Best 3086 quotes in «emotional quotes» category

If you're trying to convey a crucial emotional truth, you have to be in total control of the emotional pacing of the story, and if you can only strike one note in terms of tone then you're going to be quite limited as a writer.

If your thoughts are thoughts that draw low-frequency energy current to you, your physical and emotional attitudes will deteriorate, and emotional or physical disease will follow, whereas thoughts that draw high-frequency energy current to you create physical and emotional health.

If you speak up online and your ideas have currency, people are going to show up and want to connect with you. What we need more of are people with the guts and emotional labour to do this. The greatest shortage in today's society is an instinct to produce.

If you see the intersection of time and space, you experience complete freedom of being. This state of existence is completely beyond any idea of time, space, or being. In that liberated state you can see fundamental truth and the phenomenal world simultaneously. That is called Buddha's world. That is the place where all sentient beings exist, so you can stand up there and see all beings, myriad beings. Then you know very clearly, through your own emotional and intellectual understanding, how all beings exist.

If you see something that you feel is familiar it gives you an important kind of emotional connection.

If you stop your creative process every time you think you need to cheer yourself up, or rid yourself of emotional conflicts, your life will be over before you can create anything of any real significance.

If you stub your toe, you don't need to dialog yourself to be good to your foot, do you? When you see things that clearly, there's no dialogue or emotional manipulation that you need to do to extend compassion to that being, because that being is a part of you, and if that being hurts, you hurt.

If you've heard Hillary Clinton's recent remarks on Ritalin and other drug use on children, you'll find the usual nauseating demagoguery. She appears to be urging Ritalin caution; but, if you listen carefully, she's calling it a miracle drug: "A Godsend for emotional and behavioral problems, for both children and their parents." She insists her efforts are not an attack on the medical treatment of children's emotional well-being because the drugs are very, very "useful.

If you want to surrender to creativity, surrender to creation.

I get a lot of satisfaction from crafting and shaping mixes. I love finding the right balance, the right dynamic. It's an emotional interaction with the music.

I get emotional when young people get nostalgic about my work. That's why it's called nostalgia. Sometimes I even cry.

I get homesick a lot. That can make me so emotional that I sometimes feel like crying- but never in front of anyone. No way!

I get very emotional about time periods I never lived in, but I have a weird connection to them. The mystery of it becomes about hearing the stories of those eras, and creating nostalgia from those stories.

I go running. I go into nature. I really alleviate lot of emotional stress, any kind of stress I'm going through - exercise is my favorite medicine.

I grew up in a family of strong women and I owe any capacity I have to understand women to my mother and big sister. They taught me to respect women in a way where I've always felt a strong emotional connection to women, which has also helped me in the way I approach my work as an actor.

I grew up bar-singing and saw all kinds of ways people tried to outrun their emotional pain. It doesn't work. You end up with the original pain, as well as new pain added on top of it from the tactics you used trying to avoid it in the first place. It's best to take a deep breath, bolster yourself, and walk through it.

I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.

I guess he was such an open, emotional vessel that I think he tapped into human nature, so it just left people wondering what would have happened. I think James Dean would be 83 today. He could be here, what would he be doing?

I guess I'm interested in people who are very sophisticated in intellectual ways, while being completely off the mark in emotional ones, with huge blind spots in terms of their own behavior.

I guess I worry about weird existential things, like how do we spend our final act. This is a very emotional question. I can't answer it without crying. I think, You're 56 years old, what did you do? You raised two good kids. What am I going to do now that is as meaningful as that? I don't know the answer yet.

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

I guess what I'm trying to say is that whatever weirdness was going to be in there, I felt, had to be earned. And it had to be required by the emotional needs of the book.

I had always been taught that the pursuit of happiness was my natural (even national) birthright. It is the emotional trademark of my culture to seek happiness. Not just any kind of happiness, either, but profound happiness, even soaring happiness. And what could possibly bring a person more soaring happiness than romantic love.

