Best 9217 quotes in «feelings quotes» category

Human society needs essntially fellow-feeling and unity. When these two are present, humanness will flourish.

Humans aren't as good as we should be in our capacity to empathize with feelings and thoughts of others, be they humans or other animals on Earth.

... hunger and cold, ill-health and pain are nothing. They pass. The thing that remains is ignorant criticism, well-meaning but futile advice, the contempt of a subordinate, the feelings of the underdog.

Humourists lead... an existence of jumpiness and apprehension. They sit on the edge of the chair of Literature. In the house of Life they have the feeling that they have never taken off their overcoats.

Humor is the healthy way of feeling "distance" between one's self and the problem, a way of standing off and looking at one's problem with perspective.

Humility is not simply feeling small and useless - like an inferiority complex. It is sensing how great and glorious God is, and seeing myself in that light.

I actually feel something in my chest open, a feeling so intense, it’s like my heart’s about to burst. And I just let it. I just let it out.

I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.

I actually try not to go on my phone too much. That's something that's been a huge self-care move for me. I got rid of my iPhone, and so I'm actively working toward trying to be more present and not feeling uncomfortable when I don't have it as a coping mechanism.

I allow myself to have my feelings of disappointment and discouragement, but never to sit and wallow in them.

I also don't believe that whatever come after life depends on my correctly reciting a list of my transgressions-that sounds too much like an Erudite afterlife to me, all accuracy and no feeling.

I also have a feeling your mother’s going to have a very ugly conversation with me." – Dimitri

I also had nightmares. Somehow all the feelings I didn't feel when each thing had actually happened to me I did feel when I slept.

I also just get so ecstatic hearing and feeling the noise in general and it still makes me giggle inside playing certain sounds. One of the downsides is that in order to produce certain sounds, I'm totally using my arms the wrong way and sometimes that worries me. But then that physical strain puts me in a different state of mind to bring out different dimensions in the music, I suppose.

I always, at least back then, struggled with emotion in writing. I felt like I could do odd, unusual things, but there wouldn't be enough feeling in them, and maybe if there's a progression at all to anything that I've done it's that I've always wanted to have a high - an almost overwhelming - degree of feeling in what I write.

I always felt really guilty if I spent too much time playing video games. It's a colossal waste of time. And I can't say it's a very satisfying feeling at the end of the day, if you've spent eight hours playing a video game; you just end up feeling kind of spent, and used.

I always enjoyed the feeling of being onstage - the magic that comes. When I hit the stage it’s like all of a sudden a magic from somewhere just comes and the spirit just hits you and you just lose control of yourself.

I always find myself loathing what I've just been before - the person who was living in the apartment that I just left, the person I was a year before. I constantly have the feeling of shedding skins and changing.

I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.

I always have kind of underneath feeling of peace of mind that I get from just the basic tenants of spirituality.

I always have this feeling that I'm losing everything, so I'm a real saver.

I always get this feeling on my last day of work that I'm never going to work again.

I always had a feeling, for example, that there should be something from Verdi's "Requiem" in the film. You hear it when you see the lava flow in Iceland. That turned out to be a very easy choice.

I always had an affinity for lizards. I've always felt somewhat close to them. They're reptiles. I find myself feeling somewhat reptilian at times.

I always had the uncomfortable feeling that if I wasn't sitting in front of a computer typing, I was wasting my time - but I pushed myself to take a wider view of what was "productive." Time spent with my family and friends was never wasted.

I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.

I always have those feelings - lucky and blessed - and I don't know if they'll ever go away. I really hope they don't, as I think it keeps you grounded. That's how I feel about every film I do.

I always had this put-together family, and I always identified as the outsider. And that's a position where I feel most comfortable, and yet I feel an incredible longing to belong. That is really a strong feeling from my childhood - a desire to be part of a group.

I always get back to the question, is it really necessary that men should consume so much of their bodily and mental energies in the machinery of civilized life? The world seems to me to do much of its toil for that which is not in any sense bread. Again, does not the latent feeling that much of their striving is to no purpose tend to infuse large quantities of sham into men's work?

I always have the feeling that I'm sitting around not doing anything with my life. A little Calvinist guilt that I should be more productive.

I always make music that's reflective of the mindset I'm in at the time, and how I'm feeling.

I always know it's Sunday because I wake up feeling apologetic. That's one of the cool things about being a Catholic . . . it's a multifaceted experience. If you lose the faith, chances are you'll keep the guilt, so it isn't as if you've been skunked altogether.

I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.

I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.

I always like to start my morning with a good amount of fruit. I really like pineapple, particularly because of the enzymes that it has. Sometimes I have oatmeal. But if I'm feeling like I really want to be watching my weight more, then I definitely do a protein, like an omelet, scrambled eggs or some smoked salmon.

I always liked the magic of poetry but now I'm just starting to see behind the curtain of even the best poets, how they've used, tried and tested craft to create the illusion. Wonderful feeling of exhilaration to finally be there.

I always like junkyards. All this metal piled up - they're filled with pathos, those places. Much more pathos than most of the music I've heard. You look at it, and there's more feeling, even though it's depressing, than there is in a lot of music I hear these days. A junkyard is what it is, whereas listening to a record by, say, Styx, is something else.

I always make music that's reflective of the mindset I'm in at the time, how I'm feeling.

I always say you can self-medicate through closet cleaning. Everyone knows that feeling of a clear surface, and how it makes you feel you can really focus and start your work.

I always tell my students, go where your body and soul want to go. When you have the feeling, then stay with it, and don't let anyone throw you off.

I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life.

I always started a job with the feeling that I'd soon quit or be fired, and this gave ma a relaxex manner that was mistaken for intelligence or some secret power.

I always think there will be that time that people will find out that I'm crap at what I do.

I always thought the saddest feeling in life is when you're dancing in a really joyful way and then you hit your head on something.

I always try to keep that feeling of being on the edge. I'm afraid of knowing too well and seeming mechanical.

I always wanted to play Roxie Hart in Chicago and also Sally Bowles in Kander and Ebb's Cabaret, but I have a feeling I won't now! I've also always wanted to play Maria in The Sound of Music, but don't suppose I'll ever do that either!

I am a Jew, but I am enthralled by the luminous figure of the Nazarene….No one can read the Gospels without feeling the actual presence of Jesus.

I am a mother and I know the feeling of having a baby come out of my gut. I have a baby and then you send him off to war. No wonder the kids rebel and take pot.

I am a pack of nerves while waiting for the moment, and this feeling grows and grows and grows and then it explodes, it is a physical joy, a dance, space and time united. Yes, yes, yes, yes!

I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason.