Best 3086 quotes in «emotional quotes» category

I haven't written a whole lot of nonfiction, but what I have written leads me to believe that it's an entirely different muscle. The ongoing paradox is that sometimes it's harder to get to the emotional truth of something when you only have the facts at your disposal.

I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.

I haven't seen much correlation between good trading and intelligence. Some outstanding traders are quite intelligent, but a few aren't. Many outstanding intelligent people are horrible traders. Average intelligence is enough. Beyond that, emotional makeup is more important.

I have received emails from readers who have said that they were emotionally impacted by the books, and they feel they are more environmentally aware and energized to do more. So that's hopeful to me. It is at least evidence of what I'm trying to do - trying to convey very intense emotional experiences by being very close in on character points of view to make you feel it in your body. That's one way to get the point across, by evoking a visceral response.

I have those songs as well. It depends on what I'm going through in my life but I'm a huge fan of Bjork. Sometimes I get so emotional because she's so amazing.

I have to put down roots where I decide to stay. It wasn't enough for me to be an expatriate Indian in Canada. If I can't feel that I can make social, political and emotional commitments to a place, I have to find another place.

I have vision boards, and people think that I put the vision board up and I look at it all the time, but what I do is, when I'm having an emotional time and I'm stressed out or feeling bad, I go to the store and get all the stuff for a vision board. Instead of channeling the negative thoughts or being depressed, I change it around and I start making boards.

I have witnessed firsthand the anguish of this humanitarian tragedy - in Palestine, Iraq, Syria, Pakistan, and other conflict and post-conflict zones. The destruction of lives and hopes, the emotional trauma, and the economic, social, and political marginalization of the displaced, the human insecurity, with real and potentially devastating consequences over generations, in ever-widening arenas of conflict. We can and must ensure the human rights of the displaced. That begins by making their voices heard.

I heard Q-Tip on the Jungle Brothers' song 'The Promo.' It was very exciting. It was very new. The music and the culture around hip-hop was evolving. I think there's an emotional quality to their music and there's a vulnerability to the music. For me, A Tribe Called Quest was my Beatles.

I hope I am pigeonholed with comedy. I'm really not interested in writing the darker stuff, the emotional stuff.

I just know once you're over your emotional outbursts, you'll come up with-' I mean if we even had a wheelbarrow, that would be something,' Westley said.

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.

I just refer to myself as being Spirit, Mind and Body like everybody else and working toward the mastery of my natural divinity and the healing of my emotional mind.

I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.

I knew there were no such things as death cooties. Unfortunately, that's an intellectual fact. And death cooties are an emotional reality.

I knew that, without killing the creative mood, I had to keep the balance between my emotional outburst and the merciless discipline of a super-personal control, thus submitting myself ti the self-imposed law of dance composition

I knew that the principle objective of my film was to be a sentimental or an emotional study. What I did was kind of like subterfuge.

I know I have different priorities when I am close to dreaming and coming out of dreaming. I notice I am connected to people in a different way, and connected to the earth. For me, I have exactly the same emotional responses when I go through into shamanic trance.

I know that the emotional narrative will work in the end, and I just have to play each moment honestly even if the getting from A to B doesn't totally make sense initially.

I like the ritual, the liturgy of a well-crafted, emotional fashion show. I will never be jaded with this side of fashion. The catwalk is pure anthropology, something like an esoteric encrypted parade. It can totally be replaced but it will be missed.

I like Billy Beane for the fact that he - his idiosyncrasies, that he can't watch the games without getting too emotional, that he often has food down his shirt, that he tends to break a few chairs now and then. I mean, these things make him human.

I like the atmosphere. You can't beat it when you're introduced. I like making a play and hearing the fans scream. I like the physical as well as the emotional aspect, especially when you win.

I like to think of what happens to characters in good novels and stories as knots--things keep knotting up. And by the end of the story--readers see an unknotting of sorts. Not what you expect, not the easy answers you get on TV, not wash and wear philosophies, but a reproduction of believable, emotional experiences.

I like to look good, but I like my body to function well more than anything. For me, it's as spiritual and intellectual as it is physical. And emotional. I enjoy pushing myself.

I like to think of music as an emotional science.

I like to look good, but I like my body to function well more than anything. For me, it's as spiritual and intellectual as it is physical. And emotional. I'm a better husband, I'm a better father, if my body is physically functioning at the highest possible levels.

I like to play different ranges. When you get really deeply involved in the emotional parts, I enjoy that just as much as the fun and laughter.

I listen to music two ways: As a person, you have an instinctive, personal, emotional response. But as a music supervisor, you have a secondary response, which is, 'Will this sit well under dialogue?' 'Can people die to this?' 'Can people kiss to this?

I like violence because I like looking at it and I like understanding emotional and physical violence and how they work with one another... It's operating in all these levels of hopefully - Oedipus is one of my favorite stories, that's like falling down a well when you read that - so that would be the hope, that each thing causes the next.

I like women who have an opinion one way or the other or who have a great sense of humor and a great sense of adventure. I can be friends with women who are not like that, but I don't have that hard emotional connection.

I lived in New York, and I was the guy who was flying home almost every week, so there was a physical exhaustion and an emotional exhaustion for me, and a need to be home more.

I'll find something in what I read that snags my imagination in emotional terms; it resonates with me for reasons more complicated than just that it seems like it would make a good story.

I'll tell you, being involved in human space flight, it is an emotional endeavor. I think it brings in the highest highs and the lowest lows.

I lot of the show's I do are low tech. This is low tech. There's a bit of high adventure here. There's difficult emotional choices. So actually this feels like a natural progression of everything I've been doing before this.

I look for stories that tell transformative, emotional journeys, have big emotional worlds, feel very relevant and true to the times we're living in - even though they might be of a different time - have a sense of real intimacy with larger forces at work, where there's some kind of social injustice and inequity happening that needs to be conquered or addressed. I find historically that's the formula for a lot of successful operas.

I lost my sense of trust, honesty and compassion. I crashed down and became what I consider an emotional mess. I've never been so miserable in my whole life. I just wanted to go to bed and never get up.

I love a guy that can be emotional and get in touch with his feminine side. It's really sweet. It says a lot about a man to me.

I look at emotional pain as something we need to go through in order to grow and learn.

I love fear, and fear breeds creativity. It forces you to react instinctively, which is the essence of movement. Movement is a creativity - a sense of an emotional movement. And the more instinctual you can make that, the more pleasurable it is. It's like an infant drawing. You're completely uninhibited because creativity is a wonderful expression. Good or bad, who cares? That's part of the past. The act of creativity is what's interesting.

I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.

I love music. I do play. It's like mathematics, and it's also emotional. It's nice to play, for no other reason than just to play.

I love my mother, but there has been, ever since my boyhood, a sort of coldness of intercourse between us, such as is apt to come between people of strong feelings.

I love museums, but I always thought there was something funny about a group of strangers silently staring at works of inanimate objects together. Each person is having a very personal and maybe even emotional experience, but it's in the confines of an extremely quiet and sterile room.

I love rock ballads, and I'm kind of in emotional turmoil, being ill and high, so I start to sing to the song, I turn it up and start to sing.

I love physical comedy. Comedy that comes from an emotional place is amazing too and lets me develop in a new way as an actor.

I love scenes that are just emotional give and take. By the same token action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes and hopefully you can get a good balance of all of that stuff.

I love sharing my stories and experiences with people and connecting to them on both a humorous and emotional level.

I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn't necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely.

I love therapy! There's nothing like talking to someone who has no emotional tie to your life

I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.