Best 238 quotes of Chinua Achebe on MyQuotes

The people you see in Nigeria today have always lived as neighbors in the same space for as long as we can remember. So it's a matter of settling down, lowering the rhetoric, the level of hostility in the rhetoric is too high.

The price a world language must be prepared to pay is submission to many different kinds of use.

The price a world language must be prepared to pay is submission to many different kinds of use. The African writer should aim to use English in a way that brings out his message best without altering the language to the extent that its value as a medium of international exchange will be lost. He should aim at fashioning out an English which is at once universal and able to carry his peculiar experience.

The problem with leaderless uprisings taking over is that you don't always know what you get at the other end. If you are not careful you could replace a bad government with one much worse!

The reality of today, different as it is from the reality of my society one hundred years ago, is and can be important if we have the energy and the inclination to challenge it, to go out and engage with its peculiarities, with the things that we do not understand. The real danger is the tendency to retreat into the obvious, the tendency to be frightened by the richness of the world and to clutch what we always have understood.

There are people who say that if you are told that your house has fallen you don't ask what about the ceiling or what about the windows. The main thing is that this house, Africa, has fallen. Literature is just one aspect, pick any aspect of the situation.

There are things the story must have or else look incomplete. And these will almost automatically present themselves. When they don't, you are in trouble and then the novel stops.

There is a certain increase in the importance I assign to women in getting us out of the mess that we are in, which is a reflection of the role of women in my traditional culture - that they do not interfere in politics until men really make such a mess that the society is unable to go backward or forward. Then women will move in.

There is something about important stories that is not just the message, but also the way that message is conveyed, the arrangement of the words, the felicity of the language. So it's really a balance between your commitment, whether it's political or economic or whatever, and your craft as an artist.

There is that great proverb - that until the lions have their own historians, the history of the hunt will always glorify the hunter. That did not come to me until much later. Once I realized that, I had to be a writer. I had to be that historian. It's not one man's job. It's not one person's job. But it is something we have to do, so that the story of the hunt will also reflect the agony, the travail - the bravery, even, of the lions.

There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.

The rural areas have been deprived by the cities in the past. Development resources and energy should be directed where the people live.

The singer should sing well even if it is merely to himself, rather than dance badly for the whole world.

The story of this man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a resonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. He had already chosen the title of the book, after much thought: `The Pacification of the Primitive Tribes of the Lower Niger.'

The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.

The whole idea of a stereotype is to simplify. Instead of going through the problem of all this great diversity - that it's this or maybe that - you have just one large statement; it is this.

The women are, of course, the biggest single group of oppressed people in the world and, if we are to believe the Book of Genesis, the very oldest.

The world is large,” said Okonkwo. “I have even heard that in some tribes a man’s children belong to his wife and her family.” “That cannot be,” said Machi. “You might as well say that the woman lies on top of the man when they are making the babies.

The writer cannot expect to be excused from the task of reeducation and regeneration that must be done. In fact, he should march right in front.

The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.

They have not always elected the best leaders, particularly after a long period in which they have not used this facility of free election. You tend to lose the habit.

This is not pessimism but rather casting a cold eye on things. It is only one man's story, and I think that things will go better, but difficulties exist and nothing is served by hiding them under a poetic veil or under a lyricism of the past. I am against slogans.

Those who are talking sharia in Nigeria are really just politicians exploiting what they think is available. But if it should turn out that there are in fact whole sections of the country which believe that it is legitimate to chop off peoples hands because they stole a hen - if that should really turn out to be the genuine belief of responsible, educated people in the North than I would say there is no chance. But I do not believe that is the case. The sharia was always there but it was never force onto non-Muslims and it was not ever applied in the area of criminal law.

Those whose kernels were cracked by benevolent spirit should not forget to be humble.

To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?

Travellers with closed minds can tell us little except about themselves

Unless I'm writing in the Igbo language, I use a language developed elsewhere, which is English. That affects the way I write. It even affects to some extent the stories I write.

We do not seek to hurt any man, but if any man seeks to hurt us may he break his neck.

We don't want to be simply wandering about without some kind of reason, we want our presence here to have a purpose, and that we are not going to end here, we are going to proceed somewhere else, and also that we didn't begin here, that we began somewhere else and all that living, all that elaborate account of our presence seems to be quite basic to our nature and so this is what literacy taps into.

We have heard stories about white men who make the powerful guns and the strong drinks and took slaves away across the seas, but no one thought the stories were true.

"We have heard stories about white men who make the powerful guns and the strong drinks and took slaves away across the seas, but no one thought the stories were true." [said Obierika]"There is no story that is not true," said Uchendu. "The world has no end, and what is good among one people is an abomination with others. We have albinos among us. Do you not think that they came to our clan by mistake, that they have strayed from their way to a land where everybody is like them?

We know the potentiality of Nigeria and the talent and the resources and to see it having no effect on the lives of the people, on the infrastructure, the roads, the hospitals, the schools, seeing no effect of these talents, these recourses is very frustrating. But it is the result of the damage that was done to the country, especially during the various military regimes.

We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.

We live in a society that is in transition from oral to written. There are oral stories that are still there, not exactly in their full magnificence, but still strong in their differentness from written stories. Each mode has its ways and methods and rules. They can reinforce each other; this is the advantage my generation has - we can bring to the written story something of that energy of the story told by word of mouth.

We must now turn from considering the necessary struggle with language arising, as it were, from its very nature and the nature of the society it serves to the more ominous threat to its integrity brought about neither by its innate inadequacy nor yet by the incompetence and carelessness of its ordinary users, but rather engineered deliberately by those who will manipulate words for their own ends.

We shall all live. We pray for life, children, a good harvest and happiness. You will have what is good for you and I will have what is good for me. Let the kite perch and let the egret perch too. If one says no to the other, let his wing break.

What a country needs to do is be fair to all its citizens - whether people are of a different ethnicity or gender.

What has happened to Africa is very severe. We are talking about the collapse of this and the collapse of that, of good government, of the economy particularly. And this has hit education badly. The news you get from the universities in Nigeria is often appalling. I don't think a lot of it gets out. There is the obsession with cults and all kinds of dreadful things going on and all this is taking its toll and it is not surprising that quality of students and graduates who come out is not good. It will not be surprising if this shows in the quality of work they do.

What I can say is that it was clear to many of us that an indigenous African literary renaissance was overdue. A major objective was to challenge stereotypes, myths, and the image of ourselves and our continent, and to recast them through stories- prose, poetry, essays, and books for our children. That was my overall goal.

What is modesty but inverted pride?

What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.

When a coward sees a man he can beat he becomes hungry for a fight.

When a new saying gets to the land of empty men, they lose their heads over it.

Whenever I try to do anything on a typewriter, it's like having this machine between me and the words; what comes out is not quite what would come out if I were scribbling.

Whenever you see a toad jumping in broad daylight, then know that something is after its life.

When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp... Fascinating to me because they were about things remote, and almost ethereal.

When I'm writing, I really want to satisfy myself. I've got a story that I am working on and struggling with, and I want to tell it the most effective way I can. That's really what I struggle with. And the thought of who may be reading it may be there somewhere in the back of my mind - I'll never say it's not there because I don't know - but it's not really what I'm thinking about.

When I think of the standing, the importance and the erudition of all these people who see nothing about racism in Heart of Darkness, I'm convinced that we must really be living in different worlds.

When old people speak it is not because of the sweetness of words in our mouths; it is because we see something which you do not see.

When Rimbaud became a slave trader, he stopped writing poetry.