Best 3086 quotes in «emotional quotes» category

I get very emotional about time periods I never lived in, but I have a weird connection to them. The mystery of it becomes about hearing the stories of those eras, and creating nostalgia from those stories.

I go running. I go into nature. I really alleviate lot of emotional stress, any kind of stress I'm going through - exercise is my favorite medicine.

I grew up in a family of strong women and I owe any capacity I have to understand women to my mother and big sister. They taught me to respect women in a way where I've always felt a strong emotional connection to women, which has also helped me in the way I approach my work as an actor.

I grew up bar-singing and saw all kinds of ways people tried to outrun their emotional pain. It doesn't work. You end up with the original pain, as well as new pain added on top of it from the tactics you used trying to avoid it in the first place. It's best to take a deep breath, bolster yourself, and walk through it.

I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.

I guess he was such an open, emotional vessel that I think he tapped into human nature, so it just left people wondering what would have happened. I think James Dean would be 83 today. He could be here, what would he be doing?

I guess I'm interested in people who are very sophisticated in intellectual ways, while being completely off the mark in emotional ones, with huge blind spots in terms of their own behavior.

I guess I worry about weird existential things, like how do we spend our final act. This is a very emotional question. I can't answer it without crying. I think, You're 56 years old, what did you do? You raised two good kids. What am I going to do now that is as meaningful as that? I don't know the answer yet.

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

I guess what I'm trying to say is that whatever weirdness was going to be in there, I felt, had to be earned. And it had to be required by the emotional needs of the book.

I had always been taught that the pursuit of happiness was my natural (even national) birthright. It is the emotional trademark of my culture to seek happiness. Not just any kind of happiness, either, but profound happiness, even soaring happiness. And what could possibly bring a person more soaring happiness than romantic love.

I had always been intrigued by the emotional aspect of adventure gaming-the fact that people get so personally involved.

I had an emotional breakdown since I really had no idea what diabetes was all about. I wondered, 'why me?' Then I asked myself, 'why not me?' and realized that I might be able to help other kids with diabetes.

I had a visceral connection to the period [of Korean War]. By visceral I suppose I mean emotional. But every fiction requires so much that is not that so I did a lot of other research and a lot of thinking, a lot of struggling there.

I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.

I had no idea what I was signing up for. I auditioned for some random character. I knew the sides were fake, but what they were trying to capture was an emotional toughness and a woundedness. I knew I liked the character. I didn't know who the character was, but I liked the spirit of the character.

I handle my emotional pain with music and old movies, preferably Westerns.

I handle my emotional pain by changing my mind-set. Exercising can exorcise emotional pain. Prayer and meditation. Visualization. Being able to talk about it by opening yourself to loved ones or a professional.

I handle emotional pain by trying to understand that it's going to be painful and to allow for it instead of fighting it. Doesn't make it any easier, though.

I hate being so emotionally slutty. I need to stop loving everyone I have a long conversation with.

I hate people doing an emotional striptease. It's never genuine or they wouldn't drag outsiders m.

I hate no one, sir. It seems a waste of emotional energy.

I have a bad habit of playing little emotional games with men. When they date me it's cool in the beginning, we do our thing in the first month, and then I send them on a rollercoaster ride to hell.

I have a daughter who, when younger, possessed no barrier between her emotional self and the outside world. Her emotional insides spilled out all over, and, especially when I was sleep-deprived and probably a little paranoid, this really threatened me. It was as if she were embodying and expressing the insecurities and freaked-outedness I never express, and which I've learned over the years to keep hidden.

I have a hard time articulating the emotional experience of working on a film. Even when I have meetings on films or discussing them with directors, I find that’s my biggest challenge. Different words mean different things to people.

I have a limitless amount of great music at my disposal and it's very, very pleasurable because when the music goes on the film it's amazing how much it livens up the film and gives it an emotional kick in the pants, sort of.

I have enough friends who are gamers. I actually enjoy watching them play because of the visuals and the storytelling of the games. I just love being able to go on an adventure and games are just so sophisticated now that you can just get lost in a world for 20 hours and just be someone else in a very visceral, emotional way. And that's just fascinating.

I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

I have been contemplating the place and meaning of love in our lives and culture for years. When a subject attracts my intellectual and emotional imagination, I am long to observe it from all angles, to know it inside and out.

I have a perverse attraction to risk. Not physical risk but emotional, financial risk - anything than can't kill you immediately.

I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.

I have emotional needs that I didn't know I had, and I have physical needs that I didn't know weren't really needs.

I have had manic-depressive illness, also known as bipolar disorder, since I was 18 years old. It is an illness that ensures that those who have it will experience a frightening, chaotic and emotional ride. It is not a gentle or easy disease.

I have insanely dorky taste. Basically, if you're a woman, and you're under any kind of emotional duress, and you sing a song, I will listen to it forever. It's odd being a 37-year-old heterosexual male who owns nothing but Sarah McLachlan and Tori Amos. But I'll go against that at first and play something boring like James Taylor.

I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.

I haven't written a whole lot of nonfiction, but what I have written leads me to believe that it's an entirely different muscle. The ongoing paradox is that sometimes it's harder to get to the emotional truth of something when you only have the facts at your disposal.

I have received emails from readers who have said that they were emotionally impacted by the books, and they feel they are more environmentally aware and energized to do more. So that's hopeful to me. It is at least evidence of what I'm trying to do - trying to convey very intense emotional experiences by being very close in on character points of view to make you feel it in your body. That's one way to get the point across, by evoking a visceral response.

I haven't seen much correlation between good trading and intelligence. Some outstanding traders are quite intelligent, but a few aren't. Many outstanding intelligent people are horrible traders. Average intelligence is enough. Beyond that, emotional makeup is more important.

I have vision boards, and people think that I put the vision board up and I look at it all the time, but what I do is, when I'm having an emotional time and I'm stressed out or feeling bad, I go to the store and get all the stuff for a vision board. Instead of channeling the negative thoughts or being depressed, I change it around and I start making boards.

I have those songs as well. It depends on what I'm going through in my life but I'm a huge fan of Bjork. Sometimes I get so emotional because she's so amazing.

I heard Q-Tip on the Jungle Brothers' song 'The Promo.' It was very exciting. It was very new. The music and the culture around hip-hop was evolving. I think there's an emotional quality to their music and there's a vulnerability to the music. For me, A Tribe Called Quest was my Beatles.

I have to put down roots where I decide to stay. It wasn't enough for me to be an expatriate Indian in Canada. If I can't feel that I can make social, political and emotional commitments to a place, I have to find another place.

I have witnessed firsthand the anguish of this humanitarian tragedy - in Palestine, Iraq, Syria, Pakistan, and other conflict and post-conflict zones. The destruction of lives and hopes, the emotional trauma, and the economic, social, and political marginalization of the displaced, the human insecurity, with real and potentially devastating consequences over generations, in ever-widening arenas of conflict. We can and must ensure the human rights of the displaced. That begins by making their voices heard.

I hope I am pigeonholed with comedy. I'm really not interested in writing the darker stuff, the emotional stuff.

I just know once you're over your emotional outbursts, you'll come up with-' I mean if we even had a wheelbarrow, that would be something,' Westley said.

I knew that, without killing the creative mood, I had to keep the balance between my emotional outburst and the merciless discipline of a super-personal control, thus submitting myself ti the self-imposed law of dance composition

I just refer to myself as being Spirit, Mind and Body like everybody else and working toward the mastery of my natural divinity and the healing of my emotional mind.

I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.

I knew that the principle objective of my film was to be a sentimental or an emotional study. What I did was kind of like subterfuge.

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.