Best 30 quotes of Brian Doyle on MyQuotes

...awkward passion is so often so very much more admirable than mere achievement.

Brian Doyle about the Irish custom of “taking to the bed.” He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know. Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20 Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91

But if we do not dream, then I think perhaps we are misusing our heads. They are not on our shoulders only to be farms for hair.

But never, among all the cities I have wandered over the years, cities all over the earth, did I feel and smell and sense anything quite like the verb that is Chicago; and always, no matter how many years passed, I could hear and see and touch something inside me that only Chicago has and is, some intricate combination of flat sharp light off the lake grappling with dense light from the plains to the west, the fields to the south, the forests to the north.

But we [writers] are crucial. That is what I hope you have learned. We listen for and collect and share stories. Without stories there is no nation and no religion and no culture. Without stories of bone and substance and comedy there is only a river of lies, and sweet and delicious ones they are, too. We are the gatherers, the shepherds, the farmers of stories. We wander widely and look for them and gather them and harvest them and share them as food. It is a craft as necessary and nutritious as any other, and if you are going to be good at it you must double your humility and triple your curiosity and quadruple your ability to listen.

Did I ever tell you about Asin? She is the wild woman of the woods. It's an old story of the People. My mom used to tell me about Asin. Asin couldn't bear being married or having children or having friends. She always wanted to run wild. She ran wild through the woods. If you saw her running you had to run to water as fast as you could and drink or her restlessness would come into you like a thirst that could never be quenched. She was happy and unhappy. She had wild long hair and she was very tall and she ran like the wind. When you saw dunegrass rippling in a line she was running through it. When the wind changed direction suddenly that was Asin. She was never satisfied or content and so she ran and ran and ran. She would grab men who were fishing alone and make love to them and then throw them down on the ground and run away weeping. She would grab children who wandered too far alone in the woods but she would return them to the same spot after three days and run away again. She would listen to women talking by the fire or working in the village or gathering berries but if they invited her to join them she ran away. You could hear her crying sometimes when the sun went down. She wanted something but she never knew what it was so she had nothing. She was as free as anyone ever could be and she was trapped. When I was young I wanted to be Asin. Many times I wanted to be Asin. So do you, Nora. I know. It's okay. It's alright. My sweet love. Poor Asin. Sometimes I think to be Asin would be the saddest thing in the world. Poor thing.

Every creature on earth has approximately two billion heartbeats to spend in a lifetime. You can spend them slowly, like a tortoise and live to be two hundred years old, or you can spend them fast, like a hummingbird, and live to be two years old.

Everyone thinks that the old days were better, or that they were harder, and the modern times are chaotic and complex, or easier all around, but I think people's hearts have always been the same, happy and sad, and that hasn't changed at all. It's just the shapes of lives that change, not the lives themselves.

For a moment this day, for many moments this May, let us gape in awe at the strength of women, and look upon their sinewy courage with respect and humility, as the Lord looked on His Mother, and still does. Like Him we are of women born, and to women must pay our first respect, and owe our first love, for they are as strong as the very ribs of the earth.

He is only one of a million no, a billion stories you could tell about the living beings on just this side of the mountain. The fact is that there are more stories in the space of a single second, in a single square foot of dirt and air and water, then we could tell in a hundred years. The word amazing isn't much of a word for how amazing it is. The fact is that there are more stories in the world than there are fish in the sea or birds in the air or lies among politicians. You could be sad at how many stories go untold, but you could also be delighted at how many stories we catch and share in delight and wonder and astonishment and illumination and sometimes even epiphany.

I am a puzzle and a conundrum and a thunderstorm.

I think about the people I know with the absolutely largest hearts, people with a stunning capacity for endurance and grace and kindness against the most screaming terrors and pains. My Mom and Dad, for example, enduring the death of their first child at six months old, the boy the brother I never met, dying quietly in his stroller on the porch in the moment that my mother stepped back inside to get a pair of gloves because the crisp brilliant April wind was filled with a whistling cutting wind.... Fifty years later after five more children and two miscarriages she is standing in the kitchen with her usual eternal endless cup of tea and I ask her: How do you get over the death of your child? And she says, in her blunt honest direct terse kind way, You don't. Her face harrowed like a hawk for a moment in the swirling steam of the tea. p112-13

Maturity turns out to be a question you can never answer with confidence, despite advanced age and wage.

