Best 3086 quotes in «emotional quotes» category

My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.

My hope was that organizations would start including this range of skills in their training programs - in other words, offer an adult education in social and emotional intelligence.

My house is my refuge, an emotional piece of architecture, not a cold piece of convenience.

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

My kids say if there's any family dinner that doesn't result in somebody crying, it's not a good dinner. They cry because it helps relieve them of a guilt or some onerous emotional burden. It's like a family tradition.

My mom has kind of been more of the emotional support system. One time I was really feeling all out of it, just dealing with a lot of cooks in the kitchen and adjusting to what it means to be in the music industry, and I called her. One of the first things she said to me was 'You have to be thankful that these people even like you, no one liked me, at all, I was not really accepted for a very long time.'

My "mission", if you can call it that, is to connect with my readers on an emotional level and have them come away with a stronger impression of the basic message in the story I am illustrating.

My mistake was in underestimating the emotional force of a song you have already hear a thousand times.

My mother is very emotional as well, but my dad is more of the guts of the family. He was the main preacher, so he kind of had this little Pentecostal flair, but they are born-again.

My mother's people, the people who captured my imagination when I was growing up, were of the Deep South - emotional, changeable, touched with charisma and given to histrionic flourishes. They were courageous under tension and unexpectedly tough beneath their wild eccentricities, for they had and unusually close working agreement with God. They also had an unusually high quota of bullshit.

My mother's work has been an enormous influence on me, but not literally. By that I mean, my photographs don't look like hers. That makes it difficult to compare them. What they do share is an emotional intensity.

My movies were not reaping the kind of emotional rewards that I wanted. I wanted them to be appreciated and they weren't. I didn't want the reviews to say, "Mel Brooks has made another movie," and you get the title somewhere in the second paragraph.

My mum is Croatian, and obviously she's female and she's very emotional, very hot-blooded, very touchy-feely, whereas I think my dad's quite British.

My mum is a bit unconventional; she's outdoorsy and has more of an emotional intelligence, whereas my dad is pragmatic; he's a businessman.

My name is Marc, my emotional life is sensitive and my purse is empty, but they say I have talent.

My music is very raw, it's emotional, and it's honest. I do my best to tell a story whenever I write music because I want to paint the most vivid picture that tells a story whether a person is falling in love for the first time or going through a painful heartbreak.

My off-the-cuff remarks at the University of Virginia were with regard to global macro traders, who are on-call 24/7 and of whom there are likely only a few thousand successful practitioners in the world today. Macro trading requires a high degree of skill, focus and repetition. Life events, such as birth, divorce, death of a loved one and other emotional highs and lows are obstacles to success in this specific field of finance.

My music is very emotional. The reason why I want to play music is very emotional. I want to call out my emotions and package them into music.

My own feelings about the direction in which jazz should go are that there should be much less stress on technical exhibitionism and much more on emotional content, on what might be termed humanity in music and the freedom to say all that you want.

My particular interest area is working in issues of emotional literacy. What I see of the way that we educate boys and more than that, the way we socialize boys within their families and then in schools to me is tantamount to just removing any element of emotional intelligence from them.

My personal opinion is that the neutral position on the mood spectrum—what I called emotional sea level—is not happiness but rather contentment and the calm acceptance that is the goal of many kinds of spiritual practice.

My personal favorite remains Tiger Stadium, Baton Rouge, first home game after Katrina vs. Tennessee on a Monday night. Getting goose bumps typing about it. It was so loud and emotional that I think everyone was exhausted by the second half.

My philosophy is to "kill the monster while it's little." The best time to handle a "negative" emotion is when you first begin to feel it. It's much more difficult to interrupt an emotional pattern once it's full-blown.

My point is, however, that churches do promote beliefs that would more appropriately find a place in a context of intellectual debate. They wind up cheerleading for highly dubious opinions on historical, scientific, and metaphysical matters, simply on the bases of emotional preference and the inertia of tradition. They demand conformity to these beliefs, and if you cannot swim with the current, then, well partner, maybe you'd be happier in another pool, another lake in fact, the one ablaze with burning sulfur.

My process is to be by myself when I record. It's quite an emotional performance to pull off when someone else is in the room. I prefer to go away and have my own time with it, bring it in later.

My real motivation came from my desire for music videos to have the same equal soul-touching emotional resonance that straight music does.

My research has shown me that when emotions are expressed-which is to say that the biochemicals that are the substrate of emotion are flowing freely-all systems are united and made whole. When emotions are repressed, denied, not allowed to be whatever they may be, our network pathways get blocked, stopping the flow of the vital feel-good, unifying chemicals that run both our biology and our behavior.

My songs examine and explore little specific emotions or situations or stories... They're kitchen table songs, like a conversation between me and one other person. It's almost like an alien has been sent to get emotional samples from human beings and put it all together on a record.

My skating is a very emotional thing that comes from the heart, never doing it for the medal.

My son is not that emotional. He thought my trip to India is just another conference, But when he hearing about my visit on TV, he too got moved.

Mystical power, as you know, has a whole different flavor to it. It's much more raucous at times; it's much more poignant at times. It involves more of the emotional body.

My standup persona is like I'll heighten things, but I'm observing the world as it is in sort of a heightened emotional state.

Mystery is an intellectual process... But suspense is essentially an emotional process.

Mystical experience of nature can be of particular relevance to our troubled age, bringing deeper into our consciousness and emotions the logic that nature sustains humanity as humanity must, in turn, sustain nature. Rationality alone, however, cannot be our guide in the task of restoring our environment. A spiritual connection to nature must inspire the emotional commitment that is the yin, complementing the yang of intellectual understanding.

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

My way is the sensitive, emotional way, because that's who I am. A day doesn't go by where I don't sit and cry, listening to the stories. I try to be the clown and court jester and make people laugh.

My weight has been an emotional roller-coaster for me, and I am ready to get off it.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

My whole mood or sense can change by virtue of the music that I'm listening to. It really does affect me on a visceral and emotional level.

My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.

Names generate meaning in a short amount of space — they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.

My work involves the physical manifestation of emotional reality. Thus, the invisible becomes visible; the normal, abnormal; and the familiar, unfamiliar. Ordinary life is an endless source of fascination to me in its ritualistic objects and behavior.

[My works are] an imitation of my own past and present and of my own creative vitality as I experience them in one particular instant of my emotional and imaginative life. . .

Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that, until I reach the foundation, still just an external foundation, of things.

Nature is often overlooked as a healing balm for the emotional hardships in a child's life. You'll likely never see a slick commercial for nature therapy, as you do for the latest antidepressant pharmaceuticals. But parents, educators, and health workers need to know what a useful antidote to emotional and physical stress nature can be. Especially now.

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.

Never react emotionally to criticism. Analyze yourself to determine whether it is justified. If it is, correct yourself. Otherwise, go on about your business.

New research shows that emotions have a separate system of nerve pathways, through the limbic system to the cortex, allowing emotional signals to avoid conscious control.

No emotion, any more than a wave, can long retain its own individual form.