Best 9217 quotes in «feelings quotes» category

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    I had a great dislike to the annoyances entailed by baggage; and it was always with some feeling of elation that I cut myself free from everything but what I could carry about me. Like children, portmanteaus and trunks are hostages to fortune.

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    I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.

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    I had a hard time treating my field as if it’s horse racing, putting actors in competition against each other. I see how the industry and the studios feel it’s important, but I don’t really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.

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    I had a horrible feeling my leg was broken. If it wasn’t, it had a lot of explaining to do.

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    I had a rule that I would never force the muse in my younger days. I would follow the feeling. I would just put the pen down and walk away, and wait for it to come back. But these days, I have a kid, I tour a lot, and I'm always short on time.

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    I had a real feeling of being fated to be an actor and do my work, and I remember so much speaking up in a room full of people who authentically knew as much or more than me, and feeling like I was absolutely equal, and what I had to say was important.

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    I had a really good feeling about that match. You know, they are good friends, and Chris had to feel really relaxed because of being out there with Tiger.

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    I had been feeling a little rum. I didn't think it was anything serious because years ago I felt a lump and it was benign. I assumed this would be too. It kind of takes the wind out of your sails, and I don't know what the future holds, if anything.

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    I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.

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    I had learnt to seek intensity rather than happiness, not joys and prosperity but more of life, a concentrated sense of life, a strengthened feeling of existence, fullness and concentration of pulse, energy, growth, flowering, beyond the image of happiness or unhappiness.

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    I had good parents. Nothing terrible happened. But I had the feeling that they kind of protected me from reality somehow.

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    I had gradually come, by this time [1839-01], to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow as a sign, etc., etc. and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian.

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    I had no system of shooting as such. It is definitely more in the feeling side of things that these skills develop. I was at the front five and a half years, and you just got a feeling for the right amount of lead.

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    I had neither the good sense nor the good feeling to know that this was all my fault, and that if I had been easier with Joe, Joe would have been easier with me. I felt impatient of him and out of temper with him; in which condition he heaped coals of fire on my head.

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    I had often wondered how to best decolonize my people... It must be done one human being at a time. Without that kind of help, Western society does not allow people to come to terms with their feelings. With honesty and therapy, my people can be made whole again.

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    I had the feeling I had to stay focused on what's lying under. A big part of the story in Toni Erdmann happens on the sub-level. On the surface, a lot of scenes, it's banal. If the actor starts thinking, "Oh, I'm in a genre, I'm doing a comedy, I'm doing funny things," then you lose.

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    I had the feeling that if I encountered anyone they would intuit my disgrace and would judge me instantly. Nothing is more isolating than having a particular history. At least that's what I thought. Now I know: all pain is the same. Only the details are different.

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    I had seen ardency in men's eyes, but I had only felt it once. With Flauvic, false and therefore easy to dismiss. I suddenly wished that I could feel it now. No, I did feel it. I did have the same feeling, only I had masked it as restlessness, or as the exhortation to action, or as anger. I thought how wonderful it would be to see that spark now, in the right pair of eyes.

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    I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.

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    I had the conviction that lovemaking fools you. The overpowering emotions it induces make you think you're sharing the same feelings as the other person and that they're imagining the same as you.

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    I had the feeling Edward wasn't the kind of person anyone got used to.

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    I had the feeling of being crushed under a rock till I could see only one crack of light, and that was the love of God.

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    I had the feeling that Sarajevo was the perfect place to shoot the film I wanted to shoot. It is the perfect illustration of purgatory.

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    I had polio when I was 13. I started feeling stiff, my joints ached, and over a two-week period I lost my coordination and 20 pounds.

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    I had promised myself when I first got started that if I got to the point my life where I started feeling 'Gee, I'd rather be at home than at work', and that started happening more often than not, that it would be time to leave. I'd wake up some days and go "Oh, I don't even know if I want to go face this anymore". I would, I would go do it, I'm a dutiful kind of person and not afraid of work.

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    I had that feeling of just pure joy and I went out there and put it in my program.

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    I had that trapped feeling, like some sort of a poor insect that you've put inside a downturned glass, and it tries to climb up the sides, and it can't, and it can't, and it can't.

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    I had the feeling I was going to be successful, and I didn't want to be another disappointing Indian.

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    I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.

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    I had the feeling . . . that my experience was very different from other people’s.  (Are we all under this illusion?)

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    I had these little babies [my twins] and it gave me something so spectacular, such a feeling - I was so turned on and so excited by them that I wrote a poem. I had it on scraps of paper and the maid threw it out.

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    I had to put the company through a reorg, raise a new round of financing, and sort of press the restart button. But my feeling was that I wasn't going to be bullied. I wasn't going to let them take me down. I had to pull myself together and move forward.

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    I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.

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    I had this feeling like the solution to everything would be down there if only I could dig through all those clouds.

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    I had this feeling that he and I , in this moment, were a car crash, and instead of putting on the brakes, I was hitting the accelerator.

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    I happen to have a tremendous feeling for Mexican-Americans, not only in terms of friendships but in terms of the tremendous numbers that I employ in the United States. And they are amazing people, amazing people.

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    I hardly ever write when I'm just feeling great.

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    I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.

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    I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.

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    I hated it. I hated this. I hated feeling so terrible because of someone else.

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    I hate feeling full, so Christmas is about the only time I really stuff myself.

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    I hate feelings. Why does sobriety have to come with feelings?

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    I hate Dr Phil. Dr Phil told me to express my feelings, so I'm expressing them.

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    I hate feeling late. Someone else has the courtesy and respect to show up on time, and when I'm late, it's like telling them, "I don't respect you." Worst feeling in the world. It makes you really reflect on your priorities.

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    I hate death; it takes people away from you. You're left feeling rudderless.

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    I hate feeling too complacent when I write. I like to be solving new problems.

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    I hate going into a room with people in it and the feeling of them staring. I find every moment excruciating.

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    I hate Mondays - I hate that feeling you've got to get yourself up.

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    I hate the feeling of falling - I'll never jump from a plane - but I love a good roller coaster. Go figure!

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    I have a brother who's a psychologist. He says three-quarters of the world are born feeling that they will be affected by the world; one quarter are born knowing that they will affect the world