Best 42 quotes of Julie Anne Long on MyQuotes

And she reached out with trembling fingers and touched one of the roses. It was, surprisingly... unconscionably soft. "A message was sent along with it, Miss Genevieve." Harriet handed over the sheet of folded foolscap, closed with a blob of wax. No seal was pressed into it. Genevieve slid her finger beneath it to break the seal. 'My esteemed Venus- These reminded me of you. In my dreams, your lips are just this soft. - Your devoted servant, Mars

And then two footmen staggered forward. They were bearing between them a flower arrangement so brilliant it was nearly 'sentient.' A profusion of roses, the heads of which were nearly as pulsatingly crimson and large as actual hearts sprung from a luxurious froth of ferny greenery and minuscule lacy white flowers. It was magnificently intimidating and almost indecently sensual. The whole thing was the height of a three-year-old child.

And this is the potency a first kiss should have: it should be earned. The moments leading up to it should be as tense as a crossbow drawn back. The reader should want it as badly as the hero and heroine, and feel as satisfied and transported and transformed as the hero and heroine in the wake of it. There are different ways to use kisses in a romance, but that first kiss is so meaningful, a pinnacle, and can be more intimate than sex.

And with awe he saw her lose her battle with that smile. It fought first with one corner of her mouth, then the other, and then it broke all over her like a sunrise. The very shape of her face changed. Or rather, she came into focus at last in that moment; she'd simply been awaiting illumination from within. There were dimples, and a pointed chin, and elegant cheekbones. Her face was heart-shaped, sweetly drawn, very 'alive.' She was 'incandescent' with wicked amusement. In that moment was an entirely different girl. He stared, stunned.

But now he understood why someone would write things like 'she walked in beauty like the night' and so forth. Because poetry was a barrier against raw emotions. It distilled them into bearable music, allowed one to accommodate them a little at a time.

But she bravely kept her eyes open; she was both lost and found in the soft, burning depths of his eyes.

Can you really see different things in a painting from day to day?" This seemed to genuinely interest the duke. She wasn't certain which part of it fascinated him most, the fact that a painting could change or that she thought it could. "Well, it isn't like a crystal ball. Whereby you see shifting images and the like. But haven't you ever looked at a painting for a length of time, or on more than one occasion, and experienced it differently each time?" Where to begin explaining art to someone who seemed to know nothing about it? Now, if she were dancing with Harry... "Of course. As a young man touring the Continent, I once looked at 'length' at a painting called 'Venus and Mars' by an Italian painter called Veronese. Do you know it? Venus is nude as the day she was born, and Mars is entirely clothed and down on his knees in front of her, and it looks as though Mars is about to give her a pleasuring. And there are cherubs hanging about. I looked at it for quite some time." A... pleasuring. 'God above.' He had her attention now. She was speechless. Everything was astonishing about what he'd just said. She stared up at him, her mind exploding with vivid images, her cheeks going increasingly hotter. She knew the painting. She knew 'precisely' where Mars was kneeling in front of Venus. The duke had said it purposely. Suddenly she was acutely aware of her five senses, as though they were blinking on, one by one, like fireflies in the dark. Most particularly vivid was touch. She was potently aware of his hands: the one resting with firm assurance against her waist, warm there now through the fine silk of her gown, the other enfolding hers. She was acutely aware of his size, and everything that was masculine to her feminine. Goodness. He could certainly look at her for a long time without blinking.

