Best 131 quotes in «the fountainhead quotes» category

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    Roark, floating like a piece of driftwood, held a power greater than that of the engine in the belly of the yacht. Wynand thought: Because that is the power from which the engine has come.

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    Roark spoke quietly. He was the only man in the room who felt certain of his own words.

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    Roark stood before them as each man stands in the innocence of his own mind. But Roark stood like that before a hostile crowd—and they knew suddenly that no hatred was possible to him.

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    Roark looked at him and understood. Roark inclined his head in agreement; he could acknowledge what Cameron had just declared to him only by a quiet glance as solemn as Cameron’s.

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    Roark threw his head up once, for a flash of a second, to look at Heller across the table. It was all the introduction they needed; it was like a handshake.

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    Rules?" said Roark. "Here are my rules: what can be done with one substance must never be done with another. No two materials are alike. No two sites on earth are alike. No two buildings have the same purpose. The purpose, the site, the material determine the shape. Nothing can be reasonable or beautiful unless it's made by one central idea, and the idea sets every detail. A building is alive, like a man. Its integrity is to follow its own truth, its one single theme, and to serve its own single purpose. A man doesn't borrow pieces of his body. A building doesn't borrow hunks of its soul. Its maker gives it the soul and every wall, window and stairway to express it.

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    She came unannounced, certain of finding him there and alone. In his room, there was no necessity to spare, lie, agree and erase herself out of being. Here she was free to resist, to see her resistance welcomed by an adversary too strong to fear a contest, strong enough to need it; she found a will granting her the recognition of her own entity, untouched and not to be touched except in clean battle, to win or to be defeated, but to be preserved in victory or defeat, not ground into the meaningless pulp of the impersonal.

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    She came back many days later. She saw him, unexpectedly, on a flat stretch of stone before her, by the side of the path. She stopped short. She did not want to come too close. It was strange to see him before her, without the defence and excuse of distance.

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    She did not mind this new background; she was indifferent to the slums as she had been indifferent to the drawing rooms.

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    She did not smile, but her face had the lovely serenity that can become a smile without transition.

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    She drove fast, as a matter of habit, an even speed without a sense of haste.

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    She found a dark satisfaction in pain—because that pain came from him.

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    ...she had nothing to hide from him, nothing to keep unstated, everything was granted, answered, found.

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    She knew that she could not move until he permitted her to. She saw his mouth and the silent contempt in the shape of his mouth; the planes of his gaunt, hollow cheeks; the cold, pure brilliance of the eyes that had no trace of pity. She knew it was the most beautiful face she would ever see, because it was the abstraction of strength made visible.

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    She knew that neither his clothes nor the years stood between her and the living intactness of that memory.

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    She said it quite correctly; there was nothing offensive in the quiet politeness of her voice; but following his high note of enthusiasm, her voice struck a tone that seemed flat and deadly in its indifference—as if the two sounds mingled into an audible counterpoint around the melodic thread of her contempt.

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    She moved through formal receptions, theater parties, dinners, dances—gracious and smiling, a smile that made her face brighter and colder, like the sun on a winter day.

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    She saw the faces streaming past her, the faces made alike by fear—fear as a common denominator, fear of themselves, fear of all and of one another, fear making them ready to pounce upon whatever was held sacred by any single one they met... She had kept herself clean and free in a single passion—to touch nothing. She had liked facing them in the streets, she had liked the impotence of their hatred, because she offered them nothing to be hurt.

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    She saw the man below looking at her, she saw the insolent hint of amusement tell her that he knew she did not want him to look at her now. She turned her head away.

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    She seemed to find him suitable as an inconsequential companion for an occasional, inconsequential evening. He thought that she liked him.

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    She sat looking at him as she always did; her glance had tenderness without scorn and sadness without pity.

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    She stood leaning against a column, a cocktail glass in her hand. She wore a suit of black velvet; the heavy cloth, which transmitted no light rays, held her anchored to reality by stopping the light that flowed too freely through the flesh of her hands, her neck, her face. A white spark of fire flashed like a cold metallic cross in the glass she held, as if it were a lens gathering the diffused radiance of her skin.

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    She stopped over the ledge where he worked and she stood watching him openly. When he raised his head, she did not turn away. Her glance told him that she knew the meaning of her action, but did not respect him enough to conceal it. His glance told her only that he had expected her to come.

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    She tried to demonstrate her power over him. She stayed away from his house; she waited for him to come to her. He spoiled it by coming too soon; by refusing her the satisfaction of knowing that he waited and struggled against his desire; by surrendering at once.

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    She thought that relaxation was attractive only in those for whom it was an unnatural state; then even limpness acquired purpose.

