Best 6566 quotes in «stories quotes» category

It's all about letting the story take over.

It's all about one thing: creative problem-solving to get the story out.

It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.

It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.

It's all a question of story. We are in trouble just now because we do not have a good story. We are in between stories. The old story, the account of how we fit into it, is no longer effective. Yet we have not learned the new story.

It's all about the integrity of their characters. They [Marvel] care so much about the loyalty and integrity of each and every character and all of their stories. They trust and love their readership. They're the ones who have invested in these stories.

It's always a long goddamn story. Every time you ask anyone anything really important, it's a long story.

It`s all part of the pattern. This is a story of scandal and corruption, investigations, refusals to take responsibility. If this government continues in office, this will continue.

It's always a good starting point to tell a story that has many layers.

It's always a pleasure to see John. I'm fond of telling people that when I was a young actor in NY and had no work ,no money, you know the story because you're heard it before.

It's also a lot easier to convince people to read an entertaining story than any other type of book!

It's always about finding the right balance between answering some questions and raising new ones to keep your story going.

It's always been difficult for me to find funding for a story that I want to follow in real time. Financiers are hesitant to support a project when they don't know the outcome.

It's always very important to me to try to create a story that feels unpredictable. You can't jump ahead and see what's coming, but at the end, when you've watched the whole thing, it all feels inevitable.

It's always the story that interests me.

It's an indication of how cynical our society has become that any kind of love story with a sad theme is automatically ridiculed as sentimental junk.

Its amazing what you can do without in terms of filmmaking when a story is really important.

It’s a miserable story!” said Bruno. “It begins miserably, and it ends miserablier. I think I shall cry. Sylvie, please lend me your handkerchief.” “I haven’t got it with me,” Sylvie whispered. “Then I won’t cry,” said Bruno manfully.

It's annoying to be disapproved of by people who know only half the story, especially when you're not sure which half they know.

It's appropriate to have magic in a love story, because magic is a sort of metaphor for what love feels like? When we fall in love, the world feels magical to us. It becomes an enchanted place.

It's a sin for a writer to go looking for camels to put into his or her pages. I only want details that are the story.

It's a Samurai story [47 ronin], so if we change too much Japanese audiences will have strong against feelings to the film. It's not good.

It’s a small story really, about, among other things: * A girl * Some words * An accordionist * Some fanatical Germans * A Jewish fist fighter * And quite a lot of thievery

It's a terrible thing that your life turns into a good story.

It's a typical story: you think of something, it stays in the back of your head for a while, and then you finally do it.

It's a success story here in Michigan. We have hiring going on. We have new industries going on.

It's a very remarkable story." "Remarkable's a well-chosen word. It doesn't give you away.

It's a universal story, it's an immigrant story, and it's a love story. In the United States, if you believe in yourself and you're determined and persevere, you're going to succeed.

It's been the same story ever since I can remember, ever since Wilson - the Republicans don't do a thing for the little man.

It's cool to tell a real story.

It's difficult for me to have a large story, a very large story - a novel is a large story. I'm used to writing and doing these little miniature paintings.

It's easier to come up with new stories than it is to finish the ones you already have. I think every author would feel that way.

It's different if you're a painter. You can hidethe ones that don't work. You can't do that with movies. They tellthe story of who you are at the time, and that's the wonderful thingabout it.

It's easy now, now that it's a story. When you were going through it, it was life. Always much harder to get the plot line on.

It seemed that I could tell the whole story pretty powerfully in those 18 months between October of '62 and the spring of '64 when they were all at their peak. And yet you could see some of the shadows of Detroit's demise coming.

It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.

It seems like everyone's got an agenda, and the agenda seems to be selling magazines or air time with sensational stories.

It seems like as soon as you have written something, it dictates a story. So I need to be careful.

It seems that two of the most basic forms of comedy are jokes and stories. And, of course, they are not mutually exclusive.

It's funny, because I don't have a very addictive personality in any way except for things like stories or books or movies or TV. I just get, like, completely enamored and lost in that world, especially when one really hits the right way. Like, I just can't do anything else.

It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.

It's funny, but I think my stories - the good ones - they're much smarter than I am.

It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].

It's good filmmaking when you don't have to say anything and you can still tell the story.

It's great to express yourself and tell other people's stories and get into the minds of people who aren't like you.

It's great that the story [Allied] is set in the '40s because the '40s feel to it is completely appropriate.

It's hard when you're doing a film based on a true story to really figure out what all those relationships were.

It's harder now for journalists to do stories about billionaires, like Peter Thiel, without having at the back of their minds the fear that maybe somebody deep-pocketed, you know, with limited resources is going to come after us and can my organization afford to defend me?

It's hard to hear the story of a love affair between two straight men, one of whom is the most divine woman alive.

It's hard to tell what people will do with the word and how they'll be circulating it but I think the storytellers and the stories themselves will always be there.