Best 6566 quotes in «stories quotes» category

The metaphor is the story, not the character.

The minute that you bring a unicorn into a story, you know that it's a fairy tale or a fable, because unicorns don't exist as animals. They exist as fantasy creatures.

The Moguls is a story about guys that have all grown up together and are now in their late 40s, early 50s.

The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories.

The moral of the story: perceptions are everything. During each moment you are in contact with a customer, you are the organization.

The moral of human life is never simple, and the moral of a story which aims only at being true to human life cannot be expected to be any more so.

The moral of the story is this: sometimes, to do nothing, to do nothing at all, is the sorriest thing ever.

The moral of the story of the Pilgrims is that if you work hard all your life and behave yourself every minute and take no time out for fun you will break practically even, if you can borrow enough money to pay your taxes.

The moment you start dictating content/themes/story vs. allowing the player to be a participant in the story and carve their own path, you're doing the player a disservice.

The moral of the story is not to listen to those who tell you not to play the violin but stick to the tambourine.

The more gay people can tell our stories, the more other people will accept gay people.

The more I know about America, the better I'll be at performing American characters and American stories.

The more story-appeal there is in the picture or in the photograph, the more people would look at your ad

The more original a short-story writer, the odder looking the assortment of things he or she puts together for a story.

The most attractive characteristic in a person is the story they are telling the world. We stop and stare at stories.

The most common characteristic of women's history is to be lost and discovered, lost again and rediscovered, lost once more and re-rediscovered - a process of tragic waste and terrible silences that will continue until women's stories are a full and equal part of the human story.

The most complex challenge for an actor is the ability to give dimension to the story from the time that it happened, not from the present.

The most effective medium is yourself and the power you communicate by your intention and your story.

The most heartbreakingly poignant modern love story ever written.

The most important thing is the story. Not the script, but the story.

The most interesting part of filming is what the actors do. That's the primary link between the story and the audience.

The most intoxicating thing about being an actor is to surrender to a story that you never would have come up with.

The most questionable thing I did was make Superman a government agent. If this had been a Superman story, I'd never have done that - and I know that, because I have a Superman story I want to tell someday. In this story, Batman was the hero, so the world was built around him.

The most powerful stories are the ones that unite us, not divide us.

The most purely autobiographical ­fiction requires pure invention. Nobody ever wrote a more auto­biographical story than "The Meta­morphosis".

The movies I make and my interests are always about pushing the technology as far as we can in support of telling great stories and showing an audience things they haven't seen before.

The movies that influenced me were movies that told their stories through pictures more than words.

The movie [Miral] is not pro-Palestinian. It's about Palestinians. It's a Palestinian story, written by a Palestinian person. I don't know anybody else that could have done that

(The movie) is the story of my life, but it's not about me. It's about anybody who ever dreamed big and had someone tell them, 'No, you can't do it.' You can.

The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.

The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.

The mystery story is two stories in one: the story of what happened and the story of what appeared to happen.

The narrative of our lives is a total construct. We get to choose what that is. That is something I've realized as I've gotten older. I have a lot of choices about the story that I'm telling myself about my life. So where do I find meaning?

"The Notebook" is one of my favorite love stories.

The New York Times has had fake stories. CBS has had fake stories. And now Newsweek had a fake story. You realize the only one that hasn't had to print a retraction is the National Inquirer

The new cosmic story emerging into human awareness overwhelms all previous conceptions of the universe for the simple reason that it draws them all into its comprehensive fullness. Who can learn what this means and remain calm?

The New York Times ran a story about [Jeff] Sessions meeting the Russian ambassador, and they ran Claire McCaskill's tweet excoriating Sessions for doing this and saying that he should resign. Well, then it was produced that Claire McCaskill had, in fact, sent two other tweets where she was bragging about having spent time with the Russian ambassador. So the New York Times, rather than print that, just removed her from the whole story.

The Nigerian storyteller Ben Okri says that ‘In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, or we are also living the stories we planted — knowingly or unknowingly — in ourselves. We live stories that either give our lives meaning or negate it with meaninglessness. If we change the stories we live by, quite possibly we change our lives.’

Then the writing became so fluid that I sometimes felt as if I were writing for the sheer pleasure of telling a story, which may be the human condition that most resembles levitation.

The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story.

The Odyssey is the story of motion both purposeful and purposeless, successful and futile. What else is the history of law?

The Odyssey is the story of someone who, in the course of diverse experiences, acquires a personality or affirms and recovers his personality.

The older I get, the more I seek to use a plain prose style, concentrating more on story.

The old story is a story of measurement. And the New Story is to bring measurement and meaning together. You cannot measure meaning.

- the only difference between a happy ending and a sad ending is where you decide the story ends.

The only one interested in hearing your sad story is . . . you; and even you wish you didn't have to relive it again!

The only purpose of the visuals, in any film, is to serve the story.

The only reason to buy a paper book any longer is to own it and cherish it and remember it and tell a story about it.

The novel...creates a bemusing effect. The short story, on the other hand wakes the reader up. Not only that, it answers the primitive craving for art, the wit, paradox and beauty of shape, the longing to see a dramatic pattern and significance in our experience.

The number 1 thing that I don't want to see in a story is when characters exist simply to be proven wrong.