Best 6566 quotes in «stories quotes» category

We have a rule in our franchise that there is no canon. You as a player decide what your story is.

We have focused only on the negatives, and not enough on incredible stories of the human spirit and of rebirth and rebuilding. That's equally important as the tragedy.

We have, each of us, a life story, whose continuity, whose sense, is our lives.

We have in our head something called story grammar. We see the world as a series of episodes rather than logical propositions... In our serious society, storytelling is seen as being soft. But people process the world through story.

We have no filter for music, but we feel it when what's being spoken and sung is telling a story and evidencing a character.

We have newsreaders behaving like actors, lowering their voices if it's a sad story, as if we didn't know it's a sad story. There isn't a single cool newsreader.

We have so many ideas and beliefs about ourselves. We told ourselves story about what we want and who we are, smart or kind. Often these are the unexamined and limited ideas of others that we have internalized and then gone on to life out.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

We have the opportunity now to join in the celebration of possibility, to align ourselves with the forces of life. We’ll need to become skilled at walking the line between urgency and hope, maintaining our balance in a world out of balance. I’m convinced that out of the crucible of crisis, the greatest love story on Earth could be born.

We have the right, and the obligation, to tell old stories in our own ways, because they are our stories.

We have to make a disciplined effort to find out what our governments are doing in these various parts of the world and what is actually happening. We have to learn to listen to each other's stories. Something we are not very good at.

We hear wonderful stories about some masters who can walk on water and do all kinds of great things. But the real power of the teacher is to transmit power and knowledge directly to an individual.

We heard stories about fakery and decoys at revivals. I never personally saw any trickery.

We interpret the world through stories... everybody makes in their own way sense of things, but if you have stories it helps.

We improv-ed scenes that didn't happen in the movie. We improv-ed the scenes that are written in the movie without the dialogue as written. We played around a lot to try and figure out just how we could flow with what was already written in the story and how we could highlight those imbalances and those points at which we came to loggerheads.

We kind of have to rewrite our own stories and our own ways of being free.

We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.

We knew Terry Brooks' work, but we hadn't read the Shannara books. So, they sent us the book to read and we just loved the story and the characters. We thought it would make a very compelling season of television. We were like, "Someone is going to make this. Why don't we do it?

We know story collections end when they end, as well - the pages serving as a countdown - but nevertheless the standard story anthology hews closer to what makes being human so hard: it reminds you with each story how quickly everything we are, everything we call our lives can change, can be upended, can disappear. Never to return.

We laughed the rest of the way, because the point of this story is, it is not the cookies. It is the love.

We like things to manifest right away, and they may not. Many times, we're just planting a seed and we don't know exactly how it is going to come to fruition. It's hard for us to realize that what we see in front of us might not be the end of the story.

We lay out our lives in a narrative we understand, like a movie, but are you enjoying making it or are you wondering who's watching my movie.

We learn best - and change - from hearing stories that strike a chord within us.

We like to look out on the world and see ourselves, so we have many, many novels, memoirs, and short stories in Iraq that are largely about Americans in Iraq, doing what Americans do.

we lived in the gaps between the stories

We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both.

We live in a world of competing narratives. In the end, we have to decide for ourselves which is right. And having made that decision, we then need to inhabit the story we trust.

Well, a lead is the most important thing about the story.

Well, honor is the subject of my story.

Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.

Well, I had nightmares when I was doing the Klan story all the time. I had a recurring nightmare of basically being exposed as a Jew inside the Klan compound.

Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling.

Well I thought my razor was dull until I heard his speech, and that reminds me of a story that's so dirty I'm ashamed to think of it myself.

Well, it's an adventure story, and a Bildungsroman, of course, but there was also the intention to describe a culture that had been seen in rather narrow terms.

Well, it's more of a sane life to be part of an ensemble! I find that the work can be more specific too and I have to really make sure I know where I am in the story because I'm not in every scene.

Well, we're meant to be writing stories today.

Well, politics is much more severe than entertainment. You have to hit those points, in politics, word for word. You have to remember the date. You have to remember the website. You have to rehearse stories that might be asked, have anecdotes ready for questions that might come up.

Well, well, perhaps I am a bit of a talker. A popular fellow such as I am -- my friends get round me -- we chaff, we sparkle, we tell witty stories -- and somehow my tongue gets wagging. I have the gift of conversation. I've been told I ought to have a salon, whatever that may be.

Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.

Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.

Well, you can't improvise story, which is a fact. If you could, the budget would be insane.

Well, why did you kill Jeremiah? And don't bother feeding me some story about how you just happened to wander along after he spontaneously died. I know you did this.

Well, you could take several stories off the buildings of most U.S. government agencies and we'd all probably be better for it too.

We lose ourselves in stories; that's the beauty of literary art.

We love the flexibility that print and digital formats give us, and diving deep on a print feature can be one step in a longer project that generates a lot of digital stories.

We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail

We make our lives bigger or smaller, more expansive or more limited, according to the interpretation of life that is our story.

We may be willing to tell a story twice, never to hear it more than once.

We may legitimately see in the [Old Testament] event, or in the record of it, additional levels of significance in the light of the end of the story – i.e. in the light of Christ

We may come from different places and have different stories, but we share common hopes, and one very American dream.