Best 6566 quotes in «stories quotes» category

It's time for a story. I know, I know, the night is noisy. Don't be afraid. The storm rises on its hind legs, bats our tiny house in its paws - but the smaller a mouse is, the more likely iy is to escape. Here, we slip through the cracks of the world.

It’s useful to make the distinction between reports and stories. A report is above all responsible for providing the facts, without manipulation or interpretation. Stories, on the other hand, are a way that people try to make sense of their lives and their experiences in the world. The test of a good story isn’t its responsibility to the facts as much as its ability to provide a satisfying explanation of events. In a few paragraphs, the reader learns of the problem (sales and profits are down), gets a plausible explanation (the company lost its direction), and learns a lesson (don’t stray, focus on the core). There’s a neat end with a clean resolution. No threads are left hanging. Readers go away satisfied. Now, there’s nothing wrong with stories, provided we understand that’s what we have before us. More insidious, however, are stories that are dressed up to look like science. They take the form of science and claim to have the authority of science, but they miss the real rigor and logic of science. They’re better described as pseudoscience. Richard Feynman had an even more memorable phrase: Cargo Cult Science. Here’s the way Feynman described it: In the South Seas there is a cult of people. During the war they saw airplanes land with lots of materials, and they want the same thing to happen now. So they’ve arranged to make things like runways, to put fires along the sides of the runways, to make a wooden hut for a man to sit in, with two wooden pieces on his head like headphones and bars of bamboo sticking out like antennas — he’s the controller — and they wait for the airplanes to land. They’re doing everything right. The form is perfect. But it doesn’t work. No airplanes land. So I call these things Cargo Cult Science, because they follow all the apparent precepts and forms of scientific investigation, but they’re missing something essential, because the planes don’t land. That’s not to say that Cargo Cult Science doesn’t have some benefits. The folks who wait patiently by the landing strips on their tropical island, dressed up like flight controllers and wearing a pair of coconut headsets, may derive some contentment from the whole process — they may live in hope of a better future, they may enjoy having something to believe in, and they may feel closer to supernatural powers. But it’s just that — it’s a story. It’s not a good predictor of what will happen next. The business world is full of Cargo Cult Science, books and articles that claim to be rigorous scientific research but operate mainly at the level of storytelling.

It's what's in the book that matters. Standing in her daughter's room which also had shelves and shelves filled with books, Tess remembered a character in a favorite story saying that to someone who objected to using the Bible as a fan on a hot summer day. But she could no longer remember which story it was. Did that mean the book had ceased to live for her? The title she was trying to recall could be in this very room, along with all of Tess's childhood favorites, waiting for Carla Scout to discover them one day. But what if she rejected them all, insisting on her own myths and legends, as Octavia has prophesied? How many of these books would be out of print in five, ten years? What did it mean to be out of print in a world where books could live inside devices, glowing like captured genies, desperate to get back out in the world and grant people's wishes?

It takes courage and maturity to realise your own story.

It was a different life out here, but make no mistake: Lazlo was every bit the dreamer he had always been, if not more. He might have left his books, but he carried all his stories with him.

It was generally believed, said Theophilus, that Orpheus learned his music from the birds. His small voice, piping after theirs, filled with all the secret stories of the earth.

It was one of the few stories we told the same way.

It was one of the things that she liked best when her mother told her the stories: villains could be heroic, and heroes could do evil.

It will be worth it if I am remembered, if not flatteringly, then at least with some small amount of accuracy.

I've always been attracted to stories about rebels - things that are unusual and sometimes dangerous.

I've been obsessed with stories since I was a kid so it's no surprise that I ended up writing for a living.

I've thought and thought, but there's no other way to give you the truth except to hide it in a story and let you find your own way inside. All stories contain a truth if you look hard enough - but it might not be a good truth.

I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down. Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more. That's when the stories show up in me. They find me all the time. They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent. The only trouble is, I don't know which of those stories comes first. Maybe they all just merge into one. We'll see, I guess. I'll let you know when I decide.

I walked to the bookcase and examined the storybooks inside. As a girl, I had dreamed of having stacks of books at my disposal--stories to get lost in, other worlds to live in when mine was so bleak.

I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle, and end. Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next. Delicious Ambiguity.

I wanted stories, and I wanted them always, and I wanted the experience that only fiction could give me: I wanted to be inside them.

I wanted to know what our family's stories were. I wanted to know the things Mom wouldn't think to tell me. Things she knew but never said out loud, because they were a part of her. I wanted to know what made the Bahrami family special.

I wanted to tell the book thief many things, about beauty and brutality. But what couldI tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant. None of those things, however, came out of my mouth. All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you. I am haunted by humans.

