Best 4474 quotes in «space quotes» category

I've said multiple times that the world's first trillionaire is going to be the person who exploits the resources of asteroids, the natural resources that are rare on earth and common on selected asteroids. So there are many different reasons you might want to go into space. You might want to spend your honeymoon on the far side of the moon.

I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.

I wanted my work to be seen for free in a public space, I want to be up there with Pollock and de Kooning, one of the big boys.

I wanted to be an astronaut and wanted to go to space camp, but then I found out that I was too short to become an astronaut. My mom really made me believe that if I worked hard enough and if I really wanted to do it, I could do it.

I wanted to have a place and a space, and a building, in which to create a season of work I am here because the idea of a theatrical home is very appealing to me

I wanted to improve the suburban office building; to create a great urban space in a suburban environment with all that implies about interaction, collaboration and creativity.

I wanted to get that scholarship to - a division one scholarship and play ball and go to school for free. And that, to me, was - I was always about getting to that next step. If I could get to that next place, then I could figure out essentially what to do with being in that space and how to manage my time and handle those - handle all the benefits of being in that space in a way that would get me to the next place.

I wanted to make pictures that contradicted themselves. I wanted to put one picture on top of another so that there were times when both pictures disappear and other times when they were both manifest. That vibration is basically what the work was about for me - that space in the middle where there is no picture, rather an emptiness, an oblivion.

I want everyone to feel as much as possible as if they inhabit the same space. They more fluid the relationship between actor and audience, the better.

I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.

I want my work to create space where people can meet God, rather than give them something they can "apply" to their daily life.

I want people to go into space, to orbit around the world a few times, even to stay there for 24 hours and then come back to where they took off. And I also want people with a low income to be able to do that, not only rich people.

I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension

I want to be governor [of Texas] because I need the closet space.

I want to encourage public interest in space. I have never let my condition stop me. You only live once.

I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.

I want to create a place where trans people and our allies could come together to share experiences, information and ideas. Being transgender or loving someone who is transgender can be challenging in our society and I hope that members of this site will also use this space as a place to support and encourage each other. Together, we can strengthen our community and open the hearts and minds of others.

I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.

I want to know: How does a space suit on Mars work? Show me how it is pressurized, and how it is cooled. What's the glove design? None of that stuff can be bought off the rack. It does not exist. You can't just go to SpaceMart and buy those things.

I want to play music that draws a picture of the world and its space.

I want to see us to explore outer space. But I want to do it safely, without the loss of human life, and democratically: where is the free-wheeling debate on this question? Only one force can stop this mission: the will of the American people. They have not been asked. Do they want to endanger their loved ones, their industry with this launch? One force is more powerful than plutonium, the spirit of the American people united.

I want to party in space because I make alien music.

I was absent at the moment I took up the most space.

I want you to stay. I never want there to be a time when we don't share space.

I was a boarding school product from the age of eight, and I hated it. Though I do have a theory that boarding school is good training for writers because its so desperately lacking in privacy: you make space for yourself by having an interior life.

I was afraid of small spaces and I was afraid of the tree outside my window, and I had all these phobias. I think many kids have those phobias, but I probably had more than most.

I was always fascinated by diagramming a sentence. Because that is going into a space, going into a world of language.

I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.

I was always fascinated by science-fiction shows, shows like 'Star Trek' and 'Lost in Space.'

I was anti-everything and everyone. I didn't want people around me. This aversion was not some big crippling anxiety; merely a mature recognition of my own psychological vulnerability and my lack of suitability as a companion. Thoughts jostled for space in my crowded brain as i struggled to give them some order which might serve to motivate my listless life.

I was as hollow and empty as the spaces between stars.

I was a working-class macho guy who was used to being served and Yoko didn't buy that. From the day I met her, she demanded equal time, equal space, equal rights.

I was born imagining myself with an apron on, with pies cooling on the window sill and babies crying upstairs. I thought that all that stuff would somehow anchor me to the planet, that it was the weight I needed to keep from just flying off into space.

I was drawn to all the wrong things: I liked to drink, I was lazy, I didn't have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. I didn't make for an interesting person. I didn't want to be interesting, it was too hard. What I really wanted was only a soft, hazy space to live in, and to be left alone.

I was kidnapped by aliens, they came down from outer space with ray guns, but I fooled them by wearing a wig and laughing in a foreign accent, and I escaped.

I was fortunate enough, after many visits to many wonderful, weird people to come across Burt Rutan, who is a genius in the Mojave Desert. And SpaceShipOne was born and had three flights into space that won something called the X Prize. And from there, we're building SpaceShipTwo, which is ... a beautiful spaceship that is very, very, very nearly completed and will be ready from about next Christmas onwards to start taking people into space.

I was doing progressively smaller movies in England, after Harry Potter... to the point where I was doing nine-day shoots for, like, 20p and a packet of Space Invaders. And then this happened. So I'm not just another actor who's around and jobbing. When you hire me for a job, you're hiring.

I was never good at painting. The great turning point came when I had a block of wood and I carved a shape into the wood and put a small piece of timber into that space - like a negative - and so it made an endless column, only inward.

I was not in a good space in my life, emotionally particularly, so I needed to do something to recharge my batteries emotionally and musically. I took a break and I learnt software and programming a little bit, and that's how I designed my live machine, which I've been using for years.

I was like a lost moon―my planet destroyed in some cataclysmic, disaster-movie scenario of desolation―that continued, nevertheless, to circle in a tight little orbit around the empty space left behind, ignoring the laws of gravity.

I wasn’t going anywhere and neither was the rest of the world. We were all just hanging around waiting to die and meanwhile doing little things to fill the space. Some of use weren’t even doing little things. We were vegetables.

I was raised with a ton of brothers and sisters where, obviously, the music running in and out of the house was very eclectic. So, I had a lot under my belt by the time I grew up. It all depends upon the mood that I'm in, the space that I'm in and what I'm feeling at that moment. But definitely!

I was raised by somebody with the perception of trying to allow me the space and show me the importance of knowing who I was and figuring out who I was and appreciating who I was.

I was trained to look at colour, edges, to see negative space. I honestly think my greatest influence as a writer is from Cubism - the idea of a multi-faceted, multi-perspective way of looking at things.

I was really into Space Invaders in about 1978. It got me more and more interested in video games. There wasn't any media to get information about games, so I came up with Game Freak magazine.

I was reduced to pure concept. My flesh had dissolved; my form had dissipated. I floated in space. Liberated of my corporeal being, but without dispensation to go anywhere else.I was adrift in the void. Somewhere across the fine line separating nightmare from reality.

I was tall from minute one. Always the tallest kid by a large margin. And my fantasy was to take up less space in the world.

I was way into space and planes. I had loads of model planes and rockets.

I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.

I watched as she added a question mark at the end. Arc, line, space, dot.