Best 128 quotes of Jennifer Egan on MyQuotes

A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.

Americans are less selfish than some of our politicians believe and will respond with reason and resilience to passionate clarity.

And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.

And for an instant he would remember Naples: sitting with Sasha in her tiny room; the jolt of surprise and delight he'd felt when the sun finally dropped into the center of her window and was captured inside her circle of wire. Now he turned to her, grinning. Her hair and face were aflame with orange light. "See," Sasha muttered, eyeing the sun. "It's mine.

And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.

A sense of that kind of narrative movement that we experience online could have been in my mind easily, though not consciously. I do rely so much on my unconscious, the way I write my stuff the way I do. I let my unconscious work. I have better ideas that way and more interesting work.

a swell of gratitude and appreciation for his assistant, as opposed to the murderous rage he felt toward the rest of his staff

At night, the house thick with sleep, she would peer out her bedroom window at the trees and sky and feel the presence of a mystery. Some possibility that included her--separate from her present life and without its limitations. A secret. Riding in the car with her father, she would look out at other cars full of people she'd never seen, any one of whom she might someday meet and love, and would feel the world holding her making its secret plans.

Because you can't write habitually and well all the time, you have to be willing to write badly. That's how you get the regularity that enables you to be present for the good stuff.

Being somewhere but not completely: that was home for Danny. . . . All he needed was a cellphone or I-access, or both at once, or even just a plan to leave wherever he was and go someplace else really really soon.

Be willing and unafraid to write badly, because often the bad stuff...forms a base on which to build something better.

But I always need to identify with a character to write about him or her - and by "identify," I mean see the world through that person's eyes and have a strong sense of the inner logic of their acts and decisions, wacky or wrongheaded though they might be. In that sense, I think there's some of me in all of them.

But it was another girl, young and new to the city, fiddling with her keys.

Even the financial disclosure statements that political bloggers were required to post hadn't stemmed the suspicion that people's opinions weren't really their own. "Who's paying you?" was a retort that might follow any bout of enthusiasm, along with laughter - who would let themselves be bought?

Everybody sounds stoned, because they're e-mailing people the whole time they're talking to you.

Goon Squad' took about three years to write and that's the short end. My second novel, 'Look at Me,' took six years.

happened as I listened: I felt pain. Not in my head, not in my arm, not in my leg; everywhere at once. I told myself there was no difference between being “inside” and being “outside,” that it all came down to X’s and O’s that could be acquired in any number of different ways, but the pain increased to a point where I thought I might collapse, and I limped away.

He looks tired, like someone walked on his skin and left footprints.

He remembered his mentor, Lou Kline, telling him in the nineties that rock and roll had peaked at Monterey Pop. They'd been in Lou's house in LA with its waterfalls, the pretty girls Lou always had, his car collection out front, and Bennie had looked into his idol's famous face and thought, You're finished. Nostalgia was the end - everyone knew that.

Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.

I can't tell if she's actually real, or if she's stopped caring if she's real or not. Or is not caring what makes a person real?

I did go on safari in Kenya when I was 17, with my mother, stepfather and little brother, and I kept a careful journal of the experience that was very helpful in terms of my sensory impressions of Africa. I have traveled quite a bit at distinct times in my life, though now that I have kids I've settled down.

I don't think that all girls seek the influence of older men, but I think girls whose fathers are absent or recessed from their lives often do. And honestly, when I was growing up, fathers were generally pretty absent from their children's lives. We didn't see a lot of them. That may be something that has genuinely changed for the better in our culture: men are more present for their children now that more women are working.

I don’t want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.

I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.

I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.

If I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.

I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.

If you don't have people that the reader cares about and stories that are gripping, you've got nothing.

I grew up in the 70s, when people talked on the phone - and just talked more. I remember the phone was the epicenter of our house. I spent hours every evening as a teenager waiting for the phone to ring and talking to my friends. Before the age of technology, it was also easier to just disappear from the face of the earth.

I guess in my own life, privacy, anonymity, and the mystery of being lost are important. I also feel that people are mysterious and complex no matter what they do, and no matter how hard they try to reveal their own mystery.

I guess it's always romantic when two people fall in love.... Even if it turns out not to be real.

I had this idea that I could hire myself out as a person to go on archeological digs and dig, without any training! I actually wrote to a number of archeology departments and offered up my services.

I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.

I haven't had writer's block. I think it's because my process involves writing very badly.

I hope to keep writing journalism as long as I write fiction; it's afforded me such amazing adventures and opportunities. It does take a lot of time, so it's hard to do both at once, but I try to do a big journalism piece every couple of years, and I'll hopefully continue with that.

I listened to classic rock and roll, and punk rock. 'Goon Squad' provides a pretty accurate playlist of my teenage years, though it leaves out 'The Who,' which was my absolute favorite band.

I loved every minute of my childhood - sunbathing on the fire escape, digging for buried treasure in the back yard, pulling alewives out of the sand... Then it was all taken away from me. I came back every summer to visit my father until I was 18, but I was always the outsider.

I'm a dogged person. I respond to adversity with a steely resistance.

I'm always happy," Sasha said. "Sometimes I just forget.

I’m like America ” he said. Stephanie swung around to look at him unnerved. “What are you talking about ” she said. “Are you off your meds ” “Our hands are dirty ” Jules said.

I’m sorry and I believe in you and I’ll always be near you, protecting you, and I will never leave you, I’ll be curled around your heart for the rest of your life.

I'm very interested in the way the Internet has changed teenage life. Obviously it's very different from when I grew up, when there weren't even answering machines, much less computers. I was telling my children this the other day, and the little one said, "Did you have electricity, Mom?" and I was like okay, enough, kid.

I picture it like Judgement Day,' he says finally, his eyes on the water. 'We'll rise up out of our bodies and find each other again in spirit form. We'll meet in that new place, all of us together, and first it'll seem strange, and pretty soon it'll seem strange that you could ever lose someone, or get lost.

I think ethical ambivalence is a kind of innoculation, a way of excusing yourself in advance for something you actually want to do. No offense.

I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.

I think the one thing that's changed over time is that I've come to realise, as a fiction writer, the fact that I don't think it will work out, doesn't mean that it actually won't.

[I]t may be that a crowd at a particular moment of history creates the object to justify its gathering.

It's turning out to be a bad day, a day when the sun feels like teeth.

It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?