Best 4474 quotes in «space quotes» category

The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.

The first time I flew, it was being alive. Nothing was pressing under me. I was living in the fullness of air; air all around me, no holding place to break the air spaces. It's worth everything to be alone in the air, alive.

The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!

The flight experience itself is incredible. It's addictive. It's transcendent. It is a view of the grand plan of all things that is simply unforgettable.

The first thing we do is sit around a table and discuss what we could pick up from daily life, from space. That's how it starts, completely abstract. There's no kind of, "Oh, let's do Peru," or "Let's do pleats," you know?

The first time I ever felt the necessity or inevitableness of verse, was in the desire to reproduce the peculiar quality of feeling which is induced by the flat spaces and wide horizons of the virgin prairie of western Canada.

The framers of our Constitution understood the dangers of unbridled government surveillance. They knew that democracy could flourish only in spaces free from government snooping and interference, and they put restraints on government overreaching in the Fourth Amendment of the Bill of Rights. . . . These protections require, at a minimum, a neutral arbiter - a magistrate - standing between the government's endless desire for information and the citizens' desires for privacy.

The food isn't too bad. It's very different from the food that the astronauts ate in the very early days of the space program.

The frontier in space, embodied in the space colony, is one in which the interactions between humans and their environment is so much more sensitive and interactive and less tolerant of irresponsibility than it is on the whole surface of the Earth. We are going to learn how to relate to the Earth and our own natural environment here by looking seriously at space colony ecologies.

The front[line] of wars is increasingly non-human eyes peering down on our perceived enemies from space, guiding missiles toward unseen targets.

The first principles of the universe are atoms and empty space; everything else is merely thought to exist.

The freedom of an individual depends upon that individual's freedom to alter his considerations of space, energy, time and life and his roles in it. If he cannot change his mind about these, he is then fixed and enslaved amidst barriers such as those of the physical universe, and barriers of his own creation. Man thus is seen to be enslaved by barriers of his own creation. He creates these barriers himself, or by agreeing with things which hold these barriers to be actual.

The future. Space travel, or cosmology. Alternate universes. Time travel. Robots. Marvelous inventions. Immortality. Catastrophes. Aliens. Superman. Other dimensions. Inner space, or the psyche. These are the ideas that are essential to science fiction. The phenomena change, the basic ideas do not. These ideas are the same philosophical concepts that have intrigued mankind throughout history.

The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.

The gentlest thing in the world overcomes the hardest thing in the world. That which has no substance enters where there is no space. This shows the value of non-action. Teaching without words, performing without actions: that is the Master's way.

The glue of mutual need that bonded us so tightly together for all those years is melting away. Dark patches, not light, show in the spaces between us.

The government only makes restrictive rules, they dont show you what to do so you know, OK, heres where we need this many apartments, with open space, playgrounds, kindergartens.

The future and the past are equally meaningless because they are nebulous entities, times that do not exist, containing events which have no echo because they are gone, or which hold no import because they are yet to happen. What is important is the here and now, and now, and now, and the spaces between the nows.

The great controversy is ended. Sin and sinners are no more. The entire universe is clean. One pulse of harmony and gladness beats through the vast creation. From Him who created all, flow life and light and gladness, throughout the realms of illimitable space. From the minutest atom to the greatest world, all things, animate and inanimate, in their unshadowed beauty and perfect joy, declare that God is love.

The greater the mental charlatan, the more definite his insistence on the wickedness and weaknesses of human nature. Yet how can anyone speak of it today, with every soul in a prison, with every heart fettered, wounded, and maimed?... With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities?

The greatest fallout of the space program, ... was not the close-up view of the moon, but a look at spaceship Earth from afar. For the first time in the history of humanity, we were able to see our planet for what it really is.

The great majority of us are required to live a constant, systematic duplicity. Your health is bound to be affected by it if, day after day, you say the opposite of what you feel, you grovel before what you dislike and rejoice at what bring brings you nothing but misfortune. Our nervous system isn’t just a fiction, it’s part of our physical body, and our soul exists in space and is inside us, like teeth in our mouth. It can’t be forever violated with impunity.

The great omission in American life is solitude; not loneliness, for this is an alienation that thrives most in the midst of crowds, but that zone of time and space, free from the outside pressures, which is the incubator of the spirit.

The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.

The greatest gift you can give someone is the space to be his or herself, without the threat of you leaving.

The greatest contribution we can make to the wellbeing of those in our lives is to have peace in our own hearts. When our hearts are filled with gratitude and our minds are brimming with enthusiasm, everyone we encounter leaves our space feeling a little bit lighter than when they entered it.