Maybe, thinking about it now, we were trying to figure out how to make love in such a way as to make time not matter at all, or defeat it for awhile. Which we did for awhile.

One thing I remember with amazement about Chicago is that everyone knew everything before it was splayed lurid and naked in public; you never saw a city so filled with knowing as Chicago then and probably now; but for all the sure knowledge that the mayor was a thief of epic proportion and the state senator on the take, the police commissioner a thug and the cardinal a man with a mistress, I do not remember that anyone was in the least resigned or cowed; it was more like you knew the score and worked around it, you assumed the worst but sought out and esteemed the best where you found it.

People make too much of facts. Also people make too much of gut feelings. Gut feelings probably mean food poisoning.

Rained gently last night, just enough to wash the town clean, and then today a clean crisp fat spring day, the air redolent, the kind of green minty succulent air you'd bottle if you could and snort greedily on bleak, wet January evenings when the streetlights hzzzt on at four in the afternoon and all existence seems hopeless and sad.

She'll be a fierce woman, that one. It'll take a hell of a man to love her right. Be like living with a thunderstorm. Same as her mother. A fierce woman. Force of nature. The kind of woman you just hand on for the ride. The most exciting and the most heartbreaking woman you could ever meet. They don't know their own minds most of the time, but their hearts are so damn big it hurts em inside.

Simple, powerful, poignant, the Sign of the Cross is a mnemonic device like the Mass, in which we sit down to table with one another and remember the Last Supper, or a baptism, where we remember John the Baptist's brawny arm pouring some of the Jordan River over Christ. So we remember the central miracle and paradox of the faith that binds us each to each: that we believe, against all evidence and sense, in life and love and light, in the victory of those things over death and evil and darkness.

Some women have a pulsing energy almost too sharp and salty to endure and when they are in pain their pain is ferocious and shatters all over the place.

So that Chicago, with shipping and steel and livestock, came to think of itself as a burly city, tough and muscular, with rough-and-tumble football and politics and literature. Today of course we are a city of offices and whirring computers and financial shenanigans, but our founding myths remain. I would guess not one in ten Chicagoans has ever seen a real fight where the antagonists are trying to slice each other’s throats, but we airily say we are a tough city, nor have they seen a pig or a soybean plant, but we proudly say we characterize and epitomize the rural values of middle America.

The child's heart beat: but she was growing in the wrong place inside her extraordinary mother, south of safe...she and her mother were rushed to the hospital, where her mother was operated on by a brisk cheerful diminutive surgeon who told me after the surgery that my wife had been perhaps an hour from death from the pressure of the child growing outside the womb, the mother from the child growing, and the child from growing awry; and so my wife did not die, but our mysterious child did...Not uncommon, an ectopic pregnancy, said the surgeon...Sometimes, continued the surgeon, sometimes people who lose children before they are born continue to imagine the child who has died, and talk about her or him, it's such an utterly human thing to do, it helps deal with the pain, it's healthy within reason, and yes, people say to their other children that they actually do, in a sense, have a sister or brother, or did have a sister or brother, and she or he is elsewhere, has gone ahead, whatever the language of your belief or faith tradition. You could do that. People do that, yes. I have patients who do that, yes... One summer morning, as I wandered by a river, I remembered an Irish word I learned long ago, and now whenever I think of the daughter I have to wait to meet, I find that word in my mouth: dunnog, little dark one, the shyest and quietest and tiniest of sparrows, the one you never see but sometimes you sense, a flash in the corner of your eye, a sweet sharp note already fading by the time it catches your ear.

The coolest most amazing people I have met in my life, I said, are the ones who are not very interested in power or money, but who are very interested in laughter and courage and grace under duress and holding hands against the darkness, and finding new ways to solve old problems, and being attentive and tender and kind to every sort of being, especially dogs and birds, and of course children.

There is a wonderful simple human reality to Christ's hunger. The man is famished. He's missed meals for three days, He has a lot on his mind, He's on His way back to heaven, but before He goes He is itching for a nice piece of broiled fish and a little bread on the side with the men and women He loves. Do we not like Him the more for His prandial persistance? And think for a moment about the holiness of our own food, and the ways that cooking and sharing a meal can be forms of love and prayer. And realize again that the Eucharist at the heart of stubborn Catholicism is the breakfast that Christ prepares for Catholics, every morning, as we return from fishing in vast dreamy seas?

