Best 21 quotes of David Malouf on MyQuotes

Achilles too staggered a moment. He felt his soul change colour. Blood pooled at his feet, and though he continued to stand upright and triumphant in the sun, his spirit set off on its own downward path and approached the boarders of an unknown region.

Fiction, with its preference for what is small and might elsewhere seem irrelevant; its facility for smuggling us into another skin and allowing us to live a new life there; its painstaking devotion to what without it might go unnoticed and unseen; its respect for contingency, and the unlikely and odd; its willingness to expose itself to moments of low, almost animal being and make them nobly illuminating, can deliver truths we might not otherwise stumble on.

I have stopped finding fault with creation and have learned to accept it. We have some power in us that knows its own ends. It is that which drives us on to what we must finally become… This is the true meaning of transformation. This is the real metamorphosis.

I knew that the world around you is only uninteresting if you can't see what is really going on. The place you come from is always the most exotic place you'll ever encounter because it is the only place where you recognise how many secrets and mysteries there are in people's lives

I've long come to the conclusion that when people say they can't put a book down, they don't mean they're interested in what's happening next; they mean they are so mesmerised by the writer's voice and the relationship that has been established that they don't want to break that. That's what I feel when I read, and I'm sure now that that's what's going on in the relationship between the reader and the writing.

Now that spring is no longer to be recognised in blossoms or in new leaves on trees, I must look for it in myself. I feel the ice of myself cracking. I feel myself loosen and flow again, reflecting the world. That is what spring means.

Silence is a form of communication. Speech divides us.

The earth's warmth under me, as I stretch out at night, is astonishing. It is like the warmth of another body that has absorbed the sun all day and now gives out again its store of heat. It is softer, darker than I could ever have believed, and when I take a handful of it and smell its extraordinary odors, I know suddenly what it is I am composed of, as if the energy that is in this fistful of black soil had suddenly opened, between my body and it, as between it and the green stalks, some corridor along which our common being flowed.

We are continuous with all the particles of our physical being, as in our breathing we are continuous with the sky. Between our bodies and the world there is unity and commerce.

What else should our lives be but a continual series of beginnings, of painful settings out into the unknown, pushing off from the edges of consciousness into the mystery of what we have not yet become.

With all those prizes the most interesting thing is getting on to the shortlist, because that tells you who people see as your peers.

And if other old men must be willing, at the end, to push up off their deathbed and adventure out into the unknown, how much more willing must that man be whose whole life has been just such a daily exercise of adventuring, even in the stillness of his own garden? I mean, the poet.

As for the Economy, this new embodiment as I called it of Fate or the Gods, this global power that governs the lives of Chinese workers in village factories, Brazilian miners, children working cocoa plantations in West Africa, sex workers in Mumbai, real estate salesmen in Connecticut, sheep-farmers in Scotland or on the Darling Downs, disembodied voices in call centres in Bangalore, workers in the hospitality industry in Cancun or Venice or Fiji, keeping them fatefully interconnected, in its mysterious way, by laws that do exist, the experts assure us, though they cannot agree on what they are- it is too impersonal, too implacable for us to live comfortably with, or even to catch hold of and defy. When we were in the hands of the Gods, we had stories that made these distant beings human and brought them close. They got angry, they took our part or turned violently against us. They fell in love with us and behaved badly. They had their own problems and fought with one another, and like us were sometimes foolish. But their interest in us was personal. They watched over us and were concerned though in moments of willfulness or boredom they might also torment us as “wanton boys” do flies. We had our ways of obtaining their help as intermediaries. We could deal with them. The Economy is impersonal. It lacks manageable dimensions. We have discovered no mythology to account for its moods. Our only source of information about it, the Media and their swarm of commentators, bring us “reports,” but these do not help: a possible breakdown in the system, a new crisis, the descent of Greece, or Ireland or Portugal, like Jove’s eagle, of the IMF. We are kept in a state of permanent low-level anxiety broken only by outbreaks of alarm.

But here we call it Spring, when a young man’s fancy turns, fitfully, lightly, to idling in the sun, to touching in the dark. And the old man's? To worms in their garden box; stepping aside a moment in a poem that will remember, fitfully, who made it and the discord and stammer, and change of heart and catch of breath it sprang from. A bending down lightly to touch the earth.

He had entered the rough world of men, where a man's acts follow him wherever he goes in the form of story.

Here is the life you have tried to throw away. Here is your second chance. Here is the destiny you have tried to shake off by inventing a hundred false roles, a hundred false identities for yourself. It will look at first like disaster, but is really good fortune in disguise, since fate too knows how to follow your evasions through a hundred forms of its own. Now you will become at last the one you intended to be.

The planet, saved for another day, stokes up its slow-burning gases and toxic dust, gold rift and scarlet gash that take our breath away; a world at its interminable show of holy dying. And we go with it, the old gatherer and hunter. To its gaudy-day, though the contribution is small, adding our handsel of warm clay.

The prospect of going home again scared them. They couldn't imagine how they could ever settle to it. How they could just walk around the streets and pretend to be normal, look women in the eye again after what they had done and seen, ride on trams, sit at a table with a white cloth, and control their hands and just slowly eat. It was the little things that scared them. The big things you could hide in. It was little ones that gave a man away.

This new lot...they too would go down. They were 'troops' who were about to be 'thrown in,' 'men' in some general's larger plan, 're-enforcements ' and would soon be 'casualties'. They were also Spud, Snow, Skeeter, Blue, Tommo.

What does it mean to be ,' he thought, 'except to be known?

What drew him back was something altogether more personal, to a history where, in the pain and longing of adolescence, he was still standing on the corner of Queen and Albert Streets waiting for someone that he knew would never appear. He had long understood that one of his selves, the earliest and most vulnerable, had never left this place, and this original and clearest view of things could be recovered only through what had first come to him in the glow of its ordinary light and weather...it was the light they appeared in that was the point, and that at least had not changed.