Best 9217 quotes in «feelings quotes» category

In a fragment of a second you can understand: Things you know, things you don’t know, things you don’t know that you don’t know, conscious, unconscious, things which in a fragrant of a second you can react to: we can all imagine why this capacity was given to us as human beings - I guess to survive. Architecture to me has the same kind of capacity. It takes longer to capture, but the essence to me is the same. I call this atmosphere. When you experience a building and it gets to you. It sticks in your memory and your feelings. I guess thats what I am trying to do.

In addition to the artistic influences, I am influenced by my current private life, my feelings about it and my energy level and state of health.

In all that was to happen, there would be that feeling of inevitability and rightness, and the sense that the universe was conspiring in it. It would be easy.

In all the houses keys to memorizing objects and feelings had been written. But the system demanded so much vigilance and moral strength that many succumbed to the spell of an imaginary reality, one invented by themselves, which was less practical for them but more comforting.

In a letter to a friend the thought is often unimportant, and the feeling, if it be only a desire to entertain him, every thing.

In America, we have the feeling of the doomed young artist. Fitzgerald was the great example of that.

In a mind charged with an eager purpose and an unfinished vindictiveness, there is no room for new feelings.

In an age of enormities, the emotions are naturally weakened. We are continually called upon to have feelings - about genocide, for instance, or about famine or the blowing up of passenger planes - and we are all aware that we are incapable of reacting appropriately. A guilty consciousness of emotional inadequacy or impotence makes people doubt their own human weight.

IN ANSWER TO THE QUESTION: WHAT SCENES ONE WOULD LIKE TO HAVE FILMED Shakespeare in the part of the King's Ghost. The beheading of Louis the Sixteenth, the drums drowning his speech on the scaffold. Herman Melville at breakfast, feeling a sardine to his cat. Poe's wedding. Lewis Carroll's picnics. The Russians leaving Alaska, delighted with the deal. Shot of a seal applauding.

In a post-modern culture we need an apologetic that is felt and seen because if post-moderns are not feeling it, they are not believing it.

In art, and in the higher ranges of science, there is a feeling of harmony which underlies all endeavor. There is no true greatness in art or science without that sense of harmony.

In art, in taste, in life, in speech, you decide from feeling, and not from reason. If we were obliged to enter into a theoretical deliberation on every occasion before we act, life would be at a stand, and Art would be impracticable.

[In art] you are telling the reader or the listener or the viewer something he already knows but which he doesn't quite know that he knows, so that in the action of communication he experiences a recognition, a feeling that he has been there before, a shock of recognition.

In a speech, the columnist Charles Krauthammer.... offered a new version of Socrates' famous saying, "The unexamined life is not worth living." In our age of bottomless self-love and obsession with our own feelings, Krauthammer suggested, "The too-examined life is not worth living either.

In a weird way, when everyone's feeling that the world's going to hell in a hand basket, I kind of relax a little more because I often feel like that.

In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.

In building a path through the self to the far shore of awareness, we have to carefully pick our way through our own wilderness. If we can put our minds into a place of surrender, we will have an easier time feeling the contours of the land. We do not have to break our way through as much as we have to find our way around the major obstacles. We do not have to cure every neurosis, we just have to learn how not to be caught by them.

In civil and political affairs, American women take no interest or concern, except so far as they sympathize with their family and personal friends; but in all cases, in which they do feel a concern, their opinions and feelings have a consideration, equal or even superior, to that of the other sex.

In Charleston, more than elsewhere, you get the feeling that the twentieth century is a vast, unconscionable mistake.

IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.

Indecision is the most unsexy thing on the planet. I don't know if I'm sexy but I think decisiveness is sexy. I also lose trust and faith in them when I realise I'm a bit on my own and that's a very disheartening feeling.

Indeed, unless a man can link his written thoughts with the everlasting wants of men, so that they shall draw more from them as wells, there is no more immortality to the thoughts and feelings of the soul than to the muscles and bones.