There is one hour in his life when we see a flash of utter physical action on Christ's part, an hour when this most curious of men must have experienced the sheer joyous exuberance of a young mammal in full flight: when he lets himself go and flings over the first money changer's table in the Temple at Jerusalem, coins flying, doves thrashing into the air, oxen bellowing, sheep yowling, the money changer going head-over-teakettle, all heads turning, what the...? You don't think Christ got a shot of utter childlike physical glee at that moment? Too late to stop now, his rage rushing to his head, his veiny carpenter's-son wiry arms and hard feet milling as he whizzes through the Temple overturning tables, smashing birdcages, probably popping a furious money-changer here and there with a quick left jab or a well-placed Divine Right Elbow to the money-lending teeth, whipping his scourge of cords against the billboard-size flank of an ox, men scrambling to get out of the way, to grab some of the flying coins, to get a punch in on this nutty rube causing all the ruckus... In all this holy rage and chaos, don't you think there was a little absolute boyish mindless physical jittery joy in the guy?

They were loath to leave, for they felt, understandably enough, and rightly, I think, that as soon as they left their place, they were no longer quite themselves, but shadows or ghost, unrooted and uprooted .... the Kwakwaka'wakw mourned the loss of everything they knew in the most tactile and sensual way, the scents and sounds, the way the mist slid in and out of the firs, the wail of gulls, the sheen of seals, the melancholy exhalation of whales sliding by under the terrific stars. The clawing mud, the sift of sand, the scrabble of pebbles in the surf; the plain of owls, the scent of cedar, the bite of huckleberries from a certain thicket in a certain season --- they were convinced that these things were part and parcel of their being, and who is to gainsay them?

Think of Chicago as a piece of music, perhaps,” he continued. “In it you can hear the thousands of years of people living here and fishing and hunting, and then bullets and axes, and the whine of machinery, and the bellowing of cattle, and the shriek of railroads, and the thud of fists and staves and crowbars, and a hundred languages, a thousand dialects. And the murmur of the lake like a basso undertone. Ships and storms, snow and fire. To the north the vast dark forests, and everywhere else around the city rolling fields of farms, and all roads leading to Chicago, which rises from the plains like Oz, glowing with light and fire at night, drawing people to it from around the world. A roaring city, gunfire and applause and thunder. Gleaming but made of bone and stone. Bitter cold and melting hot and clotheslines hung in the alleys and porches like the webbing of countless spiders. A city without illusions but with vaulting imaginations and expectations. A city of burning energies on the shore of a huge northern sea. An American city, with all the violence and humor and grace and greed of this particular powerful adolescent country. Perhaps the American city—no other city in the nation is as big and central and grown up from the very soil. Chicago was never ruled by Spain or England or France or Russia or Texas, it shares no ocean with other countries, it is no mere regional captain, like Cincinnati or Nashville; it is itself, all brawn and greed and song, brilliant and venal, almost a small nation, sprawling and vulgar and foul and beautiful, cold and cruel and wonderful. Its music is the blues, of course. Sad and uplifting at once, elevating and haunting at the same time. You sing so that you do not weep. You have no choice but to sing. So you raise up your voice and sing of love and woe, and soon another voice joins in, and you sing together, for a while, for a time, perhaps a brief time, but perhaps not.…

We are the rocks and reefs of the human sea, tumultuous outcrops, magnets for wrecks. The peaks of mountains you cannot see: that's us, all right. Dark even on the brightest day. Stony and defiant of the prevailing currents until we are eventually worn down and dissolved. Sometimes soaked and sometimes dry as a bone. Hammered by tides and grimly standing our ground against the pounding. Probably even secretly enjoying the pounding.

Well the sky always seemed like another ocean to me, you know? Like we live between two incredible oceans, and we'll never get to the bottom of either of them.

What is Chicagoness? What is the city made of? Why is it different from any other city? What are the things that are here and only here and compose the here of here? He leaned back in his lawn chair and thought a bit and then he said, “The prevalence of the lake. The way the lake is a sea and not a lake. The way the lake shoulders the city. The cutting of wind off the lake and the whirl of snow.