Best 32 quotes in «macabre quotes» category

If ever I was meant to love, my heart would beat for you,” Need not the Raven say to Crow beneath the winter’s howl. Excerpt from "The Raven and The Crow

If I were pressed, I would admit that she was beautiful, in a dead bride sort of way.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

I'm a fucking Unicorn - So what.!

In death we vanquished enemies, In death, we slew our foes. Blood soaked rage engulfed our blades, When blood lust took its hold. – In death, a darkness troubled one, In death, concealed, undone. Deep in darkness dragons wait, When blood would set the sun. – In death, we glorified his name. In death, we saw too late, When drink, to him, we raised in praise, The dragon sealed his fate. – In death, we lived. In death, we fought. In death, we grew to hate. In death, the blackened wraith released, The blinded shade beneath. – In death, his darkened eyes grew dim. In death, his mind was lost within. With blackened eyes, he slew his kin, In death, we lost to him. – In death, I took up sword and slew. In death, the dragon’s wrath ensued. We had no choice. The dragon fumed. In death, he was consumed. – In death, our brother’s blood deplored, In death, our brother, did I gore, When I rose up and killed one more. His blood ensconced my sword. – From death, his mutterings are weak. From death, his voice, to me, it speaks. Entombed within my brother’s keep, Revived in death, he sleeps.

Poor kid-- all she’d wanted to do was get her teeth fixed.

I rummaged through the drawers in search of a strong poison. I thought of nothing as I looked; I had to get it over with as quickly as possible. It was as if it were an everyday task I needed to do. All I could find were things of no use to me: buttons, string, thread of various colors, notebooks—all strongly redolent of naphthalene and none capable of causing a man’s death. Buttons, thread, and string—that is what the world contained at this most tragic of moments.

In the middle, the river was a deep green, scattered with rocks poking their noses up for a breath. The water charged around them, creating eddies and whirlpools. Closer to the bank, the current dragged lengths of weed along with it so it seemed that long-haired women swam just under the surface, never coming up for air.

I’ve always believed that talking to the dead is sometimes easier than talking to the living.” She shrugged at his questioning look. “They listen better.

People have come, surpassed my soul and left. I have become hollow and the hollow space inside, hurts.

The bodies draped down through the leaves like rancid baubles in the locks of a horrible harlot.

The macabre who lived through the war have a story they loved to tell about the soldiers of the Foreign Legion giving a ball in the expanses around Verdun and dancing with the corpses. Alabama's continued brewing of the poisoned filter for a semiconscious banquet table, her insistence on the magic and glamor of life when she was already feeling its pulse like the throbbing of an amputated leg, had something of the same sinister quality.

The brain had its own food on which it battened, and the imagination, made grotesque by terror, twisted and distorted as a living thing by pain, danced like some foul puppet on a stand and grinned through moving masks.

Orospu çocuğu kan emicilerle çıkmaya başladığından beri bana hiç bir konuda tüm gerçeği anlattığına inanmıyorum Anita' 'Politik olarak doğrusunu söylemek gerekirse,senin o orospu çocuğu kan emici dediğin vampir, ST Louis'nin Şehir Efendisi Dolp' 'O seninde efendinmi Anita?' 'Ne?' 'Şehir Efendisinin insan hizmetkarımısın?

The Sky was red, but not warm red of a sunset. This was an angry, glowering red, the colour of an infected wound.

This necklace has cost two very fine men their lives. At times I wear it in tribute to their sacrifice. Other times, I wear it because it goes with this skirt, - China Sorrows

The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere. The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way. The blind will see... the deaf will hear... but those who choose reason will never understand. Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation. We possess the knowledge of the Universe from conception. Once born we are taught to forget. If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise. "Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone." Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence. The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.

To drive oneself mad is an art form very few truly understand.

What is it to die but to stand naked in the wind and to melt into the sun?

This apartment, which you no doubt profanely suppose to be the shop of Will Wimble the undertaker --a man whom we know not, and whose plebeian appellation has never before this night thwarted our royal ears --this apartment, I say, is the Dais-Chamber of our Palace, devoted to the councils of our kingdom, and to other sacred and lofty purposes.

Words of sorrow in head, painting love faith and trust pitch black; aching breaking cutting heart, blood-red!

You walk a fine line between beautifully macabre and uncharacteristically psychotic.

The man did not attempt to deny it: 'Yes! It's the fault of this town.' The woman, pale and mournful, agreed: 'It's not our fault. Death is stronger than Love here.' ("The Dead Town")

William sees it all happen again. The pain is not in the event. The subjection to it and his powerless state each time is where his anguish lies. He is unable to influence the situation, despite his desire. He sees the nest outside his house. He sees the baby bird that fell. The mother bird cries frantically for her lost chick. William knows as he approaches the chick that if he touches it his scent will linger, and the mother will reject it. Circling around the fallen creature William hopes it will flee from him, back toward the tree from which it had fallen. His presence only intensifies the creature’s fear. It speeds to his left, heading for the street. Again William tries to flank the bird, but it is too frightened to return to the nest. The chick’s mother wails vainly. William walks into the street trying to herd the bird to safety. The stop light a block away has just turned green. The driver accelerates. William moves from the car’s path and it runs over the bird. The momentum from its wake lifts the bird to the underside of the car, breaking its neck, but not killing it. William watches the bird roll helplessly. It is silent for a second, before it begins to whimper. Its contorted head dangles limply from its body. The noise is tragic. The bird’s mother hears the chick’s pain, but nothing can be done. She laments. A second speeder crushes the chick, leaving only a wet feathered spot in the street. As the cars continue to pass, only one bird is heard. A mother’s grief falls deafly on an unconcerned world.

I think most of us are fascinated by the macabre and by the weird and even the nastiness that comes along.

A trip to the hospital is always a descent into the macabre. I have never trusted a place with shiny floors.

And Death it calls as the stone crow breaks. Streaks of blood malform its face. Death becomes its withered eyes and the shadows whisper, “Lies.” Excerpt from "Lies

And the silence, it cuts me. The silence, it gores me, Spilling my blood as the rain falls on me. Excerpt from "Silence

Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes! Ize Kranile!

He couldn't believe Jude's mute, macabre roommate had saved his life. He wondered if he'd have to get her a small taxidermied spider or something for her efforts.

Die in my nightmares; I will live in yours.

Halloween is a celebration of the inversion of reality and a necessary Gothic hat-tip to the darker aspects of life, death and ourselves.