Best 6566 quotes in «stories quotes» category

Remember when . . . ? Stories like that were will-o'-the-wisps, glowing in the deepest, darkest parts of forests, leading travelers farther and farther from safety, out toward an ever-moving mark.

Is life a fantasy or fairy tales?

I spoke of the tragic illusion of perpetuity, but, no, my friends, it is a comic one. The ludicrous plot in which we are all trapped. The ancient Greeks referred to plot as mythos, attributing the random drift of human affairs to some sort of unknowable but glimpsable divine motion, attempting to attach a certain grandeur to it, the delusion of meaning. But we are characters who do not exist, in a story composed by no one from nothing. Can anything be more pitiable? No wonder we all are grieving.

It did occur to him that perhaps he’d gone to the wrong Academy – the guys in the Space Fleet always had more interesting stories to tell at the spaceport bars. You know, tales about the dude who got vaporized in a plasma accident in the engineering section, or the fella who got turned into a blob of weird space jelly by some alien virus – or the time someone flew a starship into an astor-field at warp four by mistake (they were still trying to find the black box on that one). The Imperial Space Fleet’s recruiting office sure didn’t go around advertising ‘Join up, see the universe, meet interesting aliens and die screaming’, but it was known there were risks involved. It was part of the job after all, and yet somehow, they still got recruits signing up in droves. Yes, indeedy – the stories were far more interesting than his – took a load of ore to Gorda, took a load of mining equipment back to Tordrazil. Took a load of Florpavian Flame-birds to a zoo on Deanna, took a load of machinery to Salus. Picked up and dropped off a few passengers on the way. Still, Florpavian Flame-birds were a risky cargo… and damned tricky to transport – which is probably the only reason he’d had any entertainment at all on the last trip.

I tell their stories here to do all of them some small honor. Their lives and, sometimes, their deaths speak to what we are capable of as average people in the face of evil and horror.

The worst experiences make the best stories.

I think I love the idea that problems have solutions. I think that‘s the appeal of mystery stories, whether they‘re Holmes or someone else. In those stories we live in an understandable world. We live in a place where every problem has a solution, and if we were only smart enough, we could figure them out.

I think that's just a story." "But, Jace," she said. "All stories are true.

It is a law of the story-teller's art that he does not tell a story. It is the listener who tells it. The story-teller does but provide him with the stimuli.

It is a long journey, not just as a writer, but as a human being. Take nothing and no one for granted, be humble always, be kind especially when it's difficult and never forget the place where you came from and the people that helped you get where you are. These things will live on in you and through you, long after the words have faded.

It is futile to spend time telling stories about the fleetness of each day.

It is easy to arrange the words in a story born out of a dream; for a story without a dream, a story itself is not enough.

It is important to know the stories and histories of things, even if all we know is that we don't know.

It is noted that from 1967 to 1995 essays on negative emotions far outnumbered those on positive emotions in the psychological literature. The ratio was 21:1. Even those supreme perpetrators of pop nihilism, The New York Times and The Washington Post, have a better ratio than psychological literature. They average 12 negative stories to every one that might be construed to be non-negative. Many of their non-negative stories, however, cover success in sports and entertainment. I demand that the purveyors of despair who pretend to be dispassionate observes of the human condition go ahead and disclose that the 10 most beautiful words in the English languages are chimes, dawn, golden, hush, lullaby, luminous, melody, mist, murmuring, and tranquil; that Java sparrows prefer the music of Back over that of Schoenberg; that math experts have determined there are 1/96 trillion ways to lace up your shoes; that the Inuit term for making love is translated as ‘laughing together in bed;' and that according to Buckminster Fuller, “pollution is nothing but resources we’re not harvesting.

It is not for nothing that an ominous feeling often attaches itself to a procession. In films and stories we see spectacles forming in the street and parades coming from around the corner, and we know to greet then with distrust and apprehension: their intent is still to be revealed.

It isn't about knowing the most stories, child. It is about carrying the ones that are most important and passing them along.

I travel for the great stories now ready tell, and those waiting to be told.

It is so gratifying to tell so many stories my eye can romance with, that i become the stories. They shall live on after me, and in that way it makes me immortal

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

I took on a year of reading books for a reason. Because words are witness to life: they record what has happened, and they make it all real. Words create the stories that become history and become unforgettable. Even fiction portrays truth: good fiction is truth.

