Best 414 quotes in «theater quotes» category

Great art projects a sense of inexhaustibility. In literature, particularly in poetry, this may be accomplished through ambiguity: Beneath each and every meaning that I can descry lie others, so that rereading holds out the prospect of new subtleties, inversions, secret codes and ineffabilities

His eyeless skull took in the line of costumes, the waxy debris of the makeup table. His empty nostrils snuffed up the mixed smells of mothballs, grease, and sweat. There was something here, he thought, that nearly belonged to the gods. Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflects the landscape. And yet... and yet... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in.

He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.

If Patti Lupone was born to play Evita then Madonna was born to play Patti Lupone playing Evita.

I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.

In any case, the goal is the same: to connect.

I'm a master of story. Almost a living fiction myself, so resilient am I! Spider-Man beats me down, I rise! Daredevil imprisons me, I escape! That's because stories have power! He who controls the narrative controls the audience, and you're all the audience, every one of you. As they say, the world's a stage...

Improvisation is the power of spontaneous observation.

In all of time, all of space, there will only be one you. How can you be anything but perfect? As you are. Mad, sad, glad. You are amazing.

Important is not so much our place in the theater of the world but our acceptance in the theater of our inner self. ("Victory daze" )

It's about that applause I want to speak to you. I want you to remember that when you've done a little dance or a song or sketch, the applause which you get is not only because you yourself have done your best, but because each of those men is seeing in you someone he loves at home, and because of you is able to forget for a little while the unhappiness of not being in his home, and in some cases the great tragedy of not knowing what has happened to the children in his family.

I regard the theater as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. This supremacy of the theater derives from the fact that it is always "now" on the stage.

It is not enough to discover the secret of a play, its thought and feelings—the actor must be able to convert them into living terms.

I was truly happy. But my state was not that of any ordinary satisfaction. It was a joy which stemmed directly from creative, artistic achievement.

My life written as a theater production would be considered a tragedy. My life written by the good times experienced, would be considered a fairytale.

Lin says the sensation of standing in the middle of these unsettling effects is a distilled version of how he feels throughout the show: "I am staying in my lane and doing what I'm supposed to do while everyone is doing what they do at the height of their abilities, and if I move to the left or right, I'll get hit with a desk.

Magnus had caught it gingerly, half expecting it to blow in his face. The Teacher chuckled. "Don't worry, it can't do anything without fire." The thing looked and felt pretty innocuous, actually. It was shorter and fatter than a candlestick, and not colored red like it was in the comic books or the new Technicolor cartoons that still ran at the cinema every Saturday afternoon. Magnus had no money for such things anymore, but sometimes he and Kiki- another boy who worked for the Resistance- sneaked into the theater through an unlocked window.

Myrtle Mae, you have a lot to learn, and I hope you never learn it.

Men, mine damer og herrer, De må ikke derfor tro at jeg agter definitivt at nedlægge min teaterpen. Nej, den agter jeg ty tilbage til og holde fast til det sidste. Jeg har nemlig endnu diverse galskaber på lager.

Powerpoint presentations are a kind of theater, a kind of augmented stand-up. Too often it's a boring and tedious genre, and audiences are subjected to the bad as well as the good.

Perhaps one of the chief distinctions between a Drama for Marionnettes and a Proper Drama is this ... that whereas a Proper Drama has to be vague and roundabout in its movements, a Marionnette Drama had always better be direct and rapid and even obvious ... A Marionnette is not at all clever -- not subtle. He must fit the characte rlike a hand fits a glove, or all is undone. Therefore when we make a character in one of our Dramas we make the Marionnette to fit it. And so it comes about that a Marionnette does not play a number of parts, he plays only one... that is himself.

Que les poètes morts laissent la place aux autres. Et nous pourrions tout de même voir que c'est notre vénération devant ce qui a été déjà fait, si beau et si valable que ce soit, qui nous pétrifie, qui nous stabilise et nous empêche de prendre contact avec la force qui est dessous, que l'on appelle l'énergie pensante, la force vitale, le déterminisme des échanges, les menstrues de la lune ou tout ce qu'on voudra.

Psihanalistul devine regizorul unui teatru privat - in loc sa fie inginerul sau mecanicul care monteaza unitati de productie, care se lupta cu agenti colectivi de productie si de antiproductie.

That's how vile I am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish! I think I hate Ireland more than I hate the theatre, and that's saying something!

So always avoid banality. That is, avoid illustrating the author's words and remarks. If you want to create a true masterpiece you must always avoid beautiful lies: the truths on the calender under each date you find a proverb or saying such as: "He who is good to others will be happy." But this is not true. It is a lie. The spectator, perhaps, is content. The spectator likes easy truths. But we are not there to please or pander to the spectator. We are here to tell the truth.

She sat in her chair, eyes closed. She liked to be the last one to leave. She despised crowds, and their opinions as they left a performance, or worse, discussed the wait for the bathroom or where do you want to eat. It spoiled her mood. She was still in that other world, she would stay there as long as she possibly could, the parallel channels twining and tunneling through her cortex like coral.

