Best 33 quotes of Damian Lewis on MyQuotes

A cricket ball broke my nose when I was a kid so I couldn't breath through it. Before I had it operated on I used to stand on stage with my mouth slightly open.

Acting can be a narrow and isolated experience, because you only examine your particular part.

For me the rehearsal period is the part I most enjoy. It's the creating of the story.

I always resented Tom [Hardy] for turning up on Band Of Brothers and getting the girl — in fact, the only girl in a cast of hundreds of smelly men! I, on the other hand, spent eight months with my face squashed up against someone else’s backside in one sodden trench after another. And it looks as if Tom might have got the girl again [in Colditz], damn his eyes.

I'd lived in LA for two years and I said to my agent that I wouldn't do any more network TV, because my family and I had just made the decision to live in England. It would be a whole year in LA shooting network TV.

I don't believe Jesus was the son of God, although I'm inclined to think he might have been a great prophet.

I guess I'm just good at playing repressed individuals. I'm lucky because those are often the roles that catch people's eyes.

I have a three-year-old and a four-year-old at home, and my mornings are about just dealing with the fact of that. I oddly enjoy it.

I love going for a swim. Growing up in England, anywhere with a pool seems like the height of glamour to me.

I love playing sport.

In England we burnt redheads at the stake, because we thought they were witches. There are still young redheads in Britain getting ripped for having red hair. 'Oy, Ginger!'

In the end, there's something of the puritan work ethic about me that roles really must sustain me on an intellectual level.

I think people like to be scared. I think people like tension and suspense in a movie.

I think you can't be really posh and be an interesting actor. I'm a bit of a posh rough.

It's an unfair comparison because when things are developed in the UK, they're developed at script stage only.

It's certainly true that I was brought up in that British amateur tradition, the one which always held that if you were reasonably good at cricket, knew one or two Latin texts and a few zingy Oscar Wilde quotes for dinner parties, you were pretty much ready to go and run some outpost in Hindustan.

It's good to be busy on a film set because there is a lot of sitting around, so if you've got two roles to play at one time, then that's great to do.

It was pretty daunting. Normally, I never go to a gym, but before we started shooting, I thought I'd better. I reckoned I was in really good shape, and then I looked around and I was half the size of everyone else. A lot of these American actors have this - in my view - misplaced view that they have to look like Action Man. The trouble is, they all run the risk of being interchangeable.

I've always had a 'Work hard, play hard' attitude to life - I still do - but sometimes you get involved in something that needs a calm, methodical approach.

I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.

My heroes were all in the theatre.

No Western government has ever played the long-term in terms of foreign policy.

Of course the lower classes have always felt downtrodden and aspired to a better life. But there is this theory that people respond to a class structure in England - there was a time when people knew who they were and knew whom they served and as long as management wasn't abusive, it was a good life for people.

People need revelation, and then they need resolution.

Temperamentally I'm not a natural producer, because I don't have the patience.

There are ways of avoiding becoming tabloid fodder and therefore giving people license to pry into your private life. And there's a distinction between being an actor and being a celebrity. You may become a celebrity through acting, but you don't need to do so.

Theres something important, as an actor, about allowing yourself to be approached by people to do roles. People see different things in you.

We are not telling Tudor history; we are creating ' Wolf Hall ' from novels, which are already a rereading of Tudor history.

You can't do something that is morally vacuous or dysfunctional and then write it off saying, 'It wasn't my film, I was just doing a job in it.'

You have to go where the good writing is.

You know, this idea of going around the world imposing democracy by growing a middle-class, a trading merchant class that is independent of your faith, is a good notion, but we're all partially different - it's no good imposing systems on people that it doesn't suit.

You know what it's like to feel anxious - it's horrible feeling anxious. It's stressful having that feeling, having butterflies in your stomach, even for a day, and you don't sleep at night.

You never know when you're taking a job, ever... but you try to take good scripts. That's all you can do as an actor - take the best thing available. Even then, it's not [really] in your control. Certainly not in film and TV, because there are so many other elements. You just have to take control of your own performance.