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    She thought that they had not greeted each other and that it was right. This was not a reunion, but just one moment out of something that had never been interrupted. She thought how strange it would be if she ever said “Hello” to him; one did not greet oneself each morning.

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    She walked down the hill and she found relief in the unnatural stillness of the earth around her, the stillness of full light without sun, of leaves without motion, of a luminous, waiting silence.

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    She wondered why she had never noticed that she did not know his name and why she had never asked him. Perhaps because she had known everything she had to know about him from that first glance.

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    She wondered why her normal desire to say little, to hold things closed, broke down before him, why she felt compelled to simple frankness, such as she could offer no one else.

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    ...the best is a matter of standards—and I set my own standards.

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    That man, the unsubmissive and first, stands in the opening chapter of every legend mankind has recorded about its beginning. Prometheus was chained to a rock and torn by vultures—because he had stolen the fire of the gods. Adam was condemned to suffer—because he had eaten the fruit of the tree of knowledge. Whatever the legend, somewhere in the shadows of its memory mankind knew that its glory began with one and that that one paid for his courage.

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    The audience looked at him. They felt he had no chance. They could drop the nameless resentment, the sense of insecurity which he aroused in most people. And so, for the first time, they could see him as he was: a man totally innocent of fear.

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    The crowd had stared at him and given up angrily, finding no satisfaction. He did not look crushed and he did not look defiant. He looked impersonal and calm. He was not like a public figure in a public place; he was like a man alone in his own room, listening to the radio.

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    The crowd would have forgiven anything, except a man who could remain normal under the vibrations of its enormous collective sneer.

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    The human spirit. The heroic in man. The aspiration and the fulfillment, both. Uplifted in its quest--and uplifting by its own essence. Seeking God--and finding itself. Showing that there is no higher reach beyond its own form....

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    The egotist in the absolute sense is not the man who sacrifices others. He is the man who stands above the need of using others in any manner. He does not function through them. He is not concerned with them in any primary matter. Not in his aim, not in his motive, not in his thinking, not in his desires, not in the source of his energy. He does not exist for any other man—and he asks no other man to exist for him.

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    The faces stood out, separate, lonely, no two alike. Behind each, there were the years of a life lived or half over, effort, hope and an attempt, honest or dishonest, but an attempt. It had left on all a single mark in common: on lips smiling with malice, on lips loose with renunciation, on lips tight with uncertain dignity—on all—the mark of suffering.

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    The exquisite kindliness of her manner suggested that their relationship was of no possible consequence, that she could not pay him the tribute of hostility.

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    The indignation was too sharp and raw for a mere piece of professional gossip; each man took it as a personal insult; each felt himself qualified to alter, advise and improve the work of any man living.

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    ...there had always been a God and a Devil—only men had been so mistaken about the shapes of their Devil—he was not single and big, he was many and smutty and small.

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    The mind is an attribute of the individual. There is no such thing as a collective brain. There is no such thing as a collective thought. An agreement reached by a group of men is only a compromise or an average drawn upon many individual thoughts. It is a secondary consequence. The primary act—the process of reason—must be performed by each man alone.

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    The structures were austere and simple, until one looked at them and realized what work, what complexity of method, what tension of thought had achieved the simplicity.

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    They lay in bed together that night, and they did not know when they slept, the intervals of exhausted unconsciousness as intense an act of union as the convulsed meetings of their bodies.

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    The unrecognized genius—that’s an old story. Have you ever thought of a much worse one—the genius recognized too well? ... That a great many men are poor fools who can’t see the best—that’s nothing. One can’t get angry at that. But do you understand about the men who see it and don’t want it?

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    They have no concern for facts, ideas, work. They’re concerned only with people. They don’t ask: ‘Is this true?’ They ask: ‘Is this what others think is true?’ Not to judge, but to repeat. Not to do, but to give the impression of doing. Not creation, but show. Not ability, but friendship. Not merit, but pull.

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    ...What kind of a tragedy did you have in your childhood?" "Why, none at all. I had a wonderful childhood. Free and peaceful and not bothered too much by anybody. Well, yes, I did feel bored very often. But I’m used to that.

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    They talked about nothing in particular, sentences that had meaning only in the sound of the voices, in the warm gaiety, in the ease of complete relaxation. They were simply four people who liked being there together.

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    They would return to unwanted jobs, unloved families, unchosen friends, to drawing rooms, evening clothes, cocktail glasses and movies, to unadmitted pain, murdered hope, desire left unreached, left hanging silently over a path on which no step was taken, to days of effort not to think, not to say, to forget and give in and give up.

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    Time marches on

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    To what level of depravity has a society descended when it condemns a man simply because he is strong and great?

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