Best 9217 quotes in «feelings quotes» category

I want to get that same feeling that everybody logging on to our website is sharing a little bit of an inside joke, and the rest of the world is oblivious to it although I want to have most of the world.

I want to express the feelings that everyone has felt at least once in music so i think people will feel/understand my song.

I want to draw and study a few things closely by feeling, not thinking.

I want to express my feelings, not illustrate them.

I want to make honest music and tell honest stories that hopefully reflect the thoughts and feelings other people have.

I want to make sure I'm fly. Nothing too baggy, something that fits right. I just like that feeling when you go out in public and everyone's like "Wow, that's an awesome outfit.

I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.

I want to see a revolution of kindness, because what happens is, when you're kind and you give, it's infectious. You give one time, and it's a great feeling and you want to do it again and again.

I want to make things that put me in the position of innocence, that recreate the feeling of innocence in you.

I want to play for my country, play for everybody, and I want to be there. I just feel like I have so many feelings and I want to play in the Olympics and feel how special if I can win that tournament.

I want to sing for people. I want them to have the music. It's a nice feeling.

I want to surrender to the feelings and shapes of words and not stop until I am clearly heard by myself and my God.

I want you." Feeling the grip of his hand in mine, the brush of skin on mine, seeing the way he moved in front of me, equal parts human and wolf, and remembering his smell - I ached with wanting to kiss him.

I want to turn the whole thing upside down I'll find the things they say just can't be found I'll share the love I find with everyone We'll sing and dance to Mother Nature's song I don't want this feeling to go away.

I was 30 when I did 'The Matrix.' When you turn 30, your life and your world view change. I remember feeling relieved - it was like I was seeing things in a deeper way.

I was a freshman and auditioned for the school play. Freshmen usually never got cast. I was the first freshman to be actually given a legitimate part and it was that feeling of 'Wow! I broke the system!

I was a keen observer and listener. I picked up on clues. I figured things out logically, and I enjoyed puzzles. I loved the clear, focused feeling that came when I concentrated on solving a problem and everything else faded out.

I was always into performing and dancing as a kid and acting was a safe place to have all my feelings, which is good as a child.

I was angry with myself because I still loved her, or at least I loved that dream of our togetherness. My feelings were unreasonable, irrational, and I couldn't change them. That hurt.

I was always the youngest boy in my class at high school. I have retained this feeling of being the youngest, even though now I am almost the oldest person I know.

I was always waiting for the secret to be handed down to me. Ron Howard asked me what I was waiting for and I went, "Ron, I'm waiting to know the secret. I keep feeling there's some sort of secret that's going to passed on from a director." He went, "Oh no. There is none. You've just got to on and do it and make mistakes and figure it out.

I was an emotional manipulator of fighters . . . You have to know how to be cold, you know? Just have no -emotions, no feelings. It takes time, though, to develop that. I'd been working on that since I was 12 years old. It doesn't happen overnight.

I was always wondering why the first ten minutes of eating fast food is heavenly and then after those ten minutes you start feeling like s**t?

I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.

I was aware that I was acting atrociously but I couldn't stop myself. Rarely had I behaved in such a manner. But I guess when we're feeling lonely in life, we attack those who actually do love us. It's one of the things that characterizes human nature and can be summed up in one word: FLAWED.

I was being honest - I have nothing to hide. All I do, all the time, with everybody, is tell them what I am thinking, what I am feeling.

I was born poor and without religion, under a happy sky, feeling harmony, not hostility, in nature. I began not by feeling torn, but in plenitude.

I was born to be a ballerina - my physique, my spirit, my feeling for music. What I am can only be expressed in dance. I am an erotic woman and that's what dance is.

I was brought up singing gospel, and I really enjoy getting the church up on their feet, their hips swaying, their hands clapping, it's a great feeling to evoke that energy for the Lord.

I was doing about five movies a year for many years. I was just so tired. I walked around feeling like a Mack truck hit me.

I was doing a children's book on self-esteem, and I really felt like I wanted to shed the shame I'd been feeling - and maybe make it easier for women my age who had probably felt bad about themselves.

I was dyslexic before anybody knew what dyslexia was. I was called 'slow'. It's an awful feeling to think of yourself as 'slow' - it's horrible.

I was eleven and I wanted to play it because it was in my blood. It was a feeling I couldn't deny

I was delighted to be able to do the movie ["Terminator: Genisys"] without getting exhausted or feeling old or tired or anything like this. I felt I was in great shape and I felt really young.

I was feeling a lot of confidence, so I wanted to take advantage of that and keep playing.

I was feeling as sick as the proverbial donkey.

I was feeling everything too much. Everything pulled at my eyes. I spent hours floating in pools.

I was feeling miserable physically, in a lot of pain to the point where it was almost crippling me, especially creatively. I decided to take that and use it as an inspiration for getting out of bed and making something again.

I was feeling very irritable. It was that difficult time of the month when the credit card statement arrives.

I was feeling that I was the in the dead-end circuit from 1980 to 1983, and I didn't know what else to do. I remember doing a show in some college town, in a tiny club, and afterward some fans came back. I thought I had done good gig and they were going to tell me that.

I was feeling a strong need to change, grow, and break with particular things that were going on in my life and my history, and the material was the perfect answer for that.

I was feeling guilty in the beginning; it was frustrating to be successful when a lot of my friends weren't. Also, I was constantly being reminded of that by people in my family making jokes.

I was feeling pretty good out there in the middle when I went in, but it was one of those things - sometimes you get a really good ball. If it gets you out you just have to forget about it and make sure you do the hard work out there next time you get in.

I was feeling real good and real manly. Until a real cowboy walked by and told me I had my hat on backwards. So much for my career as a cowboy.

I was feeling single, seeing double, wound up in a whole lotta trouble.

[I was] feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.

I was feeling privileged and self-conscious about my life as a musician, which feels self-absorbed. I can't help it, I am a musician. This is what I do.

I was feeling safe. Not the kind of safe where you know there are still bad things howling outside the door waiting to get in. No, it was the kind of safe where you sink down in your bed at the end of the day and know you can go to sleep and everything is going to be the same tomorrow.

I was like, 'What is this?' Until I found out it was stress related. That's how I internalized it. I don't do that anymore. My favorite saying in the world is, 'The privilege of a lifetime is being who you are.' I am telling you, I have spent so much of my life not feeling comfortable in my skin. I am just so not there anymore.

I was just a kid. I think I stole a candy bar. I remember feeling so terrible. It was the worst shock. I was probably 7. That's my least favorite feeling: guilt.