Fear. Alex knew he was a fine one to pontificate about fear. He'd issued the world's most tepid, careful marriage proposal. Because he'd been afraid to tell Genevieve he loved her. Not that it would have made much of a difference. She loved Harry. Harry in his youthful innocence had put his finger right on it. And Moncrieffe pushed the realization away. He took in a sharp breath. Harry took Moncrieffe's silence as a reason to go on. "God help me, it was only because I was afraid of losing her. And I honestly didn't feel I deserved her, for I had nothing to give her. I simply needed to know whether she loved me. I'm not proud of it, but I have never loved anyone more." Moncrieffe could still scarcely get the words out. "I just can't believe you would 'do' such a thing to someone you... loved." Osborne was very, very drunk, but he wasn't stupid. "But I couldn't hurt her, could I, if she didn't love me?" And now Harry's blue eyes fixed on him almost searchingly. Moncrieffe couldn't believe he had almost shown his hand. "You just said you weren't certain whether she did love you. And if she does love you anywhere as much as you claim to love her, imagine the pain you may have caused her with your whole charade." Harry looked up at him and blinked. And as he thought about it, his face slowly went white. After a moment he swallowed. "'Gallant' of you," Moncrieffe drawled, twisting the knife. Moncrieffe knew a surge of hatred for himself for saying it. But he wanted Harry to feel what he'd done to Genevieve.

Finally his thumbing rewarded him with what he was seeking. Veronese... Veronese... of course! As he'd told Genevieve, he'd seen a Veronese painting when he'd visited Italy. Memorably because he'd found it erotic: Venus and Mars again, and this time Venus was not wearing a shred, and Mars was kneeling, getting ready to, as he'd inappropriately shared with Genevieve, give Venus a pleasuring. "Genevieve loves a particular 'kind' of painter..." Harry began in a lecturing tone. "She likes light and a grace of line, mythological subjects rich in subtext. She believes Botticelli is not rated highly enough as a painter. I happen to agree. I've seen his 'Venus and Mars' and I am quite moved by his use of mythological subjects. Very sensual." Harry looked thunderstruck. Hmm. The duke didn't know why he should feel authentically pleased by the fact that Genevieve had entrusted him with a confidence she hadn't yet confided in Harry. "She hadn't shared that particular insight with you about Botticelli, Osborne? Perhaps it's a new one. One she's had only recently.

For if light had a sound, it was that laugh.

Genevieve was familiar with one of the duke's properties- Rosemont- as she'd gone to tour it once when he was away at one of his other vast tracts of lands. It was surprisingly modest by duke terms, a redbrick manor in West Sussex presiding over a collection of softly swelling hills, which surrounded a lake populated by enormous, irritable swans and overhung with willows. The garden had been brilliant with its namesake blooms and the fountain in the courtyard featured a lasciviously grinning stone satyr performing an arabesque and spitting water high into the air. She'd found it delightful. Its pocket-sized, whimsical beauty hardly seemed to suit him, but then he normally spent his time in London and likely had all but forgotten he owned it.

He grinned because he'd made her say something ridiculous. The grin was wicked, white and tilted. She panicked, because she thought of sun-shot ponds and sunlight coming down through trees when she looked in his eyes now, and judging from the temperature of her cheeks he was a devil sent up from Hades, not a bloody poem. She might be turning any number of colors, from scarlet to parchment to all those shades of rose in-between, but he regarded her evenly. He was older, bolder. He knew of whores and wars, violence and vendettas. He knew precisely what he wanted, always. He wanted her.

He leaned back on his hands. And then idly turned to her. She inhaled, and exhaled an almost long-suffering sigh. And he began in a patient, almost leisurely fashion, in a voice fashioned from dark velvet, a voice that stroked over her senses until they were lulled, to lecture directly to her as if she was a girl in the schoolroom. "A proper kiss, Miss Eversea, should turn you inside out. It should... touch places in you that you didn't know existed, set them ablaze, until your entire being is hungry and wild. It should... hold a moment, I want to explain this as clearly as possible..." He tipped his head back and paused to consider, as though he were envisioning this and wanted to relate every detail correctly. "It should slice right down through you like a cutlass with a pleasure so devastating it's very nearly pain." He waited, watching her face, allowing her to accommodate the potent words. Her mouth was parted. Her breathing short. She couldn't look away. His eyes and voice held her as fast as if he'd cradled her face with his hands. And as he said them, an echo of sensation sounded in her, like a remembered dream, an instinct awakened. She thought about Mars getting ready to give Venus a good pleasuring. Stop, she should say. "And...?" she whispered. "It should make you do battle for control of your senses and your will. It should make you want to do things you'd never dreamed you'd want to do, and in that moment all of those things will make perfect sense. And it should herald, or at least promise, the most intense physical pleasure you've ever known, regardless of whether that promise is ever, ever fulfilled. It should, in fact..." he paused for effect "haunt you for the rest of your life." She sat wordlessly when he was done. As though waiting for the last notes of a stormy, discordant symphony to echo into silence. 'The most intense physical pleasure.' His words reverberated in her. As if her body contained the ancient wisdom of what that meant, and now, having been reminded, craved it.

