Best 4474 quotes in «space quotes» category

Imagine a revised edition of Shakespeare... a big, thick book with an elegant cover... You open it and find that there are no pages, just an empty box of space. On the back wall of the box is a small mirror. You look into it, see yourself, and now you know all you need to know about Shakespeare.

I make spaces that apprehend light for our perception, and in some ways gather it, or seem to hold it...my work is more about your seeing than it is about my seeing, although it is a product of my seeing.

I make spaces that are calm rather than confrontational. I seek a certain kind of logic that allows you to move in space and perceive it as beautiful and rational. Clarity is a worthwhile quality.

I'm a London lad, but I'm fascinated by America. I want to take a motorcycling trip across the country and see those wide open spaces.

I'm always looking for those places where you can slam really disparate people up against one another, and they have to deal with each other. There are very few crossroads anymore. We talk about this country as this big melting pot, but it's a mosaic. There's all these pieces, they're next to each other, they're not necessarily mixing. And I'm looking for those spaces where people actually do mix.

I'm always open, and will criticize myself, too. And I just think being that honest with everybody puts you in a different space than somebody who's just shooting venom at a certain group or a certain amount of individuals.

I'm a minimalist. I like things to look very clean, I like clean lines. I like everything to be tidy and have space.

I'm appreciative that somehow I've always found a way through the years to capture a new fan base and continue to remain relevant in some space and still make a living doing what I love - to me that's all that matters.

I marvel at how good I was before I met him, how I lived molded to the smallest space possible, my days the size of little beads that passed without passion through my fingers. So few people know what they're capable of. At forty-two I'd never done anything that took my own breath away, and I suppose now that was part of the problem - my chronic inability to astonish myself.

I’m beginning to know myself. I don’t exist. I’m the space between what I’d like to be and what others made of me. Just let me be at ease and all by myself in my room.

I may be flying a complicated airplane, rushing through space, but in this cabin I'm surrounded by simplicity and thoughts set free of time. How detached the intimate things around me seem from the great world down below. How strange is this combination of proximity and separation. That ground - seconds away - thousands of miles away. This air, stirring mildly around me. That air, rushing by with the speed of a tornado, an inch beyond. These minute details in my cockpit. The grandeur of the world outside. The nearness of death. The longness of life.

I'm based in London now. I'm renting an apartment, making my own little home. It's great because I am around people all the time and I need my own space to get away from it all.

I'm dating myself by saying this, but I was the test audience for 'Space Invaders.' I remember when that was the first game that wasn't a pinball game. I spent a lot of money on 'Space Invaders,' in the form of quarters, of course.

I'm discovering my sexual side, and exploring relationships. You know, sensual stuff. And I'm discovering a lot of sides of myself, stuff I've buried. So the music is also therapeutic, to come to terms with things. And I feel now like my head is in the right space.

I mean, money people are usually quite brisk, but mine aren't, and they keep on giving me spaces so that I've been able to go on and do plays and films.

I mean, you always hope to have a part on every level, on every layer. For us it was very much a conversation about power and sexuality and brutality. And really all the issues that are in that world, in that space, come down to one word, which is "masculinity.

I'm enthralled by the national yearning that the Russians had during the 50s and 60s. The whole century was pretty rough for them. They suffered genocide, war, poverty, and half the population was sent to labor camps. But they were determined to get into space first.

I'm excited about mobile; clearly that's important. Mobile devices are kind of at the opposite end of PCs, in that PCs are pretty open and you can do a fair amount with them, but many mobile devices aren't. We're excited at the idea that we can make the same kind of contribution in the mobile space. So that's one thing coming down the pike.

I'm filling in all the negative spaces with positively everything.

I'm fourteen years old; that's almost half-way to thirty. I need my own space.

I'm going to design the container and interior spaces. You bring your own stuff to it and make it your own.

I'm glad I went through the training because I've met such great mentors and lifelong friends/collaborators along the way. Also, any training (acting, movement, dance, piano, singing, etc) allowed me to hone my skills and find an inner space of self-generating creativity.

I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.