I want the real story, the one that won’t make it into the history books or the scientific journals.” “And you think I’m the man to tell it, do you?” “If you were actually there, you are most definitely the person to tell it. You’re absolutely right. There have been plenty of stories. The trouble is, every account is different. Most of them are second or third hand. I don’t know . . . I guess I figured, maybe since you weren’t in such a rush to tell your version, it might be the closest to the truth.” Garvey chuckled heartily. “Well, I can’t argue with that logic, son. Despite my choice of reading materials . . .” he nodded towards the adventure novel he’d set down, a recent translation of the French novel by Jules Verne, A Journey to the Center of the Earth, “I’ve never been one for unnecessary embellishment. You want the God’s honest truth? In this particular case, there’s no need. It’s a hell of a goddamn story.” I was already flipping open a notebook and licking the tip of a sharpened pencil to take notes. I may have been salivating.

I was asked: You write some intimate scenes in your stories on You Me & Stories but they are not explicit. Why so? Have you considered writing an erotica? Why would I want to write a sex scene in detail, when the actual fun is in guiding the reader, helping them visualise and letting their imagination run wild! To answer the second part of the question - No. I am happy with the way I write now. There is a very thin line between sensual and erotica. I prefer staying on the sensual side.

I who have copied down this story, or more accurately fantasy, do not credit the details of the story, or fantasy. Some things in it are devilish lies, and some are poetical figments; some seem possible and others not; some are for the enjoyment of idiots.

Listen to what speaks to your heart.

I wish stories were kinder to their characters," Maddie said. "But I guess trouble is more interesting to read about.

Listen to yourself and you are heard.

Literature is the real life of imaginary people.

Literature keeps presenting the most vicious things to us an entertainment, but what it appeals to is not any pleasure of these things, but the exhilaration of standing apart from them and being able to see them for what they are because they aren't really happening. The more exposed we are to this, the less likely we are to find an unthinking pleasure in cruel or evil things. As the eighteenth century said in a fine mouth-filling phrase, literature refines our sensibilities.

Listen. You will still only love me. And I will only love you. It’s only that we’ll have different names. Sometimes I’ll be Augusta, queen of Gondal, and you’ll be a dangerous highwayman. Sometimes we’ll be Alexander and Zenobia, the young lovers. Sometimes… sometimes we will just be two lonely children roaming the moors together. But the ‘he’ of the story will always be you, and the 'she’ of the story will always be me. Forever.

Live your life in such a way that it is going to be the favorite story of your generation and generations to come.

Love awakens the soul.

Looking back together, telling our stories to one another, we learn how to be on our own.

Los lectores somos considerados lectores no sólo por leer infinidades de libros de distintos géneros o simplemente uno solo, no. Somos considerados lectores porque amamos la magia de las palabras, el como tenemos sentimientos encontrados con cualquier personaje, el como nos hace sentir cada historia que está escrita ahí, en ese gran y preciado tesoro llamado libro.

Love is a dance.

Love is the key to everything. Love your life.

Love is the answer.

Love writes without words.

Love that Literature.

Love your story.

Lying in small doses makes a good storyteller great.

Magic is the most interesting art because people not necessarily want to learn to paint after they see a great painting, but they want to learn magic after they see a great magic effect.

Magic is a very beautiful mystery. Even the ages old magic effects still surprises the most modern men.

Magicians and Mentalist predict the future because they create it.

Luz's manner of speaking made it clear that she had no idea what she might say next. It wasn't that she made things up, strictly speaking--only that facts were merely a point of departure for her.

Magician is the best storyteller in the world.

Many writers were better before they became famous.

Many stories begin with a dream, but it is rare when the dream is the story itself.

Many storytellers with possibly more potential than Shakespeare, even though I have not read much of him, could not hit much fame because they treated their stories like their wives. Rather than limiting the emotion only to flirting with their stories, they married them, thus limiting their chances of experimenting.

Mark Spitz didn't ask about Harry. You never asked about the characters that disappeared from a Last Night story. You knew the answer. The plague had a knack for narrative closure.

Modernist manuals of writing often conflate story with conflict. This reductionism reflects a culture that inflates aggression and competition while cultivating ignorance of other behavioral options. No narrative of any complexity can be built on or reduced to a single element. Conflict is one kind of behavior. There are others, equally important in any human life, such as relating, finding, losing, bearing, discovering, parting, changing. Change is the universal aspect of all these sources of story. Story is something moving, something happening, something or somebody changing.

Maybe stories choose how they are told and who tells them.

Maybe those stories did more harm than good by giving us false hope. All they did was reinforce our faith that the world was once made up almost entirely of magic or miracles. But where was that magic now, when we needed it?