Best 3086 quotes in «emotional quotes» category

I began to think that there was a place for 'Footloose' to get retold again, that there was actually a more conducive political climate, an emotional climate to explore a town that has experienced a trauma and a shock, and starts overreacting.

I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].

I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.

I believe in sexual monogamy, but I don't believe in emotional monogamy.

I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.

I believe that it may be normal, healthy, and even productive to experience mild to moderate depression from time to time as part of the variable emotional spectrum, either as an appropriate response to situations or as a way of turning inward and mentally chewing over problems to find solutions.

I believe that to create real-seeming characters, the writer must be willing to go on a voyage of self-exploration. It can be revealing and even painful to explore your own weakness, but it gives you genuine emotion. Characters in fiction come alive because of the believability of their emotional lives and that is what I strive to create.

I believe the process of going from confusion to understanding is a precious, even emotional, experience that can be the foundation of self-confidence.

I believe the personal essay is underrated for both writer and reader. It affords the writer great freedom: to speak personally yet invoke others' ideas, to be rational and/or emotional, to be confident or admit doubt.

I believe this choice is ethical, and what makes it ethical is it is a choice.

I can listen to the same song back-to-back for two to three hours straight. I'm not psycho; I swear. There are some songs I won't listen to any more because they are songs that helped me get to emotional places. Even if I hear it, I'll have to walk out of the room or turn it down. It sounds so strange but those things affect me in a certain way.

I can spend years studying and being in therapy and having a very analytic spiritual meditation practice, but without the emotional component, without the softening that comes with love and vulnerability, everything else I do is really just surface.

I can only approach it as a woman. Masculinity has been depicted in very black-and-white terms. There never seems to be a wide range of emotional definitions of men.

I can't with any conscience argue for New York with anyone. It's like Calcutta. But I love the city in an emotional, irrational way, like loving your mother or your father even though they're a drunk or a thief. I've loved the city my whole life - to me, it's like a great woman.

Ice cream is the perfect buffer, because you can do things in a somewhat lighthearted way. Plus, people have an emotional response to ice cream; it's more than just food. So I think when you combine caring, and eating wonderful food, it's a very powerful combination.

I can write a song in the back of the bus, where I am right now, or in my living room, and I can perform it that night and have an instant reciprocal exchange - an emotional, impactful exchange - and it's a less technical medium. It's a pure expression from my soul to other souls.

I contend that most emotional distress is best understood as a rational response to sick societies.

I choose to not ignore or push away emotional pain. Instead, I allow it to move through me. Sometimes, that's quietly working on a puzzle and listening to an all-strings Pandora station, and others, it's being vulnerable with a trusted friend. Either way, I let it have its place.

I come home more exhausted after a day of emotional work on set than I've ever had in any sporting event I've played or anything. It's draining. But it's also part of the fun.

I couldn't give a rat's tutu about your emotional distress

I could say that all my books were conceived by the time I was twenty, although they were not to be written for another thirty or forty years. But perhaps this is true of most writers—the emotional storage is done very early on.

I dare anyone to spend 10 years in the laugh-track that is Chuck Lorre's hive of oppression and not suffer some form of an emotional tsunami.

I damaged all the complicated bits of the brain to do with processing and emotional control. I was prey to every single emotion that swept over me and I couldn't deal with it. I had to re-learn things from scratch.

I could tell you that when you have trouble making up your mind about something, tell yourself you'll settle it by flipping a coin. But don't go by how the coin flips; go by your emotional reaction to the coin flip. Are you happy or sad it came up heads or tails?

I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.

Ideology is not the product of thought; it is the habit or the ritual of showing respect for certain formulas to which, for various reasons having to do with emotional safety, we have very strong ties of whose meaning and consequences in actuality we have no clear understanding.

I define vulnerability as uncertainty, risk and emotional exposure. With that definition in mind, let’s think about love. Waking up every day and loving someone who may or may not love us back, whose safety we can’t ensure, who may stay in our lives or may leave without a moment’s notice, who may be loyal to the day they die or betray us tomorrow—that’s vulnerability.