I'm happy that I have my family, and I'm happy that I had Virginia, where I grew up, to retreat to any time I felt overwhelmed. Whenever there were times when I felt like the rug was being pulled out from under me and I was floating in this crazy space, I would stop and go back to that neighborhood and realize nothing's changed, really.

I'm honored to be the first woman to have the opportunity to command the shuttle. I don't really think about that on a day-to-day basis because I really don't need to.

I might have lived long enough to learn all this in the long haul, but I would have been just another soul taking up time and space for a long spell before I learned.

I'm in a space of surrendering and being open and seeing. It's a good place to be - the only place to be.

I'm interested in how paintings can change or transform - sometimes through close examination or viewed from afar; or how they hold the space of a wall or interact in a room with each other.

I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.

I'm interested in making works for museums in a way that make the space feel domestic, and I'm always thinking about how this work will be part of someone's daily life.

I'm more interested in the meanings and the bands that fill up the spaces known as new wave and post punk.

I'm looking for the binding energy of a look a crop of reflections to be reaped in a winter of thorn when icebergs of illusion will melt to be served at high tea and the spaces between the poles pinned down

I'm most happy when I am writing at night, because I need space and time to write.

I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.

I'm kind of claustrophobic... It's not even like enclosed spaces. It's like I hate being stuck in one band, you know? Just being stuck is the biggest drag, for fear that, you know, just that you can't get out.

I'm not a fancy person. I love small spaces. I like tiny cars. I don't buy things, aside from music and books. I don't get loads of attention and maybe it's because I'm kind of boring. I don't think I'm boring, but I have different interests. I don't go out much, not because I'm hiding but because I'm not a big drinker. I go out and have a good time, I go to concerts and stuff.

I’m not a risk taker. But astronauts are professionals, so you get out on the field and play ball. I tried to take it in stride because that’s what I had to do to get into space. That’s where I belong, and I’m pretty good at it.

I’m not ashamed of what I am - of how I pass through this life. What I am has given me the strength to do it. At my lowest ebb I have never contemplated suicide. I value what is here too much. I have a contribution to make. I am not just take up space in this life. I can add something to the lives I touch. I don’t like everything I know about myself, and I’ll never be satisfied, but nobody’s perfect. I’m not sure where the next years will take me - what they will hold - but I’m open to suggestions.

I'm not from a theatrical background where people do like to work it out on some stage space.

I'm not as angry as I used to be. But I can get in touch with that anger pretty quickly if I feel my space is being invaded or somebody is not treating me with the respect that I think I want.

I’m not fit to occupy space. Excuse me for living.

I'm not interested in living in a fantasy world ... All my work is still meant to evoke real architectural spaces. But what interests me is what the world would be like if we were free of conventional limits. Maybe I can show what could happen if we lived by a different set of rules.

I'm old enough to remember the advent of CD. You thought, "What's this piece of space age technology that's in front of me?" Now I ask, "When's the last time you bought a CD?" You see things come and you see things go, and you have to be on your toes and be nimble and stay with it, or you die. It's exciting. I love technology.

I'm not on Twitter. I feel like it has a purpose because there are fans around the world that want to have some sort of interaction with you. But I feel like it is important to still keep some space and some distance, which is why I don't have a Twitter.

I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.

I most definitely wanted to make a record out of it. Due to the fact of the negativity and things that transitioned over the years, I just wanted to give [Chris Rivers] his space. I had this record "Danger" which Free Smith produced the beat. It was one of the first beats I got when I started recording again and one of the first I sang to.

Imperishable moments and immortal deeds, death itself and love stronger than death, will be as though they had never been. The energies of our system will decay, the glory of the sun will be dimmed and the earth tideless and inert, will no longer tolerate the race which has for the moment disturbed its solitude. Man will go down into the pit and all his thoughts will perish. The uneasy consciousness, which in this obscure corner has for a brief space broken the contented silence of the universe, will be at rest.

I'm not small, I'm space-efficient.

I'm not the best audience for that because I'm not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.

I'm one who needs to be in the space [for] a sense of place and order. It's crucial.