He leaned in for a sniff. 'Smells like a horse's arse! I've got Ian!' -'No sniffing allowed! We never discussed sniffing! I cry foul!' Ian was outraged. 'I'm not giving you a shilling!' -'Give him a shilling! It's not his fault you smell like a horse's arse!

Her laugh was wonderful. It was mischief made musical.

He was close enough now to see that her profile was designed to do dramatic things to hearts: stop them, steal them, break them.

He was still thoughtful. 'Do you think any of us ever really knows anyone?' 'Philosophy, Lord Dryden? And yet it's daylight and everyone is still sober.

i can only think god is responsible for passion,for god gives us bodies with which to express it and heart in which to hold it

I did 'not' plan... last night." And now he was sincere. She could tell by the falter. He was almost bemused. And the way he said "last night" made the words seem like a euphemism for splendor. They encompassed a world of sensations and memories, those words. It was one of the most terrifying, exhilarating conversations she'd ever had.

I don't know,' he said irritably. 'Is it meant to improve you?' She swiveled toward him, eyes wide with shock. 'Because nothing could,' he added. Her mouth dropped in astonishment. Blotchy scarlet rushed her complexion. One would have thought he'd shot her. Oh dear God! He realized belatedly how wrong it had sounded. 'No! God... that is to say.. nothing is necessary to improve you. Nothing could possibly make you better... than you already are.

I have learned that everyone else in the world is boring except you.

I suppose we all tend to want the impossible. And sometimes in attempting it we achieve something near enough to the impossible to elicit satisfaction.

It isn't a weakness to accept kindness. It isn't a weakness to allow yourself to be cared for.

It's a new direction for you, though, isn't it? Menacing waterfowl?" "I think I prefer the kittens," Harry said. He'd been silent until then. "You dislike moody animals, even if they're beautiful, Harry?" Genevieve teased. "I dislike believing things are one way when they're really another way entirely." And if that wasn't an innuendo, Genevieve didn't know what one was. She just didn't know if he was referring to his own heart, or to 'her', in general. But that could very well be her conscience interpreting it. She sighed. She felt a certain kinship with that swan. Everyone thought Genevieve Eversea was serenity and purity itself. When she really was capable of... alarmingly original behavior.

It's... 'Titian,'" Genevieve breathed. "I'm sure of it." A slow, awestruck, disbelieving smile took over her face. Stunned pleasure shone from her eyes. And he was certain her heart was racing with the sheer delight of being in the 'presence' of the thing. Because his heart was racing at simply watching her love it. She turned to look at him as if he himself had painted it. Her radiance rendered him absolutely silent. He could only bask. One was either moved by something or one was not, he knew. Certain tastes- for fine wine or teas, for instance- could be acquired. 'Skill' could be acquired, but talent could not. And passion was either intimate... or it was not. He still in truth didn't care to know much about the painting. He only cared about what it did to Genevieve Eversea. And it was 'this' that gave it its value in his eyes. Not the name of the artist, or the pigments he had used. He felt her joy as his own.

Love, real love, the kind that you fall in, isn’t like Corinthians. The “suffereth long” and “is kind” nonsense. It’s like the Song of Solomon. It’s jealousy and fire and floods. It’s everything that consumes.

Magnanimous of you.' His mouth twitched. 'Mmm. Use more words like that, please. Schoolmistress words. Long, impressive ones.' He'd made the last three words sound like an innuendo.

