Best 112 quotes of Clarice Lispector on MyQuotes

A horse is freedom so indominable that it becomes useless to imprison it to serve man: it lets itself be domesticated, but with a simple, rebellious toss of the head-shaking its mane like an abundance of free-flowing hair-it shows that its inner nature is always wild, translucent and free.

All the world began with a yes. One molecule said yes to another molecule and life was born. But before prehistory there was the prehistory of the prehistory and there was the never and there was the yes. It was ever so. I don’t know why, but I do know that the universe never began. Make no mistake, I only achieve simplicity with enormous effort.

And even sadness was also something for rich people, for people who could afford it, for people who didn't have anything better to do. Sadness was a luxury.

And now -- now it only remains for me to light a cigarette and go home. Dear God, only now am I remembering that people die. Does that include me? Don't forget, in the meantime, that this is the season for strawberries. Yes.

At first she dreamed of sheep, of going to school, of cats drinking milk. Little by little she dreamed of blue sheep, of going to school in the middle of the woods, of cats drinking milk from golden saucers. And her dreams became increasingly dense and acquired colours that were difficult to dilute into words.

Brazil is where I have to be, where I have my roots.

But don't forget, in the meantime, that this is the season for strawberries. Yes.

But I welcome the darkness where the two eyes of that soft panther glow. The darkness is my cultural broth. The enchanted darkness. I go on speaking to you, risking disconnection: I’m subterraneously unattainable because of what I know.

Do you ever suddenly find it strange to be yourself?

Do you know that hope sometimes consists only of a question without an answer?

Ela acreditava em anjo e, porque acreditava, eles existiam" | "She believed in angels, and, because she believed, they existed

Even great men are only truly recognized and honored once they are dead. Why? Because those who praise them need to feel themselves somehow superior to the person praised, they need to feel they are making some concession.

Everything in the world began with a yes. One molecule said yes to another molecule and life was born.

Facts and particulars annoy me.

For at the hour of death you became a celebrated film star, it is a moment of glory for everyone, when the choral music scales the top notes.

For only when I err do I get away from what I know and what I understand. If "truth" were what I can understand, it would end up being but a small truth, my-sized. Truth must reside precisely in what I shall never understand.

Holding someone's hand was always my idea of joy.

I ask myself: is every story that has ever been written in this world, a story of suffering and affliction?

I do not know much. But there are certain advantages in not knowing. Like virgin territory, the mind is free of preconceptions. Everything I do not know forms the greater part of me: This is my largesse. And with this I understand everything. The things I do not know constitute my truth.

Ignorance of the law of irreducibility was no excuse. I could no longer excuse myself with the claim that I didn't know the law -- for knowledge of self and of the world is the law that, even though unattainable, cannot be broken, and no one can excuse himself by saying that he doesn't know it. . . . The renewed originality of the sin is this: I have to carry out my unknowing, I shall be sinning originally against life.

I have grown weary of literature: silence alone comforts me. If I continue to write, it’s because I have nothing more to accomplish in this world except to wait for death. Searching for the word in darkness. Any little success invades me and puts me in full view of everyone. I long to wallow in the mud. I can scarcely control my need for self-abasement, my craving for licentiousness and debauchery. Sin tempts me, forbidden pleasures lure me. I want to be both pig and hen, then kill them and drink their blood.

I hear the mad song of a little bird and crush butterflies between my fingers.

I just know that I don't want cheating. I refuse. I deepened myself but I don't believe in myself because my thought is invented.

It is because I dove into the abyss that I am beginning to love the abyss I am made of.

I want the following word: splendor, splendor is fruit in all its succulence, fruit without sadness. I want vast distances. My savage intuition of myself.

I work only with lost and founds.

I write and that way rid myself of me and then at last I can rest.

I write as if to save somebody’s life. Probably my own. Life is a kind of madness that death makes. Long live the dead because we live in them.

Love is now, is always. All that is missing is the coup de grâce- which is called passion.

Love is so much more deadly than I had thought, love is so much inherent as the very lack, and we are guaranteed by a need to be renewed continuously. Love is now, is forever. There is just the blow of grace - call it passion.

My life, the most truthful one, is unrecognizable, extremely interior, and there is no single word that gives it meaning.

No it is not easy to write. It is as hard as breaking rocks. Sparks and splinters fly like shattered steel.

