Best 6566 quotes in «stories quotes» category

I disliked singing in English and neither liked the story nor the character of Cressida.

I'd just find a story in Canada and come and do it. Combine harvester banger - actually I've done that: banger racing up in Red Deer [in Alberta, for his 1998 doc series Extreme Machines].

I'd just love to see the next Star Wars films when they come out because I'm very into the whole universe and the stories. So they're always rewarding.

Id like to be in anything that tells a good story and has an interesting character.

I'd just like to point out that almost all of these stories in this collection were rejected by some publication at one time or another, some of them have been rejected a lot, in fact. Find people you trust and listen to them.

I'd like to be taken in charge of as an actor, not to be abandoned with asinine dialogue and meaningless actions or stereotyped characters. I'd like to feel like I'm in a character driven story.

I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.

I'd like to see 'Top Chef: Amateur'. Sometimes we have an amateur chef on the show and they just can't cut it against the pros but there are some great stories there.

I'd like to, when it's all said and done, say that I have at least a few stories that I feel proud of.

I'd love to do a whole series of stories and have them collected into books.

I'd love to do some bedtime stories for kids or that kind of thing. But with the demands of the shooting schedule and balancing the demands of being a single mother, it's a wonder you can squeeze in anything.

I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.

I do a first draft as passionately and as quickly as I can. I believe a story is valid only when it's immediate and passionate, when it dances out of your subconscious. If you interfere in any way, you destroy it.

I do enjoy wearing a little heel when I'm at work, but when I'm running around with my son, it's a different story!

I do feel like there`s this Republican Party establishment is in disarray. That`s the story that the Donald Trump surge seems to tell.

I do find that if I go out for a meal I can be listening to a few conversations at once all around me. It can drive my partner bonkers a little bit. But it's about being able to tell a lot of very different stories as well as you can and I do genuinely love what I do.

I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.

I do not believe in ghosts. I believe in ghost stories.

I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.

I do not put myself in a box and say, for instance, I'm writing post-colonial literature. I don't know what I'm writing. That's the business of professors and critics. My job is to tell a story, and that's it.

I do not over-intellectualise the production process. I try to keep it simple: Tell the damned story.

I don't believe Chinese movies should only have Chinese cast and talents shooting it with a Chinese story.

I don't abandon stories once I've started working on them. Once I sit down and start a story, I'll be damned if I'm going to give up on it. But I do reject most of the ideas for stories that I come up with.

I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.

I don't differentiate in the way that the genre creators want differentiation to be made. I feel that I have never written children's or YA stories particularly.

I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.

I don't do films because they tell a particular kind of story, I do films with stories that touch me.

I don't even know if Stephenie [Meyer] could tell you why she was so fixated on [Twilight] very, very contained story about these very obsessive characters. It's just an anomaly.

I don't feel famous and I didn't want my autobiography to be like a Paris Hilton story.

I don't feel like writing any more ghost stories.

I don't go to see movies to see plots. I'm not interested in puzzles like an Agatha Christie story.

I don't get the great story line, action, mystery scripts; I get comedies. And relationship comedies are what I do. It's what attracted me to American Pie.

I dont go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong.

I don't have a plan for a story when I sit down to write. I would get quite bored carrying it out.

I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.

I don't have this feeling like, oh, I want to live in the United States and make movies and become famous just because the money is here. I like to make movies that tell stories that I care about.

I don't have Facebook or Twitter accounts yet. Being a compulsive storyteller, I always make up for myself discouraging stories about how such accounts will get me into embarrassing and time-consuming situations.

I don't have a great eye for detail. I leave blanks in all of my stories. I leave out all detail, which leaves the reader to fill in something better.

I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.

I don't know anything about the business side, but I know it's a very, very expensive decision to make, to put production on hold to make the story as good as possible.

I don't know how else to tell the story except to utilise that vocabulary: the rain, the darkness, the mansions, the framing, etc, the lighting and that sort of thing.

I don't know any family that doesn't have a story somewhere. Besides, it you didn't have those things in life, you'd be so bland.

I don't have a story about an epiphany in which I suddenly realised I wanted to be an actor. It was much more a case of the idea dawning on me gradually.

I don't just look at things as an actor. I've also written several films, so I look at it as a storyteller and I know if something worked and should have been in there for the benefit of the story and the benefit of the character.

I don't know if you've ever tried writing a Doctor Who story, but it's a lot more difficult than it initially appears, especially if you've got more than one assistant.

I don't know. Only God knows where the story ends for me, but I know where the story begins. It's up to us to choose, whether we win or lose and I choose to win.

I don't like to meet the actor and have a lot of conferences and talk about their sub-life and their off-screen life and their back stories and all that nonsense, because it never means anything.

I don't know the politics of Hollywood. Am I hungry for great material? Every actor is. How I can get to it, that's another story.

I don't know what makes a good feature story. I've always assumed that if it was a story that interested or amused me, that it would have the same impact on other people.

I don't like books that play to the gallery, but I've become more concerned with telling a story as clearly and engagingly as I can.