In depression, you're flattened. Your energy level is gone. When I'm anxious, I tend to have more energy. But it depends on the nature of the anxiety. The anxiety to finish something would seem to be more productive than the anxiety that says, "You're feeling sick.

In desperate love, we always invent the characters of our partners, demanding they be what we need of them, and then feeling devastated when they refuse to perform the role we created in the first place.

India brings out so many different feelings in me. I've been fascinated with India and Indian culture as long as I can remember - ever since the '60s with the Beatles and Maharishi Mahesh Yogi.

Individuality is founded in feeling

Individuals bearing witness do not change history; only movements that understand their social world can do that. Movements encourage solidarity; the moral individual is likely, all unwittingly, to do the opposite, for bearing witness is lonely: it breeds feelings of superiority and moralistic anger against those who are not doing the same.

Indo-European peoples and Semitic peoples are today still completely different... Jews almost everywhere form a special society... Muslims (the Semitic spirit is today represented mainly by Islam) and the Europeans stand face to face like two beings of different species, having nothing common in the way of thinking and feeling...

Individuality is founded in feeling; and the recesses of feeling, the darker, blinder strata of character, are the only places in the world in which we catch real fact in the making, and directly perceive how events happen, and how work is actually done.

Individuals who were submerged in reality, merely feeling their needs, emerge from reality and perceive the causes of their needs.

In dreams you can have the feeling that you've had this dream before, that you have this dream over and over again, and you know that it's really nothing that simple. You know that there's a whole underground system that you call 'dreams,' having nothing better to call them, and that this system is not like roads or tunnels but more like a live body network, all coiling and stretching, unpredictable but finally familiar - where you are now, where you've always been.

I needed people to deliver my feelings back to me in a form that was legible. Which is a superlative kind of empathy to seek, or to supply: an empathy that rearticulates more clearly what it's shown.

I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.

I need to be happy. I need to set that example for my daughter so that she goes into something she loves, not because other people want her to do something. It's a good feeling, it's freeing.

I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.

I need to get better at learning how to stay calm. I'm a bit of a worrier and a stress cadet. Yoga helps me to some degree, but I haven't been able to figure out meditation yet. I have a feeling it would be very good for me, but unfortunately, I'm still holding it all in until I explode part of my life.

I need someone. I need to hold somebody close. And I need more than this holding. I need someone to understand how I feel at a time like now. And the understanding must be part of the holding.

In England, everyone believes if you think, then you don't feel. But all my novels are about joining together thinking and feeling.

'In empathic listening you listen with your ears, but you also, and more importantly, listen with you eyes and with your heart. You listen for feeling, for meaning. You listen for behaviour. You use your right brain as well as your left. You sense, you intuit, you feel.' ... 'You have to open yourself up to be influenced'.

I never get the accountants in before I start up a business. It's done on gut feeling, especially if I can see that they are taking the mickey out of the consumer.

I never had secure, belonging feelings with this society [in China].

I never felt a feeling that I knew or could know to be unlike the feelings of other people. I never consciously thought, except after patterns that the world or my fellows set for me.

I never experienced any feelings of closeness and caring from my parents.

I never find words right away. Poems for me always begin with images and rhythms, shapes, feelings, forms, dances in the back of my mind.

I never get over feeling bad about tearing open a beautifully wrapped present. It takes ten seconds to destroy a work of art that took someone ten minutes to accomplish.

I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.

I never had the feeling I ever had to make a dime doing anything.

I never have been a musician; I'm not actually capable. Because I can't even pretend to acquire the gift, all of my first feelings about art are still attached to music. I look at it yearningly, I look at it wonderingly. I behold it from afar, as something unattainable, something outside of myself, from which I can take nourishment, but I can't domesticate and master.

I never minded giving my opinions. They are just opinions, and I had studied music and I had strong feelings. I was happy for my opinions to join all the other opinions. But you have to be prepared for what comes back, especially if you don't agree with the dominant mythology.

I never imagined I could make it to the top of Mount Everest at age 80. This is the world's best feeling, although I'm totally exhausted. Even at 80, I can still do quite well.