Best 79 quotes in «nashville quotes» category

Different people have different ways of doing things. For me, becoming a songwriter first and falling in love with the Nashville songwriting community and the process of songs and getting better and putting more in what I wanted to say, was absolutely vital in me even wanting to be an artist.

Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter.

Everyone has their own path in life, no matter if it's being a celebrity or a singer. Quite frankly, I didn't move to Nashville and tell myself I wanted to be a singer because I wanted to be a celebrity or I wanted to be somebody that people admired. I wasn't about that. I just loved music.

Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.

Great music can come from anywhere around the globe. And there has always been a music business. It just wasn't recorded, nor was it centered in New York, London, Los Angeles or Nashville but rather St Petersburg, Vienna, Berlin, Milan and Paris.

If you can't play guitar and sing in Nashville, you might as well just be a construction worker.

I can only say the first thing that pops into my mind is I remember, years ago, seeing kind of a has-been country singer working - when I first moved to Nashville - in a bar in a Holiday Inn.

I come from this really small town near Nashville, Tennessee, where everything was la-di-da and normal.

I don't know if Nashville will ever be ousted as the Music City. But I also think that here, over the last few years, Georgia has definitely kind of risen to the top as far as the crop of young artists coming out of this area that are kind of making waves, you know?

I don't leave my neighborhood. I don't go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block... so I don't do much driving... Some people would say they never see me because I don't go anywhere. I stay in the blue state of Nashville, in my bubble.

If I needed to record, I'd head to the coast or Nashville, one or the other.

If you had told me when I was starting out that I would be coming down to Nashville, kind of weaving in and out of the country scene, I never would've thought that in a million years.

I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the results were pretty good.

I had been on the road for a long time and was not really getting anywhere. Bob Johnston, a friend of mine, had taken over Columbia in Nashville. He asked me if I wanted to come down. I did - thank God I did.

I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.

I just had to find all my friends that used to be in the business. As I say, the music business didn't die, it just moved to Nashville.

I have this friend who has a theory that lots of towns have energies. And, for instance, certain places in Alabama have bad ones because they were built on reservations or built on cemeteries or something. But Nashville has a really gravitational, magnetic pull.

I'm trying to make records where people don't feel cheated. Nashville has been guilty of insulting the Country Music audience for years and years.

I love Nashville. I've been here so many times... oh man, I would stay here for a year if I could. It's just so much fun.

I may yet move [from Nashville], and where would I move if not Texas or New Mexico? I couldn't afford a home in California. I need to travel out of there occasionally.

I mean if it wasn't for Earl Scruggs, guys like me wouldn't be doing what we're doing. I mean, he's changed so many people's lives, honestly. I was thinking about all the thousands of people that live in Nashville, like myself, that there's no reason a guy from New York would end up down there if it wasn't for the sound of Earl Scruggs' banjo coming over the airwaves and just changing my life.

I like this town, it's really great. They've put me in The Nashville Songwriters Hall of Fame. This town is about music. It's about the kind of music I like.

I'm from Tennessee. My mom lives in Nashville. I'm born and bred country. That's all I listen to.

I think Nashville could use some better shopping!

In Nashville, there is a historic tendency to work the lyric to death while settling for music that works. In pop or rock, it can be the other way around.

I remember in the '80s, Randy Travis was my guy. He's the reason I moved to Nashville, and I just loved him. But at some point when he was winning everything, you find yourself pulling for other people.

I think in the world of rock music or whatever it's called - anything outside of Nashville - there's a lot more freedom within that industry to do whatever you want to do.

I think of Nashville as a very natural place. We're easy going, we are ourselves. There isn't a lot of preening or trying to impress. So it's an easy place to just be and that is a good state from which to write.

In college, I thought I wanted to be solely an artist, and then when I got here, to college, I was like, "Okay, well I want to be a songwriter," 'cause it was like close to Nashville.

L.A.'s cool; I had a run with it to where it just pretty much wore me out. I love the weather and I have great friends there, great family, but I really cannot take a lot of the culture. Like Nashville, where everybody's a songwriter, everybody out there is an actor.

I think, to be honest, sort of emanated from the initial work of somebody else instead of SCLC. If you take Albany; I don't know whether you recall how Albany got started. There were two little guys who went up there first. One was Cordell Hull who was then in his teens - not Cordell Hull - Cordell Reagan, who came out of the Nashville movement, and Charles Sherrod, who came out of the Richmond, Virginia, movement.

It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important.

I used to be sick of the backroads of Minnesota. I had to drive 30 miles to get home every day, take the schoolbus for two hours. But to drive through America and see the backroads, from Nashville to Memphis, Lovick to New Mexico, was incredible. It was probably the greatest trip of my life.

It used to be that Nashville would work to develop promising artists.

I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.

I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.

Nashville may be famed for its country music, but this may well be the capital of rock and roll music in the United States of America.

My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.

Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.

Nashville is my home, and the reason why I get to do what I love.

Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.

My album was recorded in Nashville. It used to be all about "We're from Texas, forget Nashville," well you'll never hear me say that. Nashville isn't bad as long as you're true to yourself.

My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.

Nashville has a formula, and it works a lot of the time, but it wasn't right for me. They're afraid to step outside the box - even though, with me, my success came because I was outside of the box to begin with.

Nashville is one of the greatest places for the best songwriters in the world. It's been fantastic to live there and to raise our family there. It's a great town.

The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.

One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.

Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.

That's what I love about Nashville and the music community - seeing kids around acoustic music and bluegrass picking parties is the best.

The best compliment I ever had is, one day I was in Nashville, some disc jockey said, Hey, that sounds like a Tom T. Hall song. Up until then there hadn't been any such thing.