Best 24 quotes of Rene Daumal on MyQuotes

Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.

Common experience is the gold reserve which confers an exchange value on the currency which words are; without this reserve of shared experiences, all our pronouncements are checks drawn on insufficient funds.

Definition: Alpinism is the art of going through the mountains confronting the greatest dangers with the biggest of cares. What we call art here, is the application of a knowledge to an action.

Each time dawn appears, the mystery is there in its entirety.

In the mythic tradition, the Mountain is the bond between Earth and Sky. Its solitary summit reaches the sphere of eternity, and its base spreads out in manifold foothills into the world of mortals. It is the way by which man can raise himself to the divine and by which the divine can reveal itself to man.

It is still not enough for language to have clarity and content... it must also have a goal and an imperative. Otherwise from language we descend to chatter, from chatter to babble and from babble to confusion.

Man is head, chest and stomach. Each of these animals operates, more often than not, individually. I eat, I feel, I even, although rarely, think... This jungle crawls and teems, is hungry, roars, gets angry, devours itself, and its cacophonic concert does not even stop when you are asleep.

The door to the invisible must be visible.

...the most serious thing, and the strangest, is that we are afraid to the point of panic, not so much of seeing ourselves as of being seen by ourselves. This is our root absurdity. What is behind this great fear?

Truth is one, but error proliferates. Man tracks it down and cuts it up into little pieces hoping to turn it into grains of truth. But the ultimate atom will always essentially be an error, a miscalculation.

When feet doesn't want to hold you, you climb with your head. Maybe it isn't the natural order of things, but isn't it better to walk with your head than to think with your feet, as it happens so frequently?

Words are made for a certain exactness of thought, as tears are for a certain degree of pain. What is least distinct cannot be named; what is clearest is unutterable.

All the means we've been given to stay alert we use to ornament our sleep. If instead of endlessly inventing new ways to make life more comfortable we'd apply our ingenuity to fabricating instruments to jog man out of his torpor!

Art is here taken to mean knowledge realized in action.

At least,' I said, 'she has the virtue of sincerity.' 'Some virtue! They've all got it. They show off quite shamelessly for everybody—except themselves, of course—to see. In our trade, we say a succulent abscess or a magnificent case of eczema; similarly, they proudly exhibit their sick organs under all manner of garbs. A man who makes a plate or a shirt or a loaf of bread or anything our great great ancestors called a work of art, has no need to try to be sincere; all he can do is practice his craft to the best of his ability. But once he starts making useless things, how can he not be sincere? I'm using the word in the somewhat weird sense that you yourself seem to understand it.)

Having no lead to follow, we were swept up by words, memories, manias, grudges, and solidarities. Having no goal to aim for, we wasted what little life there was in our thoughts on joining in with a pun, speaking ill of common acquaintances, avoiding unpleasant facts, riding hobbyhorses, pushing at open doors, making faces, and preening ourselves.

I am dead because I lack desire, I lack desire because I think I possess, I think I possess because I do not try to give, In trying to give, you see that you have nothing, Seeing that you have nothing, you try to give of yourself, Trying to give of yourself, you see that you are nothing, Seeing that you are nothing, you desire to become, In desiring to become, you begin to live.

In somber mood, I re-called my whole life up to this day, and my head spun with the buzzing of a hundred and one ouroboristic worms. I remembered the drinking parties that made us thirsty and the thirst that made us drink; I thought back to Sidonius recounting his endless dream; to the people who worked to be able to eat and who ate to have the strength to work; to the black thoughts I drowned with such sadness in the cask and which were reborn in different hues. Between the vicious circles of the drinking party and those of the delusory paradises, I would never again be able to choose, I could no longer be part of their revolutions, I was from that moment no more than a wasteland.

It was at that moment that I called in a few of the top Fidgeters who, under my directions, set about organizing the destruction of the young. The method is quite straightforward; the children are taken at the time when their intelligence is not yet fully developed, and their passions respond to the slightest stimulation; they are made to live in companies, dressed and armed uniformly, and by means of magic speeches and collective physical exercises, whose secret is ours alone, we give them what we call "the cult of the common ideal"; this is an absolute devotion to a loud-mouthed, authoritarian person, or to a particular form of dress, or to some catch phrase, or to a certain grouping of colors, or whatever. All we need then is to have here two opposing groups of young people (or more than two, but an even number is preferable) who have been kept at a high level of emotional tension; the sole precaution to take is to leave no time for their brains to function, but that's easy enough. Then (are you with me?) when they have reached just the right pitch, they are let loose on one another...and afterwards, we can breathe easy for a while. This, at the same time, occupies and enriches the manufacturers and sellers of uniforms and armaments, and the authors of tracts which recommend the uses of carnage, one of whom wrote recently: "The young man who is not killed in the flower of youth is not a young man, he is the old man of tomorrow.

