Best 19 quotes in «ceramics quotes» category

For me it's really important that the work here displays an aesthetic of decay along with the sunken boat with the broken ceramic pieces. They form a unity in showing the power of destruction, the beauty of destruction, whether it's from nature - because the boat has sunk - or through other forces. It's really the beauty of decay and death that holds a power here.

All the perks, all the benefits and advantages you may get for the rank or position you hold, they aren’t meant for you. They are meant for the role you fill. And when you leave your role, which eventually you will, they will give the ceramic cup to the person who replaces you. Because you only ever deserved a Styrofoam cup.

I came up to New York at 20 with a suitcase and a ceramic tiger. That was my one piece of furniture and I wanted to save it.

[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he said to us, "Well," he said, "I've changed my mind, and if you want, you can come back a year from now and apprentice in the workshop.

I am content to be a bric-a-bracker and a Ceramiker.

I thought I was going to be able to use my painting ideas as decoration on pottery, but my painting did not translate into decoration on pottery. I thought it was going to, and in fact I made, while still in school, a plate with one of my paintings on it, and that's exactly what it was, it was a plate with a painting on it. It was not a decorated plate; it was just a painting superimposed over a three-dimensional ceramic form.

I have always wished I could learn to be a potter. I love collecting ceramics; it would be so fulfilling to create something lovely.

I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered.

I like doing arts and crafts, so I would probably go to one of those fun little ceramic places and go paint some plates and do something fun like that

I can see hope inside it." Rachel ran her fingers over the ceramic designs. "So fragile.

The very "marks" on the bottom of a piece of rare crockery are able to throw me into a gibbering ecstasy.

No, my friend. We are lunatics from the hospital up the highway, psycho-ceramics, the cracked pots of mankind. Would you like me to decipher a Rorschach for you?

I was always doing films, but the ceramics didn't come until later. I did take ceramics in university, which gave me an appetite for the medium, but I couldn't figure out what I wanted to do with it yet.

The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable. Like 'Sumi' ink painting, it does not lend itself to erasures and indecision.

There was this one lady in Colorado who made us something ceramic, where it could have been either a ring holder or a bowl cleaner. She was just like, "Here you go." And we were both like, "Oh my god! Thank yoooou!

We both [with Alixandra Kolesky MacKenzie] got into ceramics, you might say, by the back door. Looking back on it, I think this was a very good thing.

The other day I started to take a course in psycho-ceramics. What is psycho-ceramics? It's the study of crackpots.

I grew up watching my father make plates that featured penises as centerpieces. Pink, proud, and stiff, encircled by cerulean Greek key, Dad’s creations made me feel scared and small. I saw a private part of the man I could not measure up to. At six years old, I lived in a world shaded by his ceramic glazes. There was love and color, but anger, too, in the way he kneaded his clay, palms pounding the rich, wet earth into shapes of his choosing.

She loved the smell of wet dirt the way others might love the smell of roses.