Best 4384 quotes in «class quotes» category

Introversion- along with its cousins sensitivity, seriousness, and shyness- is now a second-class personality trait, somewhere between a disappointment and a pathology. Introverts living in the Extrovert Ideal are like women in a man's world, discounted because of a trait that goes to the core of who they are. Extroversion is an enormously appealing personality style, but we've turned it into an oppressive standard to which most of us feel we must conform.

Introversion - along with its cousins sensitivity, seriousness, and shyness - is now a second-class personality trait, somewhere between a disappointment and a pathology.

In undergraduate classes, I often see writers who are still simply imitating. I mean, we all imitate - that's how we learn to speak or write in the first place - but they're writing a Dean Koontz novel or something.

In U.S. history, war has served as an important diversionary tactic, causing the people at large to shift their attention away from the state's own criminality and toward real or fictitious devils abroad. Wars have therefore proved to be extremely useful in propping up the political class and preserving it from the public resistance and rebellion that might otherwise have arisen.

In verity we are the poor. This humanity we would claim for ourselves is the legacy, not only of the Enlightenment, but of the thousands and thousands of European peasants and poor townspeople who came here bringing their humanity and their sufferings with them. It is the absence of a stable upper class that is responsible for much of the vulgarity of the American scene. Should we blush before the visitor for this deficiency?

In working class districts, you had several families living together in the one house, and it was very difficult to get a house, because the politicians who controlled housing were doing so in a very discriminatory fashion.

In your city faded off the brown, NINO. She insists she got more class, WE KNOW.

I occasionally go to a yoga class. Everyone looks so limber and coordinated compared to me. I feel like I scare my classmates.

I often think about the class differences involved in "jobs" vs. "careers.

I only took a high school acting class because there was no other class I wanted to take. I loved it, but I was always against acting as a profession. I didn't like the monetary fluctuations I saw.

I open each class with an explanation of the singular importance of being a "dealmaker." The manifesto of the dealmaker is simple: Reality is negotiable.

I owe my allegiance to the working class.

I played with English and Sociology in college but dropped out to work in the anti-war movement. I was going around denouncing the Viet Nam war as immoral but one day it dawned on me that I didn't know what that meant. I signed up for an ethics class at San Francisco State to find out the answer.

I prefer surveying for a week to spending a week in fashionable society even of the best class.

I probably could be a world-class screenwriter by now if I had spent the kind of work I devote on Comedy Death-Ray to that. But I do okay, in that regard. I mean, my stuff gets bought, so it's all right.

I project that this next election - the 2016 election - if it is about anything thematically, it is going to be about that sense of rage and displacement among white working-class voters.

I quite like the transitions of being an actor, because you get to explore these little pockets of life. So if you're playing a builder you get to know about building, if you're playing a scientist or a physician or something you get to know about physics. And similarly with this world I like exploring their culture, that very sort of upper middle class, addictive... that's part of the reason I love it.

I quit my job and for almost two years I didn't tell anyone, not even my family or friends. And for those two years I enrolled in acting classes. I acted in some capacity every single day.

I ran for ninth grade class president. Came in a close second.

I put on the page a third look at what I've seen in life - the reinvented experience of a cross-eyed working-class lesbian, addicted to violence, language and hope, who has made the decision to live, is determined to live, on the page and on the street, for me and mine.

I put so much energy into with improv. You can only perform it at a place where people are, essentially, taking improv classes so that they just appreciate what's happening.

I put forward a budget of what I called "middle-class economics" that continues to be fiscally prudent but makes necessary investments for us to continue the economic momentum and job growth.

I read an interview with Daniel Woodrell once where he said something like, basically, if people had said what they said to him in a bar instead of workshop, he would have punched them...and I finally understood that when in a class with my wife. Every time someone said something about her work, I wanted to climb across the table and stab them in the neck with my pen. And these were people I liked and respected.