Out of a single man, they get a thousand: homo economicus, homo politicus, homo physico-chimicus, homo endocrinus, homo skeletonicus, homo emotions, homo percipiens, homo libidinosus, homo peregrinans, homo ridens, homo ratiocinans, homo artifex, homo aestbeticus, homo religiosus, homo sapiens, homo historicus, homo ethnographicus, and many, many more. But at the very end of the production line in this laboratory of mine sits a Scienter who is quite unique. Three thousand brains in one. His function is to collect all the data and clarifications written up by the specialist Scienters. When he has collated everything, he is convinced that he has clasped the red rabbit or the essential man entire to his understanding. There you are, you can see him from here,' he ended, with a sign to one of his assistants who brought me a pair of binoculars. I put them to my eyes and, indeed, at the far end of the gallery, I saw the Omniscienter. There he was, an enormous cranial dome with a tiny, shapeless, crumpled face, which seemed to me to be hanging by the ears from the two ebony knobs on the back of a raised throne. Swinging to and fro beneath this head was a little cloth puppet which dangled its empty trouser legs over the crimson plush seat. His tiny right arm was kept aloft by means of a wire, and the index finger rested on his temple in the gesture of one who knows. Above the throne ran a banner bearing this inscription: I KNOW EVERYTHING, BUT I DON'T UNDERSTAND ANY OF IT

The Kaffir, who tended the garden and looked after the chickens, in Cracow, used to sleep in the pigeon loft. He said it was "very good for the breath": One night, I had this terrifying dream. A huge corkscrew, which was the earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug but not hanging on so well, slither and stumble over the helix, and with my thoughts sent whirling down moving staircases made of a priori shapes. Suddenly, the fatal moment, there is a loud crack, my neck snaps, I fall flat on my face and I emerge in a splash of sparks before the Kaffir who had come to wake me. He says: "Did you have an attack of the nasties, then? Come and look at this": And he leads me to the pigeon loft and gets me to peep through a hole in the wall. I put my eye to it. I see a terrifying sight: a huge corkscrew, which was the Earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug, but not hanging on so well....' Eyes popping, the bumps on his forehead lit up, his moustache bristling, little Sidonius began the story again, which slotted into itself endlessly like the popular refrains everybody knows. He spoke feverishly, mangling his words. I listened, paralyzed with horror, at least ten times to his appalling rotating story. Then I went off to get a drink.

Then, by asking questions methodically, he got me to recount in their proper sequence my own memories of that night; they were as written down above. And I attempted a conclusion: 'And that's how I came to see that we were less than nothing and had no hope. After that, would it not be the right thing to go out and hang yourself?' He laughed and said: 'But what could be more comforting than to discover that we are less than nothing? It's only by turning ourselves inside out that we shall become something. Is it not a great comfort to the caterpillar to learn that she is a mere larva, that her time of being a semi-crawling digestive tube will not last, and that after a period of confinement in the mortuary of her chrysalis, she will be born again as a butterfly—not in a nonexistent paradise dreamed up by some caterpillary, consoling philosophy, but here in this very garden, where she is now laboriously munching on her cabbage leaf? We are all caterpillars and it is our misfortune that, in defiance of nature, we cling with all our strength to our condition, to our caterpillar appetites, caterpillar passions, caterpillar metaphysics, and caterpillar societies. Only in our outward physical appearance do we bear to the observer who suffers from psychic shortsightedness any resemblance whatsoever to adults; the rest of us remain stubbornly larval. Well, I have very good reasons for believing (indeed if I didn't there'd be nothing for it but to go off and dangle from the end of a rope) that man can reach the adult stage, that a few of us already have, and that those few have not kept the knack to themselves. What could be more comforting?

The Primecrat, when asked in his turn to demonstrate his ouroborism, cupped his hands and shouted through the trap door to his followers: 'Take up military sports! For the sportsman of today is the soldier of tomorrow. The soldier of tomorrow will repel the invader and at the same time open up new markets for the industries of his country. The industries will prosper, the country will become rich, and thus it will be able to support associations which encourage military preparations and from these will emerge the soldiers of the day after tomorrow, who will repel the invader and at the same time open up new markets...' The mechanical repeater was brought in. In somber mood, I recalled my whole life up to this day, and my head spun with the buzzing of a hundred and one ouroboristic worms. I remembered the drinking parties that made us thirsty and the thirst that made us drink; I thought back to Sidonius recounting his endless dream; to the people who worked to be able to eat and who ate to have the strength to work; to the black thoughts I drowned with such sadness in the cask and which were reborn in different hues. Between the vicious circles of the drinking party and those of the delusory paradises, I would never again be able to choose, I could no longer be part of their revolutions, I was from that moment no more than a wasteland.

This place has only three exits, sir: Madness, and Death.