Best 9217 quotes in «feelings quotes» category

Whatever the time or circumstances, the feeling that I am a peasant gives me a rare self-sufficiency. Indeed, the land is always there. I can go back to it at any time.

Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.

Whatever we choose to imagine can be as private as we want it to be. Nobody knows what you're thinking or feeling unless you share it.

Whatever you do with your life-whatever you end up achieving or not achieving-the great gift you have in you to give to the world is the gift of who you alone are; your way of seeing things, and saying things, and feeling about things, that is like nobody else’s. If so much as a single one of you were missing, there would be an empty place at the great feast of life that nobody else in all creation could fill.

What feminism did was make clear for me how much I longed for clarity. I got married twice, each time in a fog. I had so many complicated feelings I couldn't understand.

Whatever you're feeling is what you're vibrating and what you're vibrating is what you're attracting

Whatever you see me do is spontaneous reactions on stage. It's nothing planned. It's nothing that I got in the room and tried to think of hard. It just happens through feeling.

What good is any feeling we may have about ourselves, if it only lasts as long as others agree to it?

What happens in a certain place can stain your feelings for that location, just as ink can stain a white sheet.

What happens [in a coma] is that you lose the grounding of the self, you no longer have access to any feeling of your own existence.

What happens when you have great grief in your life is the arteries of that heart begins to spasms down, just literally squeezes down like this because you're feeling the tension of your life and then the heart muscle itself will also begin - to get stressed out.

What happens in a certain place can stain your feelings for that location, just as ink can stain a white sheet. You can wash it, and wash it, and still never forget what has transpired - a word which here means 'happened, and made everybody sad'.

What have I done, dear God, to deserve this perpetual feeling that I'm almost ready to begin something really new?

What I am feeling in myself, and what is happening to my physical body, to some extent, and what is happening to me mentally, is not a depression, is not a death. It is a transformation. It is a transcendence.

What I desire of a poem is a clear understanding of motive, and a just evaluation of feeling A poem in the first place should offer us a new perception..bringing into being a new experience Verse is more valuable than prose for its rhythms are faster and more highly organised and lead to greater compexity.

What I did find out because I grew up with a lot of chaos early on: sometimes, you're born into a family, and their norm is already in your red zone of dangerous feeling or feeling too chaotic. You don't get to really do anything about that when you're a kid.

What I do on my solo stuff is just the most natural version of who I am, and I’m trying to represent the feelings that I’m feeling as purely as possible

What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.

What I do with my books is to create windows to my world that all may peer into. I share the images, the feelings and thoughts, and, I hope, the delight.

What I got was not so much gifts and whishes come trues but a feeling of peace. I got peace itself, actually. And when you have peace, you can be strong; and when you are strong, you can get through what you have to get through, and not with exhaustion and frown marks and slumped shoulders but with relative happiness, and humor, and sometimes even gaiety.

What I like most about track is the feeling I get after a good run.

What I love about Inuit carving is that it's so narrative, but it doesn't have the temporal dimension of an illustrated picture, where it feels like something happens before or after. Everything is happening in the sculpture, and you can hold the whole story in your hand. A lot of these sculptures are small enough that you can hide them in your hand completely so you're not looking at them, you're just feeling them. I

What I loved about [The Other Woman] movie was the same thing. It was three women who would never have come together for any other reason except that they had something in common which was this common cause, and that's really the feeling that I wanted this movie to have. It was a huge influence for it.

What I love most about New York is that I can walk in the street and nobody is looking at me as if I'm different. In my country and in Italy, you have to choose sides. I was a famous journalist and I was also an immigrant and ultimately I never stopped feeling like I was a guest.

What I need is courage, and this often fails me. And it is also a fact that since my disease, when I am in the fields I am overwhelmed by a feeling of loneliness to such a horrible extent that I shy away from going out. But this will change all the same as time goes on. Only when I stand a painting before my easel do I feel somewhat alive. Never mind, this is going to change too, for now my health is so good that I suppose the physical part of me will gain the victory.

