Best 4474 quotes in «space quotes» category

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    I shall pass Dawn on her way to earth, as I seek for a path through space.

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    I sing my heart out to the wide open spaces I sing my heart out to the infinite sea I sing my vision to the sky-high mountains I sing my song to the free.

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    I slept just floating in the middle of the flight deck, the upper deck of the space shuttle.

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    Is not all the stupid chatter of most of our newspapers the babble of fools who suffer from the fixed idea of morality, legality, christianity and so forth, and only seem to go about free because the madhouse in which they walk takes in so broad a space?

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    Is negative space the space you don't like, or the space that is not there? And if it's not there how can you tell?

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    I sometimes ask myself how it came about that I was the one to develop the theory of relativity. The reason, I think, is that a normal adult never stops to think about problems of space and time. These are things which he has thought about as a child. Bu t my intellectual development was retarded,as a result of which I began to wonder about space and time only when I had already grown up.

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    Is not the space between Heaven and Earth like a bellows? It is empty, but lacks nothing. The more it moves, the more comes out of it.

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    I sometimes subscribe to the belief that all historical events occur simultaneously, like a dream in the mind of God. Perhaps it is only man who views time sequentially and tries to impose a solar calendar upon it. What if other people, both dead and unborn, are living out their lives in the same space we occupy, without our knowledge or consent?" The Glass Rainbow, p. 138

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    I spent all my time on my movies worried that people were eating and that the schedule was being kept, so to have experts in those areas giving me the brain space as a writer and director is huge.

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    ISS leak is just like on a ship, there are bulkheads that, if there's an emergency, can separate an area that's no longer airtight from the undamaged portion of the station. The former Russian space station Mir actually did once develop a leak, after colliding with an unmanned cargo ship. Everyone survived.

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    I started realizing that music is the one area where I've always let go. When that saxophone goes into my mouth, I get into a space where I never think about the notes I've already played or anticipate the notes ahead.

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    I started to meditate formally at about 18. I would sit on a mountaintop in Southern California around twilight and focus on my third eye. Everything would become still and rings of light would appear, and I'd go through them. I would be beyond time and space.

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    Is the god the source, or is the god a human manner of conceiving of the force and energy that supports the world? In our tradition God is a male. This male and female differentiation is made, however, within the field of time and space, the field of duality. If God is beyond duality, you cannot say that God is a "He." You cannot say God is a "She." You cannot say God is an "It." (18)

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    Is that love? It seems like a pale word, too easily tossed about by people who don’t know the meaning of it, who twist it for their own ends. I’m afraid of it now, right up there with clowns, close spaces, and open flames.

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    I still feel there is a case to be made for my old belief that as man approaches the 'new heaven and the new earth' -- or the space-age universe, if you will, he must do so with humility rather than with arrogance.

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    I still live my life the way that I want to live it, and people are very respectful of my space, but they also want to chat, and I quite like chatting.

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    I suppose as an actor you become very sensitive to rhythm, not just rhythm as you look at it sort of from the, from the outside as a director might see it, but within yourself you become used to the idea of hearing your fellow actors, responding to them in space.

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    I suppose what makes me most glad is that we all recognize each other in this metaphysical space of silence and happening, and get some sense, for a moment, that we are full of paradise without knowing it.

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    I suppose there's a melancholy tone at the back of the American mind, a sense of something lost. And it's the lost world of Thomas Jefferson. It is the lost sense of innocence that we could live with a very minimal state, with a vast sense of space in which to work out freedom.

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    I suspect that even though the various questions are difficult and many, they are not as difficult and many as those we faced when we started the Apollo [space program] in 1961.

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    I take the museum space also as sacred in a sense.

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    I take the invasion of my personal space very seriously...

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    It does feel bizarre, having someone in your work space who's so much younger than you.

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    It doesn't matter to me whether I go back to outer space or not [while acting]. The job's the same and I don't have any sort of genre preferences. I'm looking for a good story and a good character, whether earthbound or not.

