Best 9217 quotes in «feelings quotes» category

You have to accept that sometimes that's how things happen in this world. People's opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.

You have something to say. Something of your very own. Try to say it. Don't be ashamed of any real thought or feeling you have. Don't undervalue it. Don't let the fear of others prevent you from saying it... You have something to say, something that no one else in the world has said in just your way of saying it.

You have the ability to give so much to the world by emitting feelings of love and well-being, despite what is happening around you.

You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.

You have to be careful because those feelings and bitterness can take over and consume in a bad way.

You have to deduce a person's real feelings about a thing by a smile she does not know is on her face, by the way bitterness tightens muscles at a mouth's corner, or the way air is allowed to flow from the lungs.

You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.

You have to have a feeling for where you are. You've got only one life to live and you don't have to live it for six people. Pay attention to it.

You have to imbue the characters with their own sort of feeling of justification and morality. Everyone has that, whether we see them as evil or not. So I try to bring the characters to life by making them likable or lovable, in the sense that they can be, at least to themselves.

You have to go out onto the pitch feeling good about yourself. That can give you that extra 30 per cent.

You have to surround yourself with friends and loved ones because they're the only ones that will fight for you. It's always a battle to get the extra feeling in there, to push it further, to lose yourself. We can't be living constantly with some numb relationship.

You have to trust your own instincts about what is appropriate and what is not appropriate and trust your own feelings about what you can and can't show for yourself, and it'll be different for everybody.

You have to trust that if you are calling my name in a way that is offensive to me, I'm going to share it with you. But you also have to know what your feelings are behind calling me "bell.

You have trouble feeling alive, so you stab your own heart just to feel something. It was the emptiness that was killing you. You created the sadness and the fear to fill it.

You hear the beginning of a melody, you should kind of know it's going to lead down this path. It should start feeling like a friend, like familiar.

You hurt my feelings." He shoots me a wounded look. "I wasn't aware that you had any.

You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.

You know an odd feeling? Sitting on the toilet eating a chocolate candy bar.

You know Bobby, when I was your age I'd drive the ball right over those trees at the corner.' Feeling challenged Mr. Cole hit a big driver right into those big trees. Snead then said 'Of course, when I was your age, those trees were only 10 feet high.

You know, Chihiro, darling- all it takes is one little wrong step and you end up feeling frustrated your whole life, like me.

You know, feeling and action are always linked, one can't exist without the other. It's sort of a hippie thing.

You know how you finish a bag of chips and you hate yourself? You know you’ve done nothing good for yourself. That’s the same feeling, and you know it is, after some digital binge. You feel wasted and hollow and diminished.

You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.

You know, it's a truism that writers for children must still be children themselves, deep down, must still feel childish feelings, and a child's surprise at the world.

You know my feelings: every day is a gift. It's just, does it have to be socks?

You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going

You know, Michael, I used to sit around looking for a way to make sense of what happened, like there was some kind of answer I could find if I just looked hard enough. Then one day I realized that if there had been one, Dave would still be here. And I wondered if this...this feeling that I couldn't figure it all out...was what Dave had been feeling, too.

You know that feeling you get when your leg falls asleep? Well, I suddenly had that feeling in my spine. Like termites were chewing through the marrow in my backbone.

You know that feeling when you finish a final exam and you think, 'I never want to do that again'? Well I have the same feeling when I finish a novel. Each time I say, 'I think I may retire now' and then after six months the ideas start to churn again. I could never stop.

You know, Vik, you’re amazingly human at times. (Alix) I know. But I wonder if the feelings I have are real or just electrical stimulations in my cortex that simulate human emotion. I wish I knew if they were real or imagined. (Vik) And that makes you completely human, sweetie. We all have those doubts. (Alix)

You know, whenever I was presented with a challenge that brought up feelings of fear or self-doubt, I almost always said, 'Yes'.

You know what we need to heal are the thought forms and the feelings that cause us to create war and mass destruction on this kind of a level, because ultimately if we are to survive as a species, we have to become a human race for whom the thought of war is unthinkable.

You know, you spend your whole life feeling like you don't quite fit in anywhere.  And then you walk into a room one day, whether it's at university or an office or some kind of club, and you just go, 'Ah. There they are.' And suddenly you feel at home.

You learn something from the classics but your feelings and your imagination operate in the domain of the colloquial. We need to think seriously about reforming the Arabic that we use today.

You look for the roles where, when you read it, you're just like, "Yes, I know that. I know that feeling. I know what it means to feel like that. I know this person." When you have a soulful connection to a part, that's a dream come true.

You may call a jay a bird. Well, so he is, in a measure--because he's got feathers on him, and don't belong to no church, perhaps;but otherwise he is just as much a human as you be. And I'll tell you for why. A jay's gifts and instincts, and feelings, and interests, cover the whole ground. A jay hasn't got any more principle than a Congressman.

You may find somebody refreshing until they drop the N-word on you and then you're no longer feeling refreshed, you're just feeling offended. And where we draw that line as a society is sort of akin to what the Supreme Court said on pornography, you know, you know it when you see it. And it's different for each person.

You may get an emotional thrill when you first buy something, but emotions are fickle. You buy that one thing you think will complete your happiness, but after awhile the feeling goes away and you have to go to the next thing. You just keep going from purchase to purchase looking for the one thing that will finally satisfy. But stuff can't satisfy.

You may have heard about living today, tomorrow, or "tonow." Tonow, children tell us, is a gift, which is why we call it "the present." Children understand that tonow is the place to live. The present is really the only moment we have. Sure, bad things can happen in the tonow. But when bad things happen to children, they show us the way again, because they know how to be in touch with their feelings and needs.

You may have success in life, but then just think of it - what kind of life was it? What good was it - you've never done the thing you wanted to do in all your life. I always tell my students, go where your body and soul want to go. When you have the feeling, then stay with it, and don't let anyone throw you off.

You must assume the feeling of the wish fulfilled until your assumption has all the sensory vividness of reality. You must imagine that you are already experiencing what you desire. That is, you must assume the feeling of the fulfillment of your desire until you are possessed by it and this feeling crowds all other ideas out of your consciousness.

You might question a winkle - a feeling that came to you right out of the blue - but you didn’t question knowing.

You might be feeling sick or a little down, but the second you hit the stage and hear the crowd, you're ready to perform. That's what a true performer is.

You must be a terrible burden to your mother. I am feeling so sorry for her not to have a proper daughter." Mrs. Apusenja - To the Nines

You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing.

You must hand yourself and all your inward experiences, your temptations, your temperament, your frames and feelings, all over into the care of your God, and leave them there. He made you and therefore He understands you, and knows how to manage you, and you must trust Him to do it.

You must learn to translate wisdom and strong feelings into labor.

You must strive to become much less susceptible to influences outside of yourself and much more inclined to trust the instincts and feelings that lie within you.

You need to be able to hit, kick, grapple, wrestle, but for me so much of this is about the mind, about feeling you are in complete control of the space around you, and you know what to do at any moment. That is a wonderful feeling, but it doesn't just happen, you have to work for it, train for it, think about it all the time.

You must understand the feeling of originating as opposed to imitating.