May I see your dance card?” “Don’t you believe me?” She presented it to him with a flourish. He ran his fingers down the list of names. “Hmm . . . Waterburn? Bastard. D’Andre. Definitely a worthless bastard. Lord Camber, a thoroughgoing bastard. Lord Michaelson? Bastard. Peter Cheswick? Bast—” She snatched it from him, laughing. “I wouldn’t dance a waltz with you, anyway, Lord Dryden.” “No?” “You might accidentally lock eyes with Lisbeth Redmond, stumble, and fling me across the room to avoid crushing my feet.

Rebecca stared back at him, still dazed. She'd forgotten how to speak; it seemed an unimportant skill, anyhow, when such kisses were to be had, when a whole world could be made from a kiss.

She charmed and sparkled and said witty things, but she knew very well she was being charming and sparkling and witty while she was doing it, which somehow felt wrong.

She did draw and paint and did both diligently, but possessed modest talent. She didn't mind. Her gift and passion lay in the observation and recognition of talent and beauty, whether it was found in the work of an Italian master or the profile of a viscount-to-be.

She looked down instead. Long enough to notice that the duke wore a signet ring, and that his hand was long and elegant and scrupulously groomed but sported emphatic veins, as though he'd used his hands to do difficult masculine things his entire life. Dark, crisp hair curled on his wrist, and that hair seemed almost embarrassingly intimate, because if she wanted to right now she could touch it. His finger looked very brown against her own white hand, which she normally took such care to keep from the sun. His hand could cover hers completely if he wanted, shelter it, vanquish it, comfort her or render her terrifyingly defenseless. Funny how the spot where the duke's finger touched her was suddenly the locus of the universe for three people. "Your hand is unconscionably soft, Miss Eversea," he murmured. 'Oh.' And then he took his fingers away. Her eyes widened. She couldn't lift her head just yet. The shock of the stealthy compliment spread slowly through her, the way sherry did when bolted quickly.

Something was stirring in him, though; a bud of comprehension that could very well bloom into forgiveness if left unchecked.

Their faces were inches apart now, and he traced her lips with one finger, lightly, lightly, then placed his lips there as if he’d drawn them into being.

The line of Miss Eversea's spine seemed positively 'alive' with... something. Outrage? Horror? Hilarity? He noticed the very fine line of hair traveling up the fragile nape of her neck, and something about that intimate little trail made the back of his own neck tingle as though she'd brushed her fingers there. Something entirely unexpected was happening in the region of his solar plexus.

The one thing she’d been able to count on her entire life was her cleverness. She was so often right. It was humbling and disorienting to realize that she in truth knew nothing at all. One only ever saw a fraction of someone, whatever it was they chose to show you, and extrapolated a whole person from that. And saw them through a prism of one’s own prejudices.

The question remains... who takes care of you, Miss Vale?" "I might ask the same question of you, Lord Dryden.

There are things the artist intends, and things the viewer sees, and what the viewer sees isn't always what the artist intends. Isn't always apparent upon first viewing.

They really 'did,' you know," he said softly, suddenly. "Did?" She was puzzled. "The roses. Remind me of you. They're precisely the sort of flowers you ought to have." Those spectacular, throbbing, lush blooms that now stood guard over her bed. With petals unconscionably soft.

What are you about, Moncrieffe?" Eversea did look decidedly ill. "What am I about...? Well, I'm 'about' to enjoy, or at least drink, a cup of ratafia. Or brandy if I can get it. I'm about to join your father for a brief discussion of an investment opportunity in his study. I'm about to divest your neighbors and guests of their money in five-card loo. But that's later. More importantly, I'm about to dance with your sister." It was the smile Moncrieffe offered here, and the way he said "sister," that had Ian reaching, in a reflex almost as old as time, for a sword he wasn't wearing. He forced his hand to ease. For Moncrieffe had seen it; he casually placed his own hand inside his coat. A pistol was never far from his person.

What brings you to Eversea House, Moncrieffe?" Very polite the question, but strain pitched it nearly an octave higher than Ian's usual voice. His nostrils had flared; white lines made dents on either side of them. "Opportunity," Moncrieffe said simply. And smiled the sort of smile that wolves do, when they have their prey neatly cornered.

Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.