The further conquest of space will make it possible, for example, to create systems of satellites making daily revolutions around our planet at an altitude of some 40,000 kilometers, and to assure universal communications and the relaying of radio and television transmissions. Such an arrangement might prove more useful, economically, than the construction of radio relay systems over the whole surface of the earth. The great accuracy of movement of these satellites will provide a reliable basis for solving navigational problems

The future infrared space telescope will cover that area in a much more efficient manner.

The great thing about the dead, they make space.

The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space.

The Gulf War may not have occurred in the actual global space, but it did occur in global time. And this thanks to CNN and The Pentagon.

The greenest fuels are the ones that contain the most energy per pound of material that must be mined, trucked, pumped, piped, and burnt. [In contrast], extracting comparable amounts of energy from the surface would entail truly monstrous environmental disruption.... The greenest possible strategy is to mine and to bury, to fly and to tunnel, to search high and low, where the life mostly isn't, and so to leave the edge, the space in the middle, living and green.

The growing child must derive a vitalizing sense of reality from the awareness that his individual way of mastering experience (his ego synthesis) is a successful variant of a group identity and is in accord with its space-time and life plan.

The historian must be a poet; not to find, but to find again; not to breathe life into beings, into imaginary deeds, but in order to re-animate and revive that which has been; to represent what time and space have placed at a distance from us.

The hoop dancer dances within what encircles him, demonstrating how the people live in motion within the circling spirals of time and space. They are no more limited than water and sky. At green corn dance time, water and sky come together, in Indian time, to make rain.

The horizon leans forward, offering you space to place new steps of change.

The hostility of this landscape teaches me how to be quiet and unobtrusive, how to find grace among spiders with a poisonous bite. I sat on a lone boulder in the midst of the curlews. By now, they had grown accustomed to me. This too, I found encouraging-that in the face of stressful intrusions, we can eventually settle in. One begins to almost trust the intruder as a presence that demands greater intent toward life. On a day like today when the air is dry and smells of salt, I have found my open space, my solitude, and sky. And I have found the birds who require it.

The health of our home planet and the survival of our species will only be secured through the use of space resources and the expansion of Earth's economic sphere to the Moon and beyond. Creating an off-Earth economy and multi-planet civilization will safeguard the long term prospects of humanity.

The human brain now holds the key to our future. We have to recall the image of the planet from outer space: a single entity in which air, water, and continents are interconnected. That is our home.

The idea is distributed in space. It isn't only in one part; one part can't express the idea any longer, only the union of parts can completely express the idea. The idea found it necessary to be presented by several parts. After that, there was a rapid flowering of polyphony.

The human being is that space in which the comprehensive compassion that pervades the universe from the very beginning now begins to surface --within consciousness. (As compared with the natural displays of compassion by other creatures that is not necessarily 'within consciousness. ') That's the only difference. We didn't create compassion, but it's flowing through us-or it could. The phase change that we're in seems, to me, to depend upon that comprehensive compassion unfurling in the human species.

The ideal is to put on shows where, if you go into the same space again, you don't remember ever having been there before, because where you were was a space that only existed that one time, created by the music.

The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.

The human brain cannot encompass total absence. Like infinity, it is simply not something that the organ runs to. The space someone leaves must be filled, so we dream forever of those who are no longer here. Our minds make them live again.

The ideal garden is one in which a collection of trees, shrubs and plants have been procured and allotted to the best space available and are so arranged and tended that they are seen to their advantage, each in relation to the other. Every plant, of whatever shape or size, should be chosen not only for its individual merits but for its power to enhance the charms of neighbouring plants by contrast or combination in foliage or in flower colour.

The importance of pedestrian public spaces cannot be measured, but most other important things in life cannot be measured either: Friendship, beauty, love and loyalty are examples. Parks and other pedestrian places are essential to a city's happiness.

The idea that speaking at all on the topic, demanding public space in which to have that debate, is itself an act of complicity with violence, and violence against Israelis, understood as synonymous with Jews, and so violence against Jews, clearly stops the speech with an unspeakable allegation.

The imagination of man is naturally sublime, delighted with whatever is remote and extraordinary, and running, without control, into the most distant parts of space and time in order to avoid the objects, which custom has rendered too familiar to it.

The incurable optimism of the farmer who throws his seed on the ground every spring, betting it and his time against the elements, seemed inextricably to blend with the creed of her pioneer forefathers that "it is better farther on"-- only instead of farther on in space, it was farther on in time, over the horizon of the years ahead instead of the far horizon of the west.

The image of Earth from space transformed our view of ourselves. It is maybe the most important image that exists - because we can see ourselves in context in a way that otherwise would be really hard to explain. It should inspire us to wonder about it, to want to know everything we can about it and do everything we can to take care of it.