Putting my hand in someone else’s has always been my definition of happiness. Before I fall asleep, often - in that small struggle not to lose consciousness and go into the greater world - often, before I get up the courage to go into the vastness of sleep, I pretend that someone has my hand in theirs, and then I go, go to that enormous absence of form that is sleep. And when even after that I don’t have courage, I dream.

Reality prior to my language exists as an unthinkable thought. . . . life precedes love, bodily matter precedes the body, and one day in its turn language shall have preceded possession of silence.

The mystery of human destiny is that we are fated, but that we have the freedom to fulfill or not fulfill our fate: realization of our fated destiny depends on us. While inhuman beings like the cockroach realize the entire cycle without going astray because they make no choices.

The only truth is that I live. Sincerely, I live. Who am I? Well, that's a bit much.

There it is, the sea, the most incomprehensible of non-human existences.

The world's continual breathing is what we hear and call silence.

Things were somehow so good that they were in danger of becoming very bad because what is fully mature is very close to rotting

Today at school I wrote an essay about Flag Day which was so beautiful, but ever so beautiful - for I even used words without really knowing what they meant.

A guerra é boa talvez no sentido de chamar a atenção para certos problemas.

Ah, so that must have been her mystery: she had discovered a trail into the forest. Surely that was where she went during her absences. Returning with her eyes filled with gentleness & ignorance, eyes made whole. An ignorance so vast that inside it all the world's wisdom could be contained & lost.

And even so, I had discovered, I was afraid to free myself. “That” had grown too much inside me, leaving me full. I’d be helpless if I were ever cured. After all, what was I now, I felt, but a reflection? Were I to eradicate Daniel, I’d be a blank mirror.

And it's inside myself that I must create someone who will understand.

And none of this necessarily has any bearing on the issue of the existence or non-existence of a God. What I'm saying is that the thought of the man and the way this thinking-feeling can reach an extreme degree of incommunicability - that, without sophism or paradox, is at the same time, for that man, the point of greatest communication. He communicates with himself.

Anyhow, I get distracted a lot," she repeated. She felt like a dry branch, sticking out of the air. Brittle, covered in old bark. Maybe she was thirsty, but there was no water nearby. And above all the suffocating certainty that if a man were to embrace her at that moment she would feel not a soft sweetness in her nerves, but lime juice stinging them, her body like wood near fire, warped, crackling, dry. She couldn't soothe herself by saying: this is just a pause, life will come afterwards like a wave of blood, washing over me, moistening my parched wood. She couldn't fool herself because she knew she was also living and that those moments were the peak of something difficult, of a painful experience for which she should be thankful: almost as if she were feeling time outside herself, in a detached manner.

Apareció entonces un hombre delgado de chaleco pulido tocando el violín en la esquina. Debo explicar que a este hombre lo vi una vez al anochecer cuando yo era niño en Recife y el sonido extenuado y agudo subrayaba con una línea dorada el misterio de la calle oscura. Junto al hombre escuálido había una latita de zinc donde hacían un ruido seco las monedas de los que oían con gratitud porque él les sollozaba la vida. Sólo ahora entiendo y sólo ahora brotó en mí el sentido secreto: el violín es un aviso. Sé que cuando yo muera voy a oír el violín del hombre y pediré música, música, música.

A sentence which might bear in mind that our great struggle is that of fear, and that if a man has killed compulsively, it is because he was extremely frightened. Above all, a justice which might examine itself, & recognize that all of us, a living quagmire, founded in darkness, & for this reason not a man's evil should be cosigned to another man's evil: so that the latter may not shoot to kill without restraint or censure. A justice which will not forget that we are all dangerous, & that at the hour when the executant of justice kills, he is no longer protecting us or seeking to eliminate a criminal; he is committing his own crime, which he has been harboring for a considerable time. At the hour of killing a criminal- at that very moment, an innocent man is being put to death. No, no, I am not asking for the sublime, nor for the things which gradually become the words which help me to sleep peacefully. Those of us who take refuge in the abstract are a mixture of forgiveness & vague charity. What I want is something much harsher & much more difficult: I want the terrestrial.

(...) às vezes não se tem o que escrever mesmo quando se tem o que falar.

Às vezes sentava-me na rede, balançando-me com o livro aberto no colo, sem tocá-lo, em êxtase puríssimo. Não era mais uma menina com um livro: era uma mulher com o seu amante.