What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.

What interferes with this peaceful feeling is our expectation of reciprocity.

What I really believe is the only hopeful relation between our life and the whole of life is one of reverence and respect and of feeling at one with it. The other attitude which is the one our society is based on is devastating and it is killing the earth and it is killing us too.

What is artistically good is whatever articulates and presents feeling to our understanding.

What I really want to say: That what the world really needs is a real feeling of kinship. Everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers.

What is a sense of humor? Surely not the ability to understand a joke. It comes rather from a residing feeling of one's own absurdity. It is the ability to understand a joke, and that the joke is on oneself.

What is a weed? A plant whose virtues have not yet been discovered.[What is a sorrow? A feeling whose benefits have not yet been discovered]

What is best about our lives -the moments when we are, as we would put it, at our happiest- is both pleasant and deeply unpleasant. Happiness is not a feeling; it is a way of being. If we focus on the feelings, we will miss the point.

What is extraordinary is that in the United States the current culture desires feelings of machismo and power, but at the same time has absolutely no taste whatsoever for even the slightest loss or bloodshed or ickiness. That's a fascinating combination.

What is good? All that heightens the feeling of power, the will to power, power itself in man.

What is hope but a feeling of optimism, a thought that says things will improve, it won't always be bleak, there's a way to rise above the present circumstances. Hope is an internal awareness that you do not have to suffer forever, and that somehow, somewhere there is a remedy for despair that you will come upon if you can only maintain this expectancy in your heart.

What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.

What is good? All that heightens the feeling of power, the will to power, power itself. What is bad? All that is born of weakness. What is happiness? The feeling that power is growing, that resistance is overcome.

What is important to my work is the individual picture. I photograph stories on assignment, and of course they have to be put together coherently. But what matters most is that each picture stands on its own, with its own place and feeling.

What is good? All that enhances the feeling of power, the Will to Power, and power itself in man. What is bad? — All that proceeds from weakness. What is happiness? — The feeling that power is increasing — that resistance has been overcome.

What is it indeed that gives us the feeling of elegance in a solution, in a demonstration?

What is life? Thoughts and feelings arise, with or without our will, and we employ words to express them. We are born, and our birth is unremembered and our infancy remembered but in fragments. We live on, and in living we lose the apprehension of life. How vain is it to think that words can penetrate the mystery of our being. Rightly used they may make evident our ignorance of ourselves, and this is much.

What is needed is a spirit of boundary dissolution, between individuals, between classes, sexual orientations, rich and poor, man and woman, intellectual and feeling toned types. If this can happen, then we will make a new world. And if this doesn't happen, nature is fairly pitiless and has a place for us in the shale of this planet, where so many have preceded us.

What is of most moment of compassion is not feelings of pity but feelings of togetherness.

What is prejudice? An opinion, which is not based upon reason; a judgment, without having heard the argument; a feeling, without being able to trace from whence it came.

What is perceptible to one’s mistrust is the cut-and-dried way that life is divided up and the ready-made form it assumes, the ever-recurring sameness of it, the pre-formations passed down by generation after generation, the ready-made language not only of the tongue but also of the sensations and the feelings.

What is so striking in the book of Jeremiah is how many times it is impossible to distinguish between the words of Jeremiah and the words of God, when deep feelings are being expressed. That is probably intentional. The prophet not only speaks what God says, he also feels what God feels. The tears of the prophet are the tears of God.

What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.

What is the point of abusing yourself with guilt in the first place? If you did make a mistake and act in a hurtful way, your guilt won't reverse your blunder in some magical manner. It won't speed your learning processes so as to reduce the chance you'll make the same mistake in the future. Other people won't love and respect you more because you are feeling guilty and putting yourself down in this manner. Nor will your guilt lead to productive living. So what's the point?

What is there more kindly than the feeling between host and guest?