Best 3086 quotes in «emotional quotes» category

I am an emotional pitcher, but I can control it. When I was in high school, I was a little immature and I let my emotions get the best of me.

I am a thinned-skinned type. I am very sensitive, very emotional. Vulnerability is kind of always a part of my day.

I am a very emotional human being and would say that I handle emotional pain in a healthy way by always letting it out and not keeping it in. There is no better feeling than allowing those tears to flow when I am feeling emotionally constricted. Crying feels so good sometimes, and I do it when I'm happy, sad, stressed, scared. I like to believe that tears are my friend.

I am a very emotional person. I basically think and feel in emotion, so writing is much easier for me than communicating by voice or by talking to somebody just because I can really get into the emotion more succinctly with writing. So I guess that's what makes me a better writer than speaker.

I am a very sensitive person, very impulsive and emotional.

I am a very emotional person.

I am curious to see what books will emerge from all this writing online that's the result of those who grew up pouring their feelings out on Livejournal or Tumblr - excessive, sometimes automatic, sometimes enraged, emotional, while also quite intellectual - or if formal books will emerge at all, if that's not the point of these unmediated raw spaces. I'm excited by the possibility.

I am constantly astonished by the people, otherwise intelligent, who think that anything so complex and delicate as a marriage can be left to take care of itself. One sees them fussing about all sorts of lesser concerns, apparently unaware that side by side with them often in the same bed a human creature is perishing from lack of affection, of emotional malnutrition.

I am dedicating the majority of my wealth to improving education. It is the key to the survival of the human race. We have to plan for our collective future - and the first step begins with the social, emotional, and intellectual tools we provide to our children. As humans, our greatest tool for survival is our ability to think and to adapt - as educators, storytellers, and communicators our responsibility is to continue to do so.

I am interested in intense, unbreakable emotional connections and oftentimes, such connections can be found between siblings.

I am not against standardized tests. There are tests and tests and tests, and, to simplify, the ones I favor are criterion-referenced tests of skills, aligned with the curriculum. Social and emotional skills are important but skills are too. I find it heartbreaking that this is so often seen as an either-or choice. To get to the richness of studying literature, for example, you must first be an adept and confident reader. Whether you are is something a good test can measure.

I am not an emotional type of guy. But I follow my emotions more than my logic.

I am not attracted to writers by style. What style do Dickens, Grass, and Vonnegut have in common? How silly! I am attracted to what makes them angry, what makes them passionate, what outrages them, what they applaud and find sympathetic in human beings and what they detest about human beings, too. They are writers of great emotional range.

I am not merry, but I do beguile the thing I am by seeming otherwise.

I am not saying that I am different, but I don't have emotional pain. I may be angry and I may be peaceful, but no emotional pain.

I am on an emotional roller coaster ride to survive and to conquer obesity, not only for myself but also for everyone that battles some kind of addiction.

I am strong, determined, impulsive, happy, and emotional.

I am very aware of the fact that it's highly unlikely anyone will write an article via their mobile phone. I've done it, but it's painful. And it's not just about the small keyboard and the small screen - though that's awful. It's the emotional experience of writing an article.

I am very proud of my role in 'Singularity.' It pushed me into the territory of period romance. It was a very emotional and challenging role.

I became an actor at a very young age, but I also had a deep respect for nature and I think I was sort of a little biologist when I was younger. I watched documentaries on rainforest pollution and the loss of species and habitats for animals around the world. It affected me in a very hardcore, emotional way when I was younger. So, later in life I wanted to continue that path more and investigate and learn more about ecological issues.

I began to think that there was a place for 'Footloose' to get retold again, that there was actually a more conducive political climate, an emotional climate to explore a town that has experienced a trauma and a shock, and starts overreacting.

I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].

I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.

I believe in sexual monogamy, but I don't believe in emotional monogamy.

I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.

I believe that it may be normal, healthy, and even productive to experience mild to moderate depression from time to time as part of the variable emotional spectrum, either as an appropriate response to situations or as a way of turning inward and mentally chewing over problems to find solutions.

