Best 60 quotes of George Jean Nathan on MyQuotes

A broken heart is a monument to a love that will never die; fulfillment is a monument to a love that is already on its deathbed.

A ham is simply any actor who has not been successful in repressing his natural instincts.

A life spent in constant labor is a life wasted, save a man be such a fool as to regard a fulsome obituary notice as ample reward.

All one has to do to gather a large crowd in New York is to stand on the curb a few minutes and gaze intently at the sky.

A man's wife is his compromise with the illusion of his first sweetheart.

A man may be said to love most truly that woman in whose company he can feel drowsy in comfort.

An actor without a playwright is like a hole without a doughnut.

An optimist is a fellow who believes a housefly is looking for a way to get out.

A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of Spring, love, and dogs.

A ready way to lose your friend is to lend him money. Another equally ready way to lose him is to refuse to lend him money. It is six of one and a half dozen of the other.

Art is the sex of the imagination.

Bad officials are the ones elected by good citizens who do not vote.

Beauty makes idiots sad and wise men merry.

Common sense, in so far as it exists, is all for the bourgeoisie. Nonsense is the privilege of the aristocracy. The worries of the world are for the common people.

Criticism is the art of appraising others at one's own value.

Criticism is the windows and chandeliers of art: it illuminates the enveloping darkness in which art might otherwise rest only vaguely discernible, and perhaps altogether unseen.

Drama - what literature does at night.

Great art is as irrational as great music. It is mad with its own loveliness.

Great drama is the souvenir of the adventure of a master among the pieces of his own soul.

Hollywood is ten million dollars worth of intricate and high ingenious machinery functioning elaborately to put skin on baloney.

I drink so the others become interesting.

I drink to make other people interesting.

I have yet to find a man worth his salt in any direction who did not think of himself first and foremost.

I know many married men, I even know a few happily married men, but I don't know one who wouldn't fall down the first open coal hole running after the first pretty girl who gave him a wink.

Impersonal criticism?is like an impersonal fist fight or an impersonal marriage, and as successful.

In the theatre, a hero is one who believes that all women are ladies, a villain one who believes that all ladies are women.

It is also said of me that I now and then contradict myself. Yes, I improve wonderfully as time goes on.

It is only the cynicism that is born of success that is penetrating and valid.

It is the mark of a superior person that, left to themselves they are able endlessly to amuse, interest and entertain themselves out of their personal stock of meditations, ideas, criticisms, memories, philosophy, humor and what not.

It may be said that artist and censor differ in this wise: that the first is a decent mind in an indecent body and that the second is an indecent mind in a decent body.

Like everybody else, when I don't know what else to do, I seem to go in for catching colds.

Love demands infinitely less than friendship.

Love is an emotion experienced by the many and enjoyed by the few.

Love is the emotion that a woman feels always for a poodle dog and sometimes for a man.

Marriage is based on the theory that when a man discovers a brand of beer exactly to his taste, he should at once throw up his job and go to work inthe brewery.

Men go to the theatre to forget; women, to remember.

No man can think clearly when his fists are clenched.

One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.

Opening Night: The night before the play is ready to open.

Patriotism is often an arbitrary veneration of real estate above principles.

Politics is the diversion of trivial men who, when they succeed at it, become important in the eyes of more trivial men.

Sex touches the heavens only when it simultaneously touches the gutter and the mud.

Shaw writes plays for the ages, the ages between five and twelve.

So long as there is one pretty girl left on the stage, the professional undertakers may hold up their burial of the theater.

The dramatic critic who is without prejudice is on the plane with the general who does not believe in taking human life.

The most loyal and faithful woman indulges her imagination in a hypothetical liaison whenever she dons a new street frock for the first time.

The notion that as a man grows older his illusions leave him is not quite true. What is true is that his early illusions are supplanted by new, and to him, equally convincing illusions.

The path of sound credence is through the thick forest of skepticism.

There is no legimate actor who can resist the powerful lure of the movies. It isn't the money that fetches him. It isn't the great publicity. It is simply this: the movies enable an actor to look at himself.

There is something distinguished about even his failures; they sink not trivially, but with a certain air of majesty, like a great ship, its flags flying, full of holes.