I’d have much rather gotten dragged into someone else’s fight than face what was waiting for me. Other people’s emotional pain, no matter how painful, is so much less painful than your own.

I did not agree..to having my article censored. ...The published report of the conference gives my name as a participant, but you will not find in it the paper I read. ...Scientists as a group are no more, and no less, influenced by emotional and irrational reactions than other people are.

I did not think that I was angry, but clearly anger was reflected in my writing. I did not think that I had been affected emotionally, but it was clear from my writing that I was still very emotional about the trial some six months after it ended.

I didn't really care about money. I really wanted to follow my bliss. I really wanted to do the things that would make my life satisfying, in the fullest sense, and I was never thinking about money when I made those decisions. And I certainly didn't want my life to be driven by money. I'd seen my father's' life driven that way, and, although again, in retrospect, I understand fully why he did that, I didn't wanna live looking for that kind of financial reward. I wanted to live with the emotional, psychological, and even moral reward of doing the kind of work I do, which is, y'know, writing.

I didn't want to be around anybody because it was just too much for my brain. But, as an actress, you hope you get those meaty roles that push you into the extremities of that psychology. I like doing independent films because there's more room for you to be creative, and the director allowed me to just go wherever I needed to go. It was emotional. I had to cry a lot.

I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie.

I'd like them [people] to leave thinking about the challenges women face in the workforce, but more importantly to really feel the emotional highs and lows of those challenges - to have really experienced that unsettling place where ambition crosses over into something else entirely.

I'd like to see much more understanding of emotional issues around hurt, abandonment, disappointment, longing, failure and shame, where they stem from and how they drive people and policies brought into public discourse.

I'd moved to L.A., and everyone's actors here and writers, they were like super emotional and super in touch with their feelings, and it seemed like every two weeks one of my friend just coming to me and, like, you hurt my feelings the other day, dude.

I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.

I do not believe God is responsible for my sins, some people may. But I believe that my own weaknesses are father-filtered and just as much as God touched Jacob's hip and he walked with a limb the rest of his life, that I have certain emotional weaknesses that are there to keep me dependent on God.

I do not deal with the text [of the Bible] scientifically. I read it, I'm interested in its layers of meaning, but my relation to it is much more an emotional one.

I do not claim to have attained optimum emotional well-being. Actually, I think that may be a lifetime goal. For me it’s an ongoing process that requires awareness, knowledge, and practice. I do know what good emotional health feels like, and that motivates me to keep at the practice.

I do not literally paint that table, but the emotion it produces upon me.

I do not think that the real reason why people accept religion has anything to do with argumentation. They accept religion on emotional grounds.

I do not wear my emotions on my sleeve. I was once described by my own son Stephen as an emotional ostrich.

I'd listen to things that felt really good in the moment and realize they were clouded by enthusiasm or caffeine. And things that I was struggling to get out ended up being really compelling. It's an emotional roller coaster; there's exhilaration and there's shame.

I do all the things that singer-songwriters do. I introduce the songs, I have a story to tell about everything all the time - I cannot be on stage and have something on my mind without telling the audience. I'm super emotional and expressive and vulnerable in that moment.

I do consider even going to prostitutes, or seeing a hooker or an escort, as having an emotional component, even if it's not an emotion necessarily in the relationship. Even if you are paying in order to absolve yourself of any emotional involvement. That's the paradox.

I do my best to allow myself to really feel it [emotional pain]. Cry. Get all in it. Really experience my experience so that I may move through it. And talk about it. I try not to let anything get brushed over and swept under the rug.

I do not think one can assess a writer's motives without knowing something of his early development. His subject matter will be determined by the age he lives in ... but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape.

I don't actually care what I climb, only how it affects me. Which means the summit doesn't matter as much as the emotional process.

I don't consider myself very brave in any sense. I'm interested in this kind of behavior. My job is to try to make it realistic and emotionally resonant. That's the most challenging thing, to bring emotional resonance to what you do as an actor.