained as a journalist, as a race-relations reporter in Nashville covering the end of the civil-rights movement, we were strictly forbidden to use the first-person pronoun. There was kind of an electric charge around it. To come out from hiding and use the word 'I' carried a lot of fright for me.

When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could.

When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".

You know Nashville, there's people that are ten times more talented than me, ten times better singer than me, song writer than me, but for some reason you get the ball and now - and now you run with it. And you do the best you can.

Add the shortage of blankets, warm clothing, and vegetables, and the result was likely to be more suffering and more death than had occurred earlier. The war was not over for Hood's army as it came through the gates of Camp Douglas. Another struggle for survival was beginning, and the odds of success were no better in Chicago than at Franklin or Nashville.

All roads are tough, but you have to choose the one you know you'll never be sorry for taking.

And maybe her eyes still worked regardless of the shape she took, and she could see everything. And maybe somehow she broke through the atmosphere and was sent somewhere out in space where she couldn’t tell if her eyes were opened or closed.

All I knew when I moved to Nashville was that I wanted to make music in whatever shape and form I could.

It’s not our job to make people like us if they don’t want to. It’s not our job to change people. That’s beyond our control. But what you CAN control is how you respond to it.

Funny how often something she'd been so certain she needed turned out not to be a need at all, but a want--when the real 'need' was something else entirely. Something that could only be gained by giving, not by getting.

I was in Nashville, Tennessee last year. After the show I went to a Waffle House. I'm not proud of it, I was hungry. And I'm alone, I'm eating and I'm reading a book, right? Waitress walks over to me: 'Hey, whatcha readin' for?' Isn't that the weirdest fuckin' question you've ever heard? Not what am I reading, but what am I reading FOR? Well, goddamnit, ya stumped me! Why do I read? Well . . . hmmm...I dunno...I guess I read for a lot of reasons and the main one is so I don't end up being a fuckin' waffle waitress.

Nashville has always been competitive. My granddaddy called it the Hillbilly Babylon.

Because Olivia Newton-John wasn't from Nashville, they didn't like her winning our awards. I've got no complaints.

And to me, I had come out of Texas, and during that time was when I realized that a lot of people in Nashville, their idea of what country music was was not the same as mine.