Best 657 quotes in «life and death quotes» category

The song is an unvarnished love shout, an implorement tinged with...anger? Something like anger, but the anger of a philosoher, the anger of a pot. An anger directed at the transience of the world, at its heartbreaking beauty that collides constantly with our awareness of the fact that everything gets taken away, that we're being shown marvels but reminded always that they don't belong to us. They're sultans' treasures; we're lucky, we're expected to feel lucky to have been invited to see them at all.

The stars are dead, but their memories fill the sky

The Tao of 'good' and 'evil'... The eternal Tao resides prior to and beyond all duality. All apparent opposites resolve at a higher level of awakened consciousness or living in harmony with the Way. The eternal Tao is at the center expanding infinitely. Yet within each universal moment of existence there exists a balance of attraction and action. In the realm of the material and the sentient there exists a free will choice of movement toward or away from the infinite center which is life, which is love, which is the One, so at the level of sentient planetary existence it is not a choice so much of good or evil but instead a choice of movement toward life or death...

The true terror Jonah thought the true mystery of life was not that we are all going to die but that we were all born that we were all once little babies like this unknowing and slowly reeling in the world gathering it loop by loop like a ball of string. The true terror was that we once didn't exist and then through no fault of our own we had to.

The True Man of ancient times knew nothing of loving life, knew nothing of hating death. He emerged without delight; he went back in without a fuss. He came briskly, he went briskly, and that was all. He didn't forget where he began; he didn't try to find out where he would end. He received something and took pleasure in it; he forgot about it and handed it back again.

The vanities of life:pleasure, possession, position and power.

The vessel dies, but the Spirit lives on.

The whirlwind of life. Spinning so quickly you can loose sight. But hold tight. In a blink of an eye, time swallows light.

The worker picked up Pakhom’s spade, dug a grave, and buried him - six feet from head to heel, exactly the amount of land a man needs.

The world, as it is, is not a permanent reality, but is a temporary product of our choices as creators.

The world is a good place. Even with pain in it. Even with death.

They continued on to London, and she's there, safe and sound, waiting for you.' 'You can't know for sure.' Piers swung up into the carriage. 'You will never know for sure if she's dead or alive unless you keep her near you all the time,' Sebastian said with perfect, if maddening, accuracy.

They’re going to drop a nuke on New York! Hurry up! We need to leave, right now!

They were of the past, and the past always mend itself, no matter how me interfere.

They say the brain never ages it’s a shame it can't teach the body that trick.

They were of the past, and the past always mends itself, no matter how me interfere.

Thick is the darkness-- Sunward, O, sunward! Rough is the highway-- Onward, still onward! Dawn harbors surely East of the shadows. Facing us somewhere Spread the sweet meadows. Upward and forward! Time will restore us: Light is above us, Rest is before us.

Thinking, Garraty thought. That’s the day’s business. Thinking. Thinking and isolation, because it doesn’t matter if you pass the time of day with someone or not; in the end, you’re alone.

Things stayed peaceful in there, even as the crashing vehicles and the cries of the injured and dying reached a crescendo outside. "I fry mine in butter!" indeed.

This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.

Though his health and family had been broken in the process, he'd found his purpose in life — to share the ancient key discovered anew in the garden: if we feed the earth, it will feed us. I see that is the secret, too, to living. Though the earth demands its sacrifices, spring will always return

This was the first time I thought of S— that day. Her music was beautiful, her voice was beautiful, her body was beautiful. Even the dirty little pads of her feet were beautiful. I cursed myself then. For once, heaven had sent me Beauty in its most perfected form and I abandoned it. She might not have been a girl after all but an angel: a force to guide me on this hazardous path of life I hurry down. How can life be hazardous if it can only end in death?

Though death might still the show, life would be the most critiqued act of our existence. Own your stage.

Three days after the liberation of Buchenwald, I became very ill; some sort of poisoning. I was transferred to a hospital and spent two weeks between life and death. One day when I was able to get up, I decided to look at myself in the mirror on the opposite wall. I had not seen myself since the ghetto. From the depths of the mirror, a corpse was contemplating me. The look in his eyes as he gazed at me has never left me.

This life is not perfect, live it to the full, it's all we have

. . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me.

Time is your acquaintance, life is your friend, death is your enemy, and existence is your soulmate.

Tinha a perpétua sensação, enquanto olhava os carros, de estar fora, longe e sozinha no meio do mar; sempre sentira que era muito, muito perigoso viver, por um só dia que fosse.

To live the life the gods have given you, you must clutch wisely, then run. Run like the houds of hell on a sinner's scent!

Two Songs For The World's End I Bombs ripen on the leafless tree under which the children play. And there my darling all alone dances in the spying day. I gave her nerves to feel her pain, I put her mortal beauty on. I taught her love that hate might find, its black work the easier done. I sent her out alone to play; and I must watch, and I must hear, how underneath the leafless tree, the children dance and sing with Fear. II Lighted by the rage of time where the blind and dying weep, in my shadow take your sleep, though wakeful I. Sleep unhearing while I pray - Should the red tent of the sky fall to fold your time away, wake to weep before you die. Die believing all is true that love your maker said to you Still believe that had you lived you would have found love, world, sight, sound, sorrow, beauty - all true. Grieve for death your moment - grieve. The world, the lover you must take, is the murderer you will meet. But if you die before you wake never think death sweet.

To them he’s the slightly less frightening alternative to the grim reaper.

Two puzzles that cannot be solved: The miracle of birth and misery of death.

Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.

Two Things to be accepted for sure in life time? 1. Birth 2. Death

Uselessness Let mine not be the saddest fate of all, To live beyond my greater self; to see My faculties decaying, as the tree Stands stark and helpless while its green leaves fall Let me hear rather the imperious call, Which all men dread, in my glad morning time, And follow death ere I have reached my prime, Or drunk the strengthening cordial of life's gall. The lightning's stroke or the fierce tempest blast Which fells the green tree to the earth to-day Is kinder than the calm that lets it last, Unhappy witness of its own decay. May no man ever look on me and say, 'She lives, but all her usefulness is past.

Up the coast a few miles north, in a lava reef under the cliffs, there are a lot of rock pools. You can visit them when the tide is out. Each pool is separate and different, and you can, if you are fanciful, give them names - such as George, Charlotte, Kenny, Mrs Strunk. Just as George and the others are thought of, for convenience, as individual entities, so you may think of a rock pool as an entity: though, of course, it is not. The waters of its consciousness - so to speak - are swarming with hunted anxieties, grim-jawed greeds, dartingly vivid intuitions, old crusty-shelled rock-gripping obstinancies, deep-down sparkling undiscovered secrets, ominous protean organisms motioning mysteriously, perhaps warningly, toward the surface light. How can such a variety of creatures coexist at all? Because they have to. The rocks of the pool hold their world together. And, throughout the day of the ebb tide, they know no other. But that long day ends at last; yields to the night-time of the flood. And, just as the waters of the ocean come flooding, darkening over the pools, so over George and the others in sleep come the waters of that other ocean; that consciousness which is no one in particular but which contains everyone and everything, past, present, and future, and extends unbroken beyond the uttermost stars. We may surely suppose that, in the darkness of the full flood, some of these creatures are lifted from their pools to drift far out over the deep waters. But do they ever bring back, when the daytime of the ebb returns, any kind of catch with them? Can they tell us, in any manner, about their journey? Is there, indeed, anything for them to tell - except that the waters of the ocean are not really other than the waters of the pool?

Usually, we hate the noise but sometimes we feel empty without that noise!

Water in, water out until there is no water to run and the riverbed runs dry. That's life

viață la care ne’Omul ține atât de mult, deși nu-i servește la nimic; e doar un ghem putred de întrebări fără răspuns.

We all have a different sightl and lifestyle, but we end up all the same in peace.

We are surprised not by someone’s death but by its cause or date.

We all share three things in common: We are breathing, we have a heart, and most importantly we have twenty four hours to live. With those things, we should not have an excuse as to why the dash between our birth and death dates is so much more smaller than the length in which we walked the Earth. We have the air to live, we have a heart to have passion and care, and we have the time to make the change and better world happen.

We are bound to expire Even metal which is sturdiest, Rusts. Even oxygen, the breath of life, Soon transpires. 8/6/11 -Luis Medina

We are so rebellious that when we die our cells refuse to live a second longer. But our souls they live always....

We brought nothing into this world and it is certain we can carry nothing out.

We can learn so much about the living, according to how they treat their dead. And we can see the true colours of people coming out, when we observe how they act and react, to the circumstances that come about after the death of a loved one. Lastly, we learn about the things most important in our lives, when we experience the loss called death. It is extraordinary how death can give back so much to life and to the living.

We can only live life when we understand life.

We definitely don't exist just for the sake of welcoming death someday; I believe we live for the sake of living on." —Kazuto Kirigaya "Kirito" (Sword Art Online)

We live, we love, we let it go.

We don't know where we come from and where we go, we fill the missing links with whatever our imaginations can provide us