Best 3086 quotes in «emotional quotes» category

If an organ gets a "dis-ease" you want to care for it like a wounded friend, not an enemy who's turned against you.

If anyone ever asks you what panic is, now you can tell them: an emotional blank spot that leaves you feeling as if you've been sucking on a mouthful of pennies.

If a person is capable of rectifying his erroneous judgments in the light of new evidence he is not prejudiced. Prejudgments become prejudices only if they are reversible when exposed to new knowledge. A prejudice, unlike a simple misconception, is actively resistant to all evidence that would unseat it. We tend to grow emotional when a prejudice is threatened with contradiction. Thus the difference between ordinary prejudgments and prejudice is that one can discuss and rectify a prejudgment without emotional resistance.

If a person's basic state of mind is serene and calm, then it is possible for this inner peace to overwhelm a painful physical experience. On the other hand, if someone is suffering from depression, anxiety, or any form of emotional distress, then even if he or she happens to be enjoying physical comforts, he will not really be able to experience the happiness that these could bring.

If a rat is a good model for your emotional life, you're in big trouble.

I feel like being nerd is not about the superficial quality; it's about how nerds approach life. It's much more emotional and mental than it is you're some fat guy living in your mom's basement, which I think is just a hacky stereotype.

I feel I should try to reveal. When you hit it right, you produce an emotional response in the listener that can be cathartic. When you're wrong, you're soppy, sentimental.

I feel like clothing is very much emotional, you know?

I feel like I can always do better with action and I always want to push the envelope there as long as I can because I'm a physical person and I love expressing myself physically, but I'm also, on the very flipside, an extremely emotional person. I like watching the relationships and the chemistry and the relatability.

I feel like the only person who has a chance against Alejandro González Iñárritu is Lenny Abrahamson. [The Room] was very awkward, very odd, very uncomfortable as it should have been. And then it became very beautiful. It tugged all the emotional chords beautifully.

I feel like we want to compartmentalise things and say, 'Well, that's emotional, artistic and subjective, while this is intellectual, objective and measured.' I have difficulty thinking that's the way we experience things.

I feel vulnerable sometimes - when I see an emotional scene, for example - and I remember what it took to get to that place, and I fear sometimes that everybody else can see that. You bare a part of you that makes you uncomfortable. I freely give it, I know, but I feel like people know something about me that I wouldn't otherwise give freely to a stranger.

I feel very emotional and party.

I feel very fortunate to go surrounded by love. I'm proud of the life I lived.

I felt all the things that other teenagers felt. I was insecure in lots of ways, over-confident in others. I was very emotional. Excitable.

If emotional issues remain unaddressed over long periods of time, sometimes they can manifest as physical blocks or disease.

If everything is noted, all your emotional difficulties will disappear. When you feel happy, don't get involved in happiness. When you feel sad, don't get involved with it. Whatever comes, don't worry, just be aware of it.

If friendship is to transpire between two people, it is important that both be in a state of availability. I have often been in the company of those who complain that they have no friends. Inevitably, I have observed that this condition was due to their own lack of availability; they were too encumbered to be able to welcome another. Such unavailability may be exterior in nature; that is, people may lack the time or the emotional energy necessary for friendship.

If I ever wrote a script myself, it would be strongly emotional material.

If I don't cry while writing a key emotional scene, my gut feeling is it's failed.

If I feel any sort of emotional upheaval, I go for a jog and I feel better.

I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction.

If I have an unusual gift, it's not that I draw particularly better than other people - I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images - the emotional quality - of particular moments in childhood. Happily an essential part of myself - my dreaming life - still lives in the light of childhood.

If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.

I find as a viewer, when I go to see comedies, the strain to be funny throughout the whole thing. I start to lose my sense of reality, and it ends up feeling like an empty experience; there's funny stuff in it but I've lost the emotional connection to the characters because it's just so bananas.

If only one party in the relationship is working to create love, to create the space of emotional connection, the dominator model remains in place and the relationship just becomes a site for continuous power struggle.

I find it extraordinary that a straightforward if inelegant device for ensuring the survival of the species should involve human beings in such emotional turmoil. Does sex have to be taken so seriously?

