Best 10134 quotes in «light quotes» category

I just want to continue the success and be an athlete that is shown in a good light in New York City.

I keep the subject of my inquiry constantly before me, and wait till the first dawning opens gradually, by little and little, into a full and clear light.

I keep a night light on because my room is so full at night, I can't get to sleep!

I keep some portion of my early gleam; Brokenly bright, like moonbeams on a river, It lights my life, a far illusive dream, Moves as I move, and leads me on forever.

I keep dreaming of a future, a future with a long and healthy life, not lived in the shadow of cancer but in the light.

I kiss her and she finds the light switch and turns it off, and we're just lit in Pepsi-can colors and it's like we've finally found this other kind of conversation, this conversation in gestures and pulls and pushes and breaths and grasps and teases and glimmers and rubs and expectation.

I kind of - you learn it, you master it, and then you make sure that it just disappears. You know, like if I could have invisible lights, I would, and invisible cameras. I'm just really trying to get at my subject and I respect the technical aspect, but it is not anything that I think about at this point.

I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.

I knew life Began where I stood in the dark, Looking out into the light.

I knew when I wrote the line “light-skinned friend look like Michael Jackson” [from the song “Slow Jamz"] I was going to be a big star.

I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up toward the light. But I was coming to realize that the real magician was light itself.

I know of no condition worse than that of the man who has little or no light on the supreme religious questions, and who at the same time is making no effort to come to the light.

I know that Buddhism is to Hinduism what Protestantism is to Roman Catholicism, only in a much stronger light, to a much greater degree.

I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.

I know that there is one God in heaven, the Father of all humanity, and heaven is therefore one. I know that there is one sun in the sky, which gives light to all the world. As there is unity in God, and unity in the light, so is there unity in the principles of freedom. Wherever it is broken, wherever a shadow is cast upon the sunny rays of the sun of liberty, there is always danger of free principles everywhere in the world.

I know that there is a reason for everything. Perhaps at the moment that an event occurs we have neither the insight or the foresight to comprehend the reason, but with time and patience it will come to light.

I know there's no heaven. I know it all turns to nothingness. But I fear there will be some remnant of me left within that void. Left conscious by some random fluke. Something that will scream out for this. That one speck of my soul will still exist and be left trapped and wanting. For you. For the light. For anything.

I know when to go and when to stop. I'm the red, the yellow, and the green light. That's me in a nutshell.

I know what I want, and I know what needs to be done to make my performance better. So I do these little askings, about the lights and costumes. Its not the diva speaking. Its the artist who knows how it has to be done.

I learned easily and had time to follow my inclination for sports (light athletics and skiing) and chemistry, which I taught myself by reading all textbooks I could get.

I lean over you, your equal, offering you a mirror for your perfect nothingness, for your shadows which are neither light nor absence of light, for this void which contemplates. To all that which you are, and, for our language, are not, I add a consciousness. I make you experience your supreme identity as a relationship, I name you and define you. You become a delicious passivity.

I learned from Seurat this important thing about colour and light, that 'a light' can be built from colour. I learned a great deal about interaction, that 'a blue' in different parts will play all sorts of different roles.

I learned from my own teachers, a long time ago in another universe, the quality of quiet fortitude that is renewed by a person's love of light.

I learned that it is possible for us to create light, sound and order within us no matter what calamity befall us in the outer world.

I learned not to fear infinity, The far field, the windy cliffs of forever, The dying of time in the white light of tomorrow, The wheel turning away from itself, The sprawl of the wave, The on-coming water.

I learned long ago to accept the fact that not everything I create will see the light of day.

I learned that my sadness never destroyed what was great about me. You just have to go back to that greatness, find that one little light that's left. I'm lucky I found one little glimmer stored away.

I left Guiding Light so many times, they ran out of champagne.

I let myself go. I thought little of the houses and trees, but applied colour stripes and spots to the canva... Within me sounded the memory of early evening in Moscow, before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.

I light candles because I want to have candles lit, not because I need to see!

I led by three or four feet, with Biggy (John Biglow) surging closer on each stroke. I hated him in those last few seconds; he was the only reason my guts were being strewn over the water like an oil slick ... I pressed one last time, and looked at the finish-line flagman. In that instant the flag jumped down and then up. The up stroke, identifying the second place finisher, was for me. John Biglow was the victor. I stared into the green-brown water watching my bloody soul drop through the depths, slowly rocking back and forth, occasionally glinting in the light, and then finally disappearing.

I like cinnamon rolls, but I don't always have time to make a pan. That's why I wish they would sell cinnamon roll incense. After all I'd rather light a stick and have my roommate wake up with false hopes.

"I liked the feeling of love," [Jonas] confessed. He glanced nervously at the speaker on the wall, reassuring himself that no one was listening. "I wish we still had that," he whispered. "Of course," he added quickly, "I do understand that it wouldn't work very well. And that it's much better to be organized the way we are now. I can see that it was a dangerous way to live." [...] "Still," he said slowly, almost to himself, "I did like the light they made. And the warmth.

I like getting carried away by what is happening and then decide each scene based on the actors, the set and the light.

I like literature that you respond to in some way. You laugh, you cry, you turn the light on - that's great, it's eliciting a response by proxy.

I like dramas. I've always liked dramas. And I'm a pretty light person. I don't consider myself a very dramatic person. But I do like doing that onscreen.

I like drawing most everything I see, but sometimes the light will hit something in a certain way that I just cannot capture the thing the way I would like with a drawing, so I think taking a picture might be the way to document what I am seeing better.

I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.

I like my use of light to be openly situational in the sense that there is no invitation to meditate, to contemplate.

I like light green, sometimes red is fun to look at, not a fan of yellow, unless it's in a rainbow or on a coffee mug or on a happy face.

I like on the table, when we're speaking, the light of a bottle of intelligent wine.

I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.

I like that gathering moment where the music is about to begin, that moment right there. It's like jumping out of an airplane. It's that moment when the lights go out and then you're in it.

I like the light that comes off metal shutters at siesta time in the summer, having a break from driving in the shops at motorway services, the odour of petrol at petrol stations, rolling down little slopes. I hate it when you tread in a puddle and the water soaks your socks.

I like to dedicate myself wholeheartedly to a cause so that I have more impact. My goal is to shed light on the beauty of the ocean and how important it is for our planet.

I like to describe my life as a black hole with a little light out there.

I like to comprehend more or less everything around me - apart from the creation of my music. It's an obsessive character trait that's getting worse. I don't switch the light on and off 15 times before I leave the room yet, but something's going wrong.

I like those guys who brought dub into live band context too, Peaking Lights. Joe Gibbs & The Professionals!

I like to respond with jokes and to keep it as light as possible.

I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.