It is relatively easy to accept that money is an intersubjective reality. Most people are also happy to acknowledge that ancient Greek gods, evil empires and the values of alien cultures exist only in the imagination. Yet we don’t want to accept that our God, our nation or our values are mere fictions, because these are the things that give meaning to our lives. We want to believe that our lives have some objective meaning, and that our sacrifices matter to something beyond the stories in our head. Yet in truth the lives of most people have meaning only within the network of stories they tell one another. Meaning is created when many people weave together a common network of stories. Why does a particular action – such as getting married in church, fasting on Ramadan or voting on election day – seem meaningful to me? Because my parents also think it is meaningful, as do my brothers, my neighbours, people in nearby cities and even the residents of far-off countries. And why do all these people think it is meaningful? Because their friends and neighbours also share the same view. People constantly reinforce each other’s beliefs in a self-perpetuating loop. Each round of mutual confirmation tightens the web of meaning further, until you have little choice but to believe what everyone else believes. Yet over decades and centuries the web of meaning unravels and a new web is spun in its place. To study history means to watch the spinning and unravelling of these webs, and to realise that what seems to people in one age the most important thing in life becomes utterly meaningless to their descendants.

It is the nature of stories to leave out far more than they include.

It made a romantic tale. The young rouge, cheating death, returning to his grieving lover. But in reality? Ashyn had always known life did not resemble one of her book stories or Moria's bard tales, and yet there was a part of her that hoped it did. The more she saw, the more she realized she was wrong. People made up stories because that is what they wanted from their world. A place where goodness, kindness, and honor were rewarded. They were not rewarded. The people of Edgewood could attest to that. - Sea Of Shadows

I try to avoid stories that end with...and he was never seen again.

It's a long story." Zach cupped his hands around his mug. He raised it to his lips, wincing as the liquid burned his tongue. His smile reached his eyes. "That's my favorite kind," he said.

It seemed to us that the fantastic can be, can do, so much more than its detractors assume: it can illuminate the real, it can distort it, it can mask it, it can hide it. It can show you the world you know in a way that makes you realise you've never looked at it, not looked at it.

It's easy to allow the world to collapse down to our own stories. To see ourselves as the central figure in the only story worth knowing and forget that every person we encounter is living their own, is the center of their own universe. But that's the nature of the human experience.

It’s hard to tell sometimes if Etheny’s stories are true, as you will see, so I will lay down the story as she told it to me to allow you to decide for yourself.

It’s hard to say where a story begins and ends. You have to draw an arbitrary line somewhere. Somewhere between perception and reality. Between what is spoken and what is heard. Between what is written and what is edited out. I know this, you can’t have an ending without a beginning. Even if they are really just random pieces of the middle that tend to stand out. Staccato notes on the page. Points on a circle.

It's in The Lord of the Rings, I think, where one of the characters says that "way leads on to way"; that you could start at a path leading nowhere more fantastic than from your own front steps to the sidewalk, and from there you could go . . . well, anywhere at all. It's the same way with stories. One leads to the next, to the next, and to the next; maybe they go in the direction you wanted to go, but maybe they don't. Maybe in the end it's the voice that tells the stories more than the stories themselves that matters.

It’s my belief that all of the greatest tales ever told have been told in saloons. It was in such smoky, heathen-filled den of iniquity that I first heard the tale of the Bone Feud. As with all great tales, it was at its core one hundred percent true. In fact, much of it has long been a matter of historical record. But tales grow in the telling, and I therefore must apologize in advance for any inaccuracies, and beg your indulgence for any romanticized embellishments. I have decided to present the story here, just as it was told to me. I find it entirely too rich and too entertaining to alter, simply to curry favor with pedants and historians.

It’s useful to make the distinction between reports and stories. A report is above all responsible for providing the facts, without manipulation or interpretation. Stories, on the other hand, are a way that people try to make sense of their lives and their experiences in the world. The test of a good story isn’t its responsibility to the facts as much as its ability to provide a satisfying explanation of events. In a few paragraphs, the reader learns of the problem (sales and profits are down), gets a plausible explanation (the company lost its direction), and learns a lesson (don’t stray, focus on the core). There’s a neat end with a clean resolution. No threads are left hanging. Readers go away satisfied. Now, there’s nothing wrong with stories, provided we understand that’s what we have before us. More insidious, however, are stories that are dressed up to look like science. They take the form of science and claim to have the authority of science, but they miss the real rigor and logic of science. They’re better described as pseudoscience. Richard Feynman had an even more memorable phrase: Cargo Cult Science. Here’s the way Feynman described it: In the South Seas there is a cult of people. During the war they saw airplanes land with lots of materials, and they want the same thing to happen now. So they’ve arranged to make things like runways, to put fires along the sides of the runways, to make a wooden hut for a man to sit in, with two wooden pieces on his head like headphones and bars of bamboo sticking out like antennas — he’s the controller — and they wait for the airplanes to land. They’re doing everything right. The form is perfect. But it doesn’t work. No airplanes land. So I call these things Cargo Cult Science, because they follow all the apparent precepts and forms of scientific investigation, but they’re missing something essential, because the planes don’t land. That’s not to say that Cargo Cult Science doesn’t have some benefits. The folks who wait patiently by the landing strips on their tropical island, dressed up like flight controllers and wearing a pair of coconut headsets, may derive some contentment from the whole process — they may live in hope of a better future, they may enjoy having something to believe in, and they may feel closer to supernatural powers. But it’s just that — it’s a story. It’s not a good predictor of what will happen next. The business world is full of Cargo Cult Science, books and articles that claim to be rigorous scientific research but operate mainly at the level of storytelling.