I realized early I can manipulate the ceiling in the middle class. The allure becomes how far I can make the ceiling rise.

I realized that all my life, my values were based upon typical middle-class American values: hard work, doing good, living well, owning things, following the rules & being the best I can be... but God clearly says, "those are not MY values. I value justice, mercy & humility.

I read, with a kind of hopeless envy, histories and legends of people of our craft who "do not write for money." It must be a pleasant experience to be able to cultivate so delicate a class of motives for the privilege of doing one's best to express one's thoughts to people who care for them. Personally, I have yet to breathe the ether of such a transcendent sphere. I am proud to say that I have always been a working woman, and always had to be.

I realized you might make money at writing, and you might even make a living at it. So after that I didn't write stories just for the class but wrote them for the purpose of submitting them somewhere, and at some point in the process, I began writing them just to please myself and that's where you begin to see the real value of a life of writing.

I realized very early in life what my abilities and limitations were, and foreign languages was definitely one of my limitations. With strenuous effort, I just barely passed my French class at Harvard so I could graduate.

I really am enjoying my economics class, but I think my favorite course has to be history.

I really created my career out of my own compulsion. Because I knew if I owned an exercise studio and I had to teach my classes there, I wasn't going to gain my weight back.

I really had wanted to learn Italian for a long time. I think ever since - or even maybe even before I had read Dante. And I just sort of had this idea that I wanted to read Dante in Italian. And then in my office, we actually had a class - an Italian class.

I really love newspapers. They are disposable. They are recyclable. They fall apart so easily. They are not like iPads or Kindles that can't be disposed of and end up on some third-world shore. And I love the heritage of them, the whole history of mass communication. Newspapers changed the world from being a really class based, feudal system to people being able to cheaply get information that informed them.

I really wanted people to pay attention to me and like me. And the class clown thing, you know? There's a weird desperation to the class clown when you really investigate it. Why are they trying to be the clown so much? They're filling some kind of hole.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

I refuse to charge for my karate classes, I refuse to charge for Q&A panels, and when people come to my table, if you have money, great, but if you don't, who cares?

I really want the audience to place close attention to the movement, possibilities of movement, possibilities of trespassing boundaries and observe what's possible in different social settings, and different settings of class designation as well.

I really wasn't a class clown.

I recommend doing some sort of acting class, something that can eventually get you in front of an agent or a manager, and practice is very important.

I recommend that people try new stuff or take new fitness classes all the time. It's important to mix up your routine, not only for your body, but also for your mental state.

I regret that I do not have the dignity of Ricardo Montalban, the class of Dean Martin, or the humor of Bill Cosby. I do have the heart of a lion.

Ireland is such a young society. The British were the ruling class up until they left about a hundred years ago, and we've been trying to work out what our class hierarchy is ever since.

I refuse to accept any approach that isn't balanced. I'm not going to ask students and seniors and middle-class families to pay down the entire deficit while people like me, making over $250,000, aren't asked to pay a dime more in taxes.

Ireland still remains the Holy Isle whose aspirations must on no account be mixed with the profane class-struggles of the rest of the sinful world ... the Irish peasant must not on any account know that the Socialist workers are his sole allies in Europe.

I regard affirmative action as pernicious - a system that had wonderful ideals when it started but was almost immediately abused for the benefit of white middle-class women.

I reject absolutely the idea that people should know their place, and know their class.

I remember being in strong physics, physiology and biology classes.

I remember classes in college where the professor was espousing certain theories about how blacks were inherently less intelligent. But I learned a long time ago to give people the benefit of the doubt, not to assume that somebody was reacting to you because of race.

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.

I remember so many times taking classes and feeling completely discouraged because I felt like I wasn't getting it and I couldn't understand. I kept working at it and I kept going back to class, and I wouldn't let myself get intimidated or get scared away, and it really does pay off.

I remember going to acting class, so certain that no one's ever going to know my name.