Best 76 quotes in «lolita quotes» category

Lolita, luz de mi vida, fuego de mis entrañas. Pecado mío, alma mía. Lo-lita: la punta de la lengua emprende un viaje de tres pasos desde el borde del paladar para apoyarse, en el tercero, en el borde de los dientes. Lo.Li.Ta.

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

Lolita, luz de mi vida, fuego de mis entrañas. Pecado mío, alma mía. Lo-li-ta: la punta de la lengua emprende un viaje de tres pasos paladar abajo hasta apoyarse, en el tercero, en el borde de los dientes. Lo. Li. Ta. Era Lo, sencillamente Lo, por la mañana, cuando estaba derecha, con su metro cuarenta y ocho de estatura, sobre un pie enfundado en un calcetín. Era Lola cuando llevaba puestos los pantalones. Era Dolly en la escuela. Era Dolores cuando firmaba. Pero en mis brazos fue siempre Lolita. ¿Tuvo Lolita una precursora? Naturalmente que sí. En realidad, Lolita no hubiera podido existir para mí si un verano no hubiese amado a otra niña iniciática. En un principado junto al mar. ¿Cuándo? Aquel verano faltaban para que naciera Lolita casi tantos como los que yo tenía entonces. Pueden contar en que la prosa de los asesinos sea siempre elegante, vaya que lo sé. Señoras y señores del jurado, la prueba número uno es lo que los serafines, los mal informados e ingenuos ángeles de majestuosas alas, envidiaron. Contemplen esta maraña de espinas.

The list of lifesavers left him numb, clueless - the action, indifferent.

Music is a form that tends to give shape to rules, social mores, social attitudes, feelings—it does this in a very beautiful, fluid way. To me the issue of form and formlessness is most strong in the theme of mortality versus a human wish for immortality of a sort. Take, for example, the definition of beauty in fashion. Remember what Alison says at the beginning? She says when she was young she didn’t know what beautiful was. She looked at this woman who everyone was saying was beautiful and she didn’t even know what they were talking about. I experienced that when I was a child. If I loved someone I thought they were really beautiful. And then eventually, I began to get it, the social concept of beauty. Not that I think beautiful is completely imaginary, but beauty is so wide ranging and fluid. Yet there’s a need to say: “This is what it is, and it’s not changing; we’re taking a picture of it to hold it still.” It’s like an impulse to put up a building meant to last forever. An urge to grab and hold something in place when nothing human can be grabbed and held in place. We come into these physical bodies . . . whatever we are takes this shape that is so particular and distinct—eyes, nose, mouth—and then it gradually begins to disintegrate. Eventually it’s going to dissolve completely. It’s a huge problem for people; we can understand it, but it breaks our hearts. And so we’re constantly trying to pin something down or leave a trace that will last forever. “And this is the only immortality you and I may share, my Lolita . . .” What other immortality will anyone share?

My heart seemed everywhere at once.

My mouth to him was a splendid cave full of priceless treasures, but I denied him entrance.

Penso agli uri e agli angeli, al segreto dei pigmenti duraturi, ai sonetti profetici, al rifugio dell'arte. E questa è la sola immortalità che tu e io possiamo condividere, mia Lolita.

Prizing elegance, sweet emotions, and fantasy more than morals and truth; wallowing in fleeting romance rather than trying to give meaning to life, when who knows what's going to happen to you anyway; ignoring virtue and conventions to cherish only the pleasures you are definitely experiencing now: this is the Cocoro of Rococo. No matter how much deep thought, hard work, and agonizing effort went into coaxing out some insight, if that insight is boring, or not beautiful, it doesn't matter. And even if something is made just for laughs, if you find it pleasing, it has value. Other people's opinions and labor do not figure into your assessment; choosing things with your own personal sense of "I like this, I don't like that" is the ultimate individualism that sustains the very foundation of Rococo. Rococo, therefore, embodies the spirit of punk rock and anarchism more than any philosophy. Only in Rococo—elegant yet in bad taste, extravagant yet defiant and lawless—can I discover the meaning of life.

She had to save herself from every last one of them. All of them, the people at the orphanage, the foster care system, the middle school, they were all outsiders and strangers and a possible threat.....The counselor couldn't prove otherwise.

She was all rose and honey.

Speak, Memory is strictly autobiographic. There is nothing autobiographic in Lolita.

My little cup brims with tiddles.

No man can resist a woman who has an apple in her hand. It's theological. A woman with an apple in her hand is the first woman, the only woman in the world. And he is the first man, he stumbles on love and he cant shake it,never,ever,ever..

No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"—not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress.

..."offensive" is frequently but a synonym for "unusual"...

One last word,' I said in my horrible careful English, 'are you quite, quite sure that—well, not tomorrow, of course, and not after tomorrow, but—well—some day, any day, you will not come to live with me? I will create a brand new God and thank him with piercing cries, if you give me that microscopic hope' 'No,' she said smiling, 'no.' 'It would have made all the difference,' said Humbert Humbert. Then I pulled out my automatic-I mean, this is the kind of fool thing a reader might suppose I did. It never even occurred to me to do it.