I had always been intrigued by the emotional aspect of adventure gaming-the fact that people get so personally involved.

I had an emotional breakdown since I really had no idea what diabetes was all about. I wondered, 'why me?' Then I asked myself, 'why not me?' and realized that I might be able to help other kids with diabetes.

I had no idea what I was signing up for. I auditioned for some random character. I knew the sides were fake, but what they were trying to capture was an emotional toughness and a woundedness. I knew I liked the character. I didn't know who the character was, but I liked the spirit of the character.

I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.

I had a visceral connection to the period [of Korean War]. By visceral I suppose I mean emotional. But every fiction requires so much that is not that so I did a lot of other research and a lot of thinking, a lot of struggling there.

I handle my emotional pain with music and old movies, preferably Westerns.

I handle emotional pain by trying to understand that it's going to be painful and to allow for it instead of fighting it. Doesn't make it any easier, though.

I handle my emotional pain by changing my mind-set. Exercising can exorcise emotional pain. Prayer and meditation. Visualization. Being able to talk about it by opening yourself to loved ones or a professional.

I hate no one, sir. It seems a waste of emotional energy.

I hate people doing an emotional striptease. It's never genuine or they wouldn't drag outsiders m.

I hate being so emotionally slutty. I need to stop loving everyone I have a long conversation with.

I have a bad habit of playing little emotional games with men. When they date me it's cool in the beginning, we do our thing in the first month, and then I send them on a rollercoaster ride to hell.

I have a perverse attraction to risk. Not physical risk but emotional, financial risk - anything than can't kill you immediately.

I have a daughter who, when younger, possessed no barrier between her emotional self and the outside world. Her emotional insides spilled out all over, and, especially when I was sleep-deprived and probably a little paranoid, this really threatened me. It was as if she were embodying and expressing the insecurities and freaked-outedness I never express, and which I've learned over the years to keep hidden.

I have a hard time articulating the emotional experience of working on a film. Even when I have meetings on films or discussing them with directors, I find that’s my biggest challenge. Different words mean different things to people.

I have a limitless amount of great music at my disposal and it's very, very pleasurable because when the music goes on the film it's amazing how much it livens up the film and gives it an emotional kick in the pants, sort of.

I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.

I have insanely dorky taste. Basically, if you're a woman, and you're under any kind of emotional duress, and you sing a song, I will listen to it forever. It's odd being a 37-year-old heterosexual male who owns nothing but Sarah McLachlan and Tori Amos. But I'll go against that at first and play something boring like James Taylor.

I have been contemplating the place and meaning of love in our lives and culture for years. When a subject attracts my intellectual and emotional imagination, I am long to observe it from all angles, to know it inside and out.

I have enough friends who are gamers. I actually enjoy watching them play because of the visuals and the storytelling of the games. I just love being able to go on an adventure and games are just so sophisticated now that you can just get lost in a world for 20 hours and just be someone else in a very visceral, emotional way. And that's just fascinating.

I have had manic-depressive illness, also known as bipolar disorder, since I was 18 years old. It is an illness that ensures that those who have it will experience a frightening, chaotic and emotional ride. It is not a gentle or easy disease.

I have emotional needs that I didn't know I had, and I have physical needs that I didn't know weren't really needs.

I haven't written a whole lot of nonfiction, but what I have written leads me to believe that it's an entirely different muscle. The ongoing paradox is that sometimes it's harder to get to the emotional truth of something when you only have the facts at your disposal.

I have received emails from readers who have said that they were emotionally impacted by the books, and they feel they are more environmentally aware and energized to do more. So that's hopeful to me. It is at least evidence of what I'm trying to do - trying to convey very intense emotional experiences by being very close in on character points of view to make you feel it in your body. That's one way to get the point across, by evoking a visceral response.

I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.

I haven't seen much correlation between good trading and intelligence. Some outstanding traders are quite intelligent, but a few aren't. Many outstanding intelligent people are horrible traders. Average intelligence is enough. Beyond that, emotional makeup is more important.