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    It doesn't matter the kind of music, it doesn't matter whether it's a cowboy hat or a yarmulke. I don't care if it's outer space or pop, the spirit is the same.

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    It does demand a certain space in order to read it and I think that space is somewhat threatened by the lack of attention that people have and the amount of time that they give to things.

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    It has been a long road from Plato's Meno to the present, but it is perhaps encouraging that most of the progress along that road has been made since the turn of the twentieth century, and a large fraction of it since the midpoint of the century. Thought was still wholly intangible and ineffable until modern formal logic interpreted it as the manipulation of formal tokens. And it seemed still to inhabit mainly the heaven of Platonic ideals, or the equally obscure spaces of the human mind, until computers taught us how symbols could be processed by machines.

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    It follows that America's primary interest is to help ensure that no single power comes to control this geopolitical space and that the global community has unhindered financial and economic access to it.

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    It has always been my experience that, whatever groupings I choose for my books, the space in which I plan to lodge them necessarily reshapes my choice and, more important, in no time proves too small for them and forces me to change my arrangement. In a library, no empty shelf remains empty for long. Like Nature, libraries abhor a vacuum, and the problem of space is inherent in the very nature of any collection of books.

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    I tend to gravitate to the darkest or most obscure part of any venue in an effort to have my own space to experience the music on my own, free from unwanted conversations and other distractions.

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    It frequently happens that I begin a novel with just a visual image of something, a vague sense of people in three dimensional space.

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    It has really filled a big space, especially since I have been so-called retired - although I haven't noticed my schedule slacking at all.

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    I think a colony in space will take much longer than sci fiction writers think. It costs $10,000 to put a pound of anything into near earth orbit. That is your weight in gold. It costs about $100,000 a pound to put you on the moon. And it costs $1,000,000 a pound to put you on Mars.

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    It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.

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    I think, actually, that it's a really fascinating time in history because the development of modern technology and the photographs the satellites were taking from space were mapping the earth in a new way, making us feel like the globe we inhabit is much smaller than previously conceived of, in the human mind.

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    I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.

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    I think architecture is one of the predominant orderings of social space. It can construct and contain our experiences. It defines our days and nights. It literally puts us in our place.

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    I think a Moon base is not necessary to get to Mars, but I think it will be helpful. It would give you a chance to develop and mature some systems; long duration, deep space stuff; and you're close enough to get some help, via radio from Earth.

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    I think as time goes on, I'm trying to get less fatalistic, because that's just one of those unhealthy, kind of dangerous head spaces to get in, of not being able to tolerate sustained positive energy.

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    I think both the space shuttle program and the International Space Station program have not really lived up to their expectations.

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    I think I certainly know that the space I want to work in is a fearless space.

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    I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important.

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    I think good theaters are really important. They allow you to exist in a space with other people.

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    I think if you have a really big, heavy person, there's a feeling of an invisible puppeteer jerking them around in space. They don't feel like they are moving themselves.

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    I think I need to continue to think and plan and marry all of the different things that we could do that make transportation in space from the earth to the space station, from the earth to the moon to space stations around the moon to visiting an asteroid.

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    I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

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    I think I should be in a film called 'Space Shrews'. Where I go to space. With a load of shrews. And nothing really happens. We just get out and have a lolly and then come back. But it'll be a musical the ship will be built out of my own hair.

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    I think it is a very natural tendency for the nations to increase their influence in the international space, as they pursue their international relations with different countries.

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    I think it modern society as a whole, but definitively in Brazil, spaces are so well divided and there are so many barriers, and so many divisions, so many lines and so many borderlines, basically telling you that you should be here but not here. This is my space and this is your space, and this is expressed very dramatically in architecture, we have a very kind of aggressive, almost medieval concept for architecture, which is basically keeping people out. So you get high walls, fences, and electric fences, and divisions like that.

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    I think I exist,' he said wearily. 'I am conscious of my own identity. I was born, and I shall die. I have arms and legs. I occupy a particular point in space. No other solid object can occupy the same point simultaneously.