Best 149 quotes of Henry Louis Gates on MyQuotes

I think that the roots of racism have always been economic, and I think people are desperate and scared. And when you're desperate and scared you scapegoat people. It exacerbates latent tendencies toward - well, toward racism or homophobia or anti-Semitism.

I think that we need more economic-based solutions to the problems afflicting the Black community, and I think that that's a way to redefine affirmative action. I grew up with poor white people in West Virginia, and I know there's a culture of poverty. I know that I've seen white people perform exactly the same pathological forms of behavior as Black people do when they're systematically deprived, whether it's getting pregnant, doing drugs, dropping out of school, whatever we're talking about. I think that we should have affirmative action for poor white people too.

I thought, "why don't we be innovative and create something nobody had ever done before?" It was a huge hit and we immediately did a sequel with Chris Rock, Morgan Freeman, Tina Turner and Maya Angelou.

It is the black poet who bridges the gap in tradition, who modifies tradition when experience demands it, who translates experience into meaning and meaning into belief.

I try to be sensitive, but the atmosphere I create is very supportive. One overriding premise of the series is that guilt is not heritable. It's good to know about them, but you are not responsible for them. You don't have to apologize for them. It's a process of knowing, and the more you know, the richer the sense of yourself. The firmer your foundation as a human being is

It's important to debunk the myths of Africa being this benighted continent civilized only when white people arrived. In fact, Africans had been creators of culture for thousands of years before. These were very intelligent, subtle and sophisticated people, with organized societies and great art.

It's no surprise that White people say things when they are together about Black people.

It's very lonely being a prominent black intellectual at an institution where you're the only prominent black intellectual. That was the model that was followed in the late 60s when black studies started. You'd get one here and one there and one here, like Johnny Appleseed.

It turns out one of my ancestors fought in the Continental Army, so I was inducted into the Sons of the American Revolution.

I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.

I want to be a figure for prison reform. I think that the criminal justice system is rotten.

I want to be black, to know black, to luxuriate in whatever I might be calling blackness at any particular time, but to do so in order to come out on the other side, to experience a humanity that is neither colorless nor reducible to color.

I want to be remembered as someone who tried to bring the story of our ancestors to the broadest possible audience. I want to be remembered as a man who loved his race.

I want to get into the educational DNA of American culture. I want 10 percent of the common culture, more or less, to be black.

I would like to do a series about sequencing the human genome, and also analyze more human diversity among other ethnic groups - a 'Faces of America 2.'

Kansas City Lightning succeeds as few biographies of jazz musicians have. . . This book is a magnificent achievement; I could hardly put it down.

Keeping the Union together, freeing slaves and being assassinated all added up to creating 'Lincoln the myth.' He overcame a lot of his own prejudices and became what many would consider the first black man's president.

Learning to sing one's own songs, to trust the particular cadences of own's voices, is also the goal of any writer.

Let's face it - think of Africa, and the first images that come to mind are of war, poverty, famine and flies. How many of us really know anything at all about the truly great ancient African civilizations, which in their day, were just as splendid and glorious as any on the face of the earth?

Like the amazing story of Anthony Johnson. This man was a slave, then became free, accumulated 250 acres, and even had his own slave, a black man who took him to court in Virginia in 1654.That man argued that he should be freed like an indentured servant. But Johnson, who we believe was a pure African from Angola, said, "No way, you're my slave." And the court agreed.

Lincoln would love the fact that Obama is such a great conciliator, trying to transcend ideology.

Lincoln had a tremendous capacity for personal growth - more than any other American President.

Mama and I would go to a funeral and she'd stand up to read the dead person's eulogy. She made the ignorant and ugly sound like scholars and movie stars, turned the mean and evil into saints and angels. She knew what people had meant to be in their hearts, not what the world had forced them to become. She knew the ways in which working too hard for paltry wages could turn you mean and cold, could kill the thing that made you laugh.

Most black leaders, whether left, right or center, from Frederick Douglas and Martin Delaney on in the middle of the 19th century have not even wondered about the merits of the capitalist system.

My brother and I had a really privileged relationship with my parents... They treated us like adults.

My earliest childhood memory is of my father going crazy when the Giants won the World Series in 1954. He started whoopin' and hollerin' and jumpin' up and down all around the living room. I started crying because he scared me to death.

My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena, Queen of the Jungle.'

My father and I made genetics history. We were the first African-Americans and the first father and son anywhere to have their genomes sequenced.

My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.

My father lived to be 97 and played bridge every day up to the end, so I've got a 50 percent chance of living a long life like him.

My father was the funniest man I ever met. He made Redd Foxx look like an undertaker.

My grandfather was coloured, my father was Negro, and I am Black.

My mom, God rest her soul - she liked nicknames. In the womb she named me Skip. There was another black guy in Piedmont, W.Va., and his name was Skip. They called him Big Skip, and I was Little Skip.

My producers and I worked with these consultants and came up with seventy [stories] which we think are exemplary of the larger arc of African-American history between 1513 and 2013. We covered half a millennium, and it's amazing.

No one thinks of Mexico and Peru as black. But Mexico and Peru together got 700,000 Africans in the slave trade. The coast of Acapulco was a black city in the 1870s. And the Veracruz Coast on the gulf of Mexico and the Costa Chica, south of Acapulco are traditional black lands.

One principle I've been fighting for that doesn't endear me to a lot of people is that black people can be just as complicated and screwed up as white people. Our motives can be just as base and violent. Suffering does not necessarily ennoble you.

Our society is driven today by so much ethnic discord. We have Black Lives Matter, which I praise and celebrate. We have the demagogues stereotyping Muslims and resurrecting racist stereotypes they used to visit on us. The larger goal is to show that we are all the same, we all come from Africa, and we all have the same larger family tree. It's about the fundamental unity of the human community.

People are afraid, and when people are afraid, when their pie is shrinking, they look for somebody to hate. They look for somebody to blame. And a real leader speaks to anxiety and to fear and allays those fears, assuages anxiety.

People don't realize what a brilliant politician Lincoln was. Looking back, we want to ascribe a level of providence to his every decision but he was a cunning and calculating politician; from the cultivation of his image as a hayseed from Illinois, to his ability to keep this country together under dire circumstances.

People who own property feel a sense of ownership in their future and their society. They study, save, work, strive and vote. And people trapped in a culture of tenancy do not.

Politicians will not put forth programs aimed at the problems of poor blacks while their turnout remains so low.

Precisely that, covering 500 years of African-American history in six hours. I've been working on this for seven years. The biggest challenge was deciding which stories to tell.

Really, the values under which my generation was raised in the '50s were immigrant values even though we weren't immigrants. The greatest thing you could be was a college-educated Negro.

Remember, I have a Ph.D. in English literature.

Since the day Martin Luther King was killed, the black middle classes have almost quadrupled, but the percentage of black children living on or below the poverty line is almost the same.

So many people of color who made major contributions to American history have been trapped in the purgatory of history.

So, Mexico, Brazil, they wanted their national culture to be 'blackish' - really brown, a beautiful brown blend. And finally, I discovered that in each of these societies the people at the bottom are the darkest skinned with the most African features.

So, the kind of precious memories about being black for my generation won't exist for my kids' and grandkids' generations unless we preserve them through fiction, through film, through comic books, and every other form of media we can possibly utilize to perpetuate the story of the great African-American people.

So when you do your family tree and Margaret Cho does hers, and... Wanda Sykes and John Legend... we're adding to the database that scholars can then draw from to generalize about the complexity of the American experience. And that's the contribution that family trees make to broader scholarship.

That's what I mean by being bilingual: comfortable in your skin, comfortable with all parts of who you are.