Best 4474 quotes in «space quotes» category

Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.

Murphy had found a spot on the street, which made me wonder if she didn't have some kind of magical talent after all. Only some kind of precognitive ESP could have gotten us a parking space on the street, in the shadow of a building, with both of us in sight of the apartment building's entrance.

Music is in the space between the notes.

Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.

Music links us humans, heart to heart...Across time and space, and life and death.

Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use…time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space — for wilderness and public space — must be accompanied by a fight for free time to spend wandering in that space.

My approach is to 100 percent get the concept and the visual right. Get the client to love the space. Once they love the space, everything's possible.

My A-number one visceral fear is speed. More than knives or snakes or confined spaces. Speed. I won't even go on a motor boat if I can help it.

My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.

My approach to music is very deep. I do not compromise with anybody or anything else in the world. I do not care. I want to really go beyond this materialistic world...not for the sake of enjoyment, entertainment, no. A musician must lift up the souls of the listeners, and take them towards Space.

My background is deep and set in deep time, and in a narrow space, oral traditions going back a long, long time, which I inherited by osmosis.

My box bedroom can only fit a bed and a wardrobe but it was my whole world. My only personal space to think and dream, to cry and laugh and wait until I became old enough to do all the things I wasn't allowed to do.

My books piled up before me for my use waiting in space where I placed them, they haven't disappeared, time's left its remnants and qualities for me to use -- my words piled up, my texts, my manuscripts, my loves.

My bucket list is pretty much checked off. But oh, we should play in space! Let's do that. We'll play in space, up on a satellite somewhere.

My entire concept of lifestyle is built on the foundation of my homes. There is no more important expression of this concept than that of my own personal living space.

My expertise is the space program and what it should be in the future based on my experience of looking at the transitions that we've made between pre-Sputnik days and getting to the moon.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

My first deepening of spirituality came when I was 6, when I was moved from my grandmother and sent to live with my mother - whom I really did not know - who had moved to Milwaukee. Something inside myself knew that I was never going to see my grandmother again - I would be wasting my time to live in that space of wanting that.

My habit of glorifying things far away in space and time, also contributed to my social isolation.

My heart is fluid and soaring. There's no longer any space between heartbeats.

My home is such a powerfully imaginative place that the space is almost irrelevant. I think the house I live at on the Hudson is where I belong because it's the only place where I am that I never think about when I'm leaving.

My house is small, but you are learned men And by your arguments can make a place Twenty foot broad as infinite as space.

My inspirations don't come from outer space, they just come to me. I have no idea why they come when they do.

My interest in the space program has a certain purity to it because I recognize the romance of it but I was never seduced by it. That allowed me to view it through a more purely scientific lens. My interest in space while in school came about through my scientific activities.

My limitations make space for the gifts of other people. Without the grace of our limitations we would be isolated, dry, and insufferable creatures indeed.

My intellectual development was retarded, as a result of which I began to wonder about space and time only when I had already grown up.

My odyssey to become an astronaut kind of started in grad school, and I was working, up at MIT, in space robotics-related work; human and robot working together.

My mother and father took me in and provided everything for me - the love, nurturing, basic necessities - to give me the space to grow wings, so that when I went out into the world, I could fly.

My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.

My parents wanted me to grow up around horses and open spaces.

My parents, and librarians along the way, taught me about the space between words; about the margins, where so many juicy moments of life and spirit and friendship could be found. In a library, you could find miracles and truth and you might find something that would make you laugh so hard that you get shushed, in the friendliest way.

My paintings should become objects into which one could float, as in water, so that one's mind is hung... suspended, and the emanation of the painting would penetrate into people's consciousness.

My partner and I are looking at several locations on Park Avenue South and Midtown for a new restaurant space.

My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, theres a poetic truth to that. We are this vast people.

My solo album is different from the Black Eyed Peas albums because I'm a singer first and foremost. There are more ballads and more intimacy between me and the listener because sometimes when you're in a group you don't have space to air out your dirty laundry.

My role with the Pleiadians has been a profound journey of 24 years. Prior to meeting them, I had not believed in space ships or aliens, but I turned a corner in nature and they appeared before me and reminded me of my Pleiadian heritage and my mission this lifetime.

My sole ambition as a composer is to hurl my javelin into the infinite space of the future.

My stuff is generally quite collage-y anyway. So it's sort-of suited to gathering raw materials like shooting actors, then making stills or animating characters, then just bringing them all together in a 3D space. That process is very close to my 2D work anyway.

My Range Rover is great for LA. You can take surfboards on it and stick some bikes in the back. And if you kidnap people you could tie them up in the back, there's space for your chloroform.

My secret to having a happy relationship is having a sense of humour and giving one another space: your own space.

My type of basketball is about how to create space, how to maneuver, how to get your shot off.

Mythology, science and space exploration are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.

My vulnerability is thinking that I am not worth people's time or space at times.

My soul is an entangled knot, Upon a liquid vortex wrought By Intellect in the Unseen residing, And thine doth like a convict sit, With marline-spike untwisting it, Only to find its knottiness abiding; Since all the tools for its untying In four-dimensional space are lying, Wherein they fancy intersperses Long avenues of universes, While Klein and Clifford fill the void With one finite, unbounded homoloid, And think the Infinite is now at last destroyed.

My willingness to be intimate with my own deep feelings creates the space for intimacy with another.

NASA asked me to create meals for the space shuttle. Thai chicken was the favorite. I flew in a fake space shuttle, but I have no desire to go into space after seeing the toilet.

Naming celestial objects is usually done by astronomers and professionals. Other people who are interested in space never get the opportunity to do that kind of thing.

Narrative and characters have always interested me. I never tried to alienate an audience. Of course, gradually, I wanted a bigger and bigger space to draw people in, so it's very organic [growth].

NASA space scientists have been studying giraffe skin so they can apply what they learn from it to the construction of spacesuits.

Natural gas is a bridge fuel. But it's not a bridge - it's a gangplank. It's either a bridge in space or a bridge in time. The bridge in time we don't need. We have renewable technology right now.