Best 4474 quotes in «space quotes» category

Once I started writing all the time and interacting with poets, I made a conscious decision to identify myself as a poet. It's funny how much a single word can provide focus and direction. As soon as I claimed that identity, I started clearing more and more space for poetry in my life and applying poetic tools to other areas of my life. The world became a different place, and I witnessed it through different kinds of eyes.

Once music ceases to be ephemeral - always disappearing - and becomes instead material... it leaves the condition of traditional music and enters the condition of painting. It becomes a painting, existing as material in space, not immaterial in time.

Once we overcome our fear of being tiny, we find ourselves on the threshold of a vast and awesome Universe that utterly dwarfs — in time, in space, and in potential — the tidy anthropocentric proscenium of our ancestors.

Once we had a rail station in Montgomery that connected to Columbus and went all the way up to Virginia, slave traders could transport thousands of slaves at a fraction of the cost than they could transport by boat, and certainly by foot. And that's how Montgomery became such an active slave-trading space.

Once we have conceived of time and space, once we have accepted their existence, then that implies that there is a structural order to bonding realities.

Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.

Once you've grown up in space, moving on means moving out, not going back to Earth. Nobody wants to be a groundpounder.

One advantage of a solar collector in space: It would be some kind of origami thing that would unfold and be relatively light because it doesn't have gravity to deal with.

Once you've been in space, you appreciate how small and fragile the Earth is.

One cannot ignore half of life for the purposes of science, and then claim that the results of science give a full and adequate picture of the meaning of life. All discussions of 'life' which begin with a description of man's place on a speck of matter in space, in an endless evolutionary scale, are bound to be half-measures, because they leave out most of the experiences which are important to use as human beings.

One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have - space inside which makes more space for openness outside.

One cubic foot less of space and it would have constituted adultery.

One Chief Astronaut used to make a point of phoning the front desk at the clinic where applicants are sent for medical testing, to find out which ones treated the staff well-and which ones stood out in a bad way. The nurses and clinic staff have seen a whole lot of astronauts over the years, and they know what the wrong stuff looks like. A person with a superiority complex might unwittingly, right there in the waiting room, quash his or her chances of ever going to space.

One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?

One hopes that each piece contains enough space for several narratives.

One of the fascinating things about early writing on slates, on papyrus, even on early handwritten books, is for instance, there were no space between the words. People just wrote in continuous script.

One of the great intellectual mistakes Einstein made is that he thought that space and time are physically or ontologically entangled. In the present non-spatial universal computational program, space and time happen to be entangled to the extent that, under certain unique circumstances, changes in spatial measurements indicate changes in temporal ones. However, a change in the program itself may cause space and time to disentangle.

One of the major problems with long-term deep space human flight is the requirement for radiation shielding.

One of the most basic human instincts is the need to decorate. Nothing is exempt - the body, the objects one uses, from intimate to monumental, and all personal and ceremonial space. It is an instinct that responds ... to some deep inner urge that has been variously described as the horror of a vacuum and the need to put one's imprint on at least one small segment of the world.

One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.

One of the reasons I work serially, but also one of the reasons that I try to claim space in painting, is I'm desperately interested in asking: How can a group of images, or even two images, have meaning together?

One of the priorities of a Trump administration will be to immediately start narrowing the legal space that activists have to mobilize.

One of the reasons some people get so angry with me is because I have the space now that a lot of others who think like me don't.

One of these poems I wrote after having been here only a month. The other, I wrote this morning. In the space between the two poems, I have found acres of grace

One of the things I do when I'm very stressed out and I can't get out and I need to do something, I just close my eyes and try to remember what it was like to be in space and to float around. And that sort of brings back all of those good sensations and good memories, and it helps me to get through the day.

One of the things that makes it so challenging is that we're constructing the Station hundreds of miles above the surface of the Earth and we're doing it one piece at a time For the International Space Station we do not have the privilege of assuming the Space Station is on the ground before we take it up one piece at a time. So we have to be very clever about the testing that we do and the training that we do to make sure that each mission is successful, and that each piece and each mission goes just as it's planned.