...it's not the stories - it's the pain and the joy and the people who stay with you long after the stories are told ...

It's time for a story. I know, I know, the night is noisy. Don't be afraid. The storm rises on its hind legs, bats our tiny house in its paws - but the smaller a mouse is, the more likely iy is to escape. Here, we slip through the cracks of the world.

It's what's in the book that matters. Standing in her daughter's room which also had shelves and shelves filled with books, Tess remembered a character in a favorite story saying that to someone who objected to using the Bible as a fan on a hot summer day. But she could no longer remember which story it was. Did that mean the book had ceased to live for her? The title she was trying to recall could be in this very room, along with all of Tess's childhood favorites, waiting for Carla Scout to discover them one day. But what if she rejected them all, insisting on her own myths and legends, as Octavia has prophesied? How many of these books would be out of print in five, ten years? What did it mean to be out of print in a world where books could live inside devices, glowing like captured genies, desperate to get back out in the world and grant people's wishes?

It takes courage and maturity to realise your own story.

It was a different life out here, but make no mistake: Lazlo was every bit the dreamer he had always been, if not more. He might have left his books, but he carried all his stories with him.

It was generally believed, said Theophilus, that Orpheus learned his music from the birds. His small voice, piping after theirs, filled with all the secret stories of the earth.

I've always been attracted to stories about rebels - things that are unusual and sometimes dangerous.

It was one of the few stories we told the same way.

It will be worth it if I am remembered, if not flatteringly, then at least with some small amount of accuracy.

It was one of the things that she liked best when her mother told her the stories: villains could be heroic, and heroes could do evil.

I've been obsessed with stories since I was a kid so it's no surprise that I ended up writing for a living.

I've thought and thought, but there's no other way to give you the truth except to hide it in a story and let you find your own way inside. All stories contain a truth if you look hard enough - but it might not be a good truth.

I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down. Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more. That's when the stories show up in me. They find me all the time. They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent. The only trouble is, I don't know which of those stories comes first. Maybe they all just merge into one. We'll see, I guess. I'll let you know when I decide.

I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle, and end. Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next. Delicious Ambiguity.

I wanted to know what our family's stories were. I wanted to know the things Mom wouldn't think to tell me. Things she knew but never said out loud, because they were a part of her. I wanted to know what made the Bahrami family special.

I wanted to tell the book thief many things, about beauty and brutality. But what couldI tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant. None of those things, however, came out of my mouth. All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you. I am haunted by humans.

I want the real story, the one that won’t make it into the history books or the scientific journals.” “And you think I’m the man to tell it, do you?” “If you were actually there, you are most definitely the person to tell it. You’re absolutely right. There have been plenty of stories. The trouble is, every account is different. Most of them are second or third hand. I don’t know . . . I guess I figured, maybe since you weren’t in such a rush to tell your version, it might be the closest to the truth.” Garvey chuckled heartily. “Well, I can’t argue with that logic, son. Despite my choice of reading materials . . .” he nodded towards the adventure novel he’d set down, a recent translation of the French novel by Jules Verne, A Journey to the Center of the Earth, “I’ve never been one for unnecessary embellishment. You want the God’s honest truth? In this particular case, there’s no need. It’s a hell of a goddamn story.” I was already flipping open a notebook and licking the tip of a sharpened pencil to take notes. I may have been salivating.

I was asked: You write some intimate scenes in your stories on You Me & Stories but they are not explicit. Why so? Have you considered writing an erotica? Why would I want to write a sex scene in detail, when the actual fun is in guiding the reader, helping them visualise and letting their imagination run wild! To answer the second part of the question - No. I am happy with the way I write now. There is a very thin line between sensual and erotica. I prefer staying on the sensual side.