The ability to lie persuasively is one of the greatest gifts a woman can possess in this life. Some critics, principally men, will argue that deception in women is inherently evil; but having spent the last fifteen years of my life in the theater, I can attest that lying not only is sometimes expedient but can save one's career.

The American actor is very lucky... Because so little is asked of him.

The rest of us do “high school theater.” Lou does “theater.

Theater is the crucible where we can create the dynamics of life without suffering the flames of their combustion.

There is no limit to what a person can do that has been inspired by the arts!

[The ruling class] sees people in the working class as being almost animals. It sees itself as being synonymous with civilization and its cultivation as coming from its natural abilities and not from its wealth and privileged opportunities. It doesn't see that the way in which it monopolizes these things distorts the culture it derives from them and that this makes its culture irrational and an enemy of civilization.

The Arts are the only acceptable theatre of war for peace.

The first few weeks of school were always surreal, like you landed on an alien planet with strange teachers and unfamiliar classrooms, even though the lockers and cafeteria seemed familiar.

The general conception that all actors are born exhibitionists is far from the truth. They are quite the opposite. They are shy, frightened people in hiding from themselves- people who have found a way of concealing their secret by footlights, make up and the parts they play. Their own self rejection is what has made most of them actors.

The things that make you strange are the things that make you powerful

the theater is one of the few places left in the bright and noisy world where we sit in the quiet dark together, to be awake.

The theatre is a tragic place, full of endings and partings and heartbreak. You dedicate yourself passionately to something, to a project, to people, to a family, you think of nothing else for weeks and months, then suddenly it's over, it's perpetual destruction, perpetual divorce, perpetual adieu. It's like éternel retour, it's a koan. It's like falling in love and being smashed over and over again.’ 'You do, then, fall in love.’ 'Only with fictions, I love players, but actors are so ephemeral. And then there’s waiting for the perfect part, and being offered it the day after you've committed yourself to something utterly rotten. The remorse, and the envy and the jealousy. An old actor told me if I wanted to stay in the trade I had better kill off envy and jealousy at the start.

The text is your greatest enemy.

This was awkward to infinity. Alex living here would change my entire routine. I was sharing a bathroom with my boyfriend. How scary was that? I had tampons and pads and everything in there. He was going to be naked in the shower on the other side of my bedroom wall. And I was going to be naked in the shower with him in my house.

Two objects cannot occupy the same space at the same time. We've never quite made peace with that in the theater---set designer Robin Wagner

Those who earn their living by puppetry must satisfy the public demand, and so are to a large extent compelled to be conservative. As so often in other branches of the performing arts, it is only the amateur who can safely afford to experiment, to explore new forms and techniques, and to run the risk of failure.

Tutto ciò che di grande e bello c’è al mondo, gratta gratta, non è mai nato da un discorso razionale. Mai.

(Über Bertolt Brecht) aber letztlich war er doch kein Lehrer und kein Volkserzieher. Er war ein leidenschaftlicher Verführer. Möglichst alle wollte er verführen: Frauen und Männer, Junge und Alte, Künstler und Politiker. Und nirgends schienen ihm die Menschen so verführbar wie im Zuschauerraum des Theaters.

You are the antidote to any received behaviour. Take a walk when you can. Be alone when you can. Talk to people you care about when you can. We try our best, and somehow it's not enough. We are broken people, the theater shows this. Yet we don't let being inadequate keep us from giving our very best every time. If professionalism has taken the practice of performing to a place where broken human behavior is not acceptable, then it is the medium that is broken, and not the other way around. For at our essence, at our core, we are not professionals. We are amateurs. We are myth, history and advertising, but, still, we exist; we are real, and we are simply beginners. It's how we thrive. We begin and therefore perpetually remain connected to the spark. We ask questions, we thirst, and we learn. And the dissenters complete us, causing us to be better.

When a show ends, for a few days, my body sizzles with leftover energy, like a tree in the wake of a lightning strike.

When I enter the theater and there is a show onstage, it makes me feel safe in the knowledge that the world keeps turning. It also feels like I have died and I am attending my own funeral, so it’s good and bad.

When most dullards hear the words 'the theater,' they envision a twelve-screen multiplex where disaster porn entertains the culturally witless for 90 minutes at a time. Pfaugh. The word 'theater' has grandeur. Power. Back to its ancient Grecian origins, it means 'the seeing place.' A stage upon which actors and actresses use fiction to show us truths.

When teachers participate in a literary experience with a professionally presented children's play, they are offering their students a text quite different from anything that they will experience within their classrooms. Within this literary experience, teachers join as equals with their students, and each, as audience members within the darkened space of the performance, create their own poems to hold within themselves or share with others.

William looked up... through his tears... past the catwalk and lights... past the sky... through the dark and clouds and stars and into the void where he once knew God existed, then turned himself outside-in, alone, and asked, 'Why?