Best 6566 quotes in «stories quotes» category

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    When I was a boy, unconsciously, spontaneously I learned the art of telling ironic stories.

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    When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.

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    When I was a kid going to the movies, we'd go because Bogart was in the movie, or Cagney, or John Wayne. We didn't know what the story was about or anything.

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    When I was a little kid, before I learned how to write, I would tell stories.

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    When I was a little kid, I told stories.

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    When I was doing preliminary research on this case, I remembered the story about Tlazolteotl.' [Mulder] glanced at the old archaeologist. 'Am I pronouncing it correctly? It sounds like I'm swallowing a turtle.

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    When I was a teenager, 'Playboy' was the most interesting magazine in the world, and not just for the playmates. I liked the interviews and the stories, and all that, but nowadays most of the stuff in there doesn't interest me.

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    When I was four I read the story of horton hears a who and I cried. I wanted to eat that elephant.

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    When I was in Boy Scouts, back in the day, we'd tell stories around the campfire. That's why I love movies. It's literally you and your friends, telling stories around a campfire, whatever they may be.

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    When I was quite young I came across a collection of [Franz] Kafka stories and read "The Judgment." I was just floored by that story. I couldn't understand it. I still don't. I'm talking about something I read more than 50 years ago. That story left a little scar on me.

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    When I was nine years old, I wrote a short story called 'How to Build a Snowman,' from which no practical snowperson-crafting techniques could be gleaned. The story was an assignment for class and it featured a series of careful but meaningless instructions. Of course, the building of the snowman was a red herring.

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    When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.

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    When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.

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    When was the last time someone read aloud to you? Probably when you were a child, and if you think back, you'll remember how safe you felt, tucked under the covers, or curled in someone's arms, as a story was spun around you like a web.

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    When we cannot find a way of telling our story, our story tells us-we dream these stories, we develop symptoms, or we find ourselves acting in ways we don’t understand.

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    When we deny our stories, They define us. When we own our stories, we get to write the ending.

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    When we let ourselves respond to poetry, to music, to pictures, we are clearing a space where new stories can root, in effect we are clearing a space for new stories about ourselves.

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    When we love others, we naturally want to talk about them, we want to show them off, like emotional trophies. We invest them with a power to do to others what they do to us; a vain hope, as the lovers of others are rarely of much interest to us. But we listen in patience, as friends must, and as Isabel now did, refraining from comment, other than to encourage the release of the story and the attendant confession of human frailty and hope.

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    When well told, a story captured the subtle movement of change. If a novel was a map of a country, a story was the bright silver pin that marked the crossroads.

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    When we realize that there is never a single story about any place, we regain a kind of paradise.

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    When we report stories, we don't just want to talk to people who did the right thing. We want to talk to people who did the wrong thing.

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    When we were done and not picked up to series yet, they wanted us to read lots of writers. I was like, "No." Then we finally were picked up. It is hard not to start thinking of story lines. It is like doodling.

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    When we try to describe the truth with words, we distort it and it's no longer truth--it's our story. The story may be true for us, but that doesn't mean it's true for anyone else.

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    When women get together, they tell stories. This is how it has always been. Telling stories is our way of saying who we are, where we have come from, what we know, and where we might be headed.

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    When you are in the present moment, you break the continuity of your story, of past and future. Then true intelligence arises, and also love.

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    When you are in your teenage years you are consciously experiencing everything for the first time, so adolescent stories are all beginnings. There are never any endings.

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    When you are telling your story, hold your own ink pen. Don't let anybody else tell your story.

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    When you can tell the story and it doesn't bring up any pain, you know it is healed.

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    When you are working on a script, the story itself is not difficult. You say this would happen and then this, resulting perhaps in this. And the dialogue you make as true as you can.

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    When you change your NOW story, you instantly change your past story and your future story.

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    When you do 22 episodes of a network show, it's incredibly useful to have a format that gives you a jumping-off point for a story.

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    When you decide to make a film, it's imperative that it's a story you just have to tell...no matter what. If so, then dive in. It won't be 'work'...it will be a thrilling, deeply satisfying experience.

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    When you do a lot of interviews, you find yourself telling the same stories over and over. After you do it for a whole day, you say, 'Christ, I've said this five times today.' It gets fun when you get so bored you start making it all up.

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    When you create something that connects, your story will travel faster than ever before.

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    When you combine the great stories from the comics with the action and visual excitement of the movies, it doesn't get any better!

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    When you do not have the dialogue to explain things, you will use everything to show and to tell the story. I think that this is what makes you believe that it is impeccable

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    When you get into a film, it is one story and one set development of a character, and you are able to delve into one character for a short period of time and discover everything about them.

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    When you have a memorable story about who you are and what your mission is, your success no longer depends on how experienced you are or how many degrees you have or who you know.  A good story transcends boundaries, breaks barriers, and opens doors.

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    When you have an important story to tell, the words you need seem to come of their own accord.

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    When you have fans telling you their stories it makes you feel like you're not alone.

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    When you hire that first person, then you're a boss. You've got performance reviews. You've got complaints about not making enough money. You've got people who are just going to sell your story to the tabloids.

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    When you listen to someone improvise, the notes that are played are only half the story.

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    When I was in school, my former roommate went through hazing. I heard the stories, but I don't think I've seen a movie that captures the stuff that goes on.

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    When I was really young I didn't know that there was such a thing as a screenwriter. I wrote stories.

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    When I was little, I always used to like to tell stories cuz it was entertaining to people.

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    When I was painting, I was painting stories I was telling myself. When I look back at it, moving to writing was a very natural progression for me.

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    When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about. Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.

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    When I went to Hong Kong, I knew at once I wanted to write a story set there.

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    When I write I pretend I'm telling a story to someone in the room and I don't want them to get up until I'm finished.

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    When I write my novels I don't really have a huge plan beforehand; I don't have the whole plot and architecture, so the story is sort of discovered as I write it.