¡Que rara es la vida! La suerte nos abandona cuando más propicia deseamos que nos sea.

Queer, how I misinterpreted the designations of doom.

Rope-skipping, hopscotch. That old woman in black who sat down next to me on my bench, on my rack of joy (a nymphet was groping under me for a lost marble), and asked if I had stomachache, the insolent hag. Ah, leave me alone in my pubescent park, in my mossy garden. Let them play around me forever. Never grow up.

... she had painted her lips and was holding in her hollowed hands a beautiful, banal, Eden-red apple.

The Girl Scout’s motto is also mine. I fill my life with worthwhile deeds such as — well, never mind what. My duty is —to be useful. I am a friend to male animals. I am cheerful. I am thrifty and I am absolutely filthy in thought, word, and deed.

Thus, neither of us is alive when the reader opens this book. But while the blood still throbs through my writing hand, you are still as much part of blessed matter as I am, and I can still talk to you from here to Alaska. Be true to your Dick. Do not let other fellows touch you. Do not talk to strangers. I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come at him, like black smoke, like a demented giant, and pull him apart nerve by nerve. And do not pity C. Q. One had to choose between him and H.H., and one wanted H.H. to exist at least a couple of months longer, so as to have him make you live in the minds of later generations. I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet". Where are you hiding, Dolores Haze? Why are you hiding, darling? (I talk in a daze, I walk in a maze, I cannot get out, said the starling).

What I've always taken away from his words is the sense that we all have something that confines us, that seeks to define us, label us, belittling us in the process, shortchanging our potential. Can it be that that is our sanctuary, our refuge, our way to liberty?

While you took a dull doll to pieces and threw its head away.

Why did I hope we would be happy abroad? A change of environment is that traditional fallacy upon which doomed loves, and lungs, rely.

wut good lo l

There was no Lo to behold.

The softness and fragility of baby animals caused us the same intense pain. She wanted to be a nurse in some famished Asiatic country; I wanted to be a famous spy.

The spiritual and the physical had been blended in us with a perfection that must remain incomprehensible to the matter-of-fact, crude, standard-brained youngsters of today.

The stars that sparkled, and the cars that parkled, and the bars, and the barmen, were presently taken over by her

Unattached details take all the sparkle out of your conversation.

—we were bristling at each other as if she were still mine.

With your little claws, Lolita.

You talk like a book.

All I ever wanted, nira I expected: Nonette, upon whom my life pivots. The name I give my fire when I lay down, defenseless before its majestic awfulness. A little no, a little negation. A French girly pout, the syllables for which have been found at last. All my hurt dug up, exposed for dissection in the glaring light, and finally melted away by the loving caresses of her yielding thighs. And the girl who took such simple job in this terrible duty. Nonette.

A moment later I heard my sweetheart running up the stairs. My heart expanded with such force that it almost blotted me out. I hitched up the pants of my pajamas, flung the door open: and simultaneously Lolita arrived, in her Sunday frock, stamping, panting, and the she was in my arms, her innocent mouth melting under the ferocious pressure of dark male jaws, my palpitating darling!

And I catch myself thinking today that our long journey had only been defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night - every night, every night - the moment I feigned sleep.

And I still have other smothered memories, now unfolding themselves into limbless monsters of pain.

And I thought to myself how those fast little articles forget everything, everything, while we, old lovers, treasure every inch of their nymphancy

As palavras sem a experiência não teriam qualquer significado.

Aurora, you're a child, live like one, don't act like one. Enjoy the innocence, dump the immaturity.

Because her name is not Lolita; her real name is Dolores, which as you know in Latin means `dolor.' So her real name is associated with sorrow and with anguish and with innocence. While Lolita becomes a sort of lightheaded, seductive and airy name, the Lolita of our novel is both of these at the same time. And in our culture here today, we only associate it with one aspect of that little girl, and the crassest interpretation of her.

Alas, I was unable to transcend the simple human fact that whatever spiritual solace I might find, whatever lithophanic eternities might be provided for me, nothing could make my Lolita forget the foul lust I had inflicted upon her. Unless it can be proven to me -to me as I am now, today, with my heart and my beard, and my putrefaction- that in the infinitue run it does not matter a jot that a North American girl-child names Dolores Haze had been deprived of her childhood by a maniac, unless this can be proven (and if it can, then life is a joke), I see nothing for the treatment of my misery but the melancholy and very local palliative of articulate art. To quote an old poet: The moral sense in mortals is the duty We have to pay on mortal sense of beauty.

Él me destrozó el corazón. Tú destrozaste mi vida.

Even in death, her mother was winning.

Enchia-me o peito uma tempestade de soluços.

Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. The affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabiness of the subject matter. This is why we love "Madame Bovary" and cry for Emma, why we greedily read "Lolita" as our heart breaks for its small, vulgar, poetic and defiant orphaned heroine.

for did it not mean I was losing my darling, just when I had secretly made her mine?