I believe that to create real-seeming characters, the writer must be willing to go on a voyage of self-exploration. It can be revealing and even painful to explore your own weakness, but it gives you genuine emotion. Characters in fiction come alive because of the believability of their emotional lives and that is what I strive to create.

I believe the process of going from confusion to understanding is a precious, even emotional, experience that can be the foundation of self-confidence.

I believe the personal essay is underrated for both writer and reader. It affords the writer great freedom: to speak personally yet invoke others' ideas, to be rational and/or emotional, to be confident or admit doubt.

I believe this choice is ethical, and what makes it ethical is it is a choice.

I can listen to the same song back-to-back for two to three hours straight. I'm not psycho; I swear. There are some songs I won't listen to any more because they are songs that helped me get to emotional places. Even if I hear it, I'll have to walk out of the room or turn it down. It sounds so strange but those things affect me in a certain way.

I can only approach it as a woman. Masculinity has been depicted in very black-and-white terms. There never seems to be a wide range of emotional definitions of men.

I can spend years studying and being in therapy and having a very analytic spiritual meditation practice, but without the emotional component, without the softening that comes with love and vulnerability, everything else I do is really just surface.

I can't with any conscience argue for New York with anyone. It's like Calcutta. But I love the city in an emotional, irrational way, like loving your mother or your father even though they're a drunk or a thief. I've loved the city my whole life - to me, it's like a great woman.

I can write a song in the back of the bus, where I am right now, or in my living room, and I can perform it that night and have an instant reciprocal exchange - an emotional, impactful exchange - and it's a less technical medium. It's a pure expression from my soul to other souls.

Ice cream is the perfect buffer, because you can do things in a somewhat lighthearted way. Plus, people have an emotional response to ice cream; it's more than just food. So I think when you combine caring, and eating wonderful food, it's a very powerful combination.

I choose to not ignore or push away emotional pain. Instead, I allow it to move through me. Sometimes, that's quietly working on a puzzle and listening to an all-strings Pandora station, and others, it's being vulnerable with a trusted friend. Either way, I let it have its place.

I come home more exhausted after a day of emotional work on set than I've ever had in any sporting event I've played or anything. It's draining. But it's also part of the fun.

I contend that most emotional distress is best understood as a rational response to sick societies.

I couldn't give a rat's tutu about your emotional distress

I could say that all my books were conceived by the time I was twenty, although they were not to be written for another thirty or forty years. But perhaps this is true of most writers—the emotional storage is done very early on.

I could tell you that when you have trouble making up your mind about something, tell yourself you'll settle it by flipping a coin. But don't go by how the coin flips; go by your emotional reaction to the coin flip. Are you happy or sad it came up heads or tails?

I dare anyone to spend 10 years in the laugh-track that is Chuck Lorre's hive of oppression and not suffer some form of an emotional tsunami.

I damaged all the complicated bits of the brain to do with processing and emotional control. I was prey to every single emotion that swept over me and I couldn't deal with it. I had to re-learn things from scratch.

I define vulnerability as uncertainty, risk and emotional exposure. With that definition in mind, let’s think about love. Waking up every day and loving someone who may or may not love us back, whose safety we can’t ensure, who may stay in our lives or may leave without a moment’s notice, who may be loyal to the day they die or betray us tomorrow—that’s vulnerability.

Ideology is not the product of thought; it is the habit or the ritual of showing respect for certain formulas to which, for various reasons having to do with emotional safety, we have very strong ties of whose meaning and consequences in actuality we have no clear understanding.

I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.

Identification with the rag called the national flag is an emotional and sentimental factor and for that factor you are willing to kill another - and that is called, the love of your country, love of the neighbor . . .? One can see that where sentiment and emotion come in, love is not.

I’d have much rather gotten dragged into someone else’s fight than face what was waiting for me. Other people’s emotional pain, no matter how painful, is so much less painful than your own.

I did not agree..to having my article censored. ...The published report of the conference gives my name as a participant, but you will not find in it the paper I read. ...Scientists as a group are no more, and no less, influenced by emotional and irrational reactions than other people are.