If intellect and will are correctly centered, the emotional life takes on harmony.

If I stayed angry at other people, I would miss finding friends among those I was angry with.

If I've had a bad day, if I'm feeling stressed out, if I'm feeling overwhelmed - it takes it all away. It's my antidote for everything. If I feel any sort of emotional upheaval, I go for a jog and I feel better.

If it's physical pain, you just deal with it the best way you can. But if it's more emotional, I don't know. I just try my best to feel it, take it in, and just allow myself to go through whatever may actually come from it. And then a certain amount of it, you can use to transform it through art, which is the healthy way of dealing with it, as well.

If one has such an encounter it is to be expected it will bring him into conflict, especially conflict with himself, because one sometimes literally does not know what to do or what not to do. But is this struggle and even the mistakes one may make, not better, and do they not develop us more than if we keep systematically away from emotions?

I found at a young age that emotions aren't always handled with talking and other emotions. I started ballet, seriously around fourteen, and let me tell you, nothing can give you an emotional reset like a good ballet barre.

If our Christianity has ceased to be serious about discipleship, if we have watered down the gospel into emotional uplift which makes no costly demands and which fails to distinguish between natural and Christian existence, then we cannot help regarding the cross as an ordinary everyday calamity, as one of the trials and tribulations of life. We have then forgotten that the cross means rejection and shame as well as suffering .

If [people] place such things as friendship and family ties above their own productive work, yes, then they are immoral. Friendship, family life and human relationships are not primary in a man's life. A man who places others first, above his own creative work, is an emotional parasite.

If paintings are so important - worth so much, reproduced, cherished, and visited so often - then isn't it troubling that we can hardly make emotional contact with the artists? Few centuries, it seems, are as determinedly tearless as ours.

If right now our emotional reaction to seeing a certain person or hearing certain news is to fly into a rage or to get despondent or something equally extreme, it's because we have been cultivating that particular habit for a very long time.

I find it really offensive when people say that the emotional experiences of teenagers are less real or less important than those of adults. I am an adult, and I used to be a teenager, and so I can tell you with some authority that my feelings then were as real as my feelings are now.

If our emotional stability is based on what other people do or do not do, then we have no stability. If our emotional stability is based on love that is changeless and unalterable, then we attain the stability of God.

If rejection destroys your self-esteem, you're letting others hold you as an emotional hostage.

If somebody says to me, 'Oh, you're gonna get married and you'll never be attracted to anybody else again,' I'm like, right, sure. It's just not practical to me on an emotional level. Just because I'm married, I'm not dead.

If the childhood obesity epidemic remains unchecked, it will condemn many of our kids to shorter lives, as well as the emotional and financial burdens of poor health.

If there is a blues song, it just goes in one ear and out the other. But other than that, if it stays with you and when we are all 90, we're going to look back at those songs, and it's going to be emotional. And when someone plays it, and you know it, and you're going to go, "I know that song and I love it.

If there is any sense of order to the universe, acting is what I am meant to do. I'm not manufactured. I know acting isn't real, that it's temporary. If there is any theme to the roles I play, it is emotional vulnerability and availability.

If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask.

If the state, with all of the emotional resources at its command, cannot finance its most basic and vital activities without resort to compulsion, it would seem that large private organizations might also have difficulty in getting the individuals in the groups whose interests they attempt to advance to make the necessary contributions voluntarily.

If the whole process of learning from failure means discarding stuff that's not working, but in fact, our natural reaction is to keep going, to throw more money behind it, to throw more emotional energy behind it... that's a real problem.

If war occurs, that positive adult contact in every shape is needed more than ever. It will be a matter of emotional life and death. There's not a handy one-minute way of talking to your kid about war.

If tone is granted to be subjected to control, why not line also, which has equal emotional significance? And if line, why not shapes and forms? And if shapes and forms, why not allow elision or emphasis of detail? And if all these things are allowed, what becomes of the record of actuality ?... Sunk without a trace!

If we feel our way into the human secrets of the sick person, the madness also reveals its system, and we recognize in the mental illness merely an exceptional reaction to emotional problems which are not strange to us. --"The Content of the Psychoses