Best 3086 quotes in «emotional quotes» category

If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.

If you can't get emotional about what you believe in your heart, you're in the wrong business.

If you could see a photograph of what it took to make an advertising photograph - things you don't think about, like the photo assistant carefully arranging the meatballs - the degree of unnaturalness would be astonishing. Yet it produces an image that looks natural, and is orchestrated to provoke basic emotional responses.

If you dont have an emotional connection to why you are trying to accomplish your goals, the odds are you wont reach them or will quit trying.

If you ever find yourself walking a mile in my shoes, I hope that you would be at least be given the same choice.

If you dream of something worth doing and then simply go to work on it and don't think anything of personalities, or emotional conflicts, or of money, or of family distractions; it is amazing how quickly you get through those 5,000 steps.

If you emote in your performances, people feel connected to you as an emotional person, because that's how we communicate. That doesn't mean people know you. At a certain point, I think you have to just be your own self.

If you focus all of your emotional passion on your children and you neglect the relationship that brought that family into existence... eventually, things can go really, really wrong.

If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that.

If you have high self-esteem, you might still know times of emotional suffering, but less often and with faster recovery-your resilience is greater.

If you have a good spine, the gods will chase you. Nobody has psychological or emotional problems, everyone has a bad spine.

If you have the opportunity to play these characters that are three-dimensional and very deeply rooted in an emotional level, they stay with you. They lived in you anyway, the density of them. It takes a while to realize how they've influenced you.

If you know Christ, you don't need to beg for the Holy Spirit to come into your life; He is already there- whether you "feel" His presence or not. Don't confuse the Holy Spirit with an emotional feeling or a particular type of spiritual experience.

If you invent something, you're doing a creative act. It's like writing a novel or composing music. You put your heart and soul into it, and money. It's years of your life, it's your house remortgaged, huge emotional investment and financial investment.

If you look at a farmer and his daily expenditure on existing energy services, it is much higher on an incremental delta basis. And then there is an emotional cost of not providing their kids with the right to educate. If you calculate these costs in economic terms and create a financing mechanism for them to buy it, the emotional delta cost is much higher compared to their household.

If you look carefully you will see that there is one thing and only one thing that causes unhappiness. The name of that thing is attachment. What is an attachment? An emotional state of clinging caused by the belief that without some particular thing or some person you cannot be happy.

If you make a record, you should ask yourself, 'Did it make someone cry, in a good way, not a bad way?' There should almost be subjective emotional criteria for evaluating work, instead of just profitability.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.

If you're a manager you can't get frustrated and be emotional. You have to continue to steer the ship, you can't let go of the wheel because who knows where it will go then.

If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them.

If you're feeling emotional when you're creating something, it'll sound that way.

If you're getting ready to do a really emotional scene then, right before it, you're probably not going to be outside playing basketball.

If you're going to make an emotional connection with somebody, whether it's in the story or in the world, there's a certain amount of self-acceptance that is required.

If your emotional abilities aren't in hand, if you don't have self-awareness, if you are not able to manage your distressing emotions, if you can't have empathy and have effective relationships, then no matter how smart you are, you are not going to get very far.

If you're trying to convey a crucial emotional truth, you have to be in total control of the emotional pacing of the story, and if you can only strike one note in terms of tone then you're going to be quite limited as a writer.

If your thoughts are thoughts that draw low-frequency energy current to you, your physical and emotional attitudes will deteriorate, and emotional or physical disease will follow, whereas thoughts that draw high-frequency energy current to you create physical and emotional health.

If you speak up online and your ideas have currency, people are going to show up and want to connect with you. What we need more of are people with the guts and emotional labour to do this. The greatest shortage in today's society is an instinct to produce.

If you see the intersection of time and space, you experience complete freedom of being. This state of existence is completely beyond any idea of time, space, or being. In that liberated state you can see fundamental truth and the phenomenal world simultaneously. That is called Buddha's world. That is the place where all sentient beings exist, so you can stand up there and see all beings, myriad beings. Then you know very clearly, through your own emotional and intellectual understanding, how all beings exist.

If you stub your toe, you don't need to dialog yourself to be good to your foot, do you? When you see things that clearly, there's no dialogue or emotional manipulation that you need to do to extend compassion to that being, because that being is a part of you, and if that being hurts, you hurt.

If you see something that you feel is familiar it gives you an important kind of emotional connection.

If you've heard Hillary Clinton's recent remarks on Ritalin and other drug use on children, you'll find the usual nauseating demagoguery. She appears to be urging Ritalin caution; but, if you listen carefully, she's calling it a miracle drug: "A Godsend for emotional and behavioral problems, for both children and their parents." She insists her efforts are not an attack on the medical treatment of children's emotional well-being because the drugs are very, very "useful.

If you stop your creative process every time you think you need to cheer yourself up, or rid yourself of emotional conflicts, your life will be over before you can create anything of any real significance.

I get a lot of satisfaction from crafting and shaping mixes. I love finding the right balance, the right dynamic. It's an emotional interaction with the music.

If you want to surrender to creativity, surrender to creation.

I go running. I go into nature. I really alleviate lot of emotional stress, any kind of stress I'm going through - exercise is my favorite medicine.

I get homesick a lot. That can make me so emotional that I sometimes feel like crying- but never in front of anyone. No way!

I get emotional when young people get nostalgic about my work. That's why it's called nostalgia. Sometimes I even cry.

I get very emotional about time periods I never lived in, but I have a weird connection to them. The mystery of it becomes about hearing the stories of those eras, and creating nostalgia from those stories.

I guess I'm interested in people who are very sophisticated in intellectual ways, while being completely off the mark in emotional ones, with huge blind spots in terms of their own behavior.

I grew up bar-singing and saw all kinds of ways people tried to outrun their emotional pain. It doesn't work. You end up with the original pain, as well as new pain added on top of it from the tactics you used trying to avoid it in the first place. It's best to take a deep breath, bolster yourself, and walk through it.

I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.

I guess he was such an open, emotional vessel that I think he tapped into human nature, so it just left people wondering what would have happened. I think James Dean would be 83 today. He could be here, what would he be doing?

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

I grew up in a family of strong women and I owe any capacity I have to understand women to my mother and big sister. They taught me to respect women in a way where I've always felt a strong emotional connection to women, which has also helped me in the way I approach my work as an actor.

I guess I worry about weird existential things, like how do we spend our final act. This is a very emotional question. I can't answer it without crying. I think, You're 56 years old, what did you do? You raised two good kids. What am I going to do now that is as meaningful as that? I don't know the answer yet.

I guess what I'm trying to say is that whatever weirdness was going to be in there, I felt, had to be earned. And it had to be required by the emotional needs of the book.

I had always been intrigued by the emotional aspect of adventure gaming-the fact that people get so personally involved.

I had an emotional breakdown since I really had no idea what diabetes was all about. I wondered, 'why me?' Then I asked myself, 'why not me?' and realized that I might be able to help other kids with diabetes.

I had always been taught that the pursuit of happiness was my natural (even national) birthright. It is the emotional trademark of my culture to seek happiness. Not just any kind of happiness, either, but profound happiness, even soaring happiness. And what could possibly bring a person more soaring happiness than romantic love.

I had a visceral connection to the period [of Korean War]. By visceral I suppose I mean emotional. But every fiction requires so much that is not that so I did a lot of other research and a lot of thinking, a lot of struggling there.