One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.

One of the things that everybody knows about space travel but never mentions is its aphrodisiac quality.

One of the wonderful aspects of the human imagination is its power to break through the barriers of time and space. It can see things not as they are but as the can be.

One problem with people is that as soon as they fill a space it's them you see and not the space. Large, desolate landscapes stop being large, desolate landscapes once they have people in them. They define what the eye sees. And the human eye is almost always directed at other humans. In this way an illusion is created that humans are more important than those things on earth which are not human. It's a sick illusion.

One song bled into another and they remained locked together, neither willing to break the intimacy that surrounded them, concealing them in the small space the two occupied.

One thing that I'm really interested in is the kind of esoteric detail that surrounds these great figures. And Wikipedia is full of that kind of stuff, whether it's true or untrue. It staggers me: why, in the short space assigned to a person or an event, that kind of random information is there. To be honest, that's wonderful fuel for songwriting.

One thing I'm doing on the new Titanic recording is actually bringing in different acoustic spaces.

One side of service is serving, but the other side is creating the space in oneself where the possibilities of giving one's best become feasible. If you let go of your own compulsion and greed the things you are conditioned into by your culture then the more archetypal, more universally valid, more human, more compassionate, wiser activities and thoughts can come to your mind and you can dedicate yourself to them more fully.

One summer night, out on a flat headland, all but surrounded by the waters of the bay, the horizons were remote and distant rims on the edge of space.

One very great annoyance in open air gatherings is cigar smoke when blown directly in one's face or worse yet the smoke from a smouldering cigar. It is almost worthy of a study in air currents to discover why with plenty of space all around, a tiny column of smoke will make straight for the nostrils of the very one most nauseated by it!

One thing that you and I know is language. Another thing that you and I know is how objects behave in perceptual space. We have a whole mass of complex ways of understanding what is the nature of visual space. A proper part of psychology ought to be, and in recent years has been, an effort to try to discover the principles of how we organize visual space. I would say that the same is true of every domain of psychology, of human studies.

Only here [in the Center] a new union can occur, as the Mysterious Pass is the ideal space and time to experience the interpenetrating fluctuations of Yin and Yang. The Mysterious Pass is therefore the primordial Chaos (hundun) containing the germ of life-the pre-cosmic sparkle of Original Yang and Original Yin-which is the prime mover and the materia prima of the alchemical work.

Only a large-volume market like space travel can attack the barrier of high costs.

Only in an open, nonjudgmental space can we acknowledge what we are feeling. Only in an open space where we're not all caught up in our own version of reality can we see and hear and feel who others really are, which allows us to be with them and communicate with them properly.

Only in america will you see people circling the parking lot looking for a close space at a gym.

Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. Some of them fall off, but others cling on desperately and yell at the people nestling deep in the snug softness, stuffing themselves with delicious food and drink. 'Ladies and Gentlemen,' they yell, 'we are floating in space!' But none of the people down there care.

Only when all conceptions of space and time, life and death, are exploded, when the grip of the past and fear of the future become merely conditions of one's past, only then can one live in the present fully.

Only when I saw the Earth from space, in all its ineffable beauty and fragility, did I realize that humankind's most urgent task is to cherish and preserve it for future generations.

On one side, the mass of a mountain. A life I know. On the other, the universe of the clouds, so full of unknown that it seems empty to us. Too much space.

On many American campuses the only qualification for admission was the ability actually to find the campus and then discover a parking space.

On the contrary, a trust in the staying power and travel-worthiness of such good should encourage us to credit the possibility of a world where respect for the validity of every tradition will issue in the creation and maintenance of a salubrious political space.

On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it, so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment.

On paper, being good sounds great but a lot depends on the atmosphere of the workplace or community we live in. We tend to become good or bad depending on the cues sent out within a particular space.

On the contrary, my desire is that the viewer sees the background coming forward in the lower portion of the canvas, fighting for space, demanding presence.