Best 414 quotes in «theater quotes» category

You will not leave the theater with nothing to talk about. For me, comedy and tragedy when you get them both in one evening, that's the most satisfying.

Acting, like love, is a lonely pursuit.

Actors and actresses make magic,' I said. 'They make things happen on the stage; they invent; they create.

Actors--a stage kiss is only meant to last ten seconds. Any longer and it is considered abuse, dear.

You will see a 3-D movie in a movie theater for the shared experience of it - or for a date, and so on. You don't all sit at home getting your entertainment in a vacuum.

A new star has been born and Vera’s performance brings alive the desolate life of O’Neil’s young heroine in a natural talent that is so fresh and yet so ageless.

All life is theatre,' he said. 'We are all actors, you and I, in a play which nobody wrote and which nobody will see. We have no audience but ourselves....

An ad for cigars appears in 100,000 newspapers; sales of that brand increase by 3% for a short time thereafter. A new play receives a viciously negative review in a theatrical journal that prints 500 copies; the playwright shoots himself. Who’s the better writer?

A farmer's work in many ways is like setting a stage. In theater, stage managers lay out furniture and props, set up lights, and clean to get a set ready for actors to take over and create a show. Farmers plow, fertilize, set up irrigation systems and fences, and otherwise prep the stage of their farms for the real actors -- the sun and the life within the seeds and animals -- to create the show.

Any earthly production would have been cancelled at the slightest suggestion of rain, but this was William’s Stage—it was William’s call—and if the children danced and the congregation remained transfixed, the show would go on.

As good surgical doctor works on a patient in the theater with varied kinds of surgical instruments, so a true leader also needs a clean bag of leadership characters that vary from task to task. One-way leaders are obvious failures!

Backstage was chaos distilled into a very small space.

Did I tell you what happened at the play? We were at the back of the theatre, standing there in the dark, when all of a sudden I feel one of 'em tug at my sleeve, whispers, "Trudy look!" I said, "Yeah, goosebumps. You definitely got goosebumps. You like the play that much?" They said it wasn't the play that gave 'em goosebumps, it was the audience! I'd forgot to tell them to watch the play; they'd been watching the audience! Yeah, to see a group of people sitting together in the dark, laughing and crying at the same things...well that just knocked 'em out! They said, "Trudy, the play was soup, the audience, art." So they're taking goosbumps back with 'em into space. Goosebumps! Quite a souvenir. I like to think of them out there in the dark, watching us. Sometimes we'll do something and they'll laugh. Sometimes we'll do something and they'll cry. And maybe, one day we'll do something so magnificent, the whole universe will get goosebumps.

Don't wear green in your dressing room,' suggested Miss Spink. 'Or mention the Scottish play," added Miss Forcible.

Doug: I would not wipe my ass with your manuscript. Would you like to know why? Bob: Sure Doug: Because there is crap already all over it.

Even the world’s greatest actor cannot fake an erection.

Every creative act involves a leap into the void. The leap has to occur at the right moment and yet the time for the leap is never prescribed. In the midst of a leap, there are no guarantees. To leap can often cause acute embarrassment. Embarrassment is a partner in the creative act—a key collaborator.

I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.

Great art projects a sense of inexhaustibility. In literature, particularly in poetry, this may be accomplished through ambiguity: Beneath each and every meaning that I can descry lie others, so that rereading holds out the prospect of new subtleties, inversions, secret codes and ineffabilities

His eyeless skull took in the line of costumes, the waxy debris of the makeup table. His empty nostrils snuffed up the mixed smells of mothballs, grease, and sweat. There was something here, he thought, that nearly belonged to the gods. Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflects the landscape. And yet... and yet... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in.

Chilling Tales For Dark Nights, these people or let's say these team is trying to return the fear, the theater... Which so far is great to hear, acting in reading a story and everything one place, just awesome,

Everything influences playwrights. A playwright who isn't influenced is never of any use.

He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.

Important is not so much our place in the theater of the world but our acceptance in the theater of our inner self. ("Victory daze" )

I'm a master of story. Almost a living fiction myself, so resilient am I! Spider-Man beats me down, I rise! Daredevil imprisons me, I escape! That's because stories have power! He who controls the narrative controls the audience, and you're all the audience, every one of you. As they say, the world's a stage...

Improvisation is the power of spontaneous observation.

In any case, the goal is the same: to connect.

If Patti Lupone was born to play Evita then Madonna was born to play Patti Lupone playing Evita.

I regard the theater as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. This supremacy of the theater derives from the fact that it is always "now" on the stage.

In all of time, all of space, there will only be one you. How can you be anything but perfect? As you are. Mad, sad, glad. You are amazing.

It is not enough to discover the secret of a play, its thought and feelings—the actor must be able to convert them into living terms.

Lin says the sensation of standing in the middle of these unsettling effects is a distilled version of how he feels throughout the show: "I am staying in my lane and doing what I'm supposed to do while everyone is doing what they do at the height of their abilities, and if I move to the left or right, I'll get hit with a desk.

I was truly happy. But my state was not that of any ordinary satisfaction. It was a joy which stemmed directly from creative, artistic achievement.

It's about that applause I want to speak to you. I want you to remember that when you've done a little dance or a song or sketch, the applause which you get is not only because you yourself have done your best, but because each of those men is seeing in you someone he loves at home, and because of you is able to forget for a little while the unhappiness of not being in his home, and in some cases the great tragedy of not knowing what has happened to the children in his family.

My life written as a theater production would be considered a tragedy. My life written by the good times experienced, would be considered a fairytale.

Magnus had caught it gingerly, half expecting it to blow in his face. The Teacher chuckled. "Don't worry, it can't do anything without fire." The thing looked and felt pretty innocuous, actually. It was shorter and fatter than a candlestick, and not colored red like it was in the comic books or the new Technicolor cartoons that still ran at the cinema every Saturday afternoon. Magnus had no money for such things anymore, but sometimes he and Kiki- another boy who worked for the Resistance- sneaked into the theater through an unlocked window.

Myrtle Mae, you have a lot to learn, and I hope you never learn it.

Powerpoint presentations are a kind of theater, a kind of augmented stand-up. Too often it's a boring and tedious genre, and audiences are subjected to the bad as well as the good.

Men, mine damer og herrer, De må ikke derfor tro at jeg agter definitivt at nedlægge min teaterpen. Nej, den agter jeg ty tilbage til og holde fast til det sidste. Jeg har nemlig endnu diverse galskaber på lager.

Perhaps one of the chief distinctions between a Drama for Marionnettes and a Proper Drama is this ... that whereas a Proper Drama has to be vague and roundabout in its movements, a Marionnette Drama had always better be direct and rapid and even obvious ... A Marionnette is not at all clever -- not subtle. He must fit the characte rlike a hand fits a glove, or all is undone. Therefore when we make a character in one of our Dramas we make the Marionnette to fit it. And so it comes about that a Marionnette does not play a number of parts, he plays only one... that is himself.

She sat in her chair, eyes closed. She liked to be the last one to leave. She despised crowds, and their opinions as they left a performance, or worse, discussed the wait for the bathroom or where do you want to eat. It spoiled her mood. She was still in that other world, she would stay there as long as she possibly could, the parallel channels twining and tunneling through her cortex like coral.

Psihanalistul devine regizorul unui teatru privat - in loc sa fie inginerul sau mecanicul care monteaza unitati de productie, care se lupta cu agenti colectivi de productie si de antiproductie.

That's how vile I am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish! I think I hate Ireland more than I hate the theatre, and that's saying something!

So always avoid banality. That is, avoid illustrating the author's words and remarks. If you want to create a true masterpiece you must always avoid beautiful lies: the truths on the calender under each date you find a proverb or saying such as: "He who is good to others will be happy." But this is not true. It is a lie. The spectator, perhaps, is content. The spectator likes easy truths. But we are not there to please or pander to the spectator. We are here to tell the truth.

Que les poètes morts laissent la place aux autres. Et nous pourrions tout de même voir que c'est notre vénération devant ce qui a été déjà fait, si beau et si valable que ce soit, qui nous pétrifie, qui nous stabilise et nous empêche de prendre contact avec la force qui est dessous, que l'on appelle l'énergie pensante, la force vitale, le déterminisme des échanges, les menstrues de la lune ou tout ce qu'on voudra.

The ability to lie persuasively is one of the greatest gifts a woman can possess in this life. Some critics, principally men, will argue that deception in women is inherently evil; but having spent the last fifteen years of my life in the theater, I can attest that lying not only is sometimes expedient but can save one's career.

Theater is the crucible where we can create the dynamics of life without suffering the flames of their combustion.

The Arts are the only acceptable theatre of war for peace.

The first few weeks of school were always surreal, like you landed on an alien planet with strange teachers and unfamiliar classrooms, even though the lockers and cafeteria seemed familiar.

The American actor is very lucky... Because so little is asked of him.