Best 3086 quotes in «emotional quotes» category

We find nothing easier than being wise, patient, superior. We drip with the oil of forbearance and sympathy, we are absurdly just, we forgive everything. For that very reason we ought to discipline ourselves a little; for that very reason we ought to cultivate a little emotion, a little emotional vice, from time to time. It may be hard for us; and among ourselves we may perhaps laugh at the appearance we thus present. But what of that! We no longer have any other mode of self-overcoming available to us: this is our asceticism, our penance.

We expert teachers know that motivation and emotional impact are what matter.

We get these really deep and emotional fan letters sometimes that are so heartbreaking or shocking or haunting sometimes that I can kind of relate to them in my own way and connect with our fans in that way.

We have a media that goes along with the government by parroting phrases intended to provoke a certain emotional response - for example, "national security." Everyone says "national security" to the point that we now must use the term "national security." But it is not national security that they're concerned with; it is state security. And that's a key distinction.

We have the character of an island nation: independent, forthright, passionate in defence of our sovereignty. We can no more change this British sensibility than we can drain the English Channel. And because of this sensibility, we come to the European Union with a frame of mind that is more practical than emotional.

We have three centers: the emotional center, the intellectual center, and the physical body center. Each one of them has its own intelligence. How much better would we be if all three were working in unison?

Weight is a glanduar thing, as well as an emotional thing.

We humans, once we have become emotionally invested in a homeplace, a prized personal possession, or, especially, in another person, find it immensely difficult to give them up....Because they were made at a time of life when we were utterly dependent on them, the love attachments of infancy have inordinate power over us, more than any other emotional investment.

We know that we need to explore desire in fiction - many say that the only way a story exists is that a character feels a strong desire - and nature is the place where creatures act on their desires in the most pure way imaginable, so maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I'm interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.

We know the 65-point policy points, to the extent that they exist, but is Hillary Clinton willing to be vulnerable, is she willing to be funny, is she willing to be both authoritative, but also real? And so less what she says than the emotional tone she sets. It takes a lot of confidence to be a vulnerable speaker on this stage. And sometimes she hasn't always projected the confidence it takes to be in some ways weak. But that's what I think people were looking for, that moment of human connection.

We learned to build our emotional muscles, helping us make it through major market falls and grind through the trying times without losing our equilibrium.

We like to believe we can break strategy down to Five Forces or Seven Ss. But you can't. Strategy is extraordinarily emotional and demanding.

Well, Jeff Buckley for me is one of the greatest singers I've ever heard. And the reason why is he has an amazing range, amazing emotional power in his voice. And the music he put around it also just had this passion and this soul to it and this spirit to it that very few artists have, and he passed at a very young age.

Well the themes for me were and remain sex and love and grief and death - the things that make us and undo us, create and destroy, how we breed and disappear and the emotional context that surrounds these events.

We may lay in a stock of pleasures, as we would lay in a stock of wine, but if defer tasting them too long, we shall find that both are soured by age.

We must act out passion before we can feel it.

We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.

We need emotional outlets in this country, and the more artistic people we develop the better it will be for us as a nation.

We need to deprogram ourselves. I know for sure that you can't give what you don't have. If you allow yourself to be depleted to the point where your emotional and spiritual tank is empty and you're running on fumes of habit, everybody loses. Especially you.

We need to get back to trusting our emotional rapport with children, to seeing a child's beauty and singling that child out. That's how the mentor system works - you're caught up in the fantasy of another person. Your imagination and their come together.

We're living in a literary age, at least in America, that is marked by a sense of distance, a coolness, in all senses of that word. To be too obviously, unapologetically emotional is to risk being considered foolish, or at the very least not serious.

We think that this is just our world and we don't know what other people are thinking. Music actually is a phenomenal connector in that respect. It's a special language that defines certain boundaries and connects people in a particular way, a very emotional way, I have found.

We remember with our emotions. The things that were important in our emotional life, that's what we remember.

We seek to sow life in the child rather than theories, to help him in his growth, mental and emotional as well as physical, and for that we must offer grand and lofty ideas to the human mind.

We seem to know when to 'tap the heart.' Others have hit the intellect. We can hit them in all emotional way. Those who appeal to the intellect only appeal to a very limited group. The real thing behind this is: we are in the motion picture business, only we are drawing them instead of photographing them.

We've always told stories through music and rhythm and movement, and what we know as western opera has only been around for a few hundred years and in different forms before that. There is great passion regardless of the fact that it's expensive and people who invest in it are giving money because they believe in it. They're not getting anything back other than satisfaction and enjoyment of hopefully many people having a human, deep, reflective and meditative experience that at its core is incredibly emotional.

We've always liked music in movies, you know, just 'cause it helps tell the story. It can be emotional. It can be funny. It can be so many different things. And it just and it gives you variety from and again, there's a certain stylization that happens with music. Animation and music seem to go together well.

We tried to present an emotional scrapbook of what it felt like to be a band member on this 20-year journey.

We worry so much in this culture about being happy. The pursuit of happiness is even written in our Constitution. It's an erroneous concept because we are emotional, thinking beings that are constantly affected by a hundred things around us and inside us.

We wrestle with our own opponents on a daily basis. These challengers can come in numerous forms whether it be a physical challenge, emotional, or even relational issues that can overtake us. No matter what opponent we are wrestling against we can be UNSTOPPABLE.

We want character but without unyielding conviction; we want strong morality but without the emotional burden of guilt or shame; we want virtue but without particular moral justifications that invariably offend; we want good without having to name evil; we want decency without the authority to insist upon it; we want more community without any limitations to personal freedom. In short, we want what we cannot possibly have on the terms that we want it.

What a gun does to a person who survives is devastating as well. Whether it`s the surgeries, I had over ten, the years of physical therapy, the emotional and physical scars that you endure and have to come to grips with the fact that you are different.

What actors need to do is to find a way to show people their despair, their joy, their pain, their exhilaration. All of these deep, deep emotional things - good and bad - so that if you're able to do that, then there's a kind of resonance that happens.

What children, in fact all of us at any age, find frightening is unreliability and emotional coldness. The idea that you can't affect someone, that you can't see where they're coming from and can change tact at any moment.

Whatever may be, I am still largely the creator and ruler of my emotional destiny.

What does it mean to love someone with all your heart? It means to love with all your emotional feelings and with all your devotion. Surely when you love your wife with all your heart, you cannot demean her, criticize her, find fault with her, or abuse her by words, sullen behavior, or actions.

What draws me to theater and religion are these rituals made to make you feel emotion. It's so banal in an interesting way. In visual art it's about making you feel emotional, but it's more subtle.

Whatever is felt upon the page without being specifically named there - that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.

What does it mean to go deeper? Taking pictures when you're more emotional or sorrowful, or having sex? I just want to have really boring snapshots - people just standing in front of a camera taking pictures with a smile.

What I like about The Meddler style of movie is that it's a fairly lighthearted romantic comedy, but there are hidden moments where something happens that's unexpected, that hopefully have some kind of emotional resonance that you didn't see coming. I love when a film does that.

What I found was an emotional consistency with him. The words, the scenes, the situations - I wasn't mimicking what I thought Branch Rickey's emotional reality would have been.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

What is a normal child like? Does he just eat and grow and smile sweetly? No, that is not what he is like. The normal child, if he has confidence in mother and father, pulls out all the stops. In the course of time, he tries out his power to disrupt, to destroy, to frighten, to wear down, to waste, to wangle, and to appropriate . . . At the start he absolutely needs to live in a circle of love and strength (with consequent tolerance) if he is not to be too fearful of his own thoughts and of his imaginings to make progress in his emotional development.

What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will.  And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.

What is... disturbing to me is that many of these pro-Israeli lawmakers sit on the House International Relations Committee despite the obvious conflict of interest that their emotional attachments to Israel cause... The Israeli occupation of all territories must end, including Congress.

What is emotional intimacy? It is that depp sense of being connected to one another. It is feeling loved, respected and appreciated, while at the same time seeking to reciprocate. To feel loved is to have the sense that the other person genuinely cares about your well-being. Respect has to do with feeling that your potential spouse has positive regard for your personhood, intellect, abilities and personality. Appreciation is that inner sense that your partner values your contribution to the relationship.

What is important to a relationship is a harmony of emotional roles and not too great a disparity in the general level of intelligence.

What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.

What is the influence of Sun Tzu in the world today? Perhaps there are others who are better qualified than I to speculate about that question. Sun Tzu's ideas, as expressed in his famous treatise, have undoubtedly influenced the nature of many revolutionary movements that are arrayed against more powerful forces, and in some cases - as in Vietnam - have played a useful role in bringing about success. But such ideas are always in conflict with other deepseated emotional factors, which propel dissident movements into the rampant use of terrorism and other forms of anarchistic struggle.

What I've come to realize is that emotional intelligence, which I define as buoyancy, was the only way I knew how to lead, and